6 Common Reverb Mistakes to Avoid

Summary

In this educational video, the host discusses common mistakes to avoid when using reverb in audio production. Key points include the importance of using EQ before reverb to prevent unwanted low-end buildup, setting appropriate reverb times to match the music's tempo and phrase lengths, and the benefits of applying reverb through an auxiliary track for better control. The video also advises against overusing or relying solely on stock reverbs, the creative use of automation to enhance reverb effects, and the potential pitfalls of using too many different reverb types, encouraging a thoughtful approach to achieve a balanced mix.

Takeaways

• 🔊 Forgetting to use EQ on reverb can lead to an exaggerated low end, which can negatively affect the clarity of your mix.
• 🎚️ High-passing before the reverb on certain instruments like snare and kick drums helps in maintaining a clean low end and prevents unwanted rumble.
• 🕒 Setting the wrong reverb time, such as using too long a decay, can make the reverb inaudible or overwhelming, especially between phrases.
• 🎵 Adjusting reverb time to match the tempo and spacing of phrases in a song is crucial for a natural and effective reverb sound.
• 🚫 Avoiding the direct placement of reverb on tracks post-mixing can prevent unintended changes in track levels and helps in achieving a desired effect.
• 🔄 Using separate auxiliary tracks for reverb provides more control and flexibility, especially when applying reverb to multiple instruments.
• 🛠️ Utilizing stock reverbs can be just as effective as third-party plugins, and mastering the use of built-in effects is recommended.
• 📊 Automating reverb levels can add dynamics and interest to a mix, especially during transitions between different sections of a song.
• 🎛️ Overusing multiple types of reverbs can lead to a cluttered mix; it's important to use reverb types judiciously and for a specific purpose.
• 🤔 Always consider the purpose of adding reverb to a track and ensure that each instance serves to enhance the overall sound or feel of the mix.

Q & A

What is the first reverb mistake mentioned in the script?

The first reverb mistake is forgetting to use EQ on your reverb. This can lead to an exaggerated low end that destroys the definition in the mix.

Why is high-passing before the reverb important?

High-passing before the reverb is important to prevent low-frequency rumble from being exaggerated by the reverb, which can create a muddy low end in the mix.

What is the second mistake discussed in the script regarding reverb?

The second mistake is setting the wrong reverb time, specifically using too long a reverb time, which can make the reverb inaudible between phrases and not serve its purpose.

How can you determine the appropriate reverb time for a vocal?

You can determine the appropriate reverb time by using your DAW to measure the length between phrases and setting the reverb time slightly longer than that to ensure it's still audible.

What is the issue with putting the reverb directly on the track?

Putting the reverb directly on the track can change the level of the track, making it quieter and not achieving the desired effect of a halo of reverb around the lead vocal.

Why is it recommended to use a separate auxiliary for reverb?

Using a separate auxiliary for reverb allows for more flexibility, such as the ability to send multiple tracks to the same reverb and to control the balance between the dry signal and the reverb more effectively.

What is considered a 'mortal sin' in the context of reverb use according to the script?

Not using stock reverbs is considered a 'mortal sin'. The script emphasizes that stock reverbs in DAWs are often very good and should be utilized well before adding more complex or third-party reverbs.

Why is automating reverb an important technique?

Automating reverb is important because it allows the reverb level to be adjusted dynamically throughout a song, such as increasing during choruses to match the increased density and energy of the music.

What is the potential problem with using too many different types of reverbs?

Using too many different types of reverbs can lead to a build-up of reverb that is difficult to manage and can make the mix sound overly saturated or muddy.

What is the advice given for using reverb on multiple instruments?

The advice is to be purposeful with reverb use, employing it to serve a specific purpose, such as widening the soundstage or adding dimension, rather than using it indiscriminately.

How can you give virtual instruments a more realistic room feel?

You can use plugins that emulate small booths and rooms to give virtual instruments a more realistic room feel, adding dimension and making them sound less 'bone dry'.