Minolta X-700 | Replacing Foam Seals Tutorial | DIY #011
Summary
TLDRIn this video, the host repairs a Minolta X700 camera sent in by a customer who experienced yellow streaks on film, a common issue due to deteriorating foam seals. The camera, a flagship model from 1981, is meticulously inspected, with a focus on its foam seals, mirror bumper, and shutter mechanism. The host replaces the gummy, disintegrating foam with new, resilient foam imported from Japan, ensuring light sealing and camera functionality. The video offers a historical perspective on the camera and practical advice for owners of classic SLR cameras.
Takeaways
- π· The video discusses a repair of a Minolta X700 camera, which was experiencing yellow streaks on film due to deteriorated foam seals.
- 𧩠The camera, manufactured in 1981, was a flagship model of Minolta, featuring advanced options for its time.
- π§ The repair process involves replacing the foam seals around the film door, which are crucial for light sealing and preventing film damage.
- π¬ The video provides a detailed look at the camera's interior, showcasing the foam seal condition and the steps taken to replace them.
- πΈ The camera's functionality, including program mode, aperture priority mode, and manual mode, is briefly discussed, highlighting its versatility.
- π© The repairman shares historical context, noting his experience with the camera model since its release and common issues encountered.
- π οΈ The video demonstrates the removal of rust from the camera's flash shoe and the cleaning of the pressure plate to maintain the camera's condition.
- π The serial number and the 'pass' sticker on the camera are highlighted, indicating the camera's age and the owner's care.
- π‘ The importance of the mirror bumper is explained, as its deterioration can lead to camera damage and light leaks.
- π The video concludes with a demonstration of the newly replaced foam seals, emphasizing the improved condition and functionality of the camera.
Q & A
What issue did the customer report with their Minolta X700 camera?
-The customer reported yellow streaks on the film, which is indicative of light leaks.
What part of the camera typically causes light leaks in classic cameras like the Minolta X700?
-Light leaks in classic cameras are often caused by the foam around the film door deteriorating.
How long has the repairman been repairing cameras before the Minolta X700 was released?
-The repairman had been repairing cameras for about three years before the Minolta X700 was released.
What was the Minolta X700 known for in 1981?
-In 1981, the Minolta X700 was the flagship model of Minolta, featuring all the premium features and considered their best model at the time.
Why was the Minolta X700 not the repairman's favorite model despite its premium status?
-The repairman saw many Minolta X700 cameras that were broken and needed repair, indicating that it might not have been as reliable as other models from a repair perspective.
What are the different modes available on the Minolta X700?
-The Minolta X700 has Program mode, Aperture Priority mode, and Manual mode, catering to different levels of photographic expertise.
What does the 'ASA' setting on the camera do?
-The 'ASA' setting on the camera allows the user to override the exposure settings, adding or subtracting a stop of light as needed.
Why does the repairman find the brass-colored parts on the camera interesting?
-The brass-colored parts are interesting because they are a result of rust removal, which caused the chrome to come off, revealing the underlying brass.
What does the repairman discuss regarding the camera's serial number?
-The repairman finds the camera's serial number fascinating and enjoys seeing the history and details that come with it, such as the 'pass' sticker indicating the camera's past condition.
What is the purpose of the mirror bumper in the camera?
-The mirror bumper in the camera serves to cushion the mirror when it moves to the top. Without it, the mirror could hit the metal, potentially causing blur or damage over time.
What is the repairman's process for replacing the deteriorated foam seals in the camera?
-The repairman replaces the deteriorated foam seals by carefully cutting new foam to size, applying it to the necessary areas, and ensuring it adheres correctly without causing further issues.
Outlines
π· Introduction to Camera Repair
The video begins with the host welcoming viewers and introducing a repair task on a Minolta X700 camera, which was experiencing yellow streaks on film due to deteriorating foam seals around the film door. The camera, manufactured in 1981, is a classic model that the host is very familiar with, having repaired cameras since 1978. The video promises to show the condition of the foam seals before and after replacement, as well as provide some history about the camera. The Minolta X700 was the flagship model of its time, featuring various modes including program, aperture priority, and manual. The host discusses the camera's features, its serial number, and the significance of a pass sticker from 1981, indicating the camera's age and usage.
π Closer Look at the Camera's Condition
The host examines the camera's exterior, noting signs of wear such as 'brassing' where the paint has worn off to reveal the brass underneath. This is a common issue with the camera model, particularly in the bottom corners where it's frequently handled. The camera's top and bottom covers are made of plastic with a brass laminate, which was a design choice to prevent easy scratching. The host also discusses the camera's battery holder and the importance of the foam seals, which have become gummy and are causing light leaks that affect the film. The condition of the seals is shown, and the host explains the need to replace them to prevent further damage and light leaks.
π οΈ Addressing the Mirror Bumper and Light Leaks
The video continues with the host addressing the camera's mirror bumper, which has deteriorated and is allowing light to leak into the camera body. This can cause blur and damage the camera over time. The host demonstrates how the old foam from the mirror bumper can fall into the camera's mechanisms, potentially causing further issues. The host uses a toothpick and a screwdriver to carefully remove the old foam and prepare the area for new foam installation. The importance of replacing the mirror bumper foam is emphasized to maintain the camera's functionality and prevent light leaks.
π§ Replacing the Foam Seals and Mirror Bumper
After a break, the host returns to show the replacement process of the foam seals and mirror bumper. New foam, imported from Japan, is used to replace the old, deteriorated seals. The host demonstrates the installation process, highlighting the difficulty of applying the adhesive-backed foam into the camera's channels without it sticking to the sides. The video shows the camera's improved condition with the new foam in place, comparing it to the old, yellowed foam. The host also replaces the screen, which was dirty, and discusses the difference between the original foam and domestic foam alternatives.
π₯ Conclusion and Final Thoughts
In the final part of the video, the host concludes the repair process and shares the final results. The camera's foam seals have been replaced, and the mirror bumper has been restored, addressing the issues that were causing light leaks and affecting the film quality. The host reflects on the repair process, noting the time and care required to replace the foam seals, especially in the camera's channels. The video serves as a guide for anyone with a similar camera model to assess the condition of their foam seals and consider necessary repairs to maintain their camera's performance.
Mindmap
Keywords
π‘Minolta X700
π‘Yellow Streaks
π‘Foam Seals
π‘Camera Repair
π‘Light Leaks
π‘Program Mode
π‘Aperture Priority
π‘Manual Mode
π‘Exposure Compensation
π‘Shutter
π‘Mirror Bumper
Highlights
The customer's Minolta X700 camera was experiencing yellow streaks on film, likely due to deteriorated foam around the film door.
The camera, made in 1981, was a flagship model of Minolta with advanced features for its time.
The repairman had been repairing cameras since 1978, giving him extensive experience with models like the X700.
The camera's foam seals were visibly gummy and falling apart, causing light leaks that affected film quality.
The camera's interior was examined, revealing the condition of the foam seals and the need for replacement.
The repair process included a detailed look at the camera's mirror bumper, which was also deteriorating.
The importance of the mirror bumper in preventing camera shake and potential damage was discussed.
The repairman demonstrated cleaning the camera's pressure plate, which showed signs of significant use.
The camera's brass-colored flash shoe was noted, with the repairman explaining the rust removal process.
The serial number and its significance in identifying the camera's history were mentioned.
The camera's ASA setting was highlighted as a feature that allowed for exposure override.
The repairman discussed the camera's various modes, including program, aperture priority, and manual.
The camera's exterior brassing was examined, with the repairman speculating on the reasons behind this design choice.
The process of replacing the foam seals was detailed, including the use of imported foam from Japan.
The repairman provided a before-and-after comparison of the foam seals, showcasing the improvement in quality.
The final result of the repair was presented, with the camera's foam seals restored to a condition resembling new.
The video concluded with a reminder for viewers to check their classic SLR cameras for similar foam seal deterioration.
Transcripts
welcome stranger time for another video
the um
the uh a customer sent me a camera uh
x700
and uh told me that he was getting
yellow streaks on this film so I knew
immediately that uh it's probably the
foam around the film door
which happens to all these little
classic cameras so um the camera's on my
desk
um the camera was made in 81. I started
repairing cameras in 78 so I'd only been
repairing cameras about um three years
before this camera came out I knew it
real well we saw a lot of them in our
shop
the um anyway I plan to uh show you the
foam seals before I replace them and
show you the condition and then show you
the foam seals after I replace them and
along the way give you a little bit of
history about the camera let's get
started
okay here it is
at the time of the
1981 this was the Flagship of Minolta
this was their best model it had all the
bells and whistles or is it whistles and
bells anyway
it did everything there were some other
models that they made at this time also
but this was their premium model
but from a point of a camera repairman
it wasn't their best model
I saw a lot of these come into my shop
that were broken and I had to work on
them
the IC located right about here
would go out on the camera and not have
to replace them
and it looks like I left the camera on
shame on me
let's go down here to this one
see there it says on
last time I was working on it I should
have um
put that on off
but I had it on on
and it is charged
and it's fired okay let's turn that back
off
okay the um
I'm gonna get a probe here
got the program mode which was good
enough for anybody really apture mode if
they knew a little bit about photography
and wanted to select aperture
and then manual mode which I didn't much
care for
the
aperture and program mode works good
enough
and what else do we have over here
counter
up here we had the flash shoe
you'll notice that these are kind of
brass colored that's because the they're
a rusted and I remove the rust some of
it
and all the Chrome came off
and you see it's a serial number one
five three seven two one four
serial numbers camera is always
fascinated me
look on this side
and I really enjoyed seeing the customer
had the pass sticker on there
back in 81 I've owned one of these
cameras on dirty all of the cameras at
one time or another
I removed my stickers on my new cameras
but some people religiously kept them on
there
and never removed them and was they were
careful not to remove them why I don't
know I still don't even know what these
stickers
you know if they really meant that they
checked the camera and it passed or
whether this was just um
a Watts advertisement feature
I don't know
and then Asa
was set right there 100 Asa
this right here was to override the
exposure say you had it in program and
you wanted to add a stop or take away a
stop you did that here made it very
simple you didn't have to mess with
anything else you could just sit leave
it in Auto and if you're in a situation
where it was a little bit dark you could
add some light
or if it was a little bit too bright
like in snow
you could reduce it
anyway what else what else what else
did I get that right uh snow do you add
a stop or take away stop I've forgotten
and let's see front here
x700
down
nice big letters Minolta
maybe we should be over in here in this
camera here
and then we've got your f-stop follower
and your lens
the camera
correctly had to be an F-16
that's what this was for
for program or
aperture
I've forgotten I haven't worked on one
of these in years I've I get a lot of
cameras in but not many of these
down here in the bottom we've got our
battery holder
I noticed the camera has a lot we call
brassing here
here
takes a lot of rubbing to rub that paint
off and show that much brass here
why does this always stick up
they always do brassing here
this corner
camera is carried around a lot
and the funny thing is is that the
camera is not made of brass
that's made of plastic and this was the
first camera I saw them do this on
it is a plastic cover
well actually the whole camera's turn is
plastic but in this top cover and bottom
cover and then they put a brass
laminated it with brass
how you do that I don't know
it's thicker than foil
but it is uh
let's call it a very thick brass foil
and they put it on top
and I'm not sure why they did it I think
possibly because the cameras that I've
seen are all plastic they get scratched
up real easy
but this one had paint on brass and so
it doesn't
as you can see up here at the top
there's no scratches this is plastic it
would be all scratched up up here
and over here so I guess it was a good
idea
but uh you know why they didn't issue
Steeler
or a brass on the top cover to begin
with I suppose maybe to save weight or
to save money
who knows
okay let's go inside
this is where the problem is anyway
before we start let's look at
um
what just hit this over here
you can see the
pressure plate
looks like it has scratches on it I'll
clean that up later but those scratches
may not come out that may be
well I suppose I could do it right now
on screen
some cotton ball here
and uh
a little bit of solvent on there
and rub that
and let's see if that'll come out or not
it did that's good
it's good
scratches on the pressure plate mean a
lot of film has been shot through the
camera
and it tells you the age of a camera
that's one of the first things I look at
this one was just dirty and it's still
dirty I'll need to clean a little bit
more
okay
Let's uh
it was sent in because of seals
and
there's your seals and as you can see
they are gummy
and they're falling apart
and that's the reason the customer was
getting
yellow streaks on his film
was because of these uh foam seals are
just shot I need to replace those
and then what about over here
again
bear with me
black camera
the Sony's having trouble dealing with
it
same condition here the the seal here at
the uh
hinge is always thicker it's two
millimeter foam as you can see it's just
falling apart
that's that's gross looking to me anyway
I've seen too much of that
over the years the foam seals
exteriorate
I'll have to replace that for sure all
of that
and then
if we can ever get the camera just right
we probably won't because it's a hard
area to see
I'm going to stop the camera here just a
second and
see if I can help that maybe or maybe
not I'll get back to you hold on
okay I'm back
I put some black tape on there to cut
back on the reflections so we could see
down this channel a little bit better
and what we'll do here
is we'll get a
screwdriver tip here straight edge
and lift up
as you can see
the
foam as you can see the foam is
also just falling apart
and will have to be replaced
and this is again why he was getting
yellow streaks
is that the
light was getting in
especially if you're in bright sunlight
and exposing his film causing those
yellow streaks
anyway let's see what else can we look
at here
that's all going to be replaced it's a
mess
and uh one more thing I'd like to show
you
and it's gonna be hard to do
because I cannot
see I'm getting a toothpick
and pushing that it's a actually a light
shield around the front pushing it out
of the way
and I'm moving my screwdriver in here
and right here is the mirror bumper
on some cameras it's real easy to get to
but not on this camera
I'm trying to get my light just right so
you can see it
you notice how part of the bumper is
gone and you're just seeing metal
underneath
the bumper one is covering it covers all
of that there's no metal showing and
most of the bumper is just falling off
deteriorated and fallen off little
pieces
and I hope it's not down on the camera
in some critical point
but that mirror bumper all that needs to
be scraped off
and all of it needs to be um
you know a new piece of foam put in
there
and it cushions the mirror when it comes
up to the top
if you didn't have that when you fired
your camera the camera would hit the
metal
and if you were at a slower shutter
speed it would cause a blur
and it might even break the mirror over
time
and that's why
that has to be replaced and that's why
it's there
so what else here
I'm going to lay this down a second here
and show you
one last thing
first I'm going to advance the camera
just a little bit let's see if we can
I tell you filming this and
having to operate things like this okay
that's the opening and closing shutter
right there behind the mirror what
happens quite often is the foam from the
mirror bumper will fall down in this
compartment
and it'll work its way into the shutter
the shutters on rollers on both sides
and the foam as you saw is sticky and
gummy it'll fall onto the shutter and
then when the shutter rolls up it'll
roll it right onto the shutter
uh
and that
can cause problems accounting work gets
the um
shutter can carry that foam into the
camera on either end it not doesn't
always stick to the shutter self
sometimes the it'll get past the shutter
the shutter will just carry it into the
camera and it'll get a more critical
place and lock the camera up you know
carry it onto a mechanism there's a lot
of mechanisms like here in the I can't
show it to you but here in the bottom
behind this plate
we're gonna have trouble seeing it is
some mechanism underneath here
and the foam can be carried down on
there the foam also can go right through
that hole and get into the mechanism
but either way the mirror bumper is is
bad for him when it starts coming apart
it can really hurt a camera
getting the rollers getting the
mechanism unlocking the back in the back
it just looks bad and it lets light in
but here it can actually really damage
the camera
and then you got to pay a camera
repairman to go into it and get the foam
out
so that's why you want to remove the
mirror bumper and put in a new one you
don't want that loose foam moving around
inside your camera
and that's enough here I'm going on and
on and on
the
here go back to this this camera
I'm going to um replace the foam and
then come back and show you the new foam
but it won't be nearly as long
as the intro it'll be short I'll show it
to you and close out the video
anyway I'll see you in a little bit
and I am recording okay
I thought it would take a couple hours
to do this but it ended up taking on
all afternoon finally got all the foam
in
I'm starting with this shot here of the
mirror bumper because it was really hard
shot to set up lightwise getting to show
the texture on the foam
and uh to have it focused so um
I put the toothpick in it and set it up
on blocks and
trying to keep it steady
and you can see the new foam going from
left to right all the way across now
it's a new foam imported phone from
Japan
I just like the foam that was in there
and uh
you can see the screen also is back in I
installed that
so this shot I can't I'll try moving a
little bit
and see
if I can keep it
in focus
yeah it's not bad
okay let's remove this toothpick
here you can see the screen
that I installed
it was pretty dirty on the top side
took a lot of cleaning
to before I put it back in
okay that's enough let's turn the camera
over
and look at the foam at the hinge
okay
um
let's try on the other camera
there we go
finally got something in focus
okay
um
here is the
foam I replaced it with
two millimeter
the original phone from Japan
and over here one millimeter
both sides over here and here
and it has an adhesive on the bottom
so basically you just cut it to the
right size and install it
but you can see compared to the foam
that was in it this is a resilient it
bounces back it's not done flaking off
it's black it's the yellowish
and
it's always nice to
get a camera that comes in that has
deteriorating foam and replace it
and made it look like it was when it was
new
and uh let's see here
if we can catch the
the foam down the channels
is
okay
I had to um
put some black tape on here to cover the
shiny
parts of the camera because the exposure
was messed up
and top here
and then moving close to show you the
foam and the channels here
it's black on black so that's always a
headache you can only catch the
reflections on the foam so you can see
it
but I wanted to show you that the new
foam was also put on the channels
and that
it's always a pain to do you've got to
go really slow because the
the foam has an adhesive on the back and
it quite often wants to stick to the
walls of the channel
and then it twists
and to get it down on the butt and only
stick on the bottom
it you have to move real slowly normally
putting the foam in the channels takes
an hour or more
top and bottom I don't know if we can
see the bottom here
yeah there we go we can see it
right there bottom Channel
okay that's it
in fact that's more than it I always
promise short videos but they're never
short I guess I'm a liar anyway the I
wanted to show you the um
foam deteriorated foam the condition it
is so if you have a classic SLR you can
kind of check it against the video and
see what kind of condition the foam is
on your camera
and I also showed you what the new
imported foam that the camera came with
looks like
and uh there is a domestic foam which is
a denser I didn't show you that but uh
that people replace it with it works
just as well they both work just fine
but there is a difference between the
foam that the camera came with and the
domestic foam that a lot of people put
in these cameras and I'm rambling here
again so anyway that's it and I'll see
you later
foreign
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