Minolta X-700 | Replacing Foam Seals Tutorial | DIY #011

Film Camera Vlog
7 Jul 202321:51

Summary

TLDRIn this video, the host repairs a Minolta X700 camera sent in by a customer who experienced yellow streaks on film, a common issue due to deteriorating foam seals. The camera, a flagship model from 1981, is meticulously inspected, with a focus on its foam seals, mirror bumper, and shutter mechanism. The host replaces the gummy, disintegrating foam with new, resilient foam imported from Japan, ensuring light sealing and camera functionality. The video offers a historical perspective on the camera and practical advice for owners of classic SLR cameras.

Takeaways

  • πŸ“· The video discusses a repair of a Minolta X700 camera, which was experiencing yellow streaks on film due to deteriorated foam seals.
  • 🧩 The camera, manufactured in 1981, was a flagship model of Minolta, featuring advanced options for its time.
  • πŸ”§ The repair process involves replacing the foam seals around the film door, which are crucial for light sealing and preventing film damage.
  • πŸ”¬ The video provides a detailed look at the camera's interior, showcasing the foam seal condition and the steps taken to replace them.
  • πŸ“Έ The camera's functionality, including program mode, aperture priority mode, and manual mode, is briefly discussed, highlighting its versatility.
  • πŸ”© The repairman shares historical context, noting his experience with the camera model since its release and common issues encountered.
  • πŸ› οΈ The video demonstrates the removal of rust from the camera's flash shoe and the cleaning of the pressure plate to maintain the camera's condition.
  • πŸ” The serial number and the 'pass' sticker on the camera are highlighted, indicating the camera's age and the owner's care.
  • πŸ’‘ The importance of the mirror bumper is explained, as its deterioration can lead to camera damage and light leaks.
  • 🌟 The video concludes with a demonstration of the newly replaced foam seals, emphasizing the improved condition and functionality of the camera.

Q & A

  • What issue did the customer report with their Minolta X700 camera?

    -The customer reported yellow streaks on the film, which is indicative of light leaks.

  • What part of the camera typically causes light leaks in classic cameras like the Minolta X700?

    -Light leaks in classic cameras are often caused by the foam around the film door deteriorating.

  • How long has the repairman been repairing cameras before the Minolta X700 was released?

    -The repairman had been repairing cameras for about three years before the Minolta X700 was released.

  • What was the Minolta X700 known for in 1981?

    -In 1981, the Minolta X700 was the flagship model of Minolta, featuring all the premium features and considered their best model at the time.

  • Why was the Minolta X700 not the repairman's favorite model despite its premium status?

    -The repairman saw many Minolta X700 cameras that were broken and needed repair, indicating that it might not have been as reliable as other models from a repair perspective.

  • What are the different modes available on the Minolta X700?

    -The Minolta X700 has Program mode, Aperture Priority mode, and Manual mode, catering to different levels of photographic expertise.

  • What does the 'ASA' setting on the camera do?

    -The 'ASA' setting on the camera allows the user to override the exposure settings, adding or subtracting a stop of light as needed.

  • Why does the repairman find the brass-colored parts on the camera interesting?

    -The brass-colored parts are interesting because they are a result of rust removal, which caused the chrome to come off, revealing the underlying brass.

  • What does the repairman discuss regarding the camera's serial number?

    -The repairman finds the camera's serial number fascinating and enjoys seeing the history and details that come with it, such as the 'pass' sticker indicating the camera's past condition.

  • What is the purpose of the mirror bumper in the camera?

    -The mirror bumper in the camera serves to cushion the mirror when it moves to the top. Without it, the mirror could hit the metal, potentially causing blur or damage over time.

  • What is the repairman's process for replacing the deteriorated foam seals in the camera?

    -The repairman replaces the deteriorated foam seals by carefully cutting new foam to size, applying it to the necessary areas, and ensuring it adheres correctly without causing further issues.

Outlines

00:00

πŸ“· Introduction to Camera Repair

The video begins with the host welcoming viewers and introducing a repair task on a Minolta X700 camera, which was experiencing yellow streaks on film due to deteriorating foam seals around the film door. The camera, manufactured in 1981, is a classic model that the host is very familiar with, having repaired cameras since 1978. The video promises to show the condition of the foam seals before and after replacement, as well as provide some history about the camera. The Minolta X700 was the flagship model of its time, featuring various modes including program, aperture priority, and manual. The host discusses the camera's features, its serial number, and the significance of a pass sticker from 1981, indicating the camera's age and usage.

05:04

πŸ” Closer Look at the Camera's Condition

The host examines the camera's exterior, noting signs of wear such as 'brassing' where the paint has worn off to reveal the brass underneath. This is a common issue with the camera model, particularly in the bottom corners where it's frequently handled. The camera's top and bottom covers are made of plastic with a brass laminate, which was a design choice to prevent easy scratching. The host also discusses the camera's battery holder and the importance of the foam seals, which have become gummy and are causing light leaks that affect the film. The condition of the seals is shown, and the host explains the need to replace them to prevent further damage and light leaks.

10:04

πŸ› οΈ Addressing the Mirror Bumper and Light Leaks

The video continues with the host addressing the camera's mirror bumper, which has deteriorated and is allowing light to leak into the camera body. This can cause blur and damage the camera over time. The host demonstrates how the old foam from the mirror bumper can fall into the camera's mechanisms, potentially causing further issues. The host uses a toothpick and a screwdriver to carefully remove the old foam and prepare the area for new foam installation. The importance of replacing the mirror bumper foam is emphasized to maintain the camera's functionality and prevent light leaks.

15:06

πŸ”§ Replacing the Foam Seals and Mirror Bumper

After a break, the host returns to show the replacement process of the foam seals and mirror bumper. New foam, imported from Japan, is used to replace the old, deteriorated seals. The host demonstrates the installation process, highlighting the difficulty of applying the adhesive-backed foam into the camera's channels without it sticking to the sides. The video shows the camera's improved condition with the new foam in place, comparing it to the old, yellowed foam. The host also replaces the screen, which was dirty, and discusses the difference between the original foam and domestic foam alternatives.

20:07

πŸŽ₯ Conclusion and Final Thoughts

In the final part of the video, the host concludes the repair process and shares the final results. The camera's foam seals have been replaced, and the mirror bumper has been restored, addressing the issues that were causing light leaks and affecting the film quality. The host reflects on the repair process, noting the time and care required to replace the foam seals, especially in the camera's channels. The video serves as a guide for anyone with a similar camera model to assess the condition of their foam seals and consider necessary repairs to maintain their camera's performance.

Mindmap

Keywords

πŸ’‘Minolta X700

The Minolta X700 is a 35mm film single-lens reflex camera that was manufactured by Minolta in the early 1980s. It was known for its quality and was a flagship model for the brand at the time. In the video, the camera is the central object being repaired, and the script discusses its features and issues commonly encountered with this model.

πŸ’‘Yellow Streaks

Yellow streaks on film are a common issue that can occur due to light leaks in a camera. In the context of the video, the customer's Minolta X700 was experiencing this problem, which the repairman attributes to the deteriorated foam seals around the film door.

πŸ’‘Foam Seals

Foam seals are a critical component in cameras, used to prevent light leaks that can affect the quality of photographs. The video script describes how the foam seals in the Minolta X700 had become gummy and were falling apart, leading to the yellow streaks on the film.

πŸ’‘Camera Repair

Camera repair refers to the process of fixing or restoring a camera to its proper working condition. The video script details the repair process of the Minolta X700, including the replacement of foam seals and other maintenance tasks.

πŸ’‘Light Leaks

Light leaks occur when unintended light enters the camera and exposes the film or sensor, causing anomalies in the final image. The video discusses how light leaks are often the result of worn or damaged foam seals, which is the issue being addressed in the repair.

πŸ’‘Program Mode

Program mode in a camera is an automatic setting where the camera determines the best combination of aperture and shutter speed for the given lighting conditions. The script mentions that the Minolta X700 had a program mode, which was considered good enough for general use.

πŸ’‘Aperture Priority

Aperture priority is a semi-automatic mode in cameras where the photographer selects the aperture, and the camera automatically adjusts the shutter speed to achieve the correct exposure. The video script indicates that the Minolta X700 had this mode for photographers who wanted more control over depth of field.

πŸ’‘Manual Mode

Manual mode in a camera allows the photographer to manually set both the aperture and shutter speed, giving full control over the exposure settings. The script briefly mentions that the Minolta X700 had a manual mode, although the repairman did not prefer it as much as the aperture priority mode.

πŸ’‘Exposure Compensation

Exposure compensation is a feature that allows the photographer to adjust the exposure beyond the camera's automatic settings, making the image lighter or darker. The video script describes how the Minolta X700 had a feature to override the exposure, which could be used to add or subtract a stop of light.

πŸ’‘Shutter

The shutter in a camera is the mechanism that controls the amount of light that reaches the film or sensor by opening and closing at specific speeds. The video script discusses the shutter mechanism of the Minolta X700 and how the deteriorated foam from the mirror bumper could potentially cause issues with it.

πŸ’‘Mirror Bumper

The mirror bumper is a foam padding inside the camera that cushions the mirror when it flips up to expose the film or sensor. The script explains that the mirror bumper in the Minolta X700 had deteriorated, which could lead to blur in photos and potential damage to the camera.

Highlights

The customer's Minolta X700 camera was experiencing yellow streaks on film, likely due to deteriorated foam around the film door.

The camera, made in 1981, was a flagship model of Minolta with advanced features for its time.

The repairman had been repairing cameras since 1978, giving him extensive experience with models like the X700.

The camera's foam seals were visibly gummy and falling apart, causing light leaks that affected film quality.

The camera's interior was examined, revealing the condition of the foam seals and the need for replacement.

The repair process included a detailed look at the camera's mirror bumper, which was also deteriorating.

The importance of the mirror bumper in preventing camera shake and potential damage was discussed.

The repairman demonstrated cleaning the camera's pressure plate, which showed signs of significant use.

The camera's brass-colored flash shoe was noted, with the repairman explaining the rust removal process.

The serial number and its significance in identifying the camera's history were mentioned.

The camera's ASA setting was highlighted as a feature that allowed for exposure override.

The repairman discussed the camera's various modes, including program, aperture priority, and manual.

The camera's exterior brassing was examined, with the repairman speculating on the reasons behind this design choice.

The process of replacing the foam seals was detailed, including the use of imported foam from Japan.

The repairman provided a before-and-after comparison of the foam seals, showcasing the improvement in quality.

The final result of the repair was presented, with the camera's foam seals restored to a condition resembling new.

The video concluded with a reminder for viewers to check their classic SLR cameras for similar foam seal deterioration.

Transcripts

play00:03

welcome stranger time for another video

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the um

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the uh a customer sent me a camera uh

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x700

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and uh told me that he was getting

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yellow streaks on this film so I knew

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immediately that uh it's probably the

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foam around the film door

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which happens to all these little

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classic cameras so um the camera's on my

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desk

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um the camera was made in 81. I started

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repairing cameras in 78 so I'd only been

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repairing cameras about um three years

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before this camera came out I knew it

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real well we saw a lot of them in our

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shop

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the um anyway I plan to uh show you the

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foam seals before I replace them and

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show you the condition and then show you

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the foam seals after I replace them and

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along the way give you a little bit of

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history about the camera let's get

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started

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okay here it is

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at the time of the

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1981 this was the Flagship of Minolta

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this was their best model it had all the

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bells and whistles or is it whistles and

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bells anyway

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it did everything there were some other

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models that they made at this time also

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but this was their premium model

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but from a point of a camera repairman

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it wasn't their best model

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I saw a lot of these come into my shop

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that were broken and I had to work on

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them

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the IC located right about here

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would go out on the camera and not have

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to replace them

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and it looks like I left the camera on

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shame on me

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let's go down here to this one

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see there it says on

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last time I was working on it I should

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have um

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put that on off

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but I had it on on

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and it is charged

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and it's fired okay let's turn that back

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off

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okay the um

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I'm gonna get a probe here

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got the program mode which was good

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enough for anybody really apture mode if

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they knew a little bit about photography

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and wanted to select aperture

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and then manual mode which I didn't much

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care for

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the

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aperture and program mode works good

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enough

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and what else do we have over here

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counter

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up here we had the flash shoe

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you'll notice that these are kind of

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brass colored that's because the they're

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a rusted and I remove the rust some of

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it

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and all the Chrome came off

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and you see it's a serial number one

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five three seven two one four

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serial numbers camera is always

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fascinated me

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look on this side

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and I really enjoyed seeing the customer

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had the pass sticker on there

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back in 81 I've owned one of these

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cameras on dirty all of the cameras at

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one time or another

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I removed my stickers on my new cameras

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but some people religiously kept them on

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there

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and never removed them and was they were

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careful not to remove them why I don't

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know I still don't even know what these

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stickers

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you know if they really meant that they

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checked the camera and it passed or

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whether this was just um

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a Watts advertisement feature

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I don't know

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and then Asa

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was set right there 100 Asa

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this right here was to override the

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exposure say you had it in program and

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you wanted to add a stop or take away a

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stop you did that here made it very

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simple you didn't have to mess with

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anything else you could just sit leave

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it in Auto and if you're in a situation

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where it was a little bit dark you could

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add some light

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or if it was a little bit too bright

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like in snow

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you could reduce it

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anyway what else what else what else

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did I get that right uh snow do you add

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a stop or take away stop I've forgotten

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and let's see front here

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x700

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down

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nice big letters Minolta

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maybe we should be over in here in this

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camera here

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and then we've got your f-stop follower

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and your lens

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the camera

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correctly had to be an F-16

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that's what this was for

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for program or

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aperture

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I've forgotten I haven't worked on one

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of these in years I've I get a lot of

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cameras in but not many of these

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down here in the bottom we've got our

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battery holder

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I noticed the camera has a lot we call

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brassing here

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here

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takes a lot of rubbing to rub that paint

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off and show that much brass here

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why does this always stick up

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they always do brassing here

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this corner

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camera is carried around a lot

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and the funny thing is is that the

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camera is not made of brass

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that's made of plastic and this was the

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first camera I saw them do this on

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it is a plastic cover

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well actually the whole camera's turn is

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plastic but in this top cover and bottom

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cover and then they put a brass

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laminated it with brass

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how you do that I don't know

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it's thicker than foil

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but it is uh

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let's call it a very thick brass foil

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and they put it on top

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and I'm not sure why they did it I think

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possibly because the cameras that I've

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seen are all plastic they get scratched

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up real easy

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but this one had paint on brass and so

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it doesn't

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as you can see up here at the top

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there's no scratches this is plastic it

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would be all scratched up up here

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and over here so I guess it was a good

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idea

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but uh you know why they didn't issue

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Steeler

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or a brass on the top cover to begin

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with I suppose maybe to save weight or

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to save money

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who knows

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okay let's go inside

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this is where the problem is anyway

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before we start let's look at

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um

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what just hit this over here

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you can see the

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pressure plate

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looks like it has scratches on it I'll

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clean that up later but those scratches

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may not come out that may be

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well I suppose I could do it right now

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on screen

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some cotton ball here

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and uh

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a little bit of solvent on there

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and rub that

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and let's see if that'll come out or not

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it did that's good

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it's good

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scratches on the pressure plate mean a

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lot of film has been shot through the

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camera

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and it tells you the age of a camera

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that's one of the first things I look at

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this one was just dirty and it's still

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dirty I'll need to clean a little bit

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more

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okay

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Let's uh

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it was sent in because of seals

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and

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there's your seals and as you can see

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they are gummy

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and they're falling apart

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and that's the reason the customer was

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getting

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yellow streaks on his film

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was because of these uh foam seals are

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just shot I need to replace those

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and then what about over here

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again

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bear with me

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black camera

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the Sony's having trouble dealing with

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it

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same condition here the the seal here at

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the uh

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hinge is always thicker it's two

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millimeter foam as you can see it's just

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falling apart

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that's that's gross looking to me anyway

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I've seen too much of that

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over the years the foam seals

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exteriorate

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I'll have to replace that for sure all

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of that

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and then

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if we can ever get the camera just right

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we probably won't because it's a hard

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area to see

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I'm going to stop the camera here just a

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second and

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see if I can help that maybe or maybe

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not I'll get back to you hold on

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okay I'm back

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I put some black tape on there to cut

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back on the reflections so we could see

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down this channel a little bit better

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and what we'll do here

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is we'll get a

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screwdriver tip here straight edge

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and lift up

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as you can see

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the

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foam as you can see the foam is

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also just falling apart

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and will have to be replaced

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and this is again why he was getting

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yellow streaks

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is that the

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light was getting in

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especially if you're in bright sunlight

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and exposing his film causing those

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yellow streaks

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anyway let's see what else can we look

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at here

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that's all going to be replaced it's a

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mess

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and uh one more thing I'd like to show

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you

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and it's gonna be hard to do

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because I cannot

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see I'm getting a toothpick

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and pushing that it's a actually a light

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shield around the front pushing it out

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of the way

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and I'm moving my screwdriver in here

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and right here is the mirror bumper

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on some cameras it's real easy to get to

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but not on this camera

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I'm trying to get my light just right so

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you can see it

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you notice how part of the bumper is

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gone and you're just seeing metal

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underneath

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the bumper one is covering it covers all

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of that there's no metal showing and

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most of the bumper is just falling off

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deteriorated and fallen off little

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pieces

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and I hope it's not down on the camera

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in some critical point

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but that mirror bumper all that needs to

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be scraped off

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and all of it needs to be um

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you know a new piece of foam put in

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there

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and it cushions the mirror when it comes

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up to the top

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if you didn't have that when you fired

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your camera the camera would hit the

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metal

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and if you were at a slower shutter

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speed it would cause a blur

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and it might even break the mirror over

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time

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and that's why

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that has to be replaced and that's why

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it's there

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so what else here

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I'm going to lay this down a second here

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and show you

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one last thing

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first I'm going to advance the camera

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just a little bit let's see if we can

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I tell you filming this and

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having to operate things like this okay

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that's the opening and closing shutter

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right there behind the mirror what

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happens quite often is the foam from the

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mirror bumper will fall down in this

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compartment

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and it'll work its way into the shutter

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the shutters on rollers on both sides

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and the foam as you saw is sticky and

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gummy it'll fall onto the shutter and

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then when the shutter rolls up it'll

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roll it right onto the shutter

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uh

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and that

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can cause problems accounting work gets

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the um

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shutter can carry that foam into the

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camera on either end it not doesn't

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always stick to the shutter self

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sometimes the it'll get past the shutter

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the shutter will just carry it into the

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camera and it'll get a more critical

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place and lock the camera up you know

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carry it onto a mechanism there's a lot

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of mechanisms like here in the I can't

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show it to you but here in the bottom

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behind this plate

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we're gonna have trouble seeing it is

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some mechanism underneath here

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and the foam can be carried down on

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there the foam also can go right through

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that hole and get into the mechanism

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but either way the mirror bumper is is

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bad for him when it starts coming apart

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it can really hurt a camera

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getting the rollers getting the

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mechanism unlocking the back in the back

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it just looks bad and it lets light in

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but here it can actually really damage

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the camera

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and then you got to pay a camera

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repairman to go into it and get the foam

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out

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so that's why you want to remove the

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mirror bumper and put in a new one you

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don't want that loose foam moving around

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inside your camera

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and that's enough here I'm going on and

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on and on

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the

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here go back to this this camera

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I'm going to um replace the foam and

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then come back and show you the new foam

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but it won't be nearly as long

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as the intro it'll be short I'll show it

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to you and close out the video

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anyway I'll see you in a little bit

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and I am recording okay

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I thought it would take a couple hours

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to do this but it ended up taking on

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all afternoon finally got all the foam

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in

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I'm starting with this shot here of the

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mirror bumper because it was really hard

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shot to set up lightwise getting to show

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the texture on the foam

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and uh to have it focused so um

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I put the toothpick in it and set it up

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on blocks and

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trying to keep it steady

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and you can see the new foam going from

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left to right all the way across now

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it's a new foam imported phone from

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Japan

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I just like the foam that was in there

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and uh

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you can see the screen also is back in I

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installed that

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so this shot I can't I'll try moving a

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little bit

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and see

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if I can keep it

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in focus

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yeah it's not bad

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okay let's remove this toothpick

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here you can see the screen

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that I installed

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it was pretty dirty on the top side

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took a lot of cleaning

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to before I put it back in

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okay that's enough let's turn the camera

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over

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and look at the foam at the hinge

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okay

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um

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let's try on the other camera

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there we go

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finally got something in focus

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okay

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um

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here is the

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foam I replaced it with

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two millimeter

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the original phone from Japan

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and over here one millimeter

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both sides over here and here

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and it has an adhesive on the bottom

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so basically you just cut it to the

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right size and install it

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but you can see compared to the foam

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that was in it this is a resilient it

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bounces back it's not done flaking off

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it's black it's the yellowish

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and

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it's always nice to

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get a camera that comes in that has

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deteriorating foam and replace it

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and made it look like it was when it was

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new

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and uh let's see here

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if we can catch the

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the foam down the channels

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is

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okay

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I had to um

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put some black tape on here to cover the

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shiny

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parts of the camera because the exposure

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was messed up

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and top here

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and then moving close to show you the

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foam and the channels here

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it's black on black so that's always a

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headache you can only catch the

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reflections on the foam so you can see

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it

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but I wanted to show you that the new

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foam was also put on the channels

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and that

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it's always a pain to do you've got to

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go really slow because the

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the foam has an adhesive on the back and

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it quite often wants to stick to the

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walls of the channel

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and then it twists

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and to get it down on the butt and only

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stick on the bottom

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it you have to move real slowly normally

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putting the foam in the channels takes

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an hour or more

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top and bottom I don't know if we can

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see the bottom here

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yeah there we go we can see it

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right there bottom Channel

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okay that's it

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in fact that's more than it I always

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promise short videos but they're never

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short I guess I'm a liar anyway the I

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wanted to show you the um

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foam deteriorated foam the condition it

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is so if you have a classic SLR you can

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kind of check it against the video and

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see what kind of condition the foam is

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on your camera

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and I also showed you what the new

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imported foam that the camera came with

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looks like

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and uh there is a domestic foam which is

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a denser I didn't show you that but uh

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that people replace it with it works

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just as well they both work just fine

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but there is a difference between the

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foam that the camera came with and the

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domestic foam that a lot of people put

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in these cameras and I'm rambling here

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again so anyway that's it and I'll see

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you later

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foreign

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