宮崎駿《蒼鷺與少年》原作X劇情終極解析，你的不懂，是因為沒看到這三個人生啟示！｜宮崎駿到底想說什麼｜地球儀歌詞解析｜石頭對話涵義｜真人心態變化 ＃蒼鷺與少年 ＃宮崎駿 ＃電影學電影

Summary

宫崎骏在创作动画电影《千与千寻》时，展现了他对细节的极致追求和对创作压力的坦诚抱怨。他的作品不仅仅是娱乐，更是通过纯净的触摸陪伴观众度过生命中的重要时刻。在《千与千寻》中，宫崎骏通过主角的成长和对自我认知的探索，传达了面对生活的态度和价值观。电影中的隐喻和象征，如小主人公与他的叔叔之间的对话，以及对“你想怎样生活”这一问题的深入探讨，都体现了宫崎骏对人生意义的深刻理解。

Takeaways

• 🎨 宫崎骏通过电影传达了一种情绪，即使在繁琐和高压的原则下，也不忘本质。
• 🚬 宫崎骏在创作过程中的矛盾行为，如吸烟、抓头、摇脚，反映了他60多年动画生涯的日常写照。
• ⏱️ 尽管他一周的画作只能展示5秒钟，但这个过程需要反复修改，几乎让他崩溃。
• 📖 在《鹤与少年》中，宫崎骏选择了与以往不同的方向，想要打开创作的盖子，讲述一个连他自己也可能描述不清的生活经历。
• 🎵 电影似乎融入了宫崎骏至今隐藏的所有部分，他的生活素材在电影中流动。
• 📚 宫崎骏自10岁起就一直在阅读《你想活出怎样的人生》，这本书对电影主角的转变有着关键影响。
• 🌟 电影与小说《你想活出怎样的人生》结合，探讨了真实人物与他伟大叔叔之间对话的深层含义。
• 🧒 真实人物在阅读《你想活出怎样的人生》后，他的心态发生了变化，这不仅仅是旅行到下界的转折点，而是他在下界遇到的人和事。
• 🌍 小哥白尼（Little Copernicus）的称号象征着他意识到世界并非如他所想，他也是广阔世界的一部分。
• 🤝 真实人物在下界的经历是他诚实面对自己感情的时刻，他最终接受了自己真正的自我。
• 🔄 宫崎骏通过电影传达了一个信息：无论世界如何，人都有反弹和改变的可能。
• 🎥 电影不仅是娱乐，也是生活各种可能性的缩影，它提醒我们在动荡的时代中回归内心，诚实面对自己，接受生活中的痛苦。

Q & A

宫崎骏在制作电影时的心态是怎样的？

宫崎骏在制作电影时，尽管过程中充满压力和挑战，但他坚持在纠缠和高压的原则下不忘记本质，这使得他的电影能够超越娱乐和艺术的范畴，以最纯粹的触感陪伴无数观众度过生命中的重要时刻。

宫崎骏在《千与千寻》中选择了怎样的创作方向？

在《千与千寻》中，宫崎骏选择了与以往不同的方向，他想要打开创作的盖子，讲述一个连他自己也可能无法描述的生命经历。

《千与千寻》中的主角与他的叔叔之间的对话揭示了什么深层含义？

主角与叔叔之间的对话揭示了宫崎骏想要传达的生活态度，即通过个人的真实感受和情感来理解生活的意义，以及面对自己的情感和痛苦的重要性。

宫崎骏如何通过《千与千寻》传达他对于生活和成长的看法？

宫崎骏通过主角在下界的冒险经历，以及他与叔叔的对话，展示了成长过程中的困难、挑战和自我发现，强调了面对真实自我和接受痛苦的重要性。

《千与千寻》中的主人公在面对困难时有哪些变化？

主人公在面对困难时，从最初的恐惧和逃避，逐渐转变为勇敢面对自己的情感和责任，最终接受了自己内心的真实感受。

宫崎骏在《千与千寻》中如何处理主角与他叔叔的关系？

宫崎骏通过主角与叔叔的互动，展示了主角在成长过程中的自我发现和自我认同，以及叔叔对主角成长的影响和指导。

《千与千寻》中的“132”数字有什么象征意义？

“132”在日语中发音类似于“秘密”，象征着主角在面对自己内心秘密的过程中的成长和自我发现。

宫崎骏如何通过电影传达对社会和历史的反思？

宫崎骏通过电影中的象征元素，如公鸡和鹈鹕，以及对下界和现实世界的对比，传达了对社会历史事件的反思，以及对个人在社会中角色和责任的探讨。

《千与千寻》中的“纯石”代表了什么？

“纯石”代表了主角内心的纯洁和善良，以及他面对邪恶和痛苦时的坚持和勇气。

宫崎骏在电影中如何展现主角的自我救赎？

主角通过面对自己的恐惧、承认错误，并在叔叔的指导下，最终实现了自我救赎，这体现了宫崎骏对于个人成长和自我实现的重视。

《千与千寻》中的主角如何理解“生活的意义”？

主角通过一系列的冒险和挑战，逐渐理解到生活的意义不仅在于个人的成长和自我实现，还在于与他人的关系和对社会的贡献。

Outlines

00:00

宫崎骏的创作哲学🎨

宫崎骏在创作电影时，即使面对繁琐的校对工作和压力，依然坚持其创作原则。他认为，正是在这种纠缠和高压下，不忘本质，才能使电影超越娱乐和艺术的范畴，以最纯粹的触感陪伴观众度过生命中的重要时刻。在《鹤与少年》中，宫崎骏选择了与以往不同的方向，他希望通过这部作品讲述一个连他自己也无法完全描述的生活经历。电影中融入了宫崎骏隐藏至今的部分，以及他自10岁起阅读的《你想活出怎样的人生》一书，这本书也是电影主角转变的关键。

05:02

少年的成长与自我认知🌱

电影中的主角在阅读《你想活出怎样的人生》后，开始意识到世界并非他所想，他开始理解到自己也是广阔世界的一部分。这种认识与哥白尼的发现有着不可磨灭的意义。在电影中，主角在面对各种挑战和困惑时，逐渐学会如何诚实面对自己的感情，接受痛苦，并从中成长。宫崎骏通过主角的经历，传达了即使在动荡的时代，我们也需要回归内心，诚实面对自己，接受痛苦的重要性。

10:02

面对挑战与自我反省🤔

主角在电影中的旅程不仅是对外部世界的探索，更是对内心世界的深入反省。他在面对困难和选择时，逐渐认识到自己的错误，并从中学习。宫崎骏通过主角的故事，鼓励观众在面对挑战时，要有勇气面对自己的不足，勇于承认错误，并从中吸取教训，以实现自我成长和超越。

15:03

电影的深层意义与观众的共鸣🌟

视频作者对《鹤与少年》进行了深入分析，探讨了电影中的隐喻和内涵，并尝试将这些元素有序地串联起来。作者在分析过程中，不仅关注电影的艺术价值，也强调了电影与观众生活的联系。通过电影，观众可以体验到生活的多样性，感受到电影艺术的深刻魅力。作者鼓励观众分享他们最喜欢的宫崎骏电影，并期待与观众一起探讨更多电影的可能性。

Keywords

💡宫崎骏

宫崎骏是日本著名的动画电影导演，以其独特的艺术风格和深刻的主题思想而闻名。在视频中，宫崎骏的创作态度和生活哲学被用来阐述电影的主题和深层含义。

💡《千与千寻》

《千与千寻》是宫崎骏执导的一部动画电影，以其丰富的想象力和深刻的人性探讨而受到赞誉。视频中提到宫崎骏的其他作品，以展现其作品的多样性和深度。

💡生活哲学

生活哲学涉及对人生意义、目的和价值的思考。视频中通过宫崎骏的电影和其个人的生活态度，探讨了如何在面对生活的复杂性和挑战时保持真诚和勇气。

💡成长

成长是个体在心理、情感和认知上的发展过程。视频中通过主角的成长经历，展示了面对困难和挑战时的自我发现和成熟。

💡真诚

真诚是指诚实、坦率和真实的表达自己的感受和想法。视频中强调了真诚对于个人成长和人际关系的重要性，以及它如何帮助人们面对生活的挑战。

💡责任

责任是指个体应对自己的行为和决策承担的义务。视频中通过主角面对责任的选择，探讨了个人在社会和家庭中的角色以及如何勇敢地承担这些角色。

💡痛苦

痛苦通常指身体或心理上的不适感。在视频中，痛苦被视为成长和自我认知的催化剂，通过经历痛苦，个体能够更深刻地理解生活和自我。

💡自我发现

自我发现是指个体在探索和理解自己内在特质和潜能的过程中获得的洞察。视频中通过主角的内心旅程，展示了自我发现对于个人成长的重要性。

💡勇气

勇气是指面对困难、危险或痛苦时不退缩的品质。视频中强调了勇气在面对生活挑战和追求个人理想中的作用。

💡《你想活出怎样的人生》

《你想活出怎样的人生》是宫崎骏自10岁起阅读并深受影响的书籍。视频中提到这本书对宫崎骏的创作和生活哲学有着深远的影响，体现了他对生活的深刻理解和对观众的启示。

💡《苍鹭与少年》

《苍鹭与少年》是宫崎骏的另一部作品，视频中通过分析这部电影，探讨了宫崎骏如何通过电影传达对生活的理解和对观众的启示。

Highlights

宫崎骏在制作电影时的心情与他60多年的动画生涯的日常写照形成鲜明对比。

尽管他一周的工作成果只能展示5秒钟，但过程需要不断修正，他的心态几近崩溃。

宫崎骏在《鹤与少年》中选择了与以往不同的方向，想要打开创作的盖子。

电影似乎融入了宫崎骏迄今为止隐藏的所有部分。

宫崎骏通过《你想活出怎样的人生》这本书，传达了电影中主角的转变。

电影通过对话深入分析了真实人物与他伟大叔叔之间的对话，探讨了在相似情境下为何两人会做出不同决策。

宫崎骏通过电影传达的信息是，即使在混乱和高压的原则下，也不忘本质。

真实人物在阅读《你想活出怎样的人生》后，他的心态发生了变化。

电影中，真实人物在下界的经历与书中的启示相互呼应。

真实人物在梦中能够一眼看透邪恶之石，象征着他脱离自我框架，看透事物本质的能力。

宫崎骏通过电影传达了面对生活的态度，即基于真实感受和真实情感去思考生活的意义。

真实人物在下界的经历是他面对自己情感的诚实时刻。

真实人物在与火梅的互动中，意识到自己真正的感受和责任。

宫崎骏通过电影传达了即使生活不平静，也要诚实面对自己的重要性。

电影中的真实人物与他的叔叔之间的对话，展示了宫崎骏想要传达的生活态度。

宫崎骏通过电影表达了对儿子和年轻一代的期望，不要盲目模仿前辈，而是要有勇气走自己的路。

电影《鹤与少年》使用真实人物作为外来者，进一步告诉观众诚实面对自己和接受生活中痛苦的重要性。

宫崎骏的电影不仅是娱乐，也是各种生活的缩影，能够让观众停下来思考。

Transcripts

I made the movie with such a mood.

Miyazaki Hayao said with a smile.

At the same time, he was holding a cigarette in his mouth, scratching his head,

shaking his feet, and muttering that it was troublesome to proofread

the manuscript one stroke at a time

. These came from others. Seeing very contradictory behavior

is the daily epitome of Hayao Miyazaki's more than 60 years of animation career.

Although the picture he worked on for a week can only be displayed for 5 seconds.

The process had to be revised again and again, and

his mind was on the verge of collapse.

But after complaining,

However, Hayao Miyazaki murmured meaningfully that

it is precisely under such entangled and high-pressure principles without forgetting the essence

that his films can transcend the scope of entertainment and art

and accompany countless audiences through important moments in life with

the purest touch

. However, Such Hayao Miyazaki

chose to go in the opposite direction in "The Heron and the Boy".

As he himself said,

in the past, he has always kept a lid on his creations.

This time, he wants to open the lid

to tell a life experience that even he may not be able to describe.

It's also like Kenshi Yonezu's reflections when he recalled the creation of the theme song "Globe".

This movie seems to have put in all the parts of Hayao Miyazaki that have been hidden so far.

Things are flowing like the raw material of his life

, and Hayao Miyazaki's So he chose to do this,

which is hidden in "What Kind of Life Do You Want to Live" that

he has been reading since he was 10 years old.

It is also the key to the transformation of the protagonist in the movie.

Today we will continue the in-depth analysis of the first half

through the novel . "What kind of life do you want to live" combines the plot of "The Heron and the Boy"

to answer the deep meaning behind the dialogue between a real person and his great uncle,

why two people in similar situations make different decisions

, and the most important thing

Hayao Miyazaki wants to do through What message does this movie tell the audience?

I would like to reiterate that

the following content is not an official setting

but a personal interpretation,

so everyone is welcome to provide different opinions and rational exchanges.

If you have not seen the in-depth analysis of the first half,

please be sure to read it

after watching it. Continue to watch the next content

, otherwise you will be as confused as watching "The Heron and the Boy".

If this is your first time here,

this channel is dedicated to promoting more possibilities behind film and television works , and there will be

more possibilities from time to time. Super cute cat easter eggs to keep you company.

If you like movies as much as we do

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Your support is the best motivation for us to work hard to update!

The most distinctive thing between "The Heron and the Boy" and other Hayao Miyazaki works is that in

the past, audiences often followed the protagonists who were like a blank sheet of paper on their journey

to experience an eye-opening fantasy world,

witness their difficulties and growth, and

understand Miyazaki. Jun wants to convey the thoughts to the audience

, but the mentality of the real person in "The Heron and the Boy"

has actually changed when he read "What Kind of Life Do You Want to Live"? It

is not so much the turning point of the real person's change in traveling to the lower world,

but rather what he encountered in the lower world. People and things

in turn echo the inspiration he got from the book.

Therefore, the so-called incomprehension

may not mean that he really does not understand what the story says

, but that he does not understand the meaning of each plot comparison.

So next we will use Several dialogues between the protagonist Junichi Honda and his uncle

dissect the plot and lines in "The Heron and the Boy"

to understand the attitude towards life that Hayao Miyazaki wants to convey to the audience.

One afternoon,

Junichi and his uncle came to a department store. On the top floor,

looking at the bustling crowds on the street,

Runyi suddenly had a strange feeling.

He suddenly felt that people were like water molecules,

existing independently and also being part of the larger environment.

His uncle who heard what he said said that After thinking about it, I

went back and wrote a letter to Junichi.

The letter said that

people are always accustomed to looking at and thinking about things with themselves as the center.

Just as scientists during the Copernicus period believed that the sun would rise in the east and set in the west

because all stars revolve around The earth rotates with the earth,

but Copernicus proved through a large number of observations and research that

the earth is actually one of the planets that rotates around the sun.

This seismic theory, which is considered common sense in modern times,

was dismissed when Copernicus proposed it. It is regarded as heresy,

and even considered as blaspheming God.

Therefore, one day if you can realize that

the world is not necessarily what you think, and

realize that you are also part of the vast world,

this feeling itself is the same as Copernicus’ discovery. ,

has an indelible significance.

From then on, his uncle began to call Junichi Little Copernicus. When

he returned to "The Heron and the Boy",

when the real person followed Natsuko to the mansion,

in his eyes, the mansion seemed to be a terrifying haunted house.

The strange old woman and the strange environment made him feel alienated.

The whispers of his deceased mother and the constantly harassing heron were enemies that he had to fight against.

He had to be tough and not be defeated by grief.

But when he saw the old pelican in real life, he thought he was a symbol of evil. After the words that the Lilican

said to himself before dying,

he realized

that everyone has a side that they cannot see.

Just as he and the Heron were bickering,

the answer is not actually important

, but how you choose to treat the other person.

Only then did he realize that

in fact Heron has never deceived himself.

If he labeled the other party as a liar just because of the appearance,

he would not be able to truly understand the whole world.

Therefore, the scene where the real person can see through the evil stone at a glance in the dream

shows that he already has the ability. The cognition of breaking away from one's own framework

and seeing through the essence of things

also symbolizes the "rationality" represented by Dante's first guide Virgil.

Although little Copernicus's understanding is very important

, in reality he is still a teenager who has just entered the first grade of junior high school

. Relationships are still the focus of his life. His

classmate Urakawa

was nicknamed "Fried Tofu Skin" by a group of classmates

because his family opened a tofu skin shop . They openly laughed at Urakawa at a morning meeting.

His classmate Kitami couldn't stand it and stepped in to stop him.

This matter was told to his uncle by the younger brother Bai Ni happily.

In the letter, the uncle was pleased that the younger brother Bai Ni chose to side with Kitami

and took the opportunity to tell him the last words of his deceased father

. The uncle went on to say that

no one can simply I will explain it to you with the sentence

"This society is like this, and people living in society have this meaning

. "

Even if someone can explain

this kind of thing, if you just listen to other people's explanation and

think you understand it, you won't be able to truly absorb it.

What is great, what is its value and significance,

you must discover by yourself. Only by relying on everything you feel

can you understand the true meaning of the words of those great people.

Therefore, the most important thing is

to think about the meaning

based on your true feelings and true emotions

. When you feel something in your heart or have any thoughts emerge from deep within your heart,

you must not be perfunctory in the slightest.

You must think clearly about

what situation you are in, what you are feeling, and how you feel.

In this way, you will gradually understand that

you were moved at a certain time and place.

This unique experience that cannot be repeated

actually has a meaning that is not limited to that moment.

You have to cherish your feelings and the things that move you deeply.

Do not forget these things,

and think carefully about their meaning.

These words seemed too far away for little Copernicus,

but for the real person in the lower world,

this journey was the moment for him to face his feelings honestly.

When he insisted on going to the lower world to find Natsuko,

his servant Wuzi was worried about the danger. He wanted to stop him

and told Masato that in fact, he should really want Natsuko to disappear.

Masato replied that it was because he was the only one who could do it.

When he saw young Kiriko again, when he

described Natsuko, he only said that because she was the object of his father's affection

. The reason seems reasonable and

logical, but there are some contradictions

. After all, it is the father who has feelings for Natsuko, and

the responsibility of finding an adult should not be borne by a child.

Of course, we can simply explain it by saying that this is a plot arrangement,

or that Uncle Zeng is obstructing it,

but As my uncle said,

we shouldn't look for excuses perfunctorily

to tell ourselves that this is the case

, but we must honestly and seriously feel Zhen Zhen's heart.

The person who makes Zhen Zhen truly honest is Huo Mei.

When they come to Huo Mei's hut,

maybe they will Already knowing the true identity of the other party

, Huomi did not take Zhenmao directly to Natsuko

but took him to her door.

Showing the way to return to the original world,

this was not entirely out of fear of the taboo of the birth house

, but because Huomi saw through the real person and didn't really face his own feelings.

He couldn't let him go to Natsuko and inherit the lower world in this situation

. When Masato really had the opportunity to put down his burden

and return his responsibility to his father,

he realized that the reason why he was looking for Natsuko

was not because of verbal responsibility or for his father,

but because he had already accepted her in his heart,

so despite being severely reprimanded by Natsuko,

he still remained He said his feelings without hesitation.

Only in this way

can he accept his true self.

The number "132" on Zhenren's door here

is also the Japanese pronunciation of "secret",

as the lyrics of "Globe" say ,

the moment the door is opened,

Zhenzhen Revealing the inner secret,

the figure in the fire also hints at another symbol

of Huomei, the legendary Phoenix.

Even if his own life stops,

his faith will still continue in his children.

However, being honest with yourself does not mean that life will be peaceful

. During a conflict between the seniors of the judo club, the

younger brother Perini wanted to step forward to help Kitami, Urakawa and Mizutani

, but he froze in place because of fear. He

could only watch the three partners being bullied to bruises.

Afterwards, although he was not hurt at all, his

heart felt Already overwhelmed by the shame of betraying his friend,

little brother Bai Ni was seriously ill for nearly half a month.

But what was even more uncomfortable was that

he didn't know how to face his former friend. He

even hoped that he could come to visit

him as sick as possible. The sick uncle discovered his abnormality

and tried to understand what was going on.

Looking at the little brother who wanted to avoid facing the pain, Uncle Beni

sternly asked him

to write a letter to apologize honestly to the other party even if he could not get forgiveness

and hand it to him later. Little Copernicus

wrote this in a letter:

When we live in this world, whether children or adults,

they will encounter many things that make them sad, tormented, and painful at that age.

Of course no one wants that.

However, it is precisely because of the pain in our hearts that

we can clearly understand in our hearts what people should be like.

People become great by admitting their own misery,

yes.

It feels painful when you admit that you have made a mistake.

Therefore, most people will make excuses and pretend not to admit it.

However, admitting one's faults and feeling pain for them

is something only humans in heaven and earth can do.

As long as we are human, we will make mistakes.

As long as our conscience is not paralyzed,

the consciousness of making mistakes will definitely make us taste pain.

However, we should all learn new confidence from pain

because we have the ability to move forward on the right path

before we taste the pain of making mistakes.

Just as little Copernicus, who realized the importance of pain from this incident,

finally saw his great-uncle in person,

he also admitted to him the mistakes he had committed

when his great-uncle took out the pure stone.

This passage is literally The interpretation is that

Zhenzhen was disqualified from inheriting because he had evil thoughts in his heart.

But as far as Uncle Zeng, the lord of the lower world,

he would choose Zhenzhen instead of the child in Xiazi's belly

precisely because Zhenzhen has suffered the pain of losing his beloved like himself.

Only understanding is possible. What are evil thoughts

to create a pure world

? Unfortunately,

my great-uncle, who believed in this and devoted his life to it,

could not create the ideal world as he thought.

When he asked the real person why he wanted to return to the evil world above,

he The parrots and pelicans brought into the lower world are

constantly giving rise to all kinds of evil thoughts

because of hunger and greed. Although

great-uncle Zeng believed that pain makes people grow

, he never really digested the pain

and instead escaped to the lower world through the power of stones

day after day . The stacking and balancing of the building blocks

turns a deaf ear to the real world,

so the real person's inconsistent attitude towards the stones

is actually to convey to Uncle Zeng that no matter

how good a person is, he or she may encounter sudden accidents, and no matter

how bad a person is, he or she will have the opportunity to do good deeds

if they are eliminated unilaterally. With the pain of evil thoughts

, it will be difficult for a person to recognize his true appearance,

just like little Copernicus's sentiments at the end of the novel

. Unlike Urakawa, I cannot produce anything even if I want to.

But I can become a good person.

As long as I become a good person,

I can create a good person for the world .

The reason why Zhenren made different decisions from his great uncle

was precisely because he understood that no matter what the world was like,

he could rebound and change. For Hayao Miyazaki, who was deeply

influenced by "How Do You Want to Live",

this movie is more like a dialogue between two selves. The real person is the young

uncle Zeng who was confused because of his mother's illness.

It seems that he tirelessly proofreads the drawings but ignores other things. He

insists on his ideals

but also forgets to express himself sincerely.

The door of the tomb owner may be from the late Qing Dynasty painter Wu Changshuo's "If you learn from me, you will die".

Huo Mei wants to send the real person back to the tomb. The world did not stop him

and told Huomei that the real person should be allowed to return to his original world.

These details can be observed that Uncle Zeng was not unaware of his own problems.

Therefore, although he hoped that the real person could inherit his position, he

also gave up the final decision-making power. Leave it to real people

, and this can also be regarded as Hayao Miyazaki's instructions to his son Goro Miyazaki

and his younger generations

not to imitate their predecessors blindly

but to have the courage to go their own way.

Perhaps Hayao Miyazaki once regretted his decision

, but just as The reason why this road described in the lyrics of "Globe"

can continue

is because I so hope that

everything starts from the right wish made by my young self.

It echoes Hayao Miyazaki's original intention of letting children experience the beauty of birth.

At the same time, he does not forget The connection with history reminds the audience that

not all suffering in the world is caused by individuals.

It may also come from

the relationship between Gongye Zeng and King Parrot,

just like the Emperor of Japan and the militaristic general during World War II.

The pelican symbolizes the soldiers who have no choice but to obey orders.

The destruction of the lower world also symbolizes that Japan, which lost the war and lost its faith,

needs to reconstruct the values ​​of society.

No matter in the past or now,

in such a turbulent era,

we need to return to our hearts.

That's why "The Heron and the Boy" uses real people as outsiders.

Further tell the audience how important it is to

broaden their horizons,

face oneself honestly

, and accept pain

in our lives.

Finally, I would like to ask all the schoolmates who are watching this

to tell the truth

. "The Heron and the Boy" is really our favorite this year. I have analyzed the most difficult movie.

The difficulty is not only to tell the metaphors and connotations,

but also to connect the already weak plot in an orderly manner.

I always struggle with whether it will be over-interpreted and

how to make the audience understand better,

but it is strange. What's interesting is that

watching Hayao Miyazaki, who was so anxious in the documentary,

we can't help but think of the original intention

of establishing the channel in the hope of letting the audience see more possibilities in movies.

Creation itself is a painful and happy thing.

Perhaps these pains represent what we are doing. Live and get better.

We actually have a lot to say about Hayao Miyazaki's movies.

Welcome to share which Miyazaki Hayao movie you like best

and which one you want us to analyze in depth. The

next movie will be coming soon

. Let us know. See you there.

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film studies with us.

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