हो भोले छोड़ दो ना भंगिया हमारे लिए 🙏 गौरा मां ने क्या मांग लिया 🙏भोलेनाथ से 🙏

Madhur lokgeet
31 Jul 202408:46

Summary

TLDRThe script is a devotional song praising Lord Shiva and Goddess Parvati, set on a Monday in the Hindu month of Sawan. It narrates a playful dialogue between the divine couple, with Parvati expressing her devotion by forsaking everything for Shiva, to which Shiva responds lightheartedly. The song is filled with love and devotion, urging listeners to enjoy its beauty and participate in the celebration of their divine union.

Takeaways

  • 🙏 The script is a devotional song praising Lord Shiva (Bholenath) and Goddess Parvati, highlighting their divine union.
  • 🎉 It mentions a festive occasion, specifically a Monday in the month of Sawan, which is significant in Hindu traditions.
  • 👰 The song personifies Goddess Parvati as a new bride who has come to Lord Shiva after marriage, emphasizing her devotion and sacrifice.
  • 🌟 The lyrics express Goddess Parvati's willingness to leave everything for Lord Shiva, seeking nothing in return.
  • 🎶 The script invites the audience to listen to the beautiful and joyful song, promising a delightful experience.
  • 👨‍👩‍👧‍👦 It conveys a sense of community and family, as the song is shared with a broader audience, inviting them to participate and enjoy.
  • 🌺 The song uses repetitive phrases like 'Bhole Chhod Do' to create a rhythmic and memorable melody.
  • 🌟 The script includes a call to action for the audience to comment and share what they have 'let go' and 'adopted' in their spiritual journey.
  • 🙌 It ends with a strong emphasis on devotion to Lord Shiva, urging the audience to express their devotion by writing 'Jai Bholenath'.
  • 🎵 The overall theme of the script is one of devotion, celebration, and the joy of spiritual surrender.

Q & A

  • What is the main theme of the script?

    -The main theme of the script is a devotional song where Mata Parvati, newly married, is asking Lord Shiva to give up certain habits as a sign of his love and commitment to her.

  • What specific request does Mata Parvati make to Lord Shiva in the script?

    -Mata Parvati requests Lord Shiva to give up consuming 'bhang' (a preparation made from cannabis) as a gesture of love for her.

  • Why is Mata Parvati making this request to Lord Shiva?

    -Mata Parvati is making this request because she has given up everything for Lord Shiva and wishes for him to make a similar sacrifice out of love and respect for her.

  • What does Mata Parvati symbolize in this script?

    -In this script, Mata Parvati symbolizes a devoted wife who is asking for a small yet meaningful gesture from her husband to solidify their bond.

  • What is the significance of 'bhang' in relation to Lord Shiva?

    -Bhang is traditionally associated with Lord Shiva, who is often depicted as consuming it. It is part of his ascetic and detached nature.

  • What message does the script convey about marital relationships?

    -The script conveys that in marital relationships, mutual sacrifices and understanding are important, and even divine figures like Lord Shiva and Parvati navigate these dynamics.

  • What emotions does Mata Parvati express in the script?

    -Mata Parvati expresses love, dedication, and a desire for reciprocity in her relationship with Lord Shiva.

  • How does the script integrate religious elements into its narrative?

    -The script integrates religious elements by depicting a conversation between Lord Shiva and Mata Parvati, framed within the context of Hindu devotion and mythology, especially during the holy month of Sawan.

  • What does the repetition of the phrase 'Bhole, leave the bhang for me' signify?

    -The repetition emphasizes the earnestness of Mata Parvati's request and reflects the devotional nature of the song, urging Lord Shiva to heed her plea.

  • What does the script suggest about the listeners' or viewers' role?

    -The script encourages listeners or viewers to engage with the content by reflecting on their own experiences and participating in the devotional act of praising Lord Shiva, especially by commenting on what they have given up or adopted in their lives.

Outlines

00:00

🙏 Devotional Chant to Lord Shiva and Parvati

This paragraph is a devotional chant dedicated to Lord Shiva and Goddess Parvati. It begins with praises to Lord Shiva and Goddess Parvati, followed by a narrative that likens the devotion to a new bride coming to her husband's house, leaving behind all her belongings. The chant continues with a plea to Lord Shiva to forsake nothing for the devotee, emphasizing the unconditional love and surrender to the divine. The chant is filled with repetition of phrases like 'Bole Chhoro Do Na', which translates to 'Speak, leave it behind for us', indicating a strong call for divine blessings and protection.

05:00

🎤 Elaborate Devotional Song and Call to Action

The second paragraph continues the theme of devotion with an elaborate song that further emphasizes the devotee's willingness to forsake all material possessions for the love of Lord Shiva. It vividly describes the act of leaving behind palaces, bungalows, and other worldly items, symbolizing the spiritual journey of renunciation. The song culminates in a call to action, urging listeners to comment and share what they would forsake and what they would adopt, reflecting on the teachings and the spiritual requests made to Lord Shiva. The paragraph ends with an appeal to the audience to support the devotion and to write 'Jai Bholenath', 'Victory to Shiva', reinforcing the communal aspect of the devotional practice.

Mindmap

Keywords

💡Bholenath

Bholenath is a name for Lord Shiva in Hinduism, which means 'the simple one' or 'the easy-going one'. In the context of the video, Bholenath is central to the devotional theme, as the speaker is addressing him with reverence and love. The script mentions 'Bhulenath ki jay ho', indicating a celebratory chant or praise for Lord Shiva.

💡Mata Parvati

Mata Parvati, also known as Goddess Parvati, is the consort of Lord Shiva and represents divine motherhood in Hinduism. The video script refers to her as 'newly married', which is a metaphorical way of expressing her union with Lord Shiva. This concept is integral to the devotional narrative, emphasizing the divine marriage and the speaker's relationship with the divine couple.

💡Har Har Mahadev

Har Har Mahadev is a popular chant in Hinduism, used as a devotional call to Lord Shiva. The phrase is repeated in the script, highlighting the video's focus on Shiva worship. It serves as a unifying phrase for the community of devotees, invoking the power and presence of Lord Shiva.

💡Radhe

Radhe is another name for Radha, a central figure in Hinduism, often associated with Lord Krishna as his divine lover. In the script, 'Radhe' is used to express affection and reverence, possibly indicating a broader devotional context that includes various deities within the Hindu pantheon.

💡Sawan

Sawan is the fifth month of the Hindu calendar, traditionally associated with the worship of Lord Shiva. The script mentions 'Sawan ka doosra somvar', indicating the timing of the devotional event, which is likely a festival or special occasion dedicated to Shiva.

💡Bhajans

Bhajans are devotional songs or hymns in Hinduism, often expressing love and devotion to a deity. The script mentions 'sa bhajan', suggesting that the video features a bhajan, which is a significant part of the religious practice and the theme of the video.

💡Dulhan

Dulhan refers to a bride in Indian culture. In the script, 'Dulhan ban kar ayi' is used metaphorically to describe Mata Parvati's union with Lord Shiva, emphasizing the joyous and celebratory nature of their divine marriage.

💡Bhangiya

Bhangiya is a term used in the script, possibly as a term of endearment or a name for a devotee of Lord Shiva. It is used in the repeated phrase 'Bhole chodo na bhangiya', which could be a plea or a request within the devotional song, expressing a desire for Lord Shiva's attention or blessings.

💡Mangal

Mangal, meaning 'auspicious' in Hindi, is used in the script in the context of seeking blessings or good fortune from the divine. The phrase 'Bole chodo na mangiya' could be interpreted as a request for Lord Shiva to bestow his auspicious presence or blessings.

💡Bhakt

Bhakt refers to a devotee or follower in Hinduism, particularly in the context of devotion to a deity. The script encourages the audience to support and participate in the devotional practices, indicating the communal aspect of the religious experience.

💡Sri Krishna

Sri Krishna is a major deity in Hinduism, often associated with love, devotion, and the divine play. The script mentions 'Jaya Sri Krishna', which is a chant or praise for Lord Krishna, indicating the inclusive nature of the devotional practices, encompassing multiple deities.

Highlights

Devotees begin by chanting 'Har Har Mahadev' and praising Lord Shiva and Goddess Parvati.

Today marks the second Monday of the holy month of Sawan, a day dedicated to worshiping Lord Shiva.

A beautiful devotional song is introduced where Goddess Parvati expresses her love and devotion to Lord Shiva.

Goddess Parvati, newly married to Lord Shiva, requests him to give up his habit of consuming bhang for her sake.

Lord Shiva responds by asking what she is referring to, setting the stage for a gentle conversation between them.

The devotional song is described as soothing and spiritually uplifting for the listeners.

The singer encourages everyone to listen to the song, promising it will bring joy and spiritual satisfaction.

Goddess Parvati reveals that she has left everything behind just to be with Lord Shiva and asks him to give up something small in return.

The repeated refrain 'Bhole, chhod do na bhangiya hamare liye' (Shiva, please give up bhang for my sake) emphasizes Parvati's love and dedication.

Parvati highlights how she left her father, her mother, and all worldly possessions for Shiva.

She reminds Shiva that she gave up luxurious palaces, bungalows, and servants to be with him.

The song also touches on how Parvati forsook even motor vehicles and walked on foot just to reach Shiva.

Parvati's gentle plea reflects her desire for mutual sacrifice and devotion in their relationship.

The singer asks listeners to comment on what they have given up in their lives for their loved ones.

The chant 'Har Har Mahadev' closes the devotional, invoking blessings and a sense of unity among the listeners.

Transcripts

play00:03

बोल भोलेनाथ की जय हो माता पार्वती मैया

play00:09

की जय हो शिव शंकर

play00:13

भोलेनाथ की जय हो हर हर महादेव

play00:20

संभ तो सभी य परिवार को प्यार भरा राधे

play00:24

राधे जय श्री कृष्णा हर हर महादेव आज सावन

play00:29

का दू दूसरा सोमवार है और बड़ा ही प्यारा

play00:32

सा भजन लेकर आए हैं माता पार्वती नई नई

play00:35

शादी होकर आई है और भोलेनाथ से कह रही

play00:38

है हे भोलेनाथ हर पत्नी कहती है कोई भी

play00:43

विश्व एक पत्नी तो जरूर मांगती है जब नई

play00:45

नई शादी होके आती है तो ऐसे ही आज मेरी

play00:47

माता पार्वती कह रही है कि हे

play00:50

भोलेनाथ मैं सब कुछ छोड़कर तुम्हारे लिए

play00:53

आई हूं क्या तुम एक चीज नहीं छोड़ सकते तो

play00:56

भोलेनाथ कहते हैं क्या तो सुनते हैं इस

play00:58

भजन के माध्यम से बहुत ही सुंदर सा भजन है

play01:01

और बहुत ही आनंद आने वाला है तो जरूर सुने

play01:04

क्योंकि आज मेरी मां नई नई शादी होकर

play01:07

दुल्हन बनकर आई है और भोलेनाथ से क्या

play01:09

कहती हैं सुनते हैं बड़ा ही प्यारा सा भजन

play01:12

है और आपको भी जरूर आनंद आएगा और आनंद आए

play01:16

तो हर हर महादेव को बनता है पर भोलेनाथ की

play01:20

जय हो और आप सब भी बताएं आपने क्या मांगा

play01:24

था ठीक है जब आप आए थे नई नई शादी हो के

play01:27

ठीक है कोई सीक्रेट बचने वाला नहीं है ठीक

play01:30

है क्योंकि आप हमारा परिवार हो ना हम तो

play01:45

[प्रशंसा]

play01:58

िवाइड मेरे भोलेनाथ हर समय लीन रहते हैं

play02:01

प्रभु श्री राम के भजन में ऐसे ही हम सबको

play02:04

भी करना चाहिए तो सुनते हैं बहुत ही सुंदर

play02:07

भजन

play02:24

है कैसे कहती है आज मेरी मां पार्वती

play02:27

सुनते हैं

play02:29

भोले छोड़ दो ना भंगिया हमारे लिए भोले

play02:35

छोड़ दो ना भंगिया हमारे लिए बोले छोड़ दो

play02:40

ना मंगिया हमारे लिए बोले छोड़ दो ना

play02:45

मंगिया हमारे लिए बोले छोड़ दो ना मंगया

play02:50

हमारे लिए बोले छोड़ दो ना मनिया हमारे

play02:56

लिए हमारे लिए हमारे हमारे लिए भले छोड़

play03:02

दो ना भंगिया हमारे लिए भले छोड़ दो ना

play03:07

भंगिया हमारे लिए बोले छोड़

play03:11

जाई हमारे लिए मैं तो छोड़ आई सब कुछ

play03:16

तुम्हारे लिए मैं तो छोड़ आई सब कुछ

play03:21

तुम्हारे लिए बोले छोड़ दो ना बंगिया

play03:25

हमारे लिए बोले छोड़ दो ना बंगिया हमारे

play03:30

लिए मैं तो छोड़ आई सब कुछ तुम्हारे लिए

play03:36

मैं तो छोड़ आई सब कुछ तुम्हारे लिए बोले

play03:41

छोड़ दो ना भंगिया हमारे लिए बोले छोड़ दो

play03:46

ना मंगिया हमारे लिए भोले छोड़ दो ना

play03:50

मंगिया हमारे लिए भोले छोड़ दो ना मंगिया

play03:56

हमारे लिए बाप छोड़ा मैंने मैया भी छोड़ी

play04:02

बाप भी छोड़ा मैंने मैया भी छोड़ी बाप भी

play04:08

छोड़ा मैंने मैया भी छोड़ी बाप भी छोड़ा

play04:13

मैंने मैया भी

play04:15

छोड़ी सबसे थोड़ा है नाता तुम्हारे लिए

play04:21

सबसे थोड़ा है नाता तुम्हारे लिए भोले

play04:25

छोड़ दो ना भंगिया हमारे लिए बोले छोड़ दो

play04:31

ना भंगिया हमारे लिए बोले छोड़ दो ना

play04:35

भंगिया हमारे लिए भोले छोड़ दो ना भंगिया

play04:40

हमारे लिए हमारे लिए हमारे लिए बोले छोड़

play04:48

दो ना बंगिया हमारे लिए बोले छोड़ दो ना

play04:53

बंगिया हमारे लिए मैंने छोड़ा है सब कुछ

play04:58

तुम्हारे लिए

play05:00

मैंने छोड़ा है सब कुछ तुम्हारे लिए महल

play05:05

भी छोड़े मैंने बंगले वि छोड़े महल भी

play05:10

छोड़े मैंने बंगले वि छोड़े महल वि छोड़े

play05:15

मैंने बंगले वि छोड़े बंगले भी छोड़े

play05:19

मैंने कोटी भी छोड़ी बंगले भी छोड़े मैंने

play05:24

कोटी भी छोड़ी चली आई भोले तुम्हारे

play05:30

चली आई भोले तुम्हारे लिए भोले छोड़ दो ना

play05:36

भंगिया हमारे लिए भोले छोड़ दो ना भंगिया

play05:41

हमारे लिए भोले छोड़ दो ना भंगिया हमारे

play05:46

लिए भले छोड़ दो ना भंगिया हमारे लिए मैं

play05:51

तो छोड़ आई सब कुछ तुम्हारे लिए मैं तो

play05:56

छोड़ आई सब कुछ तुम्हारे लिए

play06:00

भोले छोड़ दो ना बंगिया हमारे लिए भोले

play06:05

छोड़ दो ना बंगिया हमारे लिए नौकर ब छोड़े

play06:10

मैंने साकर भी छोड़े नौकर ब छोड़े मैंने

play06:15

छा करर भी छोड़े नौकर भी छोड़े मैंने छा

play06:20

करर भी छोड़े नौकर भी छोड़े बने छक वि

play06:25

छोड़े मैंने पीसी है भंगिया तुम्हारे लिए

play06:30

मैंने पीसी है भंगिया तुम्हारे लिए बोले

play06:35

छोड़ दो ना भंगिया हमारे लिए बोले छोड़ दो

play06:40

ना भंगिया हमारे लिए बोले छोड़ दो ना

play06:44

भंगिया हमारे लिए भले छोड़ दो ना भया

play06:50

हमारे लिए मैंने छोड़ा है सब कुछ तुम्हारे

play06:55

लिए मैंने छोड़ा है सब कुछ तुम्हारे लिए

play07:00

बोले छोड़ दो ना बिया हमारे लिए बोले छोड़

play07:05

दो ना मया हमारे लिए मोटर भी छोड़ी मैंने

play07:11

गाड़ी भी छोड़ी मोटर भी छोड़ी मैंने गाड़ी

play07:16

भी छोड़ी मोटर भी छोड़ी मैंने गाड़ी भी

play07:21

छोड़ी मोटर भी छोड़ी मैंने गाड़ी भी

play07:26

छोड़ी मैं तो पैगल चली हूं तुम्हारे लिए

play07:31

मैं तो पैदल चली हूं तुम्हारे लिए बोले

play07:36

छोड़ दो ना भंगिया हमारे लिए भोले छोड़ दो

play07:41

ना भंगिया हमारे लिए भोले छोड़ दो ना

play07:45

भंगिया हमारे लिए बोलो छोड़ दो ना भंगिया

play07:50

हमारे लिए मैं तो छोड़ आई सब कुछ तुम्हारे

play07:56

लिए मैं तो छोड़ आई सब कुछ तुम्हारे लिए

play08:01

तुम्हारे लिए तुम्हारे लिए बोले छोड़ दो

play08:06

ना भंगिया हमारे लिए बोले छोड़ दो ना

play08:11

भंगिया हमारे लिए बोले छोड़ दो ना भंगिया

play08:16

हमारे लिए बोल भोलेनाथ की जय हो तो कमेंट

play08:23

करके जरूर बताएं किसकिस ने क्याक छुड़वाया

play08:26

और क्या क्या अपनाया आज मेरी मां पार्वती

play08:29

भोलेनाथ से ऐसे रिक्वेस्ट करती हैं विनती

play08:32

करती हैं और मेरे भोलेनाथ तो मस्त हैं

play08:34

अपनी भंगिया में और श्री राम के भजन में

play08:37

तो आप सभी भक्त हमारा सपोर्ट करें और हर

play08:41

हर महादेव जरूर लिखें जय भोले की जय भोले

play08:44

की

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