Othello: Act 1 Scene 1

Summary

In diesem Video erhalten Sie einen detaillierten Überblick über die wichtigen Handlungspunkte aus dem ersten Akt von Shakespeares 'Othello'. Es beginnt mit einem Streit zwischen Rodrigo und Iago, der Rodrigo betrügt hat, indem er ihm nicht mitteilt, dass Desdemona mit Othello geheiratet hat. Iago nutzt seine Ressentiments gegen Othello und Cassio, um Rodrigo zu manipulieren und einen Plan zur Stürzung Othellos zu entwickeln. Die Diskussion umfasst Themen wie Rassismus, Erscheinung und Wirklichkeit, Übermaß und Mäßigung sowie die komplexen Charakterentwicklungen von Rodrigo und Iago.

Takeaways

• 📚 Die Szene beginnt mit Rodrigo und Iago, wo Rodrigo Iago beschuldigt, nicht fair mit ihm umgegangen zu sein, da er nicht über die Heirat von Othello und Desdemona informiert wurde.
• 💬 Iago manipuliert Rodrigo, indem er behauptet, dass er Othello und Cassio hasst und einen Plan zur Stürzung Othellos hat, um Rodrigo zu überzeugen, ihm weiter Geld zu geben.
• 🎭 Iago und Rodrigo wecken Desdemonas Vater Brabantio auf, um ihm mitzuteilen, dass seine Tochter geflohen ist, was zu einem Streit zwischen Brabantio und Othello führen soll.
• 🤔 Iago's Motivation wird durch Ressentiments, Narzissmus und ein übermächtiges Selbstbild dargestellt, was seine Handlungen im Laufe des Stücks erklärt.
• 🗣️ Iago nutzt die Sprache, um seine Charakterzüge zu verbergen und罗德rigo zu überzeugen, dass er auf seiner Seite steht, was ein Hauptthema des Erscheinungsbildes versus Wirklichkeit ist.
• 👨‍👧 Brabantio wird als besitzergreifender Vater dargestellt, der von der Flucht seiner Tochter betroffen ist und nicht glaubt, dass sie freiwillig mit Othello gehen würde.
• 🧐 Die Diskussion um die Rasse und das 'Andere' wird durch Rodrigos und Brabantios Reaktionen auf die Heirat von Othello und Desdemona deutlich, was auf das Thema der Exotik und Fremdheit hinweist.
• 🔥 Iago verwendet vulgäre Sprache, um Brabantio wütend zu machen und ihn dazu zu bringen, Othello anzuzeigen, was seine tiefgründige Bosheit und seine Fähigkeit, andere zu manipulieren, zeigt.
• 🌐 Die Szene stellt verschiedene Ansichten von Liebe dar, von der Liebe als Eigentum bis hin zu einer gefährlichen, zauberhaften Kraft, die über jemanden ausgeübt werden kann.
• 🎭 Die Charakterentwicklung in der Szene ist komplex und zeigt, dass die Figuren nicht rein böse oder gut sind, sondern多层次e Charakterzüge aufweisen.

Q & A

Wie beginnt sich die Szene aus Shakespeares 'Othello'?

Die Szene beginnt mit Rodrigo und Iago. Rodrigo beschuldigt Iago, ihn unfair behandelt zu haben, da Iago ihm nicht mitgeteilt hat, dass Desdemona mit Othello geheiratet hat.

Welche Gefühle hat Rodrigo gegenüber Desdemona?

Rodrigo ist obsesioniert und krankhaft verliebt in Desdemona. Er zahlt Iago, um ihm zu helfen, Desdemonas Hand zu gewinnen.

Was ist Iagos Plan für Rodrigo?

Iago verspricht Rodrigo, dass er Othello hasst und einen Plan zur Zerstörung von Othello hat, um Rodrigo zu beruhigen und ihn weiter zu betrügen.

Wie versucht Iago, Brabantio gegen Othello aufzuhetzen?

Iago und Rodrigo wecken Brabantio auf und sagen ihm, dass seine Tochter Desdemona mit Othello geheiratet ist. Iago nutzt vulgäre Sprache, um Brabantio wütend zu machen und ihn gegen Othello zu manipulieren.

Was motiviert Iago, Othello zu hassen?

Iago hasst Othello, weil er ihn für die Übersprungenheit bei der Ernennung zum Lieutenant hält und stattdessen Michael Cassio ernannt hat, von dem er glaubt, dass er es nicht verdient hat.

Welche Rolle spielt die Rassismus in der Charakterisierung Othellos?

Die Rassismus spielt eine zentrale Rolle in der Charakterisierung Othellos. Rodrigo und Brabantio betrachteten ihn als 'anderen' und als untauglich für eine Venezianische Dame wie Desdemona.

Was zeigt Iagos Sprache und sein Verhalten in der Szene über sein Charakter?

Iagos vulgäre Sprache und sein Verhalten zeigen, dass er niedrig, gemein und vulgar ist. Er verwendet die niedrigste Sprache, um Brabantio wütend zu machen und zeigt, dass er keine der edleren, intellektuellen Fähigkeiten hat.

Wie wird Brabantios Charakter durch seine Reaktion auf Desdemonas Flucht dargestellt?

Brabantios Reaktion auf Desdemonas Flucht zeigt, dass er ein besitzergreiflicher Vater ist, der nicht verstehen kann, dass seine Tochter ihn verlassen könnte. Dies könnte auch als enmeshment interpretiert werden, eine Art korrupte Liebe zwischen Eltern und Kindern.

Was ist das Hauptthema, das durch Iagos und Rodrigos Gespräch hervorgehoben wird?

Das Hauptthema, das durch Iagos und Rodrigos Gespräch hervorgehoben wird, ist die Erscheinung versus Realität. Iago präsentiert sich in einem bestimmten Licht, was nicht der Realität seiner Person entspricht.

Welche Rolle spielt die Liebe in der Szene und wie wird sie dargestellt?

Die Liebe wird in der Szene als etwas dargestellt, das übermächtig und gefährlich sein kann. Brabantio betrachtet die Liebe als Zauber oder Zauber, der auf seine Tochter ausgeübt wurde, was zeigt, dass sie als etwas unkontrollierbar und gefährlich betrachtet wird.

Outlines

00:00

🎭 Einleitung in Othello

Die Szene beginnt mit Rodrigo und Iago. Rodrigo ist obsesioniert von Desdemona und hat Iago bezahlt, um sie zu heiraten. Iago hat ihm jedoch nicht gesagt, dass sie geheiratet hat, was zu einer Konfrontation führt. Iago manipuliert Rodrigo, indem er ihm sagt, dass er ebenso hasst Othello und Cassio und einen Plan zur Stürzung Othellos hat. Iago nutzt die Gelegenheit, um Brabantio, Desdemonas Vater, zu wecken und ihn gegen Othello zu hetzen, indem er vorschlägt, dass Othello seine Tochter mit Zauberei entführt hat. Iago offenbart seine Motivation für seine Handlungen: Groll, weil er für die Stellvertreterposition übergangen wurde, und er hat eine tiefe Ressentiment gegenüber Cassio, den er für untauglich hält.

05:01

🌑 Iagos und Rodrigos Charakterentwicklung

Iago und Rodrigo wecken Brabantio, um ihm mitzuteilen, dass seine Tochter entführt wurde. Iago nutzt die Gelegenheit, um Brabantio zu manipulieren und ihn gegen Othello zu hetzen, indem er vulgäre und rassistische Beleidigungen verwendet. Iago präsentiert sich als charmanter Psychopath, während Rodrigo, obwohl er weniger aggressive Sprache verwendet, ebenfalls rassistisch ist und Desdemona als 'Venetian prize' betrachtet. Die Szene stellt auch Themen wie das Ausmaß des Fremden und die dionysische versus apollinische Energie dar.

10:03

🏡 Brabantios Reaktion und Charakteranalyse

Brabantio ist schockiert und enttäuscht über das Verschwinden seiner Tochter Desdemona. Seine Reaktion zeigt eine Mischung aus Besitzanspruch, enttäuschter Liebe und Rassismus. Er ist nicht in der Lage, Desdemonas Entscheidung zu akzeptieren und vermutet, dass Othello sie durch Zauberei oder Betrug gewinnen konnte. Die Szene bietet tiefe Einblicke in Brabantios Charakter, seine Beziehung zu seiner Tochter und seine Vorurteile gegenüber Othello. Sie stellt auch die Themen von Exzess und Maß, sowie die doppelte Standards der Gesellschaft in Bezug auf das Verhalten von Venetianern und Fremden dar.

Keywords

💡Rodrigo

Rodrigo ist eine zentrale Figur im ersten Akt von Shakespeares 'Othello'. Er ist von Desdemona besessen und wird von Iago manipuliert, um Othellos Untergang zu planen. Rodrigo ist wütend, weil Iago ihm nicht gesagt hat, dass Desdemona Othello geheiratet hat. Seine Rolle zeigt, wie leichtgläubig und verzweifelt er ist, und dient als Beispiel für die negativen Auswirkungen von obsessiver Liebe.

💡Iago

Iago ist der Antagonist in 'Othello' und wird als manipulativer und bösartiger Charakter dargestellt. Er hasst Othello aus mehreren Gründen, darunter Eifersucht und Rassismus. Iago überzeugt Rodrigo, dass er ebenfalls Othello hasst, und nutzt Rodrigo für seine eigenen Pläne aus. Seine Handlungen und Motivation, die auf Ressentiments und einer grandiosen Selbstwahrnehmung basieren, machen ihn zu einem komplexen und vielschichtigen Bösewicht.

💡Desdemona

Desdemona ist die Frau, um die sich Rodrigos Besessenheit und Iagos Manipulationen drehen. Sie ist mit Othello verheiratet, was sowohl Rodrigo als auch Iago in Rage versetzt. Ihre Rolle ist entscheidend für die Handlung, da sie sowohl die Liebe als auch die rassistischen Vorurteile der anderen Figuren verkörpert.

💡Othello

Othello ist der Titelcharakter des Stücks und ein mohrischer General in der venezianischen Armee. Seine Heirat mit Desdemona löst die Ereignisse des ersten Akts aus. Othello wird von Iago aus Eifersucht und Rassismus angegriffen, was die Themen des 'Anderen' und der rassistischen Spannungen im Stück verdeutlicht.

💡Ressentiment

Ressentiment spielt eine zentrale Rolle in Iagos Charakterisierung. Er ist wütend, weil Othello ihm den Posten des Leutnants verweigert und diesen stattdessen an Cassio gegeben hat. Dieses Ressentiment ist der Antrieb für Iagos Rachepläne gegen Othello und unterstreicht die Themen von Eifersucht und Neid im Stück.

💡Rassismus

Rassismus ist ein wiederkehrendes Thema in 'Othello'. Rodrigo und Iago äußern rassistische Ansichten über Othello, insbesondere in Bezug auf seine Heirat mit Desdemona. Diese rassistischen Überzeugungen werden verwendet, um Othello als 'Anderen' darzustellen, was die sozialen Spannungen und Vorurteile in der venezianischen Gesellschaft widerspiegelt.

💡Schein versus Realität

Das Thema 'Schein versus Realität' ist in Iagos Handlungen und in der gesamten Handlung von 'Othello' präsent. Iago gibt vor, Rodrigos Freund zu sein, während er in Wirklichkeit seine eigenen bösartigen Pläne verfolgt. Diese Diskrepanz zwischen dem, was scheint, und dem, was tatsächlich ist, ist ein zentrales Motiv, das die Zuschauer dazu bringt, die Charaktere und ihre wahren Absichten zu hinterfragen.

💡Eifersucht

Eifersucht ist ein zentrales Thema im Stück, das besonders in Iagos und Rodrigos Verhalten deutlich wird. Iagos Eifersucht auf Cassio und Othello treibt ihn an, seinen perfiden Plan zu schmieden. Gleichzeitig ist Rodrigo eifersüchtig auf Othello, weil dieser Desdemona geheiratet hat. Die Eifersucht dient als Triebfeder für viele der Konflikte im Stück.

💡Manipulation

Manipulation ist ein Schlüsselkonzept in 'Othello', besonders durch die Figur des Iago. Iago manipuliert Rodrigo, um seine eigenen Pläne gegen Othello zu verwirklichen. Diese Manipulation zeigt Iagos Fähigkeit, die Schwächen und Wünsche anderer auszunutzen, um seine Ziele zu erreichen.

💡Liebe als Besitz

Die Idee, dass Liebe eine Form des Besitzes ist, wird durch die Beziehung zwischen Brabantio und Desdemona sowie durch Rodrigos Besessenheit von Desdemona verdeutlicht. Brabantio sieht seine Tochter als Besitz an, der ihm 'gestohlen' wurde, während Rodrigo glaubt, dass er Desdemona durch seine Taten 'verdienen' kann. Dieses Konzept unterstreicht die problematischen Ansichten über Liebe und Beziehungen im Stück.

Highlights

Introduction to the series 'Five Code', focusing on Shakespeare's 'Othello', Act One.

Overview of the plot events and deep dive into the text for character and theme analysis.

The scene opens with Rodrigo and Iago, setting the stage for the play's conflict.

Revelation of Othello and Desdemona's secret marriage, sparking the play's initial tension.

Iago's manipulation of Rodrigo, showcasing his cunning and deceit.

Iago's motivation explained: resentment, narcissism, and a sense of self.

Iago's plan to incite Brabantio against Othello, highlighting his villainous strategy.

Appearance versus reality as a major theme, introduced through Iago's character.

Rodrigo's racism and resentment towards Othello, revealing his character's flaws.

The theme of 'the other', with Othello as the outsider in Venice.

Iago's use of crude language to manipulate Brabantio, demonstrating his low and vulgar nature.

The theme of excess versus moderation, with Iago representing uncontrolled passion.

Brabantio's character development, showing his possessiveness and heartbreak over Desdemona's elopement.

The concept of love as ownership and enmeshment in Brabantio's relationship with Desdemona.

Brabantio's racism and the theme of the mysterious, magical other in his view of Othello.

Iago's success in manipulating Brabantio, leading to Othello's arrest.

Invitation to the next video for further analysis of 'Othello', Act One, Scene Two.

Transcripts

hi everyone welcome to five code

shakespeare othello act one what i do in

this series is i first give you a

nutshell overview of the important plot

events of each scene and then we dive

deeply into the text of each scene and

pull out five quotes that i think are

useful to help you understand the plays

character and themes if you do find this

video useful please consider liking and

subscribing and making a small donation

to my patreon account the scene opens

with rodrigo and iago rodrigo is is

crazily pathologically in love with

desdemona and he's been paying iago to

help him win uh desdemona's hand of

course the iago's been aligned to him

the whole time and as the scene as the

scene opens rodrigo is angry with iago

rodrigo accuses iago of not dealing

fairly with him rodrigo has been paying

iago to help him win desdemona but iago

didn't tell him that she recently eloped

with othello so we hear at the very very

beginning we hear that othello and

desdemona are married somewhat secretly

iago convinces rodrigo that he hates

that that don't worry i hate othello as

much as you do and i hate by the way

this guy named cassio and that iago does

have a plan for othello's downfall so

just be patient mr rodrigo keep giving

me your money and you'll get your

testimonia so they move on to

brabantio's home out and out from the

street they they they convince well from

the street iago and rodrigo awakened

desdemona's father babantio to tell him

that his daughter has eloped so they're

causing mischief rate from the beginning

iago's plan is to incense berbantio

against othello and try to get othello

arrested outraged of course berbantio

gathers officers and sets off two

arrests othello who he accuses of

charming with with witchcraft his

daughter desdemona every villain must

have a motivation otherwise they're a

cartoonish ridiculous kind of villain

and that's not what iago is iago is a

super villain

but he has real human reasons for doing

what he's doing resentment narcissism

psychopathology a grandiose sense of

self these are all established very very

early in the story

iago has to prove to rodrigo that iago

is not buddy buddy with othello that

rodrigo is that that iago is indeed

working with rodrigo to try to help

rodrigo get desdemona

rodriguez angry that that iago didn't

tell him that desdemona and othello were

married as i mentioned so iago says no

no no no i hate them i hate him i hate

othello very very much because he

overlooked me for the position of

lieutenantship and he gave the

lieutenant ship to michael cassio who

didn't deserve it because michael cassio

is a mere scholar he's a mere

he's a mere academic he's not a true

soldier so there's the resentment coming

out so here's a good quote for this

michael cassio is loving in his own

pride and purposes do you see the

resentment there do you see the he's he

hates this michael cassio guy he sees

him as a superior he's a sour iago's a

sour little man is what he is as loving

his own pride and purposes he evades the

questioners he invades his interviewers

for the for the for the job position uh

he he talks around them he talks a big

talk he doesn't walk a good walk like me

i'm a soldier and with a bombast

circumstance with circumlocution by

using fancy words horribly stuffed with

words of war words words words not

action that's how he won his position

here's another good quote that talks to

the same thing

he is mere prattle without practice is

all his soldiership but he sir had the

job position and not me

do you see so there's the resentment

there's a sense of narcissism in there

as well like i should have been all this

resontimo is a major theme in the entire

play so go have a look at my theme video

and that'll talk a little bit more of

that i think a grandiose sense of self

is here as well um i should have gotten

it i should have gotten it and and

everything is everybody else's fault the

fact that i didn't get it is not my

fault is everybody else's fault that's

that's kind of uh

an aspect of psychopathology as well

appearance versus reality here um he he

he's trying to present himself that's a

major theme in a lot of shakespeare's

work appearance versus reality but he's

trying to present himself in a certain

light to rodrigo so right from the

beginning we see that we don't we don't

trust him here we don't we we know that

he's he's a liar and he's and and he's

presenting a service that does not

reflect the reality of who he really is

after establishing iago's character

shakespeare does the same for rodrigo um

rodrigo after listening to iago's speech

says uh he marvels at at uh at othello's

good luck to to have married testimony

says what a full fortune does the thick

lips owe if he can carry it thus how did

he pull this off how did he marry

such a such a prize as desdemona who was

rich noble and also beautiful and

gracious and everything else

um well obviously he's revealed here as

as a as a racist he's also revealed

coming up here we'll see how he's a

resentful little bitter man

more pathetic than iago at least iago's

he's resentful and bitter and nasty and

sour but he's also he's actually got

some courage rodrigo doesn't have the

courage to you know i don't know it

doesn't redeem iago's uh of viciousness

but but there it is

um

it establishes also the the the very

very important theme of the other now i

discussed this in my other theme video

so go have a look at that but all

throughout you can't avoid racism of

course you can't avoid the other

othello is the other he's in venice and

he's from africa

and and he is the other and he's

viciously attacked here as being

unworthy of of such a venetian prize as

the princess desdemona remember your

lessons on characterization it's not

always what the character themselves say

or do it's very often what other

characters say about a character that

reveals the character of of of a

character so they iago and rodrigo are

underneath berbanto bermano is a

desdemona's father and they're

underneath uh his balcony they're

screaming up at him to wake up wake up

wake up because your daughter's been

stolen away berbantia comes to the door

comes to the window uh and he sees

rodrigo

and he says torrid we go dude dude i

have charged thee not to haunt my doors

would you just leave my daughter alone

in honest plainness thou hast heard me

say my daughter is not for thee so again

shakespeare there's no mistakes in

shakespeare well

more or less no mistakes in shakespeare

he's not he's not perfect but here we

see again this detail is put in there

purposely to establish rodrigo as a kind

of a simp a kind of a loser uh we are

meant right from the beginning of this

play to have zero respect for this guy

rodrigo who almost he's so pathetic he

almost deserves uh the the the abuse

that he gets the manipulation he gets

from iago

the character development then turns its

focus back to iago remember they're

trying to incense berbantio against

othello and they're trying to make him

angry and iago uses the crudest language

imaginable he's revealed here as being

low

bass and vulgar uh the themes of excess

versus moderation uh love as as mere

animalistic lust that's that's iago's

world view uh dionyson versus apollonian

if you go watch back and watch my theme

video you'll see uh that that in this

play there is the juxtaposition of

nobility versus baseness lowness this is

the god dionysus it's a personification

of the base the low energies of of of

who we are as humans and here are the

more noble uh intellectual faculties and

the more graceful faculties of what it

means to be human neither of which on

its own is is pure evil uh but we what

shakespeare has argued in many many

different plays is that we need some

kind of harmony in in in othello these

forces are in harmony and in desdemona

as well but when

when one when there's more of one when

there's too much of one and not enough

of the other if they're unbalanced then

you get into the theme of excess and

moderation passion is fine passion is

lovely passion is dionysian who doesn't

want to who wants to live without

passion but if there's too much of it

and there's only that then then you're

then you're and then you're an animal

okay so uh to convince to make barbato

angry he uses very crude language iago

does he says you'll have your daughter

covered with a barbary horse so he's

calling he's calling uh um othello a a a

barbary horse from barbary is is a

territory

in the east okay again it's it's it's

not european it's not venetian it's it's

it's other uh to go back to that theme

uh we see here that his language iago's

language is revealing his character okay

pay attention to that again go watch my

theme video and talk more about that um

again he screams up at berbanteo he says

i am one sir that comes to tell you your

daughter and the more are now making the

beast with two backs well that's

lovemaking

he describes it as the beast with two

backs so the images of course that that

the lovers are united and they're not

united in in the harmony in the marriage

of true minds they're they're united as

as mere beasts so that's that's iago um

being being as crude as you possibly can

he's got zero of the apollonian in him

he's all lower dionysian energy crude

crude guy

um now

what's happening in the scene because

you've watched the movie is that iago is

is talking over rodrigo and when when

rodrigo finally has a chance to talk

he's much more civilized in his talk but

he still falls into the racism trap the

lascivious more lascivious means he's uh

he's he's overly

overly sexual a sexualized creature more

than a true venetian who is more

civilized so again there's the framing

the the the assumption that the more

that the non-venetian is uh is cruder

and more uh animalistic than than a true

venetian iago's plan works a charm he's

a charming psychopath

berbanto calls for a light and he's

going to check out to see whether

desdemona is at home or not and sure

enough she's not

uh iago skedaddles he says i have to go

and talk and be with othello because

there's something going on with the

cypress war so he leaves and remember

bermanto didn't know that iago was there

to begin with because iago was was

pretending to be berbantio was iago was

pretending to be rodrigo when he was

speaking so berbanto enters and a little

bit of his characters revealed here

there's a little bit more revealed later

on but he's a minor character but this

but but there's there's some interesting

things to find out about him so he finds

out that desdemona is gone and he's

totally heartbroken he's he's oh she

deceives me past thought

it's beyond thought it's

incomprehensible to him that his

daughter could have could have could

have left him so in terms of character

development we see him here

there's a couple of options most

obviously he's a possessive father he's

got his daughter locked up in in the

house where she should be and she

escaped and he's angry so fair enough

he's he's he's uh

he's possessive uh we can also think of

it well in terms of of love generally uh

love as ownership that is a world view

that maybe we can ascribe to brabanto as

part of his character uh opposite to

that however or or count a counter

argument to that would be uh enmeshment

and i talked about this my previous

video as well on character uh enmeshment

is is is is a form of is a corrupted

form of of love between a parent and a

child where their their their lives are

too closely

connected they're not they don't have

their separate realms there's the

childhood realm the young person realm

and the adult realm and they should be

separate but if if a parent and a child

are too close either the male or the

female with the male or the female child

uh there can be something called the

measurement where where the lives are

too intertwined and they can't survive

without each other uh the adult can't

survive without the child and so the

child ends up getting smothered so is

this excessive love that goes back to

the theme of excess uh versus moderation

uh we can also talk about this in uh in

terms of the theme of alienation that

was one of the major themes alienation

and separation he here has been

separated from his worldview

a shattered worldview the the view of

filial piety that's the duty that a

child owes to a father has been

shattered and the the the notion of of

of proper race relations has been

shattered as well

interestingly very interestingly we

learn in the next scene uh um that

burbanto actually really really loved

othello uh they were buddies uh uh

robento kept you know inviting uh

othello to his home to talk about his

adventures so

but

uh

there's a line

uh yeah you can be friendly with with

the other you can be friendly with them

you can invite them in you can have a

cup of tea with them but they're not

allowed to marry your daughter they're

not allowed to marry into your family

because they are other in-group outgroup

that's that's i discussed that in my

other in in my other video as well on

theme so a little bit of interesting uh

character development for berbanto again

he's not a cartoon character never when

you approach shakespeare don't think of

him as being the evil father okay or or

or or the evil mother or whatever it is

or iago being the pure villain all right

there's always it's usually much more

complicated than that

um he is revealed as a racist here for

sure

uh he he complains he says oh my

goodness how is this possible how is

this possible or rodrigo is there not

some charms by which the property of

youth and maidhood may be abused so he

he has to it's inconceivable to him that

that desdemona would betray him and go

with a with a with a foreigner like uh

like like othello so he says there must

be something else going on so here's the

other in as well uh the mysterious

magical other okay anything that is not

in our in group and familiar must be

weird and strange and dangerous and so

there's that assumption as well that

we've seen before uh here's another view

of love in my theme video i talked about

the various views of love that

shakespeare explores in this play most

of them are negative in this particular

play they're not always negative

shakespeare has a very lovely balanced

humane uh view of what true love is but

here there's there's a love is a kind of

magic a kind of a dangerous spell that

can be cast over someone and it's not

wrong because love love is a kind of

spell and it is very very potentially

very very dangerous too

okay so

he says so iago's trick has worked he

calls on rodrigo let's go i'm going to

get some guards and we're going to go

arrest othello

and that was five quote shakespeare

othello act one scene one come back for

my next video and we'll have a look at

act one scene two thanks for watching