only BEGINNERS do THIS! Pro Artist Roast
Summary
TLDRIn this engaging art critique video, professional artist Kasem Simon from the studio behind 'Castlevania' offers constructive feedback on three community-submitted artwork pieces. Focusing on character design, he addresses concerns like hair, body proportions, and armor integration. Using redlining and anatomical understanding, Kasem enhances the submissions, emphasizing the importance of consistency in proportions and underlying character structure for a more natural and believable result.
Takeaways
- 🎨 The video features an art critique session by K Simon, a professional artist from the studio behind 'Castlevania'.
- 🔍 K Simon uses a technique called 'redlining' to analyze and improve the proportions of character drawings.
- 💡 He emphasizes the importance of understanding the underlying anatomy and structure of a character when designing.
- 📏 K Simon suggests making the head larger if there is enough space in the drawing to achieve better proportions.
- 👂 He advises to align facial features like the eyes, nose, and mouth to improve consistency in proportions.
- 🤔 The critique highlights issues like a neck appearing too long or a character's head not fitting the body.
- 👕 K Simon discusses the importance of clothing and armor following the body's form and volume.
- 🤲 Tips are given for drawing hands, suggesting to break them down into simple shapes for better understanding.
- 🏋️♂️ The critique includes advice on how to adjust the pose of the character to better match the volume and form.
- 👍 K Simon praises the details and features of the characters, urging artists to maintain their unique eye for detail.
- 📈 He encourages viewers to follow him on YouTube and Twitch for more educational content on character design.
Q & A
Who is the speaker in the video script?
-The speaker is Kasem, a professional artist working in the animation industry for the studio that made Castlevania.
What is the purpose of the video?
-The purpose of the video is to provide art critiques, or 'roasts', to help the community improve their character designs.
How does Kasem approach the critique of the first drawing?
-Kasem uses a method called 'redlining' to analyze proportions and suggests making the head larger to match the body's volume.
What issue does Kasem identify with the character's neck in the first drawing?
-Kasem notices that the neck appears too long and compares it to a 'slim jim beef jerky stick', suggesting it needs to be adjusted for better proportions.
What advice does Kasem give regarding the character's ear in the first critique?
-Kasem advises to make the ear larger and more proportional by aligning it with the brow and nose to avoid it looking like a 'super tiny ear' or 'baby ear'.
What is the main concern of the second submission by Calico Valkyrie?
-The main concern is with the clothing and armor not working well together, possibly due to a lack of underlying volume representation.
How does Kasem address the issue of the armor not fitting properly in the second critique?
-Kasem suggests focusing on the underlying volume and structure of the character to better understand where the armor should sit and how it should curve with the body.
What does Kasem recommend to improve the pose of the character in the second critique?
-Kasem recommends doing the pose oneself to understand how it feels and to better represent the arms bending at the hips and the natural tucking back of the upper arms.
What advice does Kasem offer for drawing hands in the third critique?
-Kasem suggests breaking down the hand into simple shapes like a palm and fingers, using one's own hand as a reference, and keeping the structure simple.
What is the general feedback Kasem gives on the third submission regarding body proportions?
-Kasem advises to ensure the upper body does not feel smaller than the lower body by adjusting the length of the legs and the overall body proportions for a more natural look.
How does Kasem engage with the audience for further art critique opportunities?
-Kasem encourages the audience to subscribe on YouTube and follow him on Twitch for more educational content and potential feedback on their art submissions.
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