Lady Macbeth: 5 versions of the sleepwalking scene

James Ulmer
30 Oct 202122:20

Summary

TLDRThis dramatic script excerpt, rich with tension and guilt, seems to be from Shakespeare's 'Macbeth'. It centers around Lady Macbeth's sleepwalking scene, where she obsessively tries to wash imaginary bloodstains from her hands, revealing her inner turmoil and the psychological impact of the murder she and her husband committed. The haunting repetition of 'out, damned spot' and the mention of 'Thane of Fife' underscore the play's themes of power, ambition, and the consequences of one's actions.

Takeaways

  • 😨 The script is a dramatic monologue from a character who is deeply troubled by guilt and fear, possibly after committing a violent act.
  • 💧 There is a recurring theme of blood and the inability to cleanse oneself from it, symbolizing an irreversible deed.
  • 👵 The character mentions an 'old man' and his wife, suggesting a murder has taken place, with the old man being a significant victim.
  • 🛌 The script includes references to sleep and sleepwalking, hinting at a character's subconscious guilt manifesting in their actions.
  • 🤲 The act of washing hands is repeated, indicating a futile attempt to cleanse oneself from the guilt of a crime.
  • 🏰 There is mention of a 'gate' and 'knocking,' which could symbolize a barrier between the conscious and subconscious mind or a desire to escape.
  • 👻 The presence of a supernatural or psychological element is suggested, with characters speaking of things unseen or unheard by others.
  • 👑 The script seems to involve themes of power, ambition, and the consequences of pursuing them at any cost.
  • 🕊️ The 'perfumes of Arabia' are mentioned as unable to sweeten the air, suggesting that no amount of luxury or beauty can cover up the stench of guilt.
  • 👣 The character speaks of a 'spot' that cannot be removed, which could be a metaphor for an indelible mark left by a terrible act.
  • 📜 The monologue has a poetic quality, with repetition and rhythmic speech that conveys a sense of madness or obsession.

Q & A

  • What is the central theme of the script?

    -The central theme of the script revolves around guilt, fear, and the consequences of a violent act, which is likely a murder, as suggested by the recurring motif of blood and the inability to cleanse oneself of it.

  • Who is the 'old man' mentioned in the script?

    -The 'old man' is not explicitly identified in the provided transcript, but from the context, it can be inferred that he is a character who was murdered, and the speaker is surprised by the amount of blood he had.

  • What does the phrase 'all the perfumes of Arabia will not sweeten this little hand' suggest?

    -This phrase suggests that no matter how much one tries to cover up or cleanse themselves from a wrongdoing, the guilt or the stain of the act cannot be completely erased.

  • What is the significance of the word 'murky' in the script?

    -The word 'murky' is used to describe the state of hell, indicating a sense of confusion, darkness, or moral ambiguity that the characters are dealing with.

  • What is the role of the character who is washing their hands?

    -The character washing their hands is likely Lady Macbeth from Shakespeare's 'Macbeth', symbolizing her attempt to cleanse herself of guilt from the murder of King Duncan.

  • What does the line 'what's done cannot be undone' imply?

    -This line implies the irreversible nature of the actions taken, suggesting that once a deed is done, especially one of a grave nature, it cannot be taken back or erased.

  • Why does the character mention 'Thane of Fife'?

    -The 'Thane of Fife' is a title held by Macbeth in Shakespeare's play. Mentioning it here could be a reference to Macbeth's rise to power through murder and the subsequent guilt and fear that follow.

  • What is the significance of the knocking at the gate?

    -The knocking at the gate could symbolize the characters' fear of being discovered for their crimes, or it could be a metaphor for the relentless pursuit of guilt and conscience.

  • How does the script use the motif of sleep and dreams?

    -The script uses sleep and dreams to illustrate the psychological impact of the characters' actions, suggesting that their guilt haunts them even in their subconscious state.

  • What is the role of the character who speaks about 'the heart being sorely charged'?

    -This character is likely expressing the heavy burden of guilt and the emotional turmoil that comes with it, indicating that the act of murder has had a profound effect on their psyche.

  • What does the repetition of 'to bed' signify?

    -The repetition of 'to bed' could signify an attempt to escape from reality and the guilt associated with their actions, as sleep often serves as a temporary respite from the troubles of the waking world.

Outlines

00:00

😨 Guilt and Bloodstains

This paragraph depicts a scene of guilt and horror. The speaker is haunted by the aftermath of a violent act, as indicated by the recurring theme of blood and the inability to cleanse their hands. The mention of 'the old man' and his wife suggests a murder has taken place, and the speaker is deeply troubled by the consequences of their actions. The presence of a 'spot' that cannot be washed away symbolizes the indelible guilt they carry. The script also includes a reference to Lady Macbeth, who is seen rubbing her hands in a futile attempt to cleanse herself, further emphasizing the psychological torment of the characters.

05:07

🤔 Reflections on a Tragic Act

In this paragraph, the speaker is reflecting on the unforeseen consequences of their actions. The phrase 'who would have thought the old man had so much blood in him' indicates surprise at the amount of violence that occurred. The speaker is also grappling with the moral implications of their deeds, as they question the cleanliness of their hands and the lingering smell of blood. The mention of 'the perfumes of Arabia' failing to sweeten the situation highlights the futility of trying to cover up the crime. The paragraph ends with a sense of urgency to move on from the deed, as the speaker is aware that they cannot change what has been done.

10:07

😰 The Burden of Guilt

This paragraph delves deeper into the psychological impact of the characters' actions. The speaker acknowledges the weight of their guilt, as they express a desire not to carry such a burden. The reference to 'the heart is sorely charged' suggests a heavy emotional toll. The mention of 'walking in their sleep' and 'dying holy in their beds' could be allusions to the characters' disturbed state of mind and the impossibility of redemption. The paragraph also includes a call to action, urging the characters to 'wash their hands' and 'put on their nightgown,' which may symbolize an attempt to return to normalcy despite the turmoil within.

15:09

😖 The Haunting Presence of Blood

The fourth paragraph continues the theme of guilt and the persistent presence of blood as a symbol of the characters' deeds. The speaker is tormented by the memory of the blood and the inability to cleanse themselves of it. The mention of 'Banquo's buried' and the impossibility of him coming out of his grave adds a layer of supernatural fear and guilt. The paragraph also includes a description of Lady Macbeth's sleepwalking and her ritualistic hand-washing, which underscores the psychological impact of the crime and the characters' desperate attempts to cope with their guilt.

20:10

😔 The Inescapable Guilt

The final paragraph reinforces the idea that the characters are trapped by their guilt. The speaker expresses a desire to escape the burden of their heart, which is 'sorely charged' with the weight of their actions. The paragraph also includes a reference to the supernatural, with the mention of 'walking in their sleep' and 'dying holy in their beds,' suggesting that even in death, the characters may not find peace. The speaker's insistence on the futility of trying to undo what has been done, 'what's done cannot be undone,' serves as a reminder of the irreversible nature of their actions and the lasting impact of their guilt.

Mindmap

Keywords

💡Murky

The term 'murky' refers to something that is dark, unclear, or difficult to understand. In the context of the video, it is used to describe 'hell' as a place that is obscure and frightening. This sets a dark and mysterious tone for the theme of the video, which seems to revolve around guilt, fear, and the supernatural. For example, 'hell is murky' is used to convey the uncertainty and dread associated with the afterlife or consequences of one's actions.

💡Blood

Blood is a recurring motif in the script, symbolizing violence, guilt, and the irreversible nature of certain actions. It is mentioned in various contexts, such as 'the old man to have had so much blood in him,' indicating a violent act that has taken place. The persistence of the bloodstain, despite attempts to wash it away, reflects the inescapable guilt that haunts the characters.

💡Fear

Fear is a central emotion in the script, driving the characters' actions and decisions. It is often linked with the awareness of one's power and the potential consequences of using it. For instance, 'what need we fear who knows it, when none can call our power to account' suggests a fear of being judged for one's actions, yet also an acknowledgment of the characters' unchecked authority.

💡Power

Power is a concept that is closely tied to the characters' sense of control and influence over their circumstances. It is often juxtaposed with fear, as in the phrase 'what need we fear who knows it, when none can call our power to account.' This suggests that the characters believe they are above judgment or consequence due to their positions of power.

💡Clean

The word 'clean' is repeatedly used in the context of washing hands, symbolizing the futile attempt to cleanse oneself of guilt or sin. 'Will these hands ne'er be clean?' is a rhetorical question that highlights the enduring nature of guilt, especially after committing a morally reprehensible act.

💡Nightgown

A nightgown is a garment traditionally worn during sleep. In the script, 'put on your nightgown' serves as a directive to return to a state of normalcy or rest, contrasting with the turmoil and guilt the characters are experiencing. It underscores the dissonance between the outward appearance of calm and the internal state of distress.

💡Spot

The 'spot' is a recurring image in the script, representing a stain or blemish that cannot be removed, much like the bloodstain on one's hands. It is used metaphorically to describe the indelible mark of guilt, as in 'here's a spot,' indicating the presence of an issue that cannot be ignored or cleansed.

💡Unicorn

The mention of a unicorn is likely a typographical error in the transcript, as it does not fit the context of the script. However, if it were to be included, a unicorn is a mythical creature often symbolizing purity and innocence, which could provide a stark contrast to the themes of guilt and violence present in the video.

💡Perfumes of Arabia

The 'perfumes of Arabia' are mentioned in the context of their inability to mask the smell of blood. This phrase evokes a sense of exotic luxury but also highlights the futility of trying to cover up the evidence of a crime or moral transgression with superficial means.

💡Dignity

Dignity refers to the state or quality of being worthy of honor or respect. In the script, 'for the dignity of the whole body' suggests a concern for maintaining a respectable appearance or reputation, despite the internal turmoil or guilt that the characters may be experiencing.

💡Undone

The term 'undone' is used to convey the irreversible nature of certain actions or decisions. 'What's done cannot be undone' is a phrase that emphasizes the permanence of consequences and the impossibility of returning to a previous state, which is a central theme in the video's narrative.

Highlights

The theme of power and its consequences is introduced with the line 'What need we fear who knows it, when none can call our power to account?'

The violent act of Macbeth is referenced: 'Thane of Fife had a wife, where is she now?'

The psychological impact of guilt is depicted through the character's obsession with cleanliness: 'Will these hands ne'er be clean?'

The famous line 'Out, damned spot! Out, I say!' illustrates the character's struggle with guilt and remorse.

The character's attempt to rationalize their actions is shown: 'What's done cannot be undone.'

The supernatural element is introduced with the line 'Here she comes, and upon my life, fast asleep.'

The character's fear of discovery is evident: 'She has spoke what she should not.'

The character's internal conflict is highlighted: 'The heart is sorely charged.'

The character's concern for their reputation is expressed: 'For the dignity of the whole body.'

The character's attempt to maintain composure: 'Wash your hands, put on your nightgown, look not so pale.'

The character's realization of the irreversible nature of their actions: 'What's done cannot be undone.'

The character's fear of the supernatural is shown: 'Banquo's buried; he cannot come out on his grave.'

The character's paranoia is evident in the line 'There's knocking at the gate.'

The character's struggle with reality and hallucinations is depicted: 'Her eyes are open, but their sense is shut.'

The character's repetition of actions as a coping mechanism: 'Look how she rubs her hands.'

The character's acknowledgment of the futility of their actions: 'All the perfumes of Arabia will not sweeten this little hand.'

The character's final acceptance of their fate: 'To bed, to bed, to bed.'

Transcripts

play00:01

[Music]

play00:14

spot

play00:16

out i say

play00:21

hell is murky

play00:27

fine my

play00:28

lord fire

play00:33

soldier and feared

play00:38

what need we fear who knows it

play00:40

when none can call our power to account

play00:49

yet who would have thought the old man

play00:50

to have had so much blood in him

play01:00

thane of five

play01:02

had a wife

play01:06

where is she

play01:13

what

play01:17

will these hands now be clean

play01:24

no more of that my lord

play01:27

no more than

play01:30

you are all with the starting

play01:42

here's the smell of the blood still

play01:47

all the perfumes of arabia will not

play01:49

sweeten this little hat

play02:06

wash your hands

play02:09

put on your nightgown

play02:13

look not so pale

play02:16

too bad

play02:19

too bad

play02:34

cover

play02:37

come come give me your hand

play02:43

what's done cannot be undone

play02:46

too bad

play02:50

to bed

play02:51

[Music]

play02:57

to bed

play03:02

[Music]

play03:19

[Music]

play03:30

[Music]

play03:42

to bed

play03:51

[Music]

play04:00

here she comes

play04:03

and upon my life

play04:04

fast asleep

play04:10

how came she by that light she has

play04:27

shut

play04:37

yet

play04:39

here's a spot

play04:44

look how she rubs her hands

play04:47

using the custom dungeon with her to

play04:49

sing us washing her hands

play04:54

out

play05:07

one

play05:09

to

play05:11

i lent his

play05:13

time to do it

play05:18

hell

play05:20

is murky

play05:35

yes

play05:36

who would have thought the old man

play05:39

to have had so much blood in him

play05:46

the thing

play05:48

of fight

play05:52

[Music]

play05:59

where is she now

play06:03

what

play06:05

these hands

play06:07

never be clean

play06:11

no more of that lord

play06:13

no more of that your moral with a

play06:15

starting

play06:16

go to go to

play06:19

you have known what you should not she

play06:22

has spoke what she should not

play06:24

i'm sure of that

play06:27

yet

play06:28

here's the smell of the blood still

play06:34

oh

play06:36

the perfumes

play06:39

of arabia

play06:41

will not

play06:43

sweeten

play06:44

this

play06:45

little hat

play06:52

[Music]

play07:04

the heart

play07:05

is sorely charged

play07:08

i would not have such a heart in my

play07:10

bosom

play07:12

for the dignity of the whole body

play07:16

wash your hands

play07:18

put on your nightgown

play07:21

look not so pale

play07:24

i tell you yet again

play07:26

man cause

play07:28

birds he cannot come out on his grave

play07:39

there's knocking

play07:41

at the gate

play07:52

to bed

play07:54

to

play07:56

bed come

play08:00

come

play08:02

come

play08:04

come give me your hand

play08:09

what's done

play08:11

cannot be undone

play08:16

stupid

play08:40

ah

play09:14

you see

play09:15

her eyes are open

play09:17

hi

play09:18

defense is shut

play09:39

look what she does now

play09:42

see how she rubs her hands

play09:45

it is an accustomed action but it seems

play09:48

washing her hands i have known her to

play09:50

continue in this a quarter of an hour

play09:55

and here's a spot

play09:57

she speaks

play09:59

i will set down what comes from her to

play10:01

satisfy my remembrance the more strongly

play10:04

how

play10:05

them spots

play10:07

out i say

play10:24

is murky

play10:33

i my lord fi

play10:36

a soldier in the field

play10:39

what need we fear who knows it

play10:42

when none can call our power to account

play11:00

yet who would have thought the old man

play11:03

to have had

play11:04

so much blood in him

play11:14

saying five had a wife

play11:18

where is she now

play11:20

[Music]

play11:25

heart will these hands near be clean

play11:32

no more of that my lord

play11:34

now more of that

play11:36

you are all with this starting

play11:41

what you should not

play11:42

spoken what she should not i'm sure of

play11:44

that heaven knows what she's known

play11:49

is the smell of blood still

play11:55

all the perfumes of arabia

play12:00

will not sweeten this little hands

play12:08

[Music]

play12:18

oh

play12:19

the size there the heart is sorely

play12:22

charged i would not have such a heart in

play12:25

my bosom of the dignity of the whole

play12:27

body

play12:28

this disease is beyond my practice

play12:31

yet i have known those which

play12:33

walked in their sleep or died holy in

play12:36

their babies

play12:40

wash your hands

play12:43

put on your nightgown

play12:46

look not so pale

play12:50

i tell you yet again

play12:53

van rosberry

play12:56

he cannot come out on the grave

play13:06

there's knocking at the gate

play13:08

come

play13:11

come come

play13:19

your um

play13:25

what's done

play13:27

cannot be undone

play13:39

to bed

play13:51

this is

play13:53

what any time you heard her say that sir

play13:55

which i will not report after her

play13:58

you made her doctor

play14:00

this must meet you should neither you

play14:02

know anyone

play14:04

having no witness to confirm my speech

play14:18

her eyes are open hi but their sense is

play14:21

shut

play14:28

what is it she does now it is in the

play14:30

custom direction with her to see that's

play14:32

washing her hands

play14:52

yet here's a spot

play14:56

out

play15:05

one

play15:08

two

play15:12

why then it's time to do it

play15:18

that lives murky

play15:21

fine my lord fire

play15:23

i sold you in a feared

play15:26

what need we fear who knows it when none

play15:27

can call our power to account

play15:33

you'd have thought the old man to have

play15:35

so much blood in him

play15:37

well well well

play15:40

thane of fife had a wife

play15:44

where is she now

play15:49

what will these hands near be clean

play15:54

no more of that my lord no more of that

play15:56

you are always starting go to go to

play15:59

you have known what you should not she

play16:01

has spoke what she should not i am sure

play16:03

of that

play16:06

it is a smell of blood still

play16:13

all the perfumes of arabia will not

play16:15

sweeten this little hand

play16:22

[Music]

play16:24

what a size there

play16:27

how does song get charged

play16:30

where's your hands

play16:32

put on your nightgown

play16:35

look not so pale

play16:37

i tell you yet again bank was bearish he

play16:39

cannot come out of his grave

play16:41

even sir

play16:45

to bed

play16:47

to bed

play16:56

cannot be undone

play17:08

hello you here she comes

play17:18

this is her very guys

play17:20

and upon my life

play17:22

fast asleep

play17:31

[Music]

play17:41

you see her eyes are open hi but their

play17:44

scents are shut

play17:48

what is it she does now

play17:50

look how she rubs her hands it is an

play17:52

accustomed action with her to seem thus

play17:54

washing her hands

play17:57

i have known her continue in this a

play18:00

quarter of an hour

play18:26

i said

play18:30

one two

play18:32

what then

play18:34

it's time to do it

play18:38

hell

play18:39

is murky

play18:43

by my lord vi

play18:46

a soldier and feared

play18:50

what need we fear who knows it

play18:52

when none can call our power to a cult

play18:58

yet who would have thought the old man

play19:00

to have had so much

play19:04

blood in him do you mark that the same

play19:08

if i've had a wife where is she now

play19:12

what

play19:15

will these hands never clean

play19:31

no more of that my lord no more of that

play19:36

you are all with this starting

play19:38

you too

play19:40

so too you have known what you should

play19:42

not

play19:44

she has spoke what she should not i'm

play19:46

sure of that

play19:49

heaven knows what she has known

play19:57

here's the smell of the blood

play20:04

still

play20:10

all the perfumes of arabia

play20:14

will not sweeten

play20:18

this

play20:20

little

play20:23

hand

play20:28

[Music]

play20:41

oh

play20:52

[Music]

play20:56

the heart is solely charged

play20:59

i would not have such a heart in my

play21:01

bosom for the dignity of the whole body

play21:04

well

play21:06

well well this

play21:08

disease is beyond my practice

play21:11

yet i have known those which have walked

play21:13

in their sleep who have died holiday in

play21:15

their beds wash your hands

play21:17

put on your nightgown look not so pale

play21:21

i tell you yet again banquo's buried he

play21:23

cannot come out on his grave

play21:28

too bad

play21:30

there's looking at the gate come come

play21:32

come come

play21:38

what's done

play21:42

cannot be

play21:45

undone

play21:51

to bear

play21:54

the best

play22:02

directly

play22:19

you

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Связанные теги
GuiltPowerMacbethShakespeareTragedyMurderConspiracySleepwalkingRoyaltyBlood Stains
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