The Problem with Drake & Taylor Swift
Summary
TLDRThis video script explores the enduring success of music icons Drake and Taylor Swift, comparing their impact to the McDonald's Happy Meal of the music industry. Despite facing criticism, they have maintained relevance across generations. However, the script questions if their music has become formulaic, suggesting that while they enjoy massive popularity, they may have reached a creative plateau compared to contemporaries like Beyonce and Kendrick Lamar, who continue to redefine musical boundaries. The discussion touches on the artists' brand image, their relationship with their audience, and the challenges of aging in the public eye.
Takeaways
- 🎤 Drake and Taylor Swift are compared to McDonald's Happy Meals, appealing to mass audiences with endless output.
- 🌟 Despite criticism, Drake and Taylor have stayed relevant over their nearly 20-year careers, attracting fans across generations.
- 🎶 Their music is consistent, often focusing on themes like breakups, love, and youth, which resonate with a wide audience.
- 💡 Unlike contemporaries like Beyoncé and Kendrick Lamar, who push artistic boundaries, Drake and Taylor maintain a familiar style.
- 👨🎤 The script criticizes Drake and Taylor for not evolving artistically and staying within their comfort zones.
- 🔄 Drake and Taylor's music often revisits the same tropes and clichés, sticking to a 'if it ain't broke, don't fix it' mentality.
- 💰 Both artists have signed massive deals with Universal Music Group, making them important franchises for the company.
- 🤔 The script questions whether the repetitive nature of their music limits their potential and relevance.
- 👁️ Critics argue that while Drake and Taylor are popular, their music lacks the depth and innovation seen in other artists.
- 🎭 The video concludes that as fans grow older, they might outgrow the music of Drake and Taylor, which remains targeted at a younger audience.
Q & A
What is the main comparison made between Drake and Taylor Swift in the script?
-The script compares Drake and Taylor Swift to a McDonald's Happy Meal, suggesting that they are the epitome of the music industry's mass appeal, with a focus on maintaining a youthful image and producing endless output that remains popular despite criticism.
How does the script describe the careers of Drake and Taylor Swift?
-The script describes their careers as having managed to stay relevant for nearly 20 years, cultivating massive fan bases across different age groups, and reaching unprecedented heights of fame and fortune.
What criticism is leveled against Drake and Taylor Swift in terms of their music?
-The criticism is that their music, while successful, lacks depth and innovation, often relying on tropes and cliches, and that they seem content with maintaining their established brand images rather than pushing boundaries.
How does the script contrast Drake and Taylor Swift with other artists like Beyonce and Kendrick Lamar?
-The script contrasts them by highlighting how Beyonce and Kendrick Lamar continue to redefine boundaries and explore new sounds, challenging themselves and their audiences, whereas Drake and Taylor Swift are seen as sticking to a formula that has made them successful.
What is the 'tortured poets' and 'for all the dogs' controversy mentioned in the script?
-The 'tortured poets' and 'for all the dogs' controversy refers to the public criticism Drake received for the lyrics and themes in his music, which some perceive as shallow and repetitive, and the ensuing rap beef with Kendrick Lamar.
What does the script suggest about the relationship between Drake and Taylor Swift's music and their audience?
-The script suggests that their music is designed to appeal to a broad audience, including younger listeners, and that they have created an expectation of what their music should be, which they feel compelled to meet with each release.
How does the script discuss the business aspect of Drake and Taylor Swift's careers?
-The script discusses their careers as not just being musicians but also as brands and franchises, particularly after signing deals with Universal Music Group, which has led to a focus on maximizing profits through constant releases, tours, and merchandise.
What is the script's view on the potential for Drake and Taylor Swift to change their musical direction?
-The script implies that there is a possibility for them to change their musical direction, but it also suggests that they may be constrained by the expectations of their brand and the need to maintain their popularity with a wide audience.
How does the script address the issue of aging and its impact on the perception of Drake and Taylor Swift?
-The script addresses the issue by noting that as they age, their attempts to maintain a youthful image and sound may become less convincing, and that their audience may struggle to relate to them as they grow older.
What conclusion does the script draw about the future of Drake and Taylor Swift's careers?
-The script concludes that while Drake and Taylor Swift may continue to be successful, their audience may need to let go and accept that their music may not always align with their own evolving tastes and interests.
Outlines
🎤 The Perpetual Youth of Pop Icons
This paragraph discusses the phenomenon of Drake and Taylor Swift's enduring popularity, likening them to the McDonald's Happy Meal of the music industry. They are seen as symbols of never growing up, with a constant output that has kept them at the top of the charts for nearly two decades. Despite criticism, they continue to be massively successful, but the script suggests that this success may have come at the cost of artistic growth, comparing them to static brands like McDonald's or SpongeBob SquarePants. The paragraph questions whether fans have outgrown these artists as they continue to produce music that appeals to a wide audience but lacks depth or innovation.
🤔 The Creative Stagnation of Superstars
The second paragraph delves into the expectations placed on artists like Drake and Taylor Swift, suggesting that their immense success has created a formula that they feel compelled to follow. It contrasts their approach with that of artists like Beyoncé and Kendrick Lamar, who are praised for their willingness to explore new themes and sounds in their music. The paragraph criticizes Drake and Swift for their reluctance to take risks and for producing music that feels safe and familiar, despite the potential for more profound artistic expression. It also touches on the repetitive nature of their music and the lack of evolution in their themes and lyrics.
🔄 The Repetitive Cycle of Commercial Success
This paragraph continues the critique of Drake and Taylor Swift's music, highlighting the repetitiveness of their themes and the formulaic nature of their songwriting. It discusses the artists' reliance on their established brand to maintain relevance, rather than pushing creative boundaries. The paragraph also addresses the business model of these artists, suggesting that their omnipresence in the media and constant release of new material can be overwhelming and alienating for some fans. It implies that the need to cater to a younger audience may be limiting their artistic growth and contributing to a sense of stagnation in their music.
📈 The Power and Limitations of Brand Loyalty
The final paragraph reflects on the role of Drake and Taylor Swift as brands within the music industry, particularly their relationship with Universal Music Group. It discusses the implications of their massive deals with the company and how their status as franchises influences their creative output. The paragraph suggests that the need to maintain their brand image and satisfy commercial interests may be hindering their artistic evolution. It concludes with a personal reflection on the difficulty of letting go of these artists as they continue to produce music that feels increasingly disconnected from the needs and desires of their aging fan base.
Mindmap
Keywords
💡Drake
💡Taylor Swift
💡McDonald's Happy Meal
💡Relevance
💡Criticism
💡Artistic Evolution
💡Fan Base
💡Commercial Success
💡Mainstream Appeal
💡Brand
Highlights
Drake and Taylor Swift are compared to McDonald's Happy Meals, representing their ubiquitous, never-aging appeal in the music industry.
Both artists have managed to stay relevant over nearly 20 years by appealing to both their original fans and younger generations.
Their music is characterized by simplicity and relatability, resonating with a wide audience, but it often follows familiar tropes and themes.
Drake and Taylor Swift have created a constant brand image, similar to how McDonald's, SpongeBob, and Nike remain consistent in our minds.
Despite their massive success, their music has been criticized for lack of innovation and repetition of the same themes.
The artists are likened to brands that must constantly adapt to maintain their popularity among younger audiences.
There is a perception that they avoid tackling deeper or more challenging topics in their music, unlike contemporaries like Beyonce and Kendrick Lamar.
Drake and Taylor Swift are seen as part of a cycle of perpetual youth and commercial success, which might not resonate with older fans seeking more mature content.
Both artists have secured lucrative deals with Universal Music Group, emphasizing their roles as major entertainment franchises.
Their constant presence in the media and music industry can feel overwhelming and repetitive to some fans.
Critics argue that their music has become formulaic, sticking to a proven method rather than exploring new artistic directions.
The video highlights how both artists have massive fan bases that support them regardless of the quality or innovation in their music.
The transcript discusses the pressures and expectations that come with maintaining a high level of fame and success over a long period.
Despite criticisms, both Drake and Taylor Swift continue to achieve significant commercial success with each new release.
The comparison to other artists who have pushed boundaries highlights the perceived missed opportunities for artistic growth in Drake and Taylor Swift's careers.
Transcripts
this is Drake and Taylor Swift and this
is a McDonald's Happy Meal what do they
have in common Never Growing Up made
them
billions Drake and Taylor Swift are the
McDonald's Happy Meal of the music
industry just choose which toy you want
with your burger they're the biggest in
the business their output is endless and
no matter how much criticism is thrown
their way it feels like nothing can stop
them over their near 20-year careers
they've managed to stay relevant with
people not only their age but also have
cultivated these massive fan bases with
groups of people who weren't even bored
when their first singles charted but as
they continue to reach these new
unprecedented Heights of Fame and
Fortune it does feel that it's been at
the cost of what could have been while
their contemporaries like Beyonce and
kendar continue to redefine the
boundaries in which stars their level
can break through Jer and Taylor swi are
seemingly content with who they are
almost like how McDonald's will always
be McDonald's SpongeBob will always be
SpongeBob and Nike is Nike even as we
get older as brand images in our heads
they remain a constant but Drake and
Taylor are human beings that mentally
and physically age I mean sure they have
tricks to keep them young and fresh but
in watching them attempt to keep their
secret formula intact their flaws have
begun shining through the cracks the
problem with Drake and tayor Swift isn't
that they're lazy the problem is that at
a certain age you realize McDonald's
isn't good for you today we're going to
be answering the questions of what is
the problem with Drake and Taylor's
music what separates them from other
superstars of today their brand and most
importantly have we outgrown them so uh
yeah Taylor's last album suck I put Care
on sh like Amazon Distribution Center
hell really hate to call on brosi for
the Dirty Work I rather do it by myself
Taylor swith could sell a blank disc and
do 2 million first week and if the
torture poets Department showed us
anything it's that it doesn't matter
what this girl does the fans will
support it I think a lot of levelheaded
critics and listeners are puzzled by it
gargantuan runtime aimless production
and uninspired lyrics and while it's
clear certain Outlets definitely gave
writing duties to in-house swifties to
avoid any backlash or to be rewarded by
Taylor retweeting are posting the
reviews on her Twitter the weekend the
album drop seemed to bring Taylor
discourse to an all-time high in a year
that already had a lot of Taylor with
discourse in it and where the firers
brought the Taylor it's been at the feet
of Aubrey for some time especially in
the last year whether as most death sayi
Drake makes music for shopping at Target
Joe button's array of criticisms for for
all the dogs or their day in the court
of public opinion is here and maybe for
good reason because listening to the
torture poets toin and for all the dogs
and hearing lyrics like touch me while
you're broke play Grand Theft Auto and
feel like I'm by cuz you're one of the
guys girl is kind of insane when you
consider that both these people can run
for president well actually not Drake
cuz you know uh
Canadian throwing all those together
it's made me look a lot closer at not
only those albums but everything they've
ever put out and I started to notice
something why you got to fight with me
at cheesec you know I go there I think
it's safe to say that Drake and Taylor
Swift enjoy making music for the masses
and why wouldn't they a lot of perks
come with being as big as the pope Money
Power Respect but most of all an
audience and as a creative the idea of
someone listening to your music or using
your voice as a vessel for their own
feelings it's a pretty powerful thing
and it's not like their grip on the
music industry doesn't make any sense
their Simplicity and every man every
girl relatability have always been a
part of the appeal they did this when
they both were cosplaying as Southern
Americans and they managed to still do
it today from their private jets also
side note did you know Taylor Swift was
from pen Vania and not like Nashville or
the South like she grew up an hour out
of Philly genre hopping riding waves
collaborating Coast finding whoever's
popping at the moment they've done it
all but it's clear that the music no
matter what tints applied to it all
follow very similar tropes and cliches
the good old if it ain't broke don't fix
it mentality and going through the
discographies you could start dropping
the songs at the same couple of buckets
like you got the breakup songs theck all
the haters anthems the love songs the
party songs You Belong To Me In Marvin
room about being the better option for
someone but so are rich baby daddy in
fortnite just you know with a senior
citizen discount their sounds may change
here and there but only within the
confines that they've created for
themselves it's almost like they noticed
a long time ago that operating these
areas of playlist and living in this
constant state of coming of age and
heartbreak and youth not only will
resonate with the youth who control what
is and isn't popular but those
hopelessly romantic teenagers and jaded
lover boys who never grew up past those
days and went on to become nostalgic
adults and speaking of nostalgic adults
checking my my last video and the sty
ification of pop music but only after
you watch this one because you know we
got to keep the retention up and while
you're at it hit the Subscribe button
hit the like button I do these videos
about pop culture and Niche topics that
I really enjoy but also so that my
friends and family don't have to hear me
yap on and on and on about things like
Drake and Taylor Swift like just listen
to the radio stop being a maniac but
there got to be some soul out there that
also likes this type of thing so
definitely hit like And subscribe and uh
let's get back to the show but I don't
know at this point I'm just starting to
see it more as wasted potential like I
was talking to a friend the other day
and they were like I like Drake the way
he is I don't want Drake getting
political why would I ever want that and
not that I'm looking for his thoughts on
inflation or the military-industrial
complex but I think an album about being
a child of divorce and then yourself
becoming a single father as the biggest
rapper in the world would be I don't
know unique but also relatable it made
me think more deeply about what we want
and expect from artists versus what they
could offer us like we loved graduation
but we didn't know we needed 808 and
heartbreak The Beatles stopped touring
and do shows so they could focus solely
on themselves and making the best music
and they did Imagine for real didn't
tell Tyler creator with Jimmy IV told
them about house music it's almost like
Drake and Taylor's fwip became so big
and so successful that they created an
expectation of what their music needs to
be and they feel every release need to
check off every box I mean Drake's even
G on to say this I mean I don't think
I'm going to be able to ever make like a
12 13 song album but only because I have
to do two things every album I have to
give the people that I like to hear the
singing enough to hold on to and I have
to give my I have to give Braun enough
bars for him to you know that and even
when they attempted to go left it's not
like they weren't diving into topics
they hadn't already explored at nauseum
or had let someone else go in the house
first to see if it was safe and for as
much as I enjoy those albums you're only
left wishing they've taken it further
especially in an age when they're
sharing the Superstar label with stars
like Beyonce and uh we're going to get
to that just let me cook for a second
hello again friend of a friend I don't
think there's two people you could put
up against Taylor Swift and Drake that
disprove the idea more that Artistic
integrity needs to be sacrificed in
exchange for streams and soldout tours
than Beyonce and Kendrick Lamar we've
seen Beyonce go from pop diva to one of
American music's great deconstructors
with her last three albums exploring
everything from genre to race to
feminism to love to family to even music
and American history and this is coming
from a woman who's 25 years in has three
kids and more money than God I think the
beauty of the last last three Beyonce
albums is just how hungry she sounds the
ideas are pulsating from every corner of
every track and what she's bringing to
the table at times is so grandiose and
so maximalist and so thought out that
the only thing I could do while
listening to a song like Yaya of cowboy
Carter for the first time was cry not
because she was striking an emotional
cord or she hit home because to me as a
music fan I was listening to one of the
biggest artists alive craft this massive
Rock country crossover track talking
about everyday people and the struggles
they go through with lines like whole
lot of red in that white and blue
history can't be erased like come on
even if it's not her life today it feels
like someone's speaking through her
she's painting these incredible visuals
in my head not only because she won't
drop a music video but because
everything is so detailed sonically it's
unlike anything I've ever heard her do
before and something I can never
interchange with a cut off four or
self-titled or lemonade it's that kind
of artistry that shows you the true
power of what popular music can acheve
aieve just like the discography of
Kendrick Lamar which is aim to dive
deeper and deeper into who Kendrick
really is good kid Mad cities glimpse
into his life as a young adult growing
up in Compton to pimp a butterflies
grappling with Fame Fortune searching
for answers Dam's Reflections on Destiny
and life's choices and of course Mr
Mor's exploration of his savior complex
childhood traumas infidelity and
fatherhood ultimately those artists go
places that can only exist on those
specific albums by those specific
artists like could you imagine Mr morale
and the big steppers Drake or Taylor
Swift's Renaissance I got gambling
issues that's on me you see like that
would be fire this is what I'm talking
about this kind of reinvention this kind
of introspection from agent celebrities
is what separates the Beyonce and
Kendricks from the tayor and Drakes two
people using their platforms to shine a
light on an array of different topics
exploring new sounds and challenging
themselves every step of the way and in
that they've grown and continued to grow
with their audience you know instead of
whatever the hell's going on here oh
here we go again the voice is in his
torture poet department is like if one
of those monotone Tik Tock Day in the
Life about living in a major city things
was a 2-hour album I mean what else can
I say that hasn't been said already
about this it's a snoozefest thanks and
help to its lifeless and mundane
production which in my search for
something to grasp on to on this album
only Amplified the repetitive lyrical
content and by the end of his 2hour
experience I was deflated I was tired
and I just did not give a [ __ ] I don't
care about the British guy you thought
you were going to marry I don't care
about the other British guy you dated
who made some of my favorite songs I
don't care about your haters because you
have a billion dollar I don't care about
your fubba Kim Kardashian anymore I just
don't care anymore because I've heard
you do this again and again and again
and again and again and again and again
for years and before you go well what
about all the other artists who only
write love and breakup songs what about
Ariana Grande what about frag ocean what
about scissor I mean one come on but two
volume they aren't releasing 20 plus
song albums all the time they aren't
re-releasing their entire catalog of
Music they aren't now on a multi-year
erors tour they get the benefit of the
doubt because our time with them is so
limited Taylor's created a business
model where you can't get away from her
she's inevitable and for some not even
some most it's a glorious time but for
others I don't know it feels kind of
suffocating because with this person
constantly right in front of me it
becomes hard to not notice everything
like how repetitive the music is not
even lyrically but from like a music
theory standpoint or even how backhanded
her intents and accountability have
always sounded or how often she revisits
the same themes and topics or even how
she dresses to evoke the feeling of a
teenager Coming of Age normally I'd say
this is me looking way too much into
things but part of the Taylor flip brand
is to look this deeply into everything
and in that I can't help but notice the
assembly align she's created of
different versions of this Cinderella
story where she's just waiting for this
happy ending because the world is full
of evil stepmothers and step sisters and
false prince charmings that's drama that
will and always will sell records even
when you're again 35 years old and fly a
private jet to Costco and she's not even
hiding it she wears it on her sleeve but
that's what the torture poets department
and the arist tour and the Taylor's
versions are Taylor Swift
unapologetically being the Taylor Swift
we've known since Taylor Swift Taylor
Swift All is fair in love in poetry like
she says but at a certain point what are
you even fighting for it's similar
criticism I have for Drs for all the
dogs while yes I think works a lot more
than the poets thing did but at a
certain point it feels like I'm only
visiting places I've already been a
thousand
[Music]
times fight is over wa wait where we
land oh we landed
at breaks 2024 has been wild to say the
least in what many would call Hip Hop's
greatest battle Drake was taken down by
Kendrick Lamar it ended in what felt
like an Avengers endgames finale Drake
drops his 8 Minute red button diss Track
Family Matters it's got Drake at the
peak of his powers catchy hook barring
up over a Jill beat shooting in all
directions and then that Masterpiece of
a third beat comes in kri just open his
go hand onmy right now it was
unbelievable for about 20 minutes
Kendrick drops meet the grams and then
the next night drops not like us and it
was over it's like if Drake is
McDonald's Kendrick was that superizm
documentary you watched in health class
because what Kendrick was able to do in
the course of about a week to Drake was
take everything he's done the way he
acts his biggest missteps bad habits his
age and just Shine the Light on them all
Shine the Light on his inauthentic music
and Persona Shine the Light on his
obsession with his image whether that be
the certain things he might have done to
change his look or y's influence on his
fashion of music to help him appeal the
younger crowds Shine the Light on his
misogyny Shine the Light on his weird
history with women younger than him he
shine the light in this non-stop
partying and gambling especially now
he's a father and then introducing the
idea that there may be another secret
kid that he has all Kendrick had to do
to beat Drake was just remind us who
Drake is a 37-year-old Manchild who
can't let go of his youth now I don't
believe that Drake is a PDF file or that
he's hiding another kid I think there
was a lot of allegations thrown around
this beef because it was rap beef and
salacious things will always win just
like what Drake said about Kendrick but
his actions his behaviors now as an
again 37-year-old man haven't done him
any favors the fact that we didn't even
put it past him that he may have another
secret kid tells us everything we need
to know about our relationship with
Drake these days he's an unreliable
narrator spinning the tail of why me
when you can trace all the issues back
to what he's done even Kendrick going as
far as he did with Drake is because
Drake took it there by bringing up his
fiance and his kids whether or not
whatever summer Vibes are coming going
to hit is still up in the air but I mean
he's already rapping over the BBL Jersey
be with sexy red like it's a joke to him
he's already out there doing featur he's
making public appearances at concerts
and he's back in Turk partying there
wasn't some long Hiatus or Kanye exile
to go make a masterpiece nah it's just
business as usual again and I think
ultimately he's going to be fine cuz all
he has to do is drop another in my
feelings or a tussy slide or a money in
the grave like he did in the year in
chains that follow the pushup beef that
trick worked on me when I was 21 but
there was a whole generation that had to
go through a similar come to Jesus
moment back then too and now I'm here
Rel listening to March 14th and Rel
listening to that amazing outro you know
where it DRS over the piano I'm like so
that was a
lie at this point it's been made clear
by both Drake and Taylor Swift that
there is no interest in the world that a
lot of us are heading towards there
isn't an interest in challenging Their
audience beyond the music they've
repackaged for us over the last two
decades because Drake and Taylor Swift
the brands are intrinsically tied to
being young and like most brands they
have to adapt they have to cater to the
audiences that keep the lights on in the
music industry so that that's why Drake
is rapping about being in the club with
21-year-olds that's why he only talks to
Meme interviewers and streamers why he
Subs his famous x's on songs like an
18-year-old would on a Noto cryptic
Instagram story why he resorts to name
calling on social media when it comes to
anyone that questions him or how sailing
not so subtly makes references to the
famous celebrities she's dated or the
feud she's had with them in efforts to
villainize them or repost positive
reviews of her lat his album to Signal
the media Outlets that if you like her
she'll bless you with traffic and if you
don't she knows the fan base she has
behind her will always come to B for her
or how she's down bad or titling songs
but daddy I love him or I can fix him I
really can when you look at them from
this view it's all starting to feel so
high school because that's the audience
they know they need to keep their grip
on the nostalgic adults will still go to
an erys tour but we need the kids to
keep streaming we need the kids to be
posting about us on social media we need
to keep the illusion alive that we're
just like you and it's not just what
they want you to think it's what
Universal Music Group wants you to think
as well
well
yeah out Taylor Smith and Dr Gan to
Universal music group and if you've been
living under a rock or maybe you know
about one but not the other at the end
of the 2010s the music industry was at a
pretty pivotal moment where Independence
was on the rise and some of the
superstars were suddenly free agents and
there was a lot of talk about what was
going to happen if a drake or a Taylor
said I'll do it myself Taylor's
reputation and Drake scorpion were their
final albums on their deals with who
they came into the industry with in the
first place and now it's time to reup
they both were already associated with
Republic records of umg through their
prior deals but now they literally could
do whatever the hell they wanted and
long story short they both signed two
massive deals with universal music group
and Republic records and Drake has been
pretty braggadocious in his music about
the deal because it's estimated to be
for around $400 million and DG would not
only be aligned with Drake musically but
also on his merchandise touring or
really any projects he was trying to be
a part of and from the looks of it
Taylor may have also signed a similar
deal while she's kept a lot of it under
wraps I did some poking around on the
terms and services on our online store
and umg is involved with her merchandise
and touring as well so now when I talk
about these people as Brands that's what
they are it's like Disney owning Star
Wars and Marvel or War Brothers owning
Harry Potter and DC Comics Drake and
Taylor Smith are the most important
franchises of universal music group and
as partners with them even if they have
creative control they all want to be
mutually beneficial to each other
because the money will always talk and
we know Drake and Taylor like their
money so the non-stop releases of Music
since 2018 the massive tours they've
been on the onsa of merchandise the
vinyl variant and remixes all make sense
because they aren't just musicians
anymore their IP their franchises their
brands and sometimes when a brand loses
its identity you can lose
[Applause]
[Music]
people age as a mother and time is our
greatest foil getting old sucks these
last few years have been tough for me
because I never envisioned in my life
this far not in some weird depressing
way but I just never imagined being an
adult it was just a foreign concept to
me and now that it's here is hard what
Drake and Taylor Swift meant to me and a
lot of people my age is important you
can trace back many moments of my life
with their music soundtracking them and
to me that's the power of art but
getting older also means letting go and
realizing that some things just aren't
meant for you anymore 2024 feels like a
long time coming for a lot of our
relationships with drakeon Taylor Swift
and this video and the choice of pairing
these two artists together is because I
felt that throughout both sides of the
discourse surrounding them that I was
going through this similar Day of
Reckoning as a drake fan that a lot of
Taylor fans were going through in these
last few months as well thus you know
McDonald's Happy Meal in the end your
art is your art and I can't dictate what
they can and can't make because I'm not
them I'm just a dumbing idiot with a
camera and expecting that they're going
to come along with me for the ride it's
like me going on a diet and asking
McDonald's to make the food for my needs
now that's not realistic because
McDonald's doesn't need me and as I walk
out the door there's all already another
little kid ready to take my spot it's
all a cycle and Drake and Taylor Swift
are part of that cycle just like how
SpongeBob is still SpongeBob and Mario
is Mario and Winnie the
Pooh let's just pretend that doesn't
exist Winnie the Pooh is still Wy the
Pooh the problem isn't that they're lazy
or wasting their potential it's that I
you we are having trouble and letting go
of something that's not made for us
anymore and that's okay cuz he's part of
growing up but my God could I smack a
burger right now I tried with you
it's more the light than sleeping in and
getting high with you
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