"Just Do It" Full Motivational Speech HD - Shia LaBeouf #INDRODUCTIONS

Summary

The transcript delves into a kaleidoscope of themes, from the profound beauty of acceptance and transcendence to the mundane disappointments of daily life. It explores the search for identity and connection, the struggle with loss, and the transformative power of art and creativity. Amidst the chaos of life's sorrows, it offers a beacon of hope and the enduring human quest for meaning, even in the face of death and the ephemeral nature of our digital existence.

Takeaways

• 🎵 The script emphasizes the healing power of beauty and music, suggesting that they can provide an antidote to sorrow and chaos.
• 👀 It portrays a sense of longing and confusion, as the narrator mistakes others for a lost loved one, highlighting the persistence of memory and the search for identity.
• 🎨 The artist's life is depicted as one of self-expression and transcendence, using creativity as a means to overcome life's challenges.
• 🐾 The loss of a beloved pet, Rascal, is described with deep emotion, illustrating the profound impact pets can have on our lives and the grieving process.
• 🎭 The narrator's childhood was influenced by their father's involvement with a transvestite troupe, possibly shaping their fascination with transformation and performance.
• 🖌️ The script describes the creative process as akin to painting with a camera, blurring the lines between different art forms and the role of the artist.
• 🗡️ It mentions a Japanese katana as a symbol of warrior spirit, suggesting the importance of cultural artifacts in personal identity and expression.
• 🏖️ A beach encounter with jellyfish serves as a metaphor for the unexpected dangers and beauty of life, and the need to navigate carefully.
• 🌏 Growing up in Singapore is recalled with nostalgia, indicating the formative impact of childhood experiences and environments.
• ❤️ The script questions the authenticity of love found online, suggesting that true connection requires more than virtual interaction.
• 💻 It reflects on the pervasive influence of technology and social media, and how they shape our perceptions, relationships, and sense of self.

Q & A

What is the central theme of the script related to beauty and transcendence?

The central theme revolves around the idea that beauty can be a powerful force that transcends everyday chaos and sorrow, offering an antidote to the pain and a means of finding light in life.

Outlines

00:00

🎶 Transcending Through Beauty and Loss

This paragraph explores themes of beauty, transcendence, and loss. It reflects on the deep impact of music and the persistence of beauty despite chaos. The narrator reminisces about a father figure seen in motorbike riders, leading to a meditation on identity, hidden lives, and memories. The passage shifts to a reflection on living life fully, seizing opportunities, and the inevitability of death. It ends with an anecdote about a wild cat named Rascal, underscoring themes of freedom and the inevitable end of life.

05:07

🌈 Phantasmagorical Universe and Transformations

This paragraph delves into the creation of videos as living paintings, using the camera like a painter's brush. It explores a surreal world of transformation and metamorphosis, with a narrative jumping from the practical aspects of a Samurai warrior costume to a personal story of jellyfish on a beach. The narrator reflects on growing up in Singapore, touching on childhood memories and sensory experiences. The section closes with motivational statements about perseverance and the power of dreams.

10:11

🤖 The Nexus of Modern Gaming and Social Dynamics

This paragraph examines the interplay between emerging gaming technologies and social relationships. It discusses how these technologies create a feedback loop that influences our actions and expectations. The narrative shifts to a more personal reflection on the forms and patterns that define our lives, and the complex interactions between our physical and virtual worlds. The passage ends with a depiction of a clinical setting, emphasizing monitoring and observation.

15:14

🖌️ The Artist's Struggle and Creation

This paragraph explores the life of an artist, drawing parallels between artistic creation and personal struggle. It reflects on the fetishization of the artist in Western culture and the burdens of fame and self-hate. The narrative shifts to a moment of vulnerability and despair, questioning the value of creation in the face of societal pressures. The section concludes with a meditation on surveillance, reality, and the disintegration of identity.

20:16

🎭 Everyday Observations and Abstract Realities

This paragraph discusses the mundane and the abstract through various lenses. It starts with a repetitive, almost meditative journey on the London Underground, breaking into moments of panic and discovery. The narrative transitions to light installations and the intersection of physicality and immateriality. The section ends with a personal anecdote about a British artist, touching on themes of visibility, digital preservation, and the transient nature of experiences.

25:17

📚 The Fluidity of Fact and Fiction

This paragraph delves into the blurry line between fact and fiction, especially in the context of surveillance and digital manipulation. It describes a work of art that critiques social and institutional norms through the medium of a bookshop. The narrative explores how ideas are commoditized and how conversation disrupts cultural manifestations. The section concludes with a numerical representation of vast quantities, underscoring the overwhelming and interconnected nature of modern experiences.

30:26

🎤 The Unending Loop of Reflection

This final, brief paragraph presents a series of repeated expressions, evoking a sense of ongoing reflection and unresolved emotions. The repetition of 'oh' suggests a continuous loop of thought and feeling, highlighting the persistent nature of certain experiences and the difficulty of breaking free from them.

Keywords

💡Beauty

Beauty in this video script is portrayed as a transcendent force that remedies chaos and sorrow. It is associated with selfless acceptance and the idea that beauty can be found even in everyday moments. The script suggests that beauty is not just a physical attribute but a profound experience that can be 'heard deeply' and is enduring, as it is described as an 'antidote to the sorrow on this Earth for Eternity.'

💡Transcendence

Transcendence is a key concept in the script, referring to the ability to go beyond ordinary human experiences or limitations. It is linked to the idea of beauty that is 'at work' and the notion of finding light in life, even in the face of death. The script mentions 'Everyday Transcendence,' implying that moments of beauty can elevate the mundane to a higher plane of existence.

💡Identity

Identity is explored in various contexts throughout the script, such as the hidden identities of women in crash helmets in the artist's paintings or the confusion of recognizing someone from a distance. The script suggests that identity can be obscured, questioned, or even mistaken, as seen in the repeated disappointment of mistaking others for a father figure.

💡Metamorphosis

Metamorphosis is a theme that emerges from the script's discussion of transformation and change, particularly in the context of the artist's upbringing with a father who was a producer of a transvestite troupe. It implies a fascination with change in form and identity, and the video creator considers their videos as 'living paintings,' using the camera like a painter's brush to capture this transformative essence.

💡Disillusion

Disillusion in the script refers to the shattering of illusions or false beliefs, especially in relation to the virtual and the real. It is mentioned in the context of the 'Disillusion of The Virtual Coppa Real Boundary,' suggesting a blurring of lines between what is virtual and what is tangible, and the impact this has on perception and reality.

💡Surveillance

Surveillance is a recurring theme in the script, indicating the constant observation and monitoring of individuals. It is connected to the feeling of being watched and the loss of privacy. The script mentions 'Man is under Surveillance,' which could imply a societal concern about the pervasiveness of observation in modern life.

💡Imagination

Imagination is presented as a powerful tool for creating and exploring new worlds. The script invites the viewer to 'come with us in a world of Pure Imagination,' suggesting that the video itself is an imaginative creation that offers an escape from reality. It is a realm where 'there's no life to compare with living with no Pixelation,' highlighting the boundless nature of imaginative experiences.

💡Narrative

Narrative is discussed in terms of how it can be manipulated through surveillance images to create a particular story or perspective. The script talks about 'Creating unreliable Narrator[s],' which implies the video may challenge conventional storytelling by presenting multiple or conflicting narratives.

💡Cybernetic

The term 'cybernetic' is used to describe systems that involve feedback loops, which is relevant to the script's discussion of emerging gaming technologies and social relationships. It suggests a connection between technology and human interaction, where 'Sensory Data Translated Through Visual and tactile Apparatus' create a reactive and dynamic environment.

💡Avatar

An avatar in the script is mentioned in the context of a symbiotic relationship with the subject, indicating a digital representation or extension of oneself. It is part of the continuous loop of action and reaction within the cybernetic systems described, suggesting a deep integration of digital and physical realms.

💡Plastic

The term 'plastic' is used in the script to describe a 'High Quality Plastic Weapon,' which is a toy katana sword. This could be a commentary on the imitation or artificiality of certain experiences or objects, as well as the playfulness and harmlessness of仿真物品 in contrast to real weapons.

Highlights

Beauty is at work through pure and selfless acceptance, offering an antidote to sorrow and chaos.

The profound impact of deeply felt music on the human experience.

The persistent longing for a lost loved one, symbolized by the sight of men on motorbikes.

The exploration of identity and anonymity in the artist's paintings of women in crash helmets.

The importance of insisting on beauty despite adversity.

A personal narrative of loss and remembrance, with the burial of a beloved cat.

The struggle with jealousy and possessiveness in love.

Reflections on the childhood experiences that shape one's fascination with performance and transformation.

The metaphorical use of colors to represent the components of the world in the artist's videos.

An anecdote illustrating the tension between rules and personal freedom.

A vivid recollection of childhood innocence and curiosity in Singapore.

The skepticism towards love found on the internet, contrasting it with the authenticity of physical connection.

The philosophical pondering on the nature of dreams and the importance of taking action to achieve them.

A critique of modern gaming technologies and their influence on social relationships and power dynamics.

The artist's perspective on the role and perception of the creator in society, challenging traditional notions.

An expression of existential dread and the feeling of being trapped in a cycle of self-hatred and torment.

A commentary on surveillance and the performative nature of modern life.

The transformative power of art and its ability to reshape reality and perception.

Transcripts

Something is Happening

Beauty is at Work Through Pure and Selfless Acceptance Through Everyday Transcendence That Remedies the Chaos and

Antidote to the Sorrow on This Earth for Eternity

Music Heard so Deeply that it Is not hurt at all

You, were the music while the Music lasts

Insist on beauty in Spite of everything

Decorum

As I'm Walking I see you on your Motorbike [I] could see your blue eyes and Nose Peering Underneath the crash Helmet

But it's not you, it's Just a man that looks like you

I'm Disappointed every Time

Every Time I see a man on a motorbike I think it's my dad

I'm not sure why this Is

Sometimes I forget what your bike looks like?

Everyone's Eyes and Faces Look the Same Underneath Black Crash on This from a Distance Everyone Looks like you

Although Soon I realize it's not I

Remember You used to Paint Pictures of Naked women in Crash Helmets

Their Identities Were Hidden too I

Always Wondered who These women Wore

Their Shiny Black Round Heads Like Lollipops

Props

Who are they Dead

Breathe

The Laughing Heart

your life is your life

Don't let it be Clubbed Into Dank Submission

Be on the Watch

Their Ways out There is light Somewhere

It May not, be much light but it beats the Darkness

Beyond the Watch

The Gods will Offer you Chances

[Know] them

Take Them you can't Beat Death but you can be death in Life Sometimes [and]

The More often you learn to do it

The More Light There will be

your life is your life

Know it while you have it

You are [Marvellous]

The Gods Wait To delight in you

Rascal was a [Wildcat] when it was Four degrees Outside?

When I moved in She stand with Me in Winter and rain sleep with me Mostly Outside

[Hunter] I never Tried to Break her Spirit

hit by car in Front of me I

Was shocked [I]?

Buried her by Cat Litter and Wild Food her Sunshine Place Could only dig The stones Because the city's sewage Pipes About

Three Or four feet I

Wish was deeper next to Keep other animals from Digging a row When I find Stones I'll cover up could [Hurdy] Completion Began as well?

If so I'll put more soil on [Top]

First Cat and friend

[Hi-yah] I saw you last night, hmm. [I] was in the Club yeah I?

Saw who you with - She was Holding you so tight she knows you want me, [oh]?

no She can't love you she can't love you like i do I

Said to Myself that You must be out of your mind you, were There [with] somebody else you know, you're Wasting your time, oh?

No Because She can't love you

She can't love you like I do

You're Missing my Beat and I'm Needing your Moves

Let's give it one More try, let's get Back in The Groove

Because She Can't love you

She can't love you like I do

When I was Younger my father was the Producer of A transvestite Troupe and?

It Seemed A dream for me to be able to reserve what, was Behind the Curtain I?

Think This Is One all started While Growing up I kept on Searching for This Feeling of Wonder his Taste for Metamorphosis [I]?

Direct Speak of Cabarets Shows Or even The Strange

From Video To Another

often The Same Protagonist Progressed in This Mysterious and Phantasmagorical Universe I

Consider My Videos as Living Paintings I use the Camera as a Painter with his brushes

What Could my world be made of?

Red Green Blue

[Red] Green Blue Red

Green Blue

If You want to turn Yourself Into a proud Samurai Warrior?

you need the Katana Samurai Sword

This High Quality Plastic Weapon is a japanese longsword which will Look Just perfect With your traditional Japanese Vakama and

The Traditional Japanese Gita and Add the Finishing Touch to your agent Outfit the black and Gold Katana Samurai sword Comes with a matching Black

Scabbard so it can be Stored Safely

The Japanese, Sword will Protect you in fights and is Sure to Make you an [Eye-Catcher] at any Party Size length

105 Centimeters blade Length 70 Centimeters Material

Plastic

yeah so a couple years Ago a, bunch of Us went Down to the beach and We got There and and

Coast guard's Running all up and Down Us and like you can't get in the Water you know Screaming at [Us] and

So, we waited A bit and They went Further Down the beach and then, We Decided We Would go like what the fuck why?

We come here so?

My Buddy went Down There and he's like

All good Come Down here man so i walked over and

We looked Down and We couldn't See it From Where we were Parked but Like When We looked Down We were Really Close?

You looked Down and There was Just all These fucking, Jellyfish you know like one Every

Like all over Plays One Every [2] Or [3] feet and From Where, We were Standing you couldn't Really tell?

If They were Living or dead you know Because some of them, were Still moving but then Others, were like Just

Just Totally Limp

So tell me what it's like Growing Up in Singapore

Well

We had I?

Had These Really magnificent Memories of my Childhood

Because, We had These magnificent Playgrounds?

It was like These big Watermelons?

And I remember I used to climb to the Top of the Watermelon and I'D Rub Myself on the Ridges

To Give Myself Pleasure you know

You Think, We could Fall in Love on the Internet?

No

Because it Wouldn't Be Love [it'd] just be Porn [I] don't think so

Seen from a Distance

Almost everything Looks beautiful [as]?

The Distance Increases The More We Romanticize

All The Small Details From the everyday reminisce is the past

Because things, We want to forget are the things we Can Never Forget?

do it

Just do it don't

Let your Dreams Be Dreams Yesterday

You Said Tomorrow so Just do it Make your dreams come true Just

do it

Some People [dream] of Success While you're gonna Wake Up and Work Hard at it Nothing [is] impossible

You Should get to the point where Anyone Else Would quit and You're not Gonna stop There no what are you Waiting for

do it

Just

Do it yes you can just do [it]

If you're Tired of Starting over Stop Giving up

Emerging Gaming Technologies Operate Within the Nexus of Social Relationships that Characterize the modern World

These Technologies Enable A Constant Commentary which has Become the Quintessential Quality of Power often

Operating as Mechanisms That Dictate our Action and Pre-Ordained our Expectations

The Work Interrogate The Cultural Logic of Feedback as a Metaphor and Material Condition it is live

Cybernetic

Reactive

Sensory Data Translated Through Visual and tactile Apparatus

Disillusion of The Virtual Coppa Real Boundary

Reorienting

Perspective of The Existing and an alternative Space and Time an

Avatar and Symbiosis With The Subject

Taking The Lead in A continuous Loop of Action and Reaction

We're Surrounded by Forms

Yet it's Still so elusive Right

You know Sometimes it Feels like like, We fill that void between Us with something that Grows Slowly Like it's Overtaking us or something?

Like the way, We speak or what We do Where?

We put Stuff Around Us even Like the the Stances We Inhabit or like the faces We Make Or even The body Parts?

You know the Food we Whatever Sometimes?

It Gets Heavier you know

Or more light but it's like all the Distinctions Are Starting to melt away

The Forms

The Resemblances The Symmetries The Repetitions the Patterns

Patterns that We know, We have always had that have always been There and we're not sure why and now?

The Outside Looks More and More Like the images that were Contained in Us since the Beginning

Hi!

Thank you for Waiting we've Been Running a little bit Behind Today?

Right as you know we've Taken A few readings and

These get sent, away, We have a look at them

We meet a group of Us many Years [of] [Experience] We have a look and We see what we Could See?

Because That Makes sense if I just

If you [Just] have a look here Really the

[System] [is] Really slow so it's really it's A case of Monitoring and

You Monitoring and You're Just letting us [know] if You notice Anything unusual

Would you be able to do this

Mm-Hmm

You Have Any Questions

Double

Double-Sided

Minds

Differ Paths

One Runs after sunlight

One Follows the Rising Moon

They Either Congregate Connect Intersect Touch you night at sunset for eclipses

Play and Then separate for Long Interspecies

Later

Re-enacting Past meetings Forever Lost in Repetition

Ab and Flow

Edging Closer

Expanding Warmth That Point Just before the pressure bursts

Capillary Rush

Tension

Resisting each Muscle [each] Limb each Breath

Under Control for Now

Questions of Limitations Dissolve, Into The blur

Eyes Open But Horizons Fall away

The [Birman] Increases Now

The Pain Centers

One of you escapes but I pull you back

Duality

Is this Thing only as a whole

Weakened By Quivering Joints Lungs Push for Release A

Struggle to hold on

Control Surrendered

Suspended in Dullness Eyes Closed

Now Numb

Running Reaching

Falling Skipping Turning Sliding Walking These Are all Words that describe Ways of Moving?

Each Action is packed With Many Micro Movements

It's hard for us to recognize These Small Movements Individually When describing how to Walk

We use the simplest terms Possible and Struggle to explain all the mechanics of A simple Movement?

Understanding Body Movement in The Terms of Everyday language Should be Simple

However our Muscle Memory Takes over for our Brain and our Body Becomes a strange System of Levers and Pulleys

That Maneuver by our Command

She sits I

Squirt Toothpaste in My Mouth [I] start to Brush

She's Looking at, me I look at her I Keep Brushing whilst looking

Else Not, Look at her She looks at Me and i Continue to Brush getting Faster getting Harder I

Start to gag

My Eyes Leak and i still look at her

She looks at me I Keep Brushing

Gagging I

Feel like I'm gonna be Sick

am I gonna be Sick

Gagging

Paste Down my Face my hair on my shirt

Dripping

And i still look at her and she looks at me

Enough

The Sculptor

The Painter

The Video Maker

The Figure of The Artist has Been as Fetishize in The western Culture as the Hollywood Actor

Town Drunkard Messiah Himself

Michael Peters Tate Shots Attempts to Reconfigure The Concept of Creator Or create tricks by placing Himself in The Position of artists as Mean

Watch

Enjoy and Be it one

We are all Children of the Universe?

I fear

The Absolute I

Fear my Absence in The Absence of all things

Belief

in Living has Been Contorted Into the Shortened Life of contempt and predetermined Imprisonment and i I

Feel it all Collapsing, okay, I can't Fucking it Project

You is near and and Here I stand

Wasting My last Moments Cursing The Evil [who] pressed me to sell [Fame]

You Give Me Nothing no mercy no empathy

Only Self Hate to you, I'm Just A fucking Plaything an Amusement replicating the Cries of man you

Were playing last moments of my life over and Over and Over I'm Just A fucking Charade

Suspended at the Core of Ridicule and I Pity for Those who Whose end Mirrors Mind and I Pity Myself

I'm helpless Thank you

I'm tormented by the inescapable Rewinding Collapse

Don't let Them See me like This

Man is under Surveillance

Where Is he Gone Almost Into a state of Euphoria of Relief as Though he's Happy about it

Has to act as a [lookingglass] Rather than a mirror of Social Conventions

he Disintegrated

Perfectly but Never Reappeared he

Became translucent to reveal his Reality

It's impossible Unless he is or. Was insane

he changed, his mind you know how men Are

Perhaps it Symbolizes Something Deep in His Subconscious

Feeling Genuinely upset Tears Level

Shame on me

With my face is Receptacle and Surface

Surface That's Throwing Up what's Already There

What Where and Hard World Stuff?

Confrontation Is Post

Preferably

Living in Looks like over and Under

With Grapple Here is Approaching Confrontation or

Surface Lump Rolled out

You go, Through the Dump to Form a projectile semi Bound like protest Song Collapsed

Needs Filled for no Other

Forced Partly Forever As Long as I leave you together

Art Hits Whatever I point at. Is big

Snap Leg

Snap Leg

Snap Leg snap Leg

Snap Leg

Snap Leg

Snap Leg

Snap Leg snap Leg snap Leg snap Leg snap Leg snap Leg

Snap Leg snap Leg snap Leg snap Leg snap Leg snap Leg snap Leg

Snap Leg snap Leg snap Leg

Snap Leg snap Leg snap Leg snap Leg snap Leg snap Leg snap Leg

Snap Leg

Snap Leg

Snap Leg

Chalk Circle

Another One of Those Days Where you think Shit Up then Nothing Today

This London Underground Journey Needs No excessive Mental Activity to perform I'm Stuck in A strange Modern-Day Meditation

This Space Asks for an Interruption when it happens it's a moment of Pure Panic and Confusion all Previous Expectations are Obliterated

[There's] A second of Elation

The Rules Are Being broken Here

Quickly it Passes

I'm back in A routine

There's an Expansion of Discovery and Limitation Even If I'm Thinking fuck This is boring

As I scribble Repetitively Onto the Floor

Between The Visible and Invisible Lies a Glistening Rectangular Pane A

Transparent veil

This Thin Glossy Sheet of Glass so [Innocent-Looking] is the Frontier between the Physicality of Toil and the ignorance of Immateriality

Liquid Crystals Oscillating Between A, seamless Fluid and Solid [State]

Produce a Viscous Reality That's Almost Palpable Almost Attainable but Succeeds only in Abstracting

The heightened Artifice perpetuates Anonymity out Sourced and far away

Dead Labour Turns to Capital and Power Relations Dissolve All that is solid melts Into the air

These Light Installations do Not Provide an Original Experience

Instead The Audience will Witness Occurrences They Have Previously [Encountered] in Their Everyday Lives on bedroom walls Floors and Through bus Windows

but May Have Never Noticed

Observing Recording and Recreating Studies of Light This Series of Events Are Light Occurrences That Have Been Captured and Digitally Recreated using

Projectors as the Technology to Stage Them in a space

to Either go Noticed Or unnoticed

Which were About to Witness is Quite Definitely Harrowing

British Artist Jack Evans who, was Raised in Mansfield Heart of the Midlands is now one of the most southern Parts of the uk?

Brighton Beach in The hellish Winter cold laid out Nothing but Ravens his Favorite Pair of Speedos

And A fucking Tacky Shit go Watch

Eating what I believe Those Brits Call a [ninety-nine] Flake

his Body Looks Glorious it [Shivers] in Wind I do have to remind you Especially the ladies

It was Fucking Cold?

Enjoy

Hold your Breath count to two

Come With Us in A world of Pure Imagination Take

A look and you'll See Into our Imagination

[We'll] Begin Traveling in The World of our Creation?

What you'll See will have no explanation?

Look Around There's no life to compare With Living with no Pixelation

Joe Moss was Shia [Labeouf] before Shia Labeouf, was [Joan] Moss?

We only got 30 Seconds so i mean I'll try his Voice but but I

Don't know man who Makes that Choice Who's Pretending to be who

We're Pretending to talk to you that doesn't exist yet but What's Really Going on you're Not I?

Don't Think Any of Us understand Maybe you, do

There's Always Reflections of you in the screen but I can't speak I'm Dumb, I'm the dumbest Shia talks

Fuck 30 Seconds [Sir] all right pressure Whatever hey, mom it's Really Joe but you Never Thought This was Fucking Happening on?

Number 24

oscillates Somewhere Between A durational Performance and Live Sculpture

The Work Seeks to Act both as A social and institutional Critique of what Is in our School?

Presented Then in The Form of a bookshop as Opposed to a library Arguably A

Democratic Equivalent the Work Seeks to Explore the Currency of Ideas how Trade and Exchange Is not only Commoditized but Perhaps how

Conversation Is Perhaps a vital Component in The Flow and Disruption of How culture Manifests

My Practice Revolves Around Questions of fact and Fiction and The Blurred Line That Lies between

I'm interested in How Surveillance Images can be Manipulated and Orchestrated in Order to create a particular Narrative Creating unreliable Narrator

There Are Three Parts to the Work

Footage of A factual Space Where by a sequence of Events has occurred [A]

Digital Drawing of the Space and A strip Backstage to its crude simplest skeletal Form Where the Sequence of events is Reenacted

The Stage is A factual Representation of A real-Life Space Whereby Every Property is identical in Dimensions

Fifty-Seven Million nine Hundred and Ten Thousand One Hundred eight Million Two Hundred Thousand One Hundred forty

nine Million Six Hundred Thousand Two Hundred Twenty Seven Million nine [Hundred] and Forty Thousand

Seven Hundred seventy Eight Million Three Hundred and Thirty Thousand One Billion Four Hundred Twenty nine Million Four Hundred Thousand

Two Billion nine Hundred seventy Million nine Hundred Ninety Thousand

Four Billion Five Hundred Four Million Five Billion nine Hundred Thirteen Million Five Hundred Twenty Thousand

I

Can't stop Looking at my Phone [and] Computer

separate Connected Entity Making Me Lose Time-Space Awareness

Where's My Phone I need to Make this sunset Digital

Stone Preserved in Binary Code Till The Server Breaks and The National Grid runs out of gas [I] can't find my Money

That Left the Physical sphere Long Ago all I see remind me of things online or in A video [game]

They Are so real in The moment I

Climb that Mountain with my mind and Fingers my body Didn't even get Close

all my

Experiences Turned Into lighten Pixels

ohm

Oh, oh?

you

oh

you

oh

oh

[oh]

oh

oh

oh

Oh, oh?

Oh, oh?

Oh

oh