Postmodernism explained for beginners! Jean Baudrillard Simulacra and Hyperreality explained

The Media Insider
13 Feb 202210:51

Summary

TLDRThis video provides an engaging exploration of postmodernism, a complex media theory. The presenter explains how culture, once grounded in reality, now creates hyperreal representations through mass-produced media. With references to Baudrillard's work, the video outlines three stages of cultural development: pre-modern, modern, and postmodern. It highlights concepts like simulacra, hyperreality, and media saturation, showing how our perceptions of reality are shaped by media. The presenter uses relatable examples and humor to break down difficult ideas, while encouraging viewers to challenge their understanding of culture and truth in a media-drenched world.

Takeaways

  • 📚 Postmodernism is a complex theory often made either too simplified or too complicated in explanations, making it hard to grasp.
  • 🌍 Postmodernism suggests that media is produced in such large quantities that it blends with reality, creating a 'hyper-reality.'
  • 🎨 Culture traditionally included high arts like painting and sculpture, but today it encompasses modern forms such as TV, social media, and music videos.
  • 🧠 Culture helps us understand and give meaning to reality, but postmodernism shows us that these representations are increasingly blurred by media.
  • 🎭 Baudrillard, a key figure in postmodern theory, divides cultural history into three stages: pre-modern (religious-based), modern (mass production), and postmodern (media-saturated).
  • 📸 Modernism arose from the industrial revolution, leading to rapid advancements in media and mass production of images, which were often simulations of reality.
  • 💡 In postmodernism, culture is so saturated with simulations that many cultural products are copies of copies, with no original referent—Baudrillard called this 'simulacra.'
  • 🎬 Intertextuality plays a significant role in postmodern media, where new cultural products borrow from existing media, creating layers of references, like in 'Family Guy' or ads using iconic symbols like 'Ghostbusters.'
  • 🔄 Hyper-reality, another key concept, describes a world where it's hard to distinguish between real and simulated events, as seen with how people perceive the Chernobyl disaster based on TV shows versus actual facts.
  • 🌀 Postmodernism has led to an implosion of meaning—there are so many conflicting messages in media that audiences become uncertain of what is true, paving the way for phenomena like 'fake news.'

Q & A

  • What is post-modernism according to the video?

    -Post-modernism refers to a state of culture where media is produced in such large quantities that it crosses into reality itself, leading to the dominance of hyper-reality. This means that representations of reality often become indistinguishable from reality.

  • How does post-modernism differ from traditional culture?

    -Traditional culture, or pre-modern culture, was rooted in high art such as painting, theater, and music, often driven by religious ideologies like Christianity. Post-modernism, however, deals with mass media, such as television, advertising, social media, and reflects a fragmented and complex reality.

  • What is hyper-reality, and how does it relate to post-modernism?

    -Hyper-reality is the blurring of the lines between what is real and what is simulated. In post-modernism, media representations and simulations become so pervasive that they mix with reality, making it difficult to distinguish between the two.

  • What are simulacra, and how do they play a role in post-modernism?

    -Simulacra are copies of copies—representations that no longer have an original referent in reality. In post-modernism, many cultural products are simulacra, meaning they reference other representations rather than reality itself, leading to a world where meaning is derived from simulations rather than from reality.

  • How does Baudrillard explain the historical development of culture?

    -Baudrillard outlines three stages: pre-modern culture, which was dominated by religious narratives; modernism, marked by the rise of mass media and new ideologies like consumerism; and post-modernism, where media saturation creates a reality that is heavily influenced by cultural simulations and hyper-reality.

  • What is intertextuality, and why is it significant in post-modernism?

    -Intertextuality refers to the way cultural products reference or borrow from other cultural texts. In post-modernism, this is significant because media is so pervasive that new cultural products often unintentionally or intentionally reference others, creating a web of interconnected meanings.

  • How does the video use the example of a Disney princess to explain simulacra?

    -The video explains that when asked to draw a princess, many people would draw something similar to a Disney princess. However, Disney princesses are themselves a simulation of reality, meaning that people's drawings are copies of a copy, not based on an original reality.

  • What does Baudrillard mean by 'meaning implosion' in post-modernism?

    -Meaning implosion refers to the overwhelming presence of media and cultural representations with conflicting messages, making it difficult for audiences to discern what is true or real. As a result, people become skeptical of any single narrative or truth.

  • How does the video connect hyper-reality to modern social media platforms like Instagram and TikTok?

    -The video suggests that platforms like Instagram and TikTok bombard users with simulations of reality, such as the lives of influencers, which are often perceived as real. This contributes to the hyper-real world where media representations are taken as truth, even though they are simulations.

  • What does the video suggest about the connection between post-modernism and the rise of fake news?

    -The video suggests that the post-modern condition, with its proliferation of media and distrust of singular truths, has paved the way for the rise of fake news. In a post-modern world, it becomes easier to manipulate reality, as audiences struggle to discern fact from fiction amidst the chaos of conflicting messages.

Outlines

00:00

🎥 Introduction to Postmodernism

The speaker introduces the topic of postmodernism, labeling it a complex and often misunderstood theory. They mention how many sources either overcomplicate or oversimplify it, and they aim to offer a balanced explanation. Postmodernism is described as a cultural phenomenon where media is produced in overwhelming quantities, blending into reality and creating hyperreality. The speaker invites viewers to engage with the topic until the end.

05:03

🎨 Defining Culture and Its Role

The speaker explains that culture encompasses art, ideas, and intellectual expression, helping us make sense of reality. Traditional culture included art and architecture, while contemporary culture includes TV, social media, and music videos. Culture answers essential questions like 'What does it mean to be human?' and 'How should we live?' But with the overwhelming amount of media today, it's hard to discern what is true, leading to a sense of confusion about reality.

10:03

📜 A Historical Overview of Culture

The speaker gives a historical background, beginning with pre-modern culture where art was heavily influenced by religion, specifically Christianity in Western culture. This art served as a guide on how to live and understand concepts like goodness and love, which Baudrillard calls a 'grand narrative.' As mass image production began in the industrial revolution, cultural output increased, creating new ideologies like consumerism and science. This shift from religious grand narratives to a variety of conflicting messages led to the development of modernism.

📺 From Modernism to Postmodernism

The speaker explains how the rise of mass media and image production created a culture inundated with simulations of reality. By the mid-20th century, postmodernism emerged, where the distinction between reality and media became blurred. Baudrillard’s key observation is that these media representations, like ads, TV shows, and memes, have become part of our everyday reality. In this postmodern world, we’re surrounded by so much media that it shapes our perception of reality.

🔁 Simulacra and Intertextuality in Culture

Baudrillard’s first observation is discussed, focusing on how cultural representations now reference each other rather than an original reality, creating copies of copies. This concept is known as 'simulacra.' The speaker gives examples like Disney princesses and how media often unintentionally or intentionally references existing culture. Intertextuality, where media texts reference other texts, is explored, highlighting how media products are often inspired by other media, creating layers of meaning.

🌐 The Concept of Hyperreality

The second aspect of Baudrillard’s theory, hyperreality, is explained. Hyperreality occurs when the line between simulation and reality becomes blurred, leading us to accept simulated representations as real. The speaker uses examples like knowledge of Chernobyl and the influence of social media, where young people are often exposed to idealized, simulated lives. These media representations shape our perceptions of what it means to be human, how we should live, and what love is.

❓ The Implosion of Meaning

The final observation is the 'implosion of meaning.' With the overwhelming amount of media and conflicting messages, audiences find it difficult to decide what is true. The speaker contrasts this with the pre-modern era when religion provided a singular grand narrative. Now, with the rise of fake news and the ability to find any interpretation of reality online, the audience has become skeptical of truth itself.

👍 Conclusion and Recap

The speaker wraps up the video by recapping the main points of the postmodernism discussion, emphasizing how media has blurred the lines between reality and hyperreality. They encourage viewers to engage with more of their content, especially on intertextuality and media theory, while expressing appreciation for those who made it to the end of the video.

Mindmap

Keywords

💡Postmodernism

Postmodernism refers to a cultural and intellectual movement that challenges traditional narratives, focusing on the fragmented, hyperreal nature of contemporary life. In the video, postmodernism is described as the state of culture where media is produced in such vast quantities that it has crossed into reality itself, leading to 'hyperreality'. The speaker uses this concept to explain how culture, once a reflection of reality, now blurs the lines between the real and the simulated.

💡Hyperreality

Hyperreality is the state where the line between reality and simulated media representations becomes indistinguishable. This concept is central to Baudrillard’s theory of postmodernism, as highlighted in the video, where everyday experiences are so saturated by media that we accept simulations (like reality shows or social media) as authentic representations of life. For example, the speaker references how people's understanding of events like Chernobyl may be influenced more by TV dramatizations than by factual knowledge.

💡Simulacra

Simulacra are representations or copies of things that no longer have an original. According to Baudrillard, as referenced in the video, culture today is no longer based on direct reality but on simulations of simulations, leading to a distorted perception of reality. The example of Disney princesses as a copy of a copy illustrates how cultural products are detached from their original referents and exist as standalone realities.

💡Grand Narrative

A Grand Narrative is a comprehensive explanation or worldview that aims to offer a coherent perspective on reality, such as religion or science. In the video, traditional culture is shown to be guided by the grand narrative of Christianity, which shaped ideas about what is good, what is love, and how people should live. However, in postmodernism, these overarching narratives are challenged or fragmented by the influx of media and competing ideologies.

💡Intertextuality

Intertextuality refers to the way texts (media, literature, etc.) reference or draw upon other texts to create meaning. The video highlights how postmodern media frequently references earlier cultural products, such as the example of 'Family Guy' parodies or the John Lewis Christmas advert referencing the film 'E.T.' This reliance on prior texts is a hallmark of postmodern media creation, blurring the boundaries between original and derivative works.

💡Simulation

Simulation is the imitation or representation of reality. Baudrillard's concept, as presented in the video, emphasizes how media has become a simulation of reality that replaces the real thing. For instance, photographs and films create a believable representation of reality, which can sometimes be mistaken for the actual reality they depict. Over time, this creates a world where the simulation overtakes the original.

💡Consumerism

Consumerism is the ideology that encourages the acquisition of goods and services in ever-increasing amounts. The video notes that after the industrial revolution, mass media began promoting consumerism as a dominant ideology, replacing or competing with older narratives like religion. Advertising, for example, became a major force in shaping perceptions of reality, illustrating how culture shifted to prioritize material goods and consumption.

💡Mass Media

Mass media refers to technologies like television, radio, film, and digital platforms that reach a large audience and distribute cultural products on a vast scale. In the video, mass media is central to the development of postmodernism, as it produces cultural simulations that flood everyday life, creating the conditions for hyperreality. The ubiquity of media in daily life makes it harder to distinguish between what is real and what is a media construction.

💡Implosion of Meaning

Implosion of meaning refers to the collapse or confusion of meaning in a media-saturated world. Baudrillard, as discussed in the video, argues that the sheer volume of conflicting messages from various media sources causes audiences to become disenfranchised with the idea of truth. This leads to a state where meaning is no longer stable, as seen with the rise of 'fake news' and the public's general mistrust of authoritative information.

💡Cultural Representation

Cultural representation refers to the ways in which culture depicts or stands in for reality through various forms like art, film, and literature. The video explains how cultural representations have evolved from religious art to modern simulations, and now in the postmodern era, these representations are no longer tethered to reality. For example, social media representations of life often distort or simulate reality in ways that people accept as true.

Highlights

Introduction to postmodernism and its complexity.

Definition: Postmodernism is the state of culture where media is produced in staggering quantities, crossing into reality itself.

Importance of culture: It helps us interpret and give meaning to the world, answering big questions like what it means to be human.

Beaudrillard's theory of hyperreality: Media has become so prevalent that it's hard to distinguish between what's real and what's simulated.

Pre-modern culture was heavily influenced by religion and high art, which gave a consistent message about life.

Introduction to modernism: The industrial revolution caused mass production of cultural content, leading to new ideologies like consumerism, science, and communism.

Simulacra: Culture is no longer always based on an original reality but rather on copies of copies, leading to intertextuality in modern media.

Hyperreality: A blurring of the lines between reality and simulation, leading people to accept simulations as truth.

Cultural references: New cultural products often reference other media, leading to intertextuality, either intentionally (e.g., Family Guy) or unintentionally.

Example of hyperreality: TV shows like 'Chernobyl' shape people's understanding of historical events, blending fact and fiction.

Young people are bombarded by simulated lives on social media, which distorts their perception of reality.

Hyperreality affects major life questions: What does it mean to be human? How should we live? What is love?

Fake news and the erosion of truth: With so much conflicting media, people struggle to find reliable sources of information.

Postmodernism has led to a fragmentation of meaning, where people can find any interpretation of reality they want online.

Final recap: Postmodernism is a state where media production crosses into reality, creating hyperreality, intertextuality, and confusion about truth.

Transcripts

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hi everyone today we're going to talk

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about the absolute daddy of media

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theories post-modernism and i'm not

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going to lie to you this one is a

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monster

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i've watched hours of youtube videos

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about post-modernism and i find they do

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one of two things they either make it so

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unbelievably complicated that we get

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lost very very quickly or they gloss

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over the details um so much that we're

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not really making the best use of this

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theory so today i'm going to throw my

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hat into the ring and try and explain

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post-modernism so here's your challenge

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if you can make it all the way to the

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end of this video leave yourself a like

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and perhaps leave me a like too

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okay so where do we start with

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post-modernism i'm gonna break down my

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definition for you nice and slow

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post-modernism refers to the state of

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culture where media is produced in such

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staggering quantities

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that it has crossed the boundaries into

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reality itself

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and hyper reality prevails

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and i've lost you haven't i it's quite a

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rabbit hole we've uncovered so let's

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break it down nice and simply what is

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culture culture is the arts the ideas

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the intellectual expression of a society

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traditional culture would include art

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poetry architecture but in contemporary

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culture we're also talking about tv

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advertising music videos youtube social

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media so what's the purpose of culture

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well it's how we interpret and give

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meaning to the world around us what we

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call reality it helps us answer those

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big questions in life

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what does it mean to be human

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how should we live what is love

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hang on a second

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if culture is how we represent reality

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and find meaning

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what the hell are we learning from

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oh crap i think i'm ready to start

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dating again what are you looking for i

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do judge children by their name

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you can't say a word you think you're a

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little you can pay for me to have a new

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set of extensions

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it's a mess isn't it there are so many

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voices and messages now how do we know

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which ones are true are any of them even

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true

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welcome to the hyper real world of

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postmodernity but now you've had a

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snapshot of where this rabbit hole ends

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let's take a quick history lesson to

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work out how we got here beaudrellard a

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controversial french academic outlined

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the development of culture in three

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distinct stages

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in the beginning there was pre-modern

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culture obviously there was no tv or

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cinema but there was art lots and lots

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of art and theater and music that kind

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of thing what you might call high art

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painters sculptors and writers looked at

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the world around them reality and

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represented it within their

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understanding of the world at the time

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which predominantly means only one thing

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religion

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so in western culture christianity was

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the driving force in art

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music

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and architecture and they acted as a map

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of how we should live what is good and

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what is love beaujolais calls this a

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grand narrative an overarching ideology

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or meaning applied to reality through

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culture so it has to be said for high

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art although it was quite primitive

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it gave a consistent message that of the

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church

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skip forward to the industrial

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revolution about the 19th 20th century

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and culture starting to look a little

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bit different rapid advancement in mass

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image production either through

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photography film or printing meant

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culture was being produced at an

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extraordinary rate

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what's more unlike paintings these

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photos and prints and films actually

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looked real unlike their clearly fake

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cousins on canvas

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beaudrellard called these

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representations of reality simulations

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and they add a new layer of

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believability to their message what

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messages are we talking about well

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obviously religion was still around but

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in the wake of the world war

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new ideas were starting to emerge

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like consumerism mrs richardson wears

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tweed new tweed but found a toilet spray

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communism

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science

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meaning that culture started looking

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less consistently like this

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and more like this

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so when we think back to those big

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questions from earlier maybe being human

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should look like this

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maybe we should live like this

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also on saturday mornings i usually take

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an hour or so to go over the accounts

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and bills maybe love looks like this

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this explosion of new mass-produced

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culture which rejected the old became

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known as modernism

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now skip forward to the mid-20th century

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where an entire generation has been

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brought up surrounded by all of these

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mass-produced images everywhere you look

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and we arrive back here at

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post-modernism

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[Music]

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baudrillard said that we are so

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surrounded bombarded by culture that is

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now part of our daily lives our reality

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in other words all these videos you

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watch on youtube the adverts to precede

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them and those that you drive past on

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your way to work the magazines you read

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every meme instagram post all of them

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are just as much part of your reality as

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the trees and the cars that you see

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outside the window this is the

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postmodern world and it's the effects of

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all of this media around us that

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beaujolais was primarily interested and

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i want to outline his three main

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observations firstly the fact that our

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reality is in some part made up of

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cultural representations everywhere

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means that when we make new cultural

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products we inevitably end up

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referencing other pieces of culture

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spider-man first appeared in 1962's

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classic amazing fantasy number 15.

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which basically means we're making

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copies of copies doesn't it well that's

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exactly what happens according to

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beaujolaid culture is no longer always

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based on an original referent reality

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but rather cultural products that we

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experience in the world around us the

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word he uses this is simulacra in other

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words no longer a simulation of reality

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but a simulation of a simulation i know

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it sounds ridiculous so let's do an

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experiment if i was to ask you to draw a

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picture of a princess

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would you draw something like this

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or like this

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i'm guessing the former despite the fact

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that disney princesses are themselves a

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simulation of reality

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this is effectively a copy of a copy of

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a copy the result of this taking

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inspiration from something which is

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already inspired by reality is this big

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mess of incestuous intertext where our

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cultural products can't help but be

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inspired by other texts sometimes

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intertextuality is used intentionally

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like in family guy where more often than

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not each episode is referencing existing

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culture for parody here's another great

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example on the front of the big issue

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which uses your pre-existing knowledge

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of ghostbusters to make a shortcut to

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meaning here satirically in these cases

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the links to other texts is intentional

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but even when it's unintentional you can

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still say that we are borrowing from

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culture when we try to make meaning look

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at how in the new john lewis christmas

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advert the same narrative of a boy

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befriending an alien is used as in that

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of the 1980s film e.t that's indirect

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intertextuality so that's the first part

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of beaujolais work we're now so

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surrounded by media that we inevitably

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reference it when we make new products

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the second area i want to talk about is

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the idea that now because of all of the

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media around us we are unable to

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distinguish between simulation and

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reality the word he uses for this is

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hyper reality the blurring of the lines

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between what is real and what is

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simulated here's an example if i was to

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ask you about your knowledge of

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chernobyl how much of what you know is

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based on fact things that you know

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things that you've researched and how

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much is based on what you saw in the tv

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show

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some of them will not stop firing for

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fifty thousand isn't it crazy how

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quickly we blindly accept simulation as

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fact

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now think for a second about the wider

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implications of hyper reality young

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people see the simulated lives of

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successful young people in reality shows

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like made in chelsea or the only way is

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essex and they overlook the fact that

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they aren't real

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in fact i find the scariest aspect of

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our new culture is the likes of

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instagram and tick tock which bombard us

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with simulations of the real which we

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blindly accept as true and then when we

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think back to our big questions from

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earlier what does it mean to be human

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well if you look at instagram it could

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look like this or if you watch tv it

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could look like this

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how should you live

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well we could listen to this guy what's

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one thing i'm doing wrong that i know

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i'm doing wrong that i could fix that i

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would fix or even these people false

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news has become all too common on social

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media

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what is love is it this

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surely it's not this this is sarah she

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is the first uh doll i got so she does

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have a

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special place in my heart i guess maybe

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it's this i've met the person i want to

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spend the rest of my life with

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i've never seen her before

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here you will choose someone to marry so

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that's the second aspect hyper reality

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means we are no longer able to

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distinguish between the simulated and

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the real which brings us to the third

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aspect of beaujolais work meaning

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implosion with so much media around us

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with conflicting messages there are so

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many interpretations of reality that

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audiences can't decide on truth remember

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at the beginning i said there was one

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grand narrative religion well now you

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can find literally any meaning you want

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online and you can throw in a couple of

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other dozen sources which challenge it

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alongside how are you meant to trust

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that you can't we don't as an audience

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we've become disenfranchised with the

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idea of the truth and what's interesting

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is i think that's actually paved the way

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for where we are now with fake news we

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don't believe it

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that's as far as we're going to go today

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we've only just scratched the surface of

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post-modernism it's a huge huge topic

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but if you're studying vodrill art

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specifically those are the key takeaways

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if you've made it this far then well

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done give yourself a like and i'd

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appreciate if you left me one too if

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you've made it this far and subscribe if

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you're new here but let's just recap on

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what i started off this video with and

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see if it makes any more sense now

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postmodernism refers to the state of

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culture where all media is produced in

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such staggering quantities that it has

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crossed the boundaries into reality

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itself and hyper reality prevails

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make sense good

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if you're looking where to go next i'd

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recommend checking out my video on

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intertextuality which we've already

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covered a little bit in this video but i

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go into more depth or if you're looking

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at media theory in general you can check

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out this playlist here to see the other

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work that i've done as always thanks

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very much for watching and i'll see you

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next time

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