The Truth About Making Cartoons

TheOdd1sOut
4 Sept 202108:34

Summary

TLDR这个视频脚本讲述了一个YouTuber对一个评论的反思,该评论质疑为何YouTuber不能像动漫工作室那样每周制作一个视频。视频通过幽默和教育的方式,解释了动漫制作背后的复杂性,包括动画流水线和制作周期。它强调了艺术家如何将艺术转化为职业,并讨论了艺术家如何通过销售艺术作品、接受委托、在工作室工作等方式谋生。视频还提到了动画制作中的重复使用和效率问题,以及艺术家如何通过观众的支持来提高内容质量。

Takeaways

  • 😡 有人对视频上传频率的误解引发了创作者的思考。
  • 📅 动画制作是一个耗时的过程,一部动画剧集的制作通常需要两年时间。
  • 🎨 艺术家通过不同的方式谋生,包括出售画作、在旅游景点画漫画、卖血浆,或者接受委托创作。
  • 💼 艺术家可能在工作室工作,或者为YouTuber创作,需要根据要求创作并接受反馈。
  • 📈 动画制作涉及多个部门协同工作,包括写作、故事板、设计等,形成了一个复杂的流水线。
  • 📺 动画剧集通常是同时制作的,不同团队同时工作在不同集数上。
  • 🖼️ 背景艺术家创作的背景可能只出现在视频中几秒钟,但制作它们可能需要数小时。
  • 🔄 为了节省时间和资源,动画制作中经常会重复使用已有的动画或背景。
  • 🎬 动画制作的历史中,由于手绘动画的高成本,动画帧经常被重用。
  • 👥 创作者感谢观众的支持,这使得他们能够投资于团队并提高内容质量。

Q & A

  • 为什么作者对一个YouTube评论如此在意?

    -作者在意这个评论是因为它触及了他对动画行业的认知,并且这个评论让他意识到很多人对动画制作的过程缺乏了解。

  • 作者如何回应那些认为动画制作应该像制作电视节目一样快速的人?

    -作者通过解释动画制作的过程和时间需求来回应,强调动画制作是一个复杂且耗时的过程,不能与电视节目制作相提并论。

  • 作者提到了哪些艺术家赚钱的方式?

    -作者提到了四种艺术家赚钱的方式:1) 出售艺术作品;2) 在旅游景点画漫画;3) 卖血;4) 接受委托创作作品。

  • 为什么作者认为艺术家接受委托创作作品是一个稳定的收入来源?

    -因为艺术家可以通过接受委托来获得稳定的收入,而且这种方式允许艺术家与客户合作,以确保作品符合要求,同时也能获得即时的报酬。

  • 作者提到动画制作需要多长时间来完成一集?

    -作者提到,从零开始制作一集动画大约需要2年的时间。

  • 什么是动画流水线,作者如何描述它?

    -动画流水线是指在制作动画系列时,不同的团队同时进行不同集数的制作,包括编剧、故事板、设计等多个部门的协作。

  • 作者提到了哪些动画制作中的重复利用的例子?

    -作者提到了在《森林王子》和《小熊维尼》中,两个相似比例的男孩角色以相同的方式移动,这是动画制作中重复利用的一个例子。

  • 为什么在动画制作中会重复利用某些动画帧?

    -在动画制作中重复利用某些动画帧是因为这样可以节省时间和成本,允许制作团队将资源投入到其他更重要的场景制作中。

  • 作者如何看待自己在动画行业中的地位和机遇?

    -作者认为自己非常幸运,不仅有机会全职从事动画制作,而且还能组建一个由才华横溢的艺术家组成的团队,并与观众分享他们的创作。

  • 作者提到了哪些动画制作中的挑战?

    -作者提到了动画制作中的挑战包括:1) 需要长时间和大量工作;2) 需要在资本主义社会中将艺术才能转化为金钱;3) 需要管理一个团队并确保高质量的内容产出。

Outlines

00:00

😅 动画制作与误解

这段视频脚本讲述了作者因一个关于YouTube上传计划的评论而引发的思考。评论者质疑为何动画工作室能在一周内制作一集动画,而YouTuber却需要一个月。作者最初感到愤怒,但随后意识到评论者对动画产业缺乏了解。作者决定通过分享自己作为艺术家的经历来教育观众,解释动画制作的复杂性。他提到艺术家需要通过创作来谋生,并且介绍了艺术家赚钱的几种方式,包括出售作品、在旅游景点画漫画、卖血浆,以及最常见的,为工作室或YouTuber工作。作者强调,动画制作是一个耗时且成本高昂的过程,需要团队合作和精细的规划。

05:00

🎨 动画产业的现实

这段脚本继续探讨了动画产业的现实情况。作者通过举例说明,即使是短暂的背景画面,也可能需要艺术家花费数小时来创作。他强调了在动画制作中重复使用背景和其他元素的重要性,以提高效率并节省时间。作者还提到了动画制作的历史,说明了过去动画制作的成本和时间远比现在要多。他以《森林王子》和《小熊维尼》中相似的场景为例,说明了动画重用的重要性。最后,作者表达了对能够从事动画制作并组建一个才华横溢的团队的感激之情,同时也感谢观众的支持,使他能够继续创作高质量的内容。

Mindmap

Keywords

💡动画制作

动画制作是指创作动画的过程,包括设计、绘制、上色、编辑等多个步骤。在视频中,提到了动画制作是一个耗时且需要大量资源的过程,举例说明了制作一集动画需要大约两年的时间,这与评论中提到的“一周制作一集”形成了鲜明对比。

💡动画流水线

动画流水线是指动画制作过程中各个环节的有序排列和协作,包括编写、故事板、设计、动画制作等。视频中提到,即使在写第十二集的同时,第三集的故事板团队正在制作故事板,第六集的设计团队正在设计保龄球鞋,这展示了流水线的复杂性和效率。

💡艺术家

艺术家通常指那些以绘画或绘图为职业或爱好的人。视频中讨论了艺术家如何通过艺术创作谋生,包括出售自己的作品、接受委托创作、在工作室工作等。艺术家需要将他们的艺术技能转化为能够赚钱的方式。

💡委托创作

委托创作是指艺术家根据客户的要求创作特定的艺术作品。在视频中,提到了艺术家可能会接受委托,例如为客户绘制他们想要的特定内容,并为此收费。这是一种艺术家通过他们的艺术技能赚钱的方式。

💡动画帧

动画帧是指动画中的每一帧图像,通常需要逐帧绘制和上色。视频中提到了在旧时的动画制作中,动画帧需要物理上绘制在透明片上,这使得动画制作既耗时又昂贵。

💡重用背景

重用背景是指在动画制作中,为了节省时间和资源,将已经绘制的背景用于不同的场景或情境。视频中通过展示如何将城市背景用于不同的场景,说明了重用背景是一种有效的节省资源的方法。

💡动画工作室

动画工作室是指专门从事动画制作的公司或组织。视频中提到了动画工作室的工作条件和制作流程,以及它们如何通过团队合作和流水线作业来制作动画系列。

💡动画周期

动画周期是指制作一集或一系列动画所需的时间。视频中提到,制作一集动画从构思到完成大约需要两年时间,这与评论中提到的“一周制作一集”的想法相去甚远。

💡艺术作为职业

艺术作为职业是指将艺术创作作为主要收入来源的工作方式。视频中讨论了艺术家如何将他们的艺术技能转化为职业,包括接受委托、在工作室工作或自己创作并销售艺术作品。

💡动画参考

动画参考是指在动画制作过程中,为了确保角色动作的自然流畅,而使用的预先绘制或拍摄的动作序列。视频中提到了迪士尼如何使用已有的动画参考来节省时间和预算,以便专注于制作更精彩的场景。

Highlights

YouTube评论引发思考,作者对于动画制作周期的误解

动画工作室制作一集动画需要的时间远超一周

动画制作是一个复杂的过程,需要团队协作

动画制作周期通常需要两年时间

动画制作中,背景绘制非常耗时

动画制作中的重复利用是节省时间和成本的有效方法

艺术家通过多种方式谋生,包括出售艺术作品、街头绘画等

艺术家面临的最大挑战是将艺术才能转化为经济收入

动画制作中,每个环节都是同时进行的,以提高效率

动画制作中的动画流水线是确保每个环节顺利进行的关键

动画制作中,背景艺术家的工作至关重要,但往往被忽视

动画制作中,故事板是设定场景、布局、姿势和表情的重要阶段

动画制作中,重复利用动画可以节省时间和预算,用于制作更精彩的场景

动画制作中,艺术家和团队的合作对于创造高质量的内容至关重要

艺术家将艺术作为全职工作是非常困难的,需要极大的努力和机遇

观众的支持对于艺术家和动画制作团队至关重要,可以提高内容质量

艺术家需要建立作品集,这是进入艺术行业的重要步骤

Transcripts

play00:00

recently I read the worst YouTube

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comment ever and I can't stop thinking

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about it this comment lives in my head

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completely rentree it lives in its own

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private Penthouse the comment was

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concerning my upload schedule and it was

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if anime Studios can make an episode of

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anime in one week then these YouTubers

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can make a video in a month initially I

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reacted like you think that's how this

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works you think anime Studios post an

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episode and go great work team well time

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to make the next episode this week hope

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none of you have any plans I know the

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working conditions in Japan are bad but

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sheesh I guess all the animators are

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just slacking off between Seasons then

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huh and as I thought about it more I

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realized ah I can't get too mad this

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person is just uneducated about the

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animation industry and is probably a

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minor and then I thought hey I know a

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bit about animation behind the scenes

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maybe I could talk about being an artist

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and educate people on the animation

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pipeline so that way I won't get any

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more uneducated comment for this video

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when I say artist I'm going to be

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talking about the Google definition of

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an artist noun a person who produces

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paintings or drawings as a profession or

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hobby you know the pen and paper artists

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I'm not really going to be talking about

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artists who make music or birthday cakes

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or take black and white photos of

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sunsets because I want to talk about

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cartoons I make cartoons now it should

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come to no surprise that I'm Pro artist

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well not a pro- artist are you kidding I

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know my skill level I still can't draw

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fingers what I'm saying is I will

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support anyone who wants to make art if

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you're making art as a hobby then that's

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a really great creative outlet and

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having something physical as an end

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result is incredibly rewarding but if

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you want to turn making art into a

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full-time job you might want to sit down

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and consider a few things like are you

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sure you don't want to go to law school

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the biggest challenge all artists face

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is they have to eat food to survive and

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in this capitalist Society food costs

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money so artists are challenged to

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somehow take being good at making shapes

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and turn that into money I know of four

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ways an artist can make a living the

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first way is to be so good at art that

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people will pay money to hang it up in

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their house the second option is to make

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caricature drawings at beaches and

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tourist traps the third option is to

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sell your plasma and the fourth option

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which is the most common option is to

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make drawings that people will pay you

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to make and do a little bit of option

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three on the some artists will take

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commissions which is basically an artist

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going hey I'll draw whatever you want

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asteris for $100 and people will go what

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the art should be free I was going to

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give you so much exposure to my 50

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Twitter followers or people will go I

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want you to draw this cute animal

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character I made and while at first your

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price might seem a bit High to the

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uneducated I understand that art is a

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timeconsuming process and you need to

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eat too so here's a crisp one hundo but

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another somewhat more stable idea is

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that artists will get jobs at Studios or

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work for a YouTuber and we'll be like

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hey we'll give you money if you draw

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specifically what we want and if we

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don't like your art we'll make sure to

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communicate clearly what we would like

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changed and work as a team to do the

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best we can or you're fired and that

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leads us into animation an important

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thing to remember for animation is that

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drawings equal time plus money exactly

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how much time well to answer that one

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commenter's question no an Anime Studio

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does not make an episode of anime in one

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week I think South Park is what making

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an episode in a week looks like and

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truthfully that's very impressive I take

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months trying to figure out what the

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heck I'm even going to talk about making

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a single episode of a cartoon from

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scratch takes about 2 years don't

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believe me well let's see what yako from

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the 20120 Animaniacs has to say in the

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very first episode at least we still

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think there's a president Trump you see

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the writers are writing this in 2018 now

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that doesn't mean it took 26 years to

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make the first season of the Animaniacs

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there's a lot of moving parts that

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happen when producing an animated TV

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series for starters the whole season of

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the show gets made at the same time

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while the writers are writing episode 12

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The storyboard team is boarding episode

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3 and the design team is designing the

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bowling shoes that are going to be worn

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in episode 6 and it's someone's entire

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job to make sure that everyone's doing

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their job this is called the animation

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Pipeline and there's so many other

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departments that I could honestly make a

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whole other video about this pipeline if

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you're interested I'll do it but just

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know that it takes roughly 2 years to

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make a season of a cartoon show and

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that's why when shows reference memes

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they're extremely outdated you know like

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a

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boss it's beautiful isn't it this

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exterior nighttime City skyline

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background this background was drawn by

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one of my background artists Annie Lumis

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and it took seven hours to make and was

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used specifically for this clip if it

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wasn't for the cats movie I would have

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thought Hollywood knew what they were

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doing too it lasted for 4 seconds 7

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hours of work 4 seconds of

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content so before we continue I'm going

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to make you all sit and appreciate this

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background for another 4 seconds so I

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can double the value of this

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background backgrounds can be a

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timeconsuming process and the whole

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purpose of them is to be in the back of

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the ground they're not even the focus so

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storyboarders will sketch out a scene to

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set the staging through layout posing

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and character expression and during this

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phase I'm trying to find places where I

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can reuse backgrounds or take pieces of

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other backgrounds and Frankenstein

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monster them together to make an

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entirely new background like how I used

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the city background to be outside this

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window or how I took the buildings from

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this background the bushes from this

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background and the bench from this

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background and made an entirely new

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background and and hopefully none of you

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noticed am I being cheap or cutting

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Corners absolutely but that's the point

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that gives another background artist

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more time to make something else like

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this James themed City skyline instead

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of having to draw 20 different

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backgrounds of a bedroom we already have

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a bedroom let's just do something else

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please it's not being lazy it's getting

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the most use the most mileage out of

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your hard work I see this next story pop

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up on Twitter about every month and it

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makes me want to stab my eyes out if you

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look at this scene from The Jungle Book

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and this scene from Winnie the Pooh

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these two similarly proportioned boys

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are eerily moving in the exact same way

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wait was this plagiarized did someone

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from Winnie the Pooh plagiarize The

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Jungle Book no remember what I said

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about drawings equal time plus money

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well back in the old days of Animation

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before fancy graphics cards and floppy

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discs animation frames had to be

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physically painted on the floppy TR

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transparent sheets called cells so

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animated movies were essentially a

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really long flip book with over a

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100,000 handdrawn painted Pages back

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then drawings equaled even more time and

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even more money this whole sequence had

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to not only be drawn 24 times a second

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but it also had to have the correct

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timing to look like a little boy was

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jumping on rocks just cuz you drew 24

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Mowgli doesn't mean they're going to

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look good when you play the frames

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together so if you're making a cartoon

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movie in in the' 70s and you need a

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scene where a young boy character is

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just being a dude and throwing rocks and

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you need a really climactic fight scene

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are you going to spend the time and

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money drawing another boy throwing

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another rock when someone else already

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did that 10 years ago or are you going

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to reuse the animation the studio

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already made and then have more time and

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budget to make an even epicer fight

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scene if these movies were from two

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different Studios then yes that would be

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a completely different story but Disney

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owns this movement of our boy mowgly so

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they're allowed to use that movement on

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our boy Chris turning your art into a

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full-time job is very difficult I'm

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extremely lucky to not only have this

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opportunity but to be able to build an

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amazing team of talented artists to

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create these cartoons and share them

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with you and because of you watching

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these videos and supporting me I'm able

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to reinvest money into the team so we

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can make better quality content and I

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can support more artists it's a win-win

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symbiotic thing we got going on so if

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you ever wanted to get into the art

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industry good luck get drawing and start

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putting that portfolio together

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