Alan Watts - Don't Take Life too Seriously
Summary
TLDRThe transcript explores the concept of the Joker's perspective, viewing both social institutions and natural formations as games. It delves into the Joker's amusement at individuals taking life too seriously, and contrasts 'far out' unconventional people with 'far in' individuals who understand the true nature of existence. The Joker represents the player who ultimately plays a trick on themselves, embodying the idea that we are all responsible for our experiences. The discussion also touches on the relationship between anxiety and laughter, suggesting they are two sides of the same coin, and that the interpretation of life's challenges can shift from fear to amusement, transforming pain into ecstasy.
Takeaways
- 🃏 The Joker's perspective views both social institutions and natural formations as games, emphasizing the playful aspect of existence without trivializing it.
- 🎭 Society often takes itself too seriously, and the 'far out' individuals are seen as unconventional, while the 'far in' individuals maintain a connection to the true nature of reality behind the scenes.
- 🎩 The 'far in' people act as a counterbalance to the anxiety and seriousness of the 'far out' people, keeping them grounded and preventing them from going insane.
- 🤡 The Joker represents the ultimate 'far in' individual, playing the great trick on himself by seeing through the illusions of the game and embracing the eternal nature of existence.
- 🌀 The concept of the 'green room' symbolizes the still point in the center of the turning world, where God or the ultimate reality is found, uninvolved in the games of the world.
- 🚀 Becoming a Buddha or achieving enlightenment is likened to a sudden, cunning departure from the 'town' of worldly attachments, without warning or preparation.
- 🔄 The double bind of seeking spontaneity is highlighted, where the very act of trying to be spontaneous makes it impossible to achieve true spontaneity.
- 🤔 The realization that all actions, including breathing and thinking, are spontaneous and present activities, leads to the understanding that living in the present is both impossible and inevitable.
- 😂 The transformation of anxiety into laughter is discussed, showing that the same emotional response can be interpreted in different ways based on one's perspective.
- 💀 The concept of death as a jest is introduced, suggesting that the fear of death is a fundamental misunderstanding of the eternal nature of existence.
- 🌌 The idea that existence is cyclical and eternal is explored, challenging the notion of a final, irreversible end to life and the universe.
Q & A
What is the central theme discussed in the transcript?
-The central theme discussed in the transcript is the concept of viewing life and social institutions as games from the perspective of the 'joker', and how this viewpoint can lead to a deeper understanding of the nature of existence and the transformation of anxiety into laughter.
How does the speaker describe the term 'game' in the context of the joker's point of view?
-The speaker describes the term 'game' not as something trivial, but as an important activity that is done sincerely and for its own sake, without an ulterior motive. The joker sees both natural forms and human social institutions as games.
What is the significance of the 'far out' and 'far in' people according to the transcript?
-The 'far out' people are those who are deeply involved and lost in the seriousness of the societal games they play, whereas the 'far in' people are those who maintain contact with the original intentions and the 'green room' behind the scenes, acting as a prompter in a theater, keeping the societal wheel turning on its axle.
How does the speaker relate the concept of anxiety and laughter?
-The speaker suggests that anxiety and laughter are essentially the same phenomenon viewed from different perspectives. The transformation from anxiety to laughter occurs when one realizes the eternal nature of existence and sees through the game of life.
What does the speaker mean by 'the sudden school' and 'satori' in the context of Zen Buddhism?
-The speaker refers to 'the sudden school' and 'satori' as terms related to Zen Buddhism, which emphasize the idea of sudden enlightenment or awakening. This is the concept of becoming a buddha instantly, without any preparation or warning, as a way to overcome the immense opposition stirred up by the individual's challenge to their karma.
How does the speaker discuss the concept of eternity and existence?
-The speaker discusses the concept of eternity and existence by arguing that existence is eternal and that the ending of existence implies the beginning of something new. He uses the metaphor of the universe running down like a jar of mixed black pepper and salt, suggesting that what happened once (the big bang) can happen again.
What is the speaker's perspective on the interpretation of pain?
-The speaker suggests that the interpretation of pain can shift from viewing it as a destructive force to experiencing it as an extraordinary sensation without negative connotations. This shift can transform pain into a form of ecstasy, changing the experience from one of terror to one of fascination.
How does the speaker use the example of the zebra with black and yellow stripes to illustrate his point?
-The speaker uses the example of the zebra to illustrate that the same phenomenon can be viewed from different perspectives. Whether the zebra is seen as a yellow horse with black stripes or a black horse with yellow stripes, both viewpoints are valid and demonstrate the subjectivity of perception.
What is the significance of the skull in the transcript's discussion on death and jest?
-The skull is used to challenge the conventional view of death as a grim end. The speaker cites a poem by Chesterton where the skull is seen as a symbol of everlasting laughter, suggesting that death can be viewed as a jest, a playful aspect of the cyclical nature of existence.
How does the speaker connect the idea of the 'green room' to the concept of God and the still point of the turning world?
-The speaker connects the 'green room' to the concept of God and the still point by describing it as the central, unchanging point in the dynamic world. It is where God is 'at home', not involved in the games of the world, and it represents the underlying stability and peace behind the constant change and activity of life.
What is the importance of the 'prompter' in the analogy of the universe and societal games?
-The 'prompter' in the analogy is important as they represent the individuals who keep the actors (people) in touch with the 'green room' (the still point or God). They serve as a reminder of the original intentions and the true nature of the 'game', helping to maintain balance and connection in the midst of societal activities.
Outlines
🃏 The Joker's Perspective on Life and Games
This paragraph introduces the concept of viewing life and its institutions from the Joker's perspective, where everything is seen as a game. It emphasizes the importance of not trivializing the concept of 'games', as they can be significant and sincere, akin to playing a musical instrument. The Joker's viewpoint allows for the observation of natural forms and human institutions as games played for their own sake, without ulterior motives. This perspective suggests that taking life too seriously can be amusing, as it highlights the absurdity of human importance in the grand scheme of things.
🎭 The Stage and the Green Room: A Metaphor for Existence
The paragraph delves into the metaphor of theater, where actors on stage represent humans fully immersed in the 'game' of life, while the prompter in the green room symbolizes a connection to the original intentions and the true nature of existence. It contrasts 'far out' individuals, who are unconventional, with 'far in' individuals, who maintain a connection to the essence of life behind the scenes. The 'green room' is likened to the state of God or the ultimate truth, where one is not involved in the games of the world. The paragraph suggests that certain people, like a priesthood or those 'in the know', act as prompts, keeping society connected to its foundational truths.
🤔 The Paradox of Sudden Enlightenment
This section discusses the paradox of seeking spontaneous spiritual awakening, which by its nature cannot be sought or planned. It describes the 'sly man' who achieves enlightenment without any prior announcement, highlighting the concept of 'sudden' schools of thought like Zen Buddhism and the idea of satori, or sudden awakening. The text explores the double bind of wanting to be spontaneous while also planning for spontaneity, leading to a state of paralysis where the only resolution is to laugh at the absurdity of the situation.
😂 The Transformation of Anxiety into Laughter
The paragraph examines the relationship between anxiety and laughter, suggesting they are two sides of the same coin. It uses the example of tears, which can represent both grief and joy, to illustrate how life's vibrations can be interpreted differently. The Joker's role is to transform the anxiety-induced trembling into laughter, embracing the absurdity of existence and finding humor in the human condition.
💀 The Skull as a Symbol of Mortality and Laughter
This paragraph discusses the use of skulls as reminders of mortality, typically seen as grim, but also as a symbol of laughter and eternity. It references Chesterton's poem to illustrate how death can be viewed as a jest. The text explores the idea of life as a series of oscillations and vibrations, which can be interpreted as either fearful or joyful experiences. It suggests that the ultimate realization that existence is eternal can transform the perception of death and anxiety into laughter and acceptance.
🌌 The Eternal Nature of Existence and the Cosmos
The paragraph contemplates the concept of the universe running down towards a stable state, like mixing black pepper and salt, and the idea that what happened once can happen again. It argues against the notion of existence happening only once, asserting that nothingness and somethingness are intertwined. The text suggests that the eternal nature of existence implies continuous cycles of creation and destruction, transforming the fear of death into a realization of the everlasting nature of being.
🎶 The Perception of Pain and the Experience of Ecstasy
This section explores the interpretation of pain, suggesting that its perception can shift from viewing it as destructive to experiencing it as ecstasy when freed from negative associations. It discusses the transformation of the victim's mindset during torture, where pain eventually becomes a cooperative experience. The paragraph emphasizes the power of changing one's approach to experiences, using the example of John Cage's silent music to illustrate how shifting expectations can lead to new, unprejudiced perceptions of reality.
Mindmap
Keywords
💡Joker
💡Games
💡Seriousness
💡Anxiety
💡Laughter
💡Sudden Awakening
💡Karma
💡Prompter
💡Green Room
💡Double Bind
💡Ecstasy
💡Existence
Highlights
The Joker's perspective sees social institutions and natural formations as games, not trivial but played with sincerity.
Games have importance and can be played well when taken as such, without ulterior motives.
The intensity of seriousness in individuals is seen as humorous by the Joker, leading to laughter.
The concept of 'far out' and 'far in' people, where 'far out' are unconventional and 'far in' are those who understand the game's true nature.
The 'far in' people act as a prompter in a theater, keeping the actors connected to the original intent behind the scenes.
The Joker is the ultimate player, playing the great trick on himself, embodying the masks of God.
The idea of the 'sly man' who becomes a Buddha instantaneously without preparation or warning.
The double bind of trying to be spontaneous on purpose, which leads to a state of total paralysis.
The realization that you can't help but be spontaneous, as all actions are present activities.
The oscillation of life, interpreted as either anxiety or laughter, depending on perspective.
The transformation of anxiety into laughter upon realizing the eternal nature of existence.
The philosophical discussion on whether the zebra is a yellow horse with black stripes or a black horse with yellow stripes.
The idea that existence happening only once is a contradiction, as it essentially means it doesn't happen at all.
The interpretation of pain changing from a negative experience to one of ecstasy when meaning is removed.
The importance of approach and mindset in interpreting experiences, such as listening to sounds with an open mind.
The concept of the 'green room' as the central point, the still point of the turning world, akin to God's perspective.
The role of the 'far in' people as a priesthood, maintaining the axle of society and existence.
The notion that survival is an ideal only as long as the fear of death (the 'bug bear') is present.
Transcripts
we'll begin by
refreshing memories
as to what went before
[Music]
in discussing the theme of the joker
i have been talking about
a point of view
the joker's point of view
from which
not only our social institutions
but also all the formations of the
natural world
are seen as games
be careful of the word game
it doesn't mean as trivialities
because when we say it's just a game
this often means it is just trivial
there can be
important games
as when we play
the piano or musical instruments
we are not necessarily doing something
frivolous
but we are playing
and there is something in the nature of
all play
that is not serious
but at the same time may be sincere
and i tried to
give you the picture
of the multiplicity of natural forms on
the one hand
and of human social institutions
and all the things that we do and
consider important and busy ourselves
with as human beings i tried to give you
the point of view from which these can
be seen as games
as things being done as it were simply
for themselves
and not for some
ulterior motive
[Music]
and therefore
these games are in a way best played
when they are played as games
although it's really all right for
people to take them seriously except
that
they are a little bit deprived
they're missing something
and so when the joker sees a person
taking his life seriously and regarding
himself as extremely important
there is something a little bit funny
about it and he is inclined to get the
giggles
and
[Music]
it's it's all he knows that the very
intensity
of seriousness
with which the individuals concerned are
taking these games
will be a kind of foil
for the subsequent
uh
bursting into laughter
when he sees that it wasn't serious
after all
you see that uh you might say
there are these classes of people there
are the very far out people and the very
far in people
now ordinarily we say someone's very far
out when they are oddballs
when they are exceedingly unconventional
but i want you to turn the picture
around and look as a conventional person
look at a square as a person who's very
far out
that is to say he is so involved
in the seriousness of the game he is
playing that he is lost
he doesn't know where he started from
and he thinks he's there
but he's completely lost
because he is actually uh
under the cover of his assurance
of his status of his position in society
he's really a very anxious person
i said a lot yesterday about the way in
which our society shows anxiety because
it cannot permit
the existence of people who don't belong
and it cannot really permit
the criticism of laughter
it cannot permit the presence of the
old-fashioned court jester
because these people are so far out
they are so involved and one from a
certain standpoint you see from the
joker standpoint
he doesn't condemn such people he rather
congratulates them on their heroism
for getting so lost and involved
but to keep the far out people
from going quite insane
there have to be far in people
and the far in people are those
who who
keep contact with the original
goings on behind the scenes
they are like the prompter in the
theater where there are the actors out
on the stage relying on their memories
etc and they are supposed to get
completely involved in the play
but there's a concealed prompter with
the script in front of him
and he is the connection of the actor on
the stage with the green room behind the
stage
and you see in in this dramatic analogy
of the universe
the
green room
is the central point the still point of
the turning world
the green room is how
god is
when he's back home
not involved in all these games
and takes off the mask
see uh on the hindu theory that
everybody is a mask of god
like uh
wonderful line in one of chesterton's
poems
and now a great thing in the street
seems any human nod where move in
strange democracy the million masks of
god
the million masks of the joker
because the joker is the player
the trick player who plays ultimately
the great trick on himself
so really
there can be no resentment about this
nobody to blame nobody to turn around
during the end and say you you bastard
you did this to me
because it's always you who are
ultimately responsible
so
this
prompter you see keeps the actor on the
stage in touch with the green room and
so there are certain people in the world
who
might be a kind of a priesthood
sometimes although priesthoods are apt
to become corrupt and
square
but a kind of people in the know
there always has to be somebody around
in the know
so that uh
as it were the wheel
of society and of existence the wheel of
the squirrel cage the wheel of the rat
race
can have an axle firmly
and at the center then there have to be
the far in people
so this is the domain of jokers
now
having developed that side of the joker
the person who sees
uh through the social institutions as
games i went on in the second session
to discuss another aspect of the joker
as the sly man
in comparison with the monk the fakia
and the yogi
who undertake all those three
undertake in certain different ways
disciplines
which
have the intent of releasing them from
their karma
the individual in other words challenges
his involvement his attachments his
limitations his finitude and endeavors
to overcome it
but in each of these three cases the
individual involved stirs up an immense
opposition
[Music]
because he serves notice upon the devil
or shall we say upon his karmic
creditors that he is about to leave town
and so all the creditors come rushing to
the door
all his past sins catch up with him
and the devil lays his temptations in
the way all the more thoroughly
so that the sly man is the one who when
he is going to leave town does so
instantaneously without any prior
announcement
and so in this way there is
shall we say
a cunning
manner
of becoming a buddha
and that is to become one instantly
without any preparation or warning
whatsoever
this is why zen is called the sudden
school
and why satori is a sudden awakening
because it has to be done
without the slightest warning
now
but then i pointed out that the moment
you
have any idea about doing this
you've already ceased to be sudden
that is to say the moment you
seek for
some spiritual attainment
which is becoming a buddha becoming
awakened becoming released
[Music]
getting in there you've already served
notice upon your creditors
so that somehow or other you find that
you have to do it without intending to
do it
and that is a double bind
[Music]
where which you impose upon yourself
when you say
i must find a way
of doing this spontaneously
that's the old old basic double bind
you must be spontaneous
you are commanded or you command
yourself to do something which is
acceptable only if it happens
spontaneously
then you think about that and say well
well well
what a fix that is
here am i
saying
i must be surprised and i'm going to lay
plans to surprise myself
[Laughter]
so uh by going through this
you discover naturally that that can't
be done
you can't surprise yourself on purpose
yet that's what you have to do
so what about it you you come to a state
of total paralysis
you're stuck
the one thing that is terribly important
to be done
can't be done
it has to happen it really does if
you're earnest about this you want to
get out of the trap
but you can't do anything about it
either actively
or passively
[Music]
but then as you begin to
see what you are doing all the time
you notice a very odd fact
which is
[Music]
that you can't help being spontaneous
if i say to you good morning
and you say good morning
what is that
did you
plan this answer
did you make preparations to grow your
hair
do you make uh
decisions about having blue eyes
you see about breathing
is this all planned about beating your
heart
and what about your thinking even if
it's very blocked thinking
even if you feel from a certain point of
view that you're all mixed up
what is going on anyway
you see you can't stop it
it's like trying to we were discussing
uh
the good jeff thing yesterday the
self-remembering exercise
the attempt to live completely in the
present
well that's not only a good jeff idea
that's a very ancient yoga
and buddhist
discipline
to be completely here and now
but of course as you pursue this you
discover you can't do it
because you couldn't even uh
you know know when to go shopping unless
you made plans and started thinking
about the future
because you couldn't move
but then you discover you see
that in the long run there's nothing to
think about except the here and now
there really isn't anything else
because even when you make plans for the
future and you remember the past you're
doing it all in the present your memory
is a present activity there's no way of
not being self-remembering and present
having presence of mind
so when you discover that
there's nothing left to you but to have
a good laugh
[Music]
well now
i want to develop
to a greater extent something i only
touched on yesterday afternoon
when we were discussing anxiety and
laughter
and the relationship between the two
[Music]
i uh suggested that anxiety and laughter
are really the same phenomenon
but seen from different points of view
as we all know we can have shadows of
horror and shadows of delight tears of
grief and tears of joy
and as it's the same shadows and the
same tears in either case but they have
a completely different meaning
now life set life is a matter of
oscillation
life is vibration
it's i
the whole time and all the way through
question is how are you going to
interpret that
is it tremble tremble tremble
or is it laugh laugh laugh
that's the that's the great thing
and sometimes it's one
and sometimes it's the other
so that the the whole thing of the joker
is the book the he comes into being as
it were at the point
when the anxiety interpretation of the
trembling becomes the laughing
interpretation
[Music]
we were talking about
monks
who had skulls
on in their cells to remind them of
mortality
and we think a grim thing
the skull is a grim thing
but
chesterton had the poem
about the
skull
chattering finch and waterfly are not
merrier than i
hear among the flowers i lie
laughing everlastingly
no i may not tell the best
surely friends i might have guessed
death was but the good king's jest it
was hid so carefully
so you can see the skull
not as a grim thing but as a laughing
thing
it's all that's left of a human being
and all the
the surface is peeled off and nothing
but this beautiful bone remains
it laughs
now why
what is it about
death
being a jest
we discussed
the problem of the zebra
you remember
whether a zebra is a yellow horse with
black stripes or a black horse with
yellow stripes
and of course
you can see it either way
and you can argue till all is blue about
which side is right
[Music]
and let's suppose that a black horse is
a horse of ill omen
even though striped with yellow
and a yellow horse a horse of joy and
good omen even though striped with black
this is our eternal problem
we are in the state of egocentric
consciousness firmly convinced
that death
is a threat
we are so convinced of this even though
individuals may say well i'm not really
afraid of death what i'm afraid of is
dying in an unpleasant way
nevertheless
since
almost all
uh
moralists and people concerned with
ethics
seem to agree whatever their differences
of opinion that survival is a good thing
in some sense if not survival in this
body
the even the most uh i mean the people
who would rather be dead than red
firmly believe
that that is true because they believe
there is a hereafter
where they can go and where they can be
rewarded for the courageous stand
against evil which they have taken
you see so that's still some kind of
insistence on the
the value of survival
and
we all cling to this
idea of survival
with tremendous passion
but
we have been fooled
because
survival is an important ideal only so
long as you have
bothering you the bug bear
of death
that
the world might stop all together and
that your death so far as you are
concerned is curtains forever
and that is really the bogey
you see that's all very well
to rationalize and say no it's not death
i'm afraid of it's the pains of death
but if you think about it deeply there
are several stages in thinking about it
deeply the first stage is the real
horrors
of endless night
of the futility
of the whole conception that one's own
life
or indeed the whole life of the cosmos
might be nothing but
a flash
and beyond that nothing
nothing nothing in all directions
when for example we think of
the physicist's idea that the universe
is running down
that all
energy
uh is seeking a stable state
supposing for example to give an
illustration of what they mean
i have a jar of black pepper and a jar
of salt
and i pour them together
into another jar
and i can see the white salt and the
black pepper fairly well delineated then
i start shaking the jar
and slowly slowly slowly the black and
the white disappear into a gray
that can never be sorted out again into
black and white
in this sort of way as things go on
the universe they say it tends to attain
a stable state
to run down run down run down until
that's the end
and nobody knows how it could possibly
start all over again
but i always say and i feel it in a sort
of funny intuitive way that what
happened once can happen again
if this world started at some time
supposing there was a colossal explosion
which set all these galaxies flying out
then what existed before that explosion
must surely have been something like the
stable state to which we shall run down
in the end
and if it went bang once there's
absolutely no reason why it shouldn't go
bang again
uh i suppose
there are temperaments in logic
i have a temperament whereby
i just cannot it mean it seems to me
absolutely basic that what happened once
can happen again
but there are other
people who so cherish the unique
that they can conceive the idea of
something like existence happening only
once
but you see something that happens only
once
doesn't happen at all
what happens if you
a given sound consists of only one
vibration
what is the up crest of a wave apart
from the down crest can you conceive
that
that's the same koan as what is the
sound of one hand
[Music]
you see
it always takes two
[Music]
you can't have
a purely left-sided person
imagine
so uh
in in this way just as you can't have
just one vibration i mean it's like
you're saying the greatest strength of
mind is to eat one peanut
[Laughter]
and and so it can hardly be done
so there isn't just one vibration
and uh
a dip but no da
sort of thing uh
you you have to have it do more
so in in just the same way when you
magnify this principle there isn't just
one cosmos or one big explosion that
starts and stops
[Music]
all stopping implies starting
someone just wrote to me we haven't
parted because we never met
[Laughter]
so
the whole point of saying this is the
realization
that existence is eternal
[Music]
the going out of existence implies the
coming in
and some thomas had some points here
when he said
there could never have been a time when
there was not being
because if there had been a time when
there was nothing
there was nothing in nothing to produce
something
but he didn't quite have the point
because what he didn't see
was that nothing is productive
in the sense that you can't have nothing
without something
they go together
and all this thing is an argument
again about whether the zebra
is yellow striped black or black stripe
yellow
and what we see is
that
the black and the yellow the darkness
and the light
are simply two phases of the same
and that realization
is exactly what transforms anxiety into
laughter
suddenly to see
that
you just after all this anxiety
that you don't have anything to worry
about
now that doesn't mean
that there will not in our future
lie
uh some extremely painful experiences or
experiences that we would ordinarily
interpret as horribly painful
[Music]
we may all die of ghastly diseases
or of radiation burns
or of our unimaginable things
but look here
i very briefly touched on pain yesterday
and the way
pain is interpreted
uh if
if you interpret pain
as
something that is destroying you
and is going in the direction of total
death
then it's very serious indeed
and it's perfectly terrifying
but i've been investigating experiences
of people who've undergone torture
uh
i don't know if anybody in this room has
it's always possible
but uh and then if so you can correct me
but uh the the worst part of torture is
the beginning
when of course you're full of all your
illusions
and all your
um
fears about black and white and the
terror that black may win
but it said that as torture proceeds
it slowly changes uh the state of mind
of the victim
to a kind of drunken
masochistic
giving in
to the torture
so that it becomes
something that he cooperates with
and that if the
the torturer notices this he knows he's
through and has to kill him
so uh
[Music]
in other words
there is a point
at which pain
becomes an experience
without having a negative interpretation
put upon it
becomes in other words converted into
ecstasy
[Music]
it simply becomes you see a way of
[Music]
going through extraordinarily far out
sensations
which have no meaning
if they have meaning the meaning of
threat the meaning of
uh death looming at the end
and you know this is the tearing apart
and the destruction of you
then you see
uh it is absolutely horrendous
but if it has no meaning at all
just transpose yourself into another
dimension to illustrate it
because what the dimension i'm talking
about is very tough one
but let's go back to a simpler one let's
take psalms
now
if you lie down and uh listen
to all the goings on in this area and
you will hear planes moving in cars and
fog horns and all kinds of crazy sounds
you see people
this way and that so on and you can
listen to that and find it very
interesting
very beautiful
but if someone were to
do what john cage does
and puts you in a concert hall with the
expectation of hearing music
and by having a purely silent playing of
the piano
compel you instead to listen to all the
sounds going on around you
you would be shocked and feel that some
kind of
avant-garde hoax had been perpetrated
you see it depends on the set
on the way you approach
the experience
now you can listen to sounds that are
ordinarily considered unpleasant
in a totally unprejudiced way
you can listen to
discordant
musical noises
uh and find them extremely interesting
if you listen carefully enough
[Music]
[Music]
you
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