BASTIDORES DO FENÔMENO SAI DE BAIXO - MARISA ORTH | EMBRULHA SEM ROTEIRO

Summary

The transcript captures a lively discussion about the challenges and experiences of theater production, particularly focusing on the weekly process of 'Sai de Baixo,' a play from the 90s. The conversation highlights the intense rehearsals, the pressure of performing in front of live audiences, and the evolution of the script through numerous rewrites. It also touches on the collaborative efforts of the cast and crew, the influence of director Miguel, and the transformative impact of comedy on the speaker's career. Personal anecdotes and humorous moments are interspersed, providing a glimpse into the passion and dedication required in the world of theater.

Takeaways

• 😀 The speaker recalls presenting MB and mentions 'Sai de Baixo,' a popular TV show from the 90s.
• 😄 'Sai de Baixo' aired from 1994 to 2000, and it was a challenging weekly process with rehearsals.
• 🤯 The production required intense rehearsals, with actors improvising a lot and often delivering multiple sessions.
• 🤔 The cast would gather for script reading, discussions, rehearsals, and recordings in a fast-paced environment.
• 😅 The process involved cutting scripts, marking scenes, and performing before live audiences.
• 🤣 Improvisation was common, and actors found the process physically and mentally exhausting but rewarding.
• 🤓 The speaker gives credit to Miguel for his role in shaping the characters and script in the early stages.
• 🙃 The speaker shares personal experiences, such as dealing with actors deviating from the script (referred to as 'Caco').
• 😲 The speaker admits having had a prejudice against comedy at first, believing it was less serious than drama.
• 🧐 Despite the initial struggle, the speaker learned to appreciate comedy, crediting directors and experiences for their development as an actor.

Q & A

What time period is being discussed in the conversation?

The conversation refers to the mid-1990s, specifically around 1994 to 1995, when the show 'Sai de Baixo' was at its peak.

What is 'Sai de Baixo' and what role did it play during the period discussed?

'Sai de Baixo' was a popular Brazilian TV comedy show that aired from 1996 to 2002. It was a weekly program with live audience recordings, and the cast rehearsed intensely each week.

What challenges did the cast of 'Sai de Baixo' face during production?

The cast faced intense weekly rehearsals, where they had to read, mark, and pass through multiple segments of the show in a single day. They often improvised due to the pressure of delivering new content quickly.

What was the process of rehearsing for 'Sai de Baixo' like?

The process involved reading the script on one day, rehearsing the next, and then performing in front of an audience twice in the same day. The cast would constantly mark and revise scenes throughout the day.

Who was responsible for writing the scripts for 'Sai de Baixo'?

The script for 'Sai de Baixo' was coordinated by Cláudio Paiva, with a large team of writers contributing to the episodes. However, Miguel Falabella played a significant role in formatting the characters at the beginning of the series.

What role did Miguel Falabella play in 'Sai de Baixo'?

Miguel Falabella not only acted in the show but also helped format the characters in the beginning. He was known for his improvisations and frequent critiques of the script.

How did Marisa Orth contribute to the rehearsals?

Marisa Orth had a key role in rehearsals, often pointing out weaknesses in the script and suggesting changes. Her instincts and experience were highly valued by the cast.

How did the cast handle the live audience performances?

The cast performed twice in front of different live audiences on the same day. Between the shows, they would do makeup retouches and sometimes extend scenes through improvisation.

What were some of the cast's frustrations during rehearsals?

The cast, including Miguel Falabella, often expressed frustration with the script. They sometimes criticized it heavily, which added tension to the fast-paced rehearsal process.

What was the relationship between dramatic acting and comedy for the cast?

The cast had a varied background, with some actors, like the speaker, coming from dramatic theater. There was a certain tension between the perception of comedy and drama, as comedy was sometimes seen as less prestigious, although it was highly valued by the end of their experience.