UNESCO Archives Film Collection: "The World Saves Abu Simbel", 29', 1972.

UNESCO
26 Oct 201827:26

Summary

TLDRThe script narrates the historical and architectural significance of the Abu Simbel temples, carved in the 13th century BC by Pharaoh Ramesses II. It details the temples' rediscovery in 1813, their astronomical alignment, and the intricate reliefs depicting Ramesses' military triumphs. The script also documents the temples' relocation in the 1960s to save them from the Aswan High Dam's flooding, showcasing an international effort led by UNESCO. The temples' reconstruction and the preservation of their cultural heritage symbolize a global commitment to safeguarding history while advancing technologically.

Takeaways

  • 🗿 The rock-cut temples of Abu Simbel were rediscovered in 1813 by Swiss explorer Jean-Louis Burckhardt and are located near the Sudanese border on the Nile's bank.
  • 🏰 The smaller temple is dedicated to the goddess Hathor, while the larger one is dedicated to Pharaoh Ramesses II and his wife Nefertari.
  • 🗽 The temples were carved around 1260 BCE by Ramesses II during Egypt's Golden Age and showcase his grandeur and military victories.
  • 🌞 The Great Temple of Abu Simbel was designed to align with the sun's rays twice a year, illuminating the inner sanctuary and three gods, except for the god of the underworld.
  • ⛓ The construction of the Aswan High Dam threatened the temples, leading to a UNESCO-led international effort to save them, involving over 50 countries.
  • 🔨 The temples were dismantled into blocks weighing 20-30 tons each, then moved to a site 200 feet higher to protect them from flooding.
  • 🏗️ The relocation process was complex, involving the construction of a cofferdam, sandbagging the facade, and shoring the interior with steel scaffolding.
  • 🚜 The temples' blocks were transported without jolting, ensuring their integrity, and were stored in a manner akin to organizing books in a library.
  • 🌄 The temples were reassembled with precision, and the landscape around them was reconstructed to match the original, showcasing the skill of modern technology.
  • 🌐 The project represents a successful example of international cooperation to preserve cultural heritage and balance it with modern development.

Q & A

  • When were the rock-cut temples of Abu Simbel discovered again after being buried for centuries?

    -The rock-cut temples of Abu Simbel were rediscovered in 1813.

  • Who is the smaller temple at Abu Simbel dedicated to?

    -The smaller temple at Abu Simbel is dedicated to the goddess Hathor.

  • What significant event is depicted on the facade of the Great Temple of Abu Simbel?

    -The facade of the Great Temple of Abu Simbel is adorned with figures portraying Pharaoh Ramesses II and his wife Nefertari, symbolizing the greatness of the Pharaoh.

  • Why were the temples at Abu Simbel carved out of rock during the reign of Ramesses II?

    -The temples were carved out of rock around 1260 BCE to demonstrate the power and grandeur of Pharaoh Ramesses II during Egypt's Golden Age.

  • What is the unique astronomical feature of the Great Temple of Abu Simbel?

    -The Great Temple of Abu Simbel was designed so that twice a year, in February and October, sunlight penetrates the temple's inner sanctuary to illuminate the statues of three gods, demonstrating the ancient Egyptians' knowledge of astronomy.

  • Why was it necessary to relocate the temples of Abu Simbel?

    -The temples needed to be relocated due to the construction of the Aswan High Dam, which would have flooded the area where the temples were located.

  • How did UNESCO and the international community respond to the threat of the monuments of Nubia being destroyed?

    -UNESCO launched an international campaign to save the heritage of Nubia, with more than 50 countries agreeing to share the financial burden of relocating the monuments.

  • What was the method used to protect the temples during the construction of the Aswan High Dam?

    -A cofferdam was constructed to protect the temples from flooding while the temples were being dismantled and relocated.

  • What were the challenges faced during the relocation of the Abu Simbel temples?

    -The relocation faced challenges such as the remoteness of the site, harsh climate, and the need for precise dismantling and reassembly of the temples to preserve their integrity.

  • How were the statues and reliefs of the temples protected during the relocation process?

    -The statues and reliefs were covered with fine sand to protect them from falling stones, and steel scaffolding was used to shore up the interior of the temples during the relocation.

  • What was the final outcome of the Abu Simbel temples relocation project?

    -The temples were successfully relocated to a site 200 feet above their original location, and the landscape was restored, preserving the ancient monuments for future generations.

Outlines

00:00

🏰 Discovery and Significance of Abu Simbel Temples

The script begins with a historical account of the discovery of the rock-cut temples of Abu Simbel in 1813 by the Orientalist, Your Hunt. These temples, dedicated to the goddess Hathor and Pharaoh Ramesses II, were carved in the 19th dynasty during Egypt's Golden Age. The temples' facades feature colossal statues of Ramesses II, symbolizing his greatness and the respect he commanded. The script also describes the temples' unique astronomical alignment, where sunlight illuminates the inner sanctum on specific days, showcasing the ancient Egyptians' architectural and astronomical prowess.

05:16

🌱 The Challenge of Preserving Abu Simbel Temples

The second paragraph discusses the challenges faced in preserving the Abu Simbel temples due to the construction of the Aswan High Dam. The dam's reservoir threatened to submerge the temples, prompting an international effort led by UNESCO to save this heritage. The script outlines the complex process of dismantling the temples, protecting them with sand, and relocating them to a higher location. It also highlights the logistical difficulties, such as the remote site's inaccessibility and the need for international cooperation to fund and execute the rescue operation.

10:16

🔨 The Detailed Process of Dismantling and Relocating the Temples

This paragraph delves into the intricate process of dismantling the temples. It describes the use of steel scaffolding, the careful removal of rock surrounding the temples, and the precise cutting of the rock into blocks. The script emphasizes the meticulous work required to ensure the temples' safe relocation, including the use of synthetic resin to strengthen the rock and the construction of a cofferdam to protect the temples from flooding. The paragraph also details the transportation and storage of the dismantled temple blocks, highlighting the precision and care taken to preserve the monuments.

15:20

🏗️ Reassembly and Restoration of the Abu Simbel Temples

The fourth paragraph focuses on the reassembly of the Abu Simbel temples at their new location. It describes the construction of a new rocky landscape to support the temples and the precise reassembly of the stone blocks to recreate the original structure. The script also discusses the use of steel shoring sections to reinforce the temples' interior and the careful handling of the stone blocks to avoid damage during the reassembly process. The paragraph concludes with the successful relocation of the temples, ensuring their preservation for future generations.

20:21

🌅 The Final Stages of Reconstruction and the Legacy of Abu Simbel

The final paragraph discusses the final stages of the reconstruction project, including the reassembly of the 22-meter high statues and the restoration of the temple's facade. It highlights the engineering and architectural achievements in relocating the stone temple and the creation of a unique rocky landscape around it. The script concludes by emphasizing the global cooperation and determination to preserve cultural heritage, as exemplified by the Abu Simbel project, and the temples' significance as a testament to both ancient civilization and modern technological prowess.

Mindmap

Keywords

💡Abu Simbel

Abu Simbel refers to a pair of rock-cut temples at Abu Simbel in Nubia, southern Egypt on the western bank of Lake Nasser. The temples are one of the most famous monuments in Egypt, and were originally carved out of the mountainside during the reign of Pharaoh Ramesses II in the 13th century BC. In the video, the temples are central to the narrative as they are the main historical artifacts being preserved and relocated due to the construction of the Aswan High Dam.

💡Nubian Desert

The Nubian Desert is a region in northeastern Africa that extends from southern Egypt to northern Sudan. It is characterized by its arid climate and rocky terrain. In the video, the temples of Abu Simbel are described as being located at the edge of this desert, emphasizing the remote and harsh environment in which they were originally situated.

💡Pharaoh Ramesses II

Pharaoh Ramesses II was an Egyptian pharaoh of the 19th dynasty who reigned for 67 years and is often regarded as one of Egypt's greatest and most powerful pharaohs. In the video, he is noted for commissioning the construction of the temples at Abu Simbel, which are adorned with his statues and reliefs, showcasing his grandeur and the artistic skill of the time.

💡Astronomical Knowledge

Astronomical knowledge refers to the understanding of celestial objects and their movements. The video highlights the ancient Egyptians' advanced astronomical knowledge through the design of the Abu Simbel temples, where sunlight dramatically illuminates the inner sanctuary twice a year during specific dates, demonstrating a sophisticated architectural feat.

💡Aswan High Dam

The Aswan High Dam is a large hydroelectric dam located in Aswan, Egypt. Constructed in the 1960s, it created Lake Nasser, which led to the flooding of the area around Abu Simbel. The video discusses the dam as the catalyst for the relocation of the temples to save them from being submerged under the reservoir's waters.

💡UNESCO

UNESCO, the United Nations Educational, Scientific and Cultural Organization, is a specialized agency of the United Nations that aims to promote international collaboration in education, science, and culture. In the video, UNESCO is mentioned as leading an international campaign to save the monuments of Nubia, including the Abu Simbel temples, by rallying support and financial assistance from over 50 countries.

💡Relocation

Relocation in this context refers to the process of moving the Abu Simbel temples to a new location to preserve them from the rising waters of Lake Nasser. The video details the complex engineering and construction efforts involved in dismantling the temples, moving them to a higher location, and reassembling them to ensure their survival.

💡Cofferdam

A cofferdam is a temporary structure built within water to allow for the construction of projects like dams or bridges. In the video, a cofferdam is constructed around the Abu Simbel temples to protect them from flooding during the relocation process, showcasing the innovative engineering solutions employed to save the monuments.

💡Architectural Feat

An architectural feat refers to an impressive or complex construction achievement. The video describes the temples of Abu Simbel as an architectural feat due to their grand scale, intricate design, and the precision with which they were carved out of the rock face, reflecting the high level of skill and artistry of the ancient Egyptians.

💡International Cooperation

International cooperation in the video refers to the collaborative efforts of multiple countries to fund and support the relocation of the Abu Simbel temples. This cooperation is highlighted as a testament to the global commitment to preserving cultural heritage and the ability of nations to unite for the common goal of protecting historical treasures.

Highlights

The rock-cut temples of Abu Simbel were rediscovered in 1813 by the Orientalist, Your hundred feet brought hunt.

The temples are located on the bank of the Nile near the Sudanese frontier.

The smaller temple is dedicated to the goddess Hathor and features over thirty feet high statues of Pharaoh Ramesses II and his wife Nefertari.

The temples were carved out of the rock around 1260 BCE by King Ramesses II of the 19th dynasty during Egypt's Golden Age.

Ramesses II is portrayed four times in front of the Great Temple, each colossal figure over 70 feet high.

Reliefs on the outside walls depict the life of man three thousand years ago and the union of Upper and Lower Egypt.

The temple facade has symbolic statues representing the might of Ramesses II and the respect he commanded among his enemies.

Inscriptions on the temples relate the military exploits of Ramesses II's reign.

The Great Temple of Abu Simbel was designed to make dramatic use of sunlight, with a biannual illumination of the inner sanctuary.

The temples were threatened by the construction of the Aswan High Dam, leading to an international campaign to save them.

UNESCO launched a campaign to save the heritage of Nubia, with over 50 countries contributing to the financial burden.

The plan to save the temples involved constructing a cofferdam, shoring the interior, and dismantling the temples into blocks for relocation.

The Abu Simbel project was a difficult assignment due to the climate and remoteness of the site.

The temples were dismantled and reassembled on a site 200 feet above the original location.

The relocation of the temples was a race against time and the rising waters of the Nile.

The final phase of reconstructing the 22-meter high statues was a significant engineering achievement.

The temples now bear witness to the Supreme genius of an ancient civilization and the miraculous skill of modern technology.

The project also involved the reconstruction of a unique rocky landscape around the temple according to the original.

The temples of Abu Simbel now stand as a testament to international cooperation in preserving cultural heritage.

Transcripts

play00:00

[Music]

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for many centuries the rock-cut temples

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of Abu Simbel lay abandoned at the edge

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of the Nubian desert a great temple long

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buried beneath the sand was not

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discovered again until the 1813 by the

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Smiths Orientalist

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your hundred feet brought hunt

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the temples are located on the bank of

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the Nile not far from the Sudanese

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frontier the smaller one is dedicated to

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the goddess Fatah and it's facade is

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adorned with figures over thirty feet

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high portraying the pharaoh ramses ii

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and his wife nepeta

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[Music]

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[Applause]

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[Music]

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temples were carved out of the rock in

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about 1260 before Christ by this famous

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king of the 19th dynasty in the latter

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period of Egypt's long Golden Age

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ramasees is also portrayed four times in

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front of the Great Temple each of these

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colossal figures is over 70 feet high

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members of the royal family are dwarfed

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by the giant image of therapy

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[Music]

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the reliefs on the outside walls show us

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something of the life of man three

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thousand years ago two deities of the

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Nile unite the lily and the papyrus to

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symbolize the union of the kingdoms of

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Upper and Lower Egypt

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[Music]

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apart from the figures of Ramsey's wife

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Nefertari and her favorite children the

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temple facade has symbolic statues which

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represent the monix greatness and the

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respect he commanded among his enemies

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[Music]

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the inscriptions relate the exploits of

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his reign

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[Music]

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long rows of tethered Nubians on both

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sides of the entrance portal reveal the

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success of military campaigns the Great

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Temple of Abu Simbel was designed to

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make dramatic use of sunlight a supreme

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example of the astronomical knowledge of

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the ancient Egyptians and of the skill

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of their architects twice a year in

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February and October the sun's rays

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shining through the narrow entrance way

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of the temple through the giant pillared

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Hall 60 feet deep penetrate to the inner

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sanctuary which at other times is in

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darkness the images of three gods Amon

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raha Ricci and the Pharaoh himself are

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illuminated only the fourth day attempt

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our god of the underworld remains in the

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shadows

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the figures in the pillared hall each of

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them 25 feet high also portray Pharaoh

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but with the attributes of the god

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Osiris colored wall reliefs glorify the

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Kings deeds in the air 1285 BC in Syria

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Rama C is the second proved himself a

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great warrior by conquering the Hittites

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would invade it as well these

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representations of the power and glory

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of the great Pharaoh bear witness to

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gain comfortable artistic skill today

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[Music]

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[Music]

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[Applause]

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[Music]

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[Music]

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[Music]

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after conquering his enemies

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ramasees ii is seen on other reliefs as

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a wise ruler receiving the thanks of his

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subjects issuing decrees and paying due

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tribute in the form of sacrifices and

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act the veneration to the gods to whom

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he dedicated the temple

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[Music]

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today more than 3000 years later the

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descendants of Pharaoh are confronted

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with problems which he would have had

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difficulty in understanding the area in

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which this rapidly growing people can

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live and grow its food is limited to the

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narrow strip of fertile land on either

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bank of the Nile Egypt's famous granary

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has now become too small the

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construction of the study Ali dam meets

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a vital need of the people of the United

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Arab Republic an enormous reservoir the

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waters of the Nile will extend far south

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into the Sudan it were they possible to

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irrigate much more land and greatly

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increase agricultural production the

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vast new supply of electric power will

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help new industries to grow of course

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the building of the dam has had its

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drawbacks hundreds of thousands of

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people had to be resettled irreplaceable

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monuments of the Golden Age of Nubia

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would have been destroyed if something

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had not been done at the last moment to

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salvage them the threat to the monuments

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of Nubia alarmed the world the United

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Arab Republic appeal to UNESCO for help

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UNESCO launched an international

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campaign to save this heritage of the

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past and more than 50 countries agreed

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to share the financial burden a race

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against time and the rising waters began

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many ways of rescuing the Abu Simbel

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temples were suggested the plan

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ultimately agreed upon is this

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construction of a cofferdam to protect

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the temples from flooding while building

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work is in progress the facade

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to be banked up with sand to protect the

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statues of Rama says

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shoring of the interior of the temple

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with steel scaffolding the removal of

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the rock surrounding the temple until a

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wall thickness of two and a half feet is

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reached dismantling the temples in

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blocks of 20 to 30 tons and removal to a

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safe storage area reassembly of the

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temples on a site 200 feet above the

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original location restoration of the

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landscape

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in November 1963 the joint venture Abu

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Simbel an international group of

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building contractors from five countries

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received the contract for the removal of

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the temples the Abu Simbel project has

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been a difficult assignment the climate

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and especially the remoteness of the

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site have made things more difficult

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aswan the nearest town is a hundred and

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seventy-five miles downstream

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[Music]

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there are no roads along which building

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materials machines and food supplies can

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be transported consignment from Europe

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take five months to arrive from Cairo

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one must count on a month or two

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[Music]

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yet there is no time to lose

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even before living quarters can be set

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up for the crews work has to start on

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the construction of the copper day first

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of all a steel piling wall is erected

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the crest of the cofferdam must be 80

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feet above the riverbed

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[Music]

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in a beginning of november 1964 a

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critical stage was reached in the race

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against time and water because of heavy

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rain in ethiopia the river rose to a

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level about six and a half feet below

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the crest of the dam work was already in

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full swing on either side of the company

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before dismantling of the rock figures

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to begin the statues as well as the

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entire facade had to be covered with

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fine sand as a protection against

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falling stone at the more sensitive

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spots it is applied by hand

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[Music]

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excavation work when special machines

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start from the top on the rock cut off

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that had been prepared

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a guard over the facade prevents large

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rock fragments from striking the layer

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of sand the rock material removed from

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above the temples is used for the

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construction of the dam at the end of

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February 1965 the bulkhead is completed

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and the facade of the temple is once

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again concealed beneath the sound as it

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was before its discovery the inside can

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now be reached only through a steel pipe

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[Music]

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the reinforcement of the interior is now

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almost complete 240 tons and steel

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sections were needed for the shore

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[Music]

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so as not to damage the honour mentation

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on the walls and ceilings the steel

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supports are padded with felt mats and

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plastic foil

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[Music]

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[Applause]

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[Music]

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[Applause]

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[Music]

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all steel supports are numbered for

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reassembly of the temples in the same

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sequence the really critical work starts

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with the removal of the rock above the

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temple

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at first the rock is attacked with stone

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soaring strands and giant blocks a

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cutter

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[Music]

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Jib stars are brought into use for the

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minute the song this is only a kind of

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dress rehearsal so long as they're

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cutting only the wall of rock around the

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temple fine precision is not yet

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required and they can work with broader

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cuts at the sides the rock is broken off

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piece by piece

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[Music]

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pneumatic drills can be used only on the

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outer sector

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the vibrations are constantly measured

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inside the temperature more and more of

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the rock material over the temples is

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removed to dellux are already waiting to

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take away the sauna blocks to cavities

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in the massive rock face show when the

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temples are located now comes the most

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difficult part of the work the finest

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cuts on the surfaces can be made only by

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hand the rock is so brittle that contact

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with water would make it crumble each

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individual block must be carefully

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marked so that it can easily be assigned

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its right position when the monument is

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reacted at a 1047 temple blocks and 7700

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blocks of other rock with an average

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weight of between 20 and 30 tansy

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for the safe transport of the heavy

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blocks special truss rods had to be made

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the drill holes which accommodate the

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anchor trusses are filled with synthetic

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resin to withstand any strain possible

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during transport

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the largest and heaviest clocks were

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those from the heads of Pharaoh statutes

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here the engineers wanted to make as few

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cuts as possible

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the fostering starts the cutting

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services are protected with plastic foil

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[Music]

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[Music]

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when the phases of the figures were cut

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work had to proceed continuously day and

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night if there'd been any interruption

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in the soaring the staff trot

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interspersed with hard scenes might have

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crumbled due to changes in tension

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[Music]

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[Music]

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[Applause]

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and this is the moment the journalists

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and press photographers have waited for

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all night

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[Music]

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[Music]

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King ramasees gives one last majestic

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looked at the bear Passau before the

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special low load transport vehicle

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carries him to the storage place

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[Music]

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the two storage sites are located on a

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plateau near the spot where the temples

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are to be redirected

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[Music]

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the position and number of each block is

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registered just as if it were a book in

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a library

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[Laughter]

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from his temporary resting place the

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great Pharaoh can look out on the wrong

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roofs of the houses note for a thousand

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workers

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[Music]

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he may even cast a longing gaze over the

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swimming pool whose waters must seem

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like a mirage in the desert

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[Music]

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the Nile has now risen above the base of

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the original site but the cofferdam has

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stood the test the monuments are being

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saved in time as the days pass the hand

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sawing the blocks and their removal to

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the storage site becomes routine each

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block is transported without jolting

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maintained in its original position this

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ensures against breakage as a result of

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a sudden change in stress the work

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advances father and father into the

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interior at the temple every day new

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artistic masterpieces are brought for

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the first time into born Dana

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[Music]

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the divine Pharaoh seems somewhat

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fearful as he looks out on his new

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technological age an age which saves him

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from crumbling with the help of

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injections of synthetic resin

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[Music]

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the supporting gutters are dismantled by

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means are very fine cuts here work is

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done with extreme care these services

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which have been exposed to the elements

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are particularly brittle now even if the

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water were 1200 the cofferdam ahead of

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schedule the most it could do would be

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to cover the leg stumps affair

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[Music]

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[Applause]

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[Music]

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the last of the wall reliefs is ready

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for transport by coincidence it bears

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the motto under which the salvage

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project is being carried out the union

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of the upper and lower Nile as the

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symbol of wealth and fertility

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while the dismantling web proceeds

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preparations for reaction are made on

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the platter large-scale leveling

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operations have been completed the axis

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has been precisely calculated to produce

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the same biannual miracle of sunlight a

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reconstruction of the temple interior

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can begin the same steel shoring

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sections which serve for dismantling are

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used

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[Music]

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the reassembly of the sections of the

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first facade reveals the precision in

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which the temple had been dismantled

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the powerful blocks are easily put

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together the original site has now been

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completely abandoned the Nile covers it

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at last

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[Music]

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but in their new location the monuments

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come to life again and each block is

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restored to its rightful place in chat

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[Music]

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[Applause]

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[Music]

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[Applause]

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[Music]

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[Applause]

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[Music]

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[Applause]

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[Music]

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the final phase of reconstructing the 22

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meter high statues begins

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[Music]

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Ferro lives again an exciting moment now

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comes the final gist when of the statues

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will look the same as the fault

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[Applause]

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a great engineering achievement of

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relocating the stone temple is not the

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end of the work however a unique rocky

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landscape around the temple must also be

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reconstructed according to the original

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a 12,000 square meter area it must be

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real and scaped

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cement domes are first constructed above

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the temple locations for placing the

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stones the dome above the large temple

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has a spread of over 60 metres the

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individual cement segments are 1.8

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metres thick at the apex and two point

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three meters at the base some 10,000

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cubic meters of cement are involved in

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this giant construction the height of

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the cover above the apex is more than 10

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meters and will have to support more

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than 20 tons of stone per square meter

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the entire stone covering of the surface

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is estimated to be 350 thousand cubic

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meters

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[Music]

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the dome above the small temple as a

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spread of 25 meters requiring more than

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3,000 cubic meters of concrete

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the last of the blocks comprising the

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facade of the smaller temple are set in

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place more than 7,700 stone blocks must

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be rearranged between the temples

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now the finishing touches restoration

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work on the larger temple is necessary

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the facade is made crack and

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weatherproof it must withstand many more

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centuries

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[Music]

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when the seams have been closed it will

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no longer be evident that the temple was

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once sawed into individual blocks

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thus the temples of Abu Simbel when

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again reached the Rising Sun they will

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bear witness bus to the Supreme genius

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of an ancient civilization and to the

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miraculous skill of modern technology

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they will also bear witness to the

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determination of the world as a whole to

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preserve the best of the past while

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building the future and to apply

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International Cooperation for the

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achievement of these great purposes

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[Music]

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Связанные теги
Abu SimbelEgyptian ArtArchaeological RescueNubian DesertPharaoh Ramses IIAncient TemplesSunlight MiracleUNESCO CampaignCultural HeritageModern Engineering
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