TDW2024: Kuro Producer Q&A Wuthering Waves Global Operation Strategy, Shortcomings and Future Plans

Summary

In this insightful speech, Mr. Li Solon, the producer of Kuro Games, discusses the global operation strategies for 'Wuthering Waves.' He emphasizes the importance of global independent distribution for content games, sharing the benefits of a direct connection with users for immediate feedback and optimization. Solon also addresses the challenges faced post-launch, including localization and content quality, and outlines the company's creed of delivering engaging gameplay and rich content. He concludes with future directions, focusing on character development, immersive experiences, and adapting to global preferences, all within the framework of an open world.

Takeaways

• 🎮 Mr. Li Solon, the producer of Kuro Games, discussed the global operation strategies for their game 'Wuthering Waves'.
• 🌏 Solon emphasized the importance of global self-publishing and the benefits of a simultaneous global release to ensure the game's content remains fresh and relevant to all players.
• 🔄 Solon shared that Kuro Games' journey to global self-publishing was a gradual process that took seven years from conception to implementation in 2024.
• 📈 The game 'Wuthering Waves' has seen significant success with nearly 8 million downloads and over 10 million social media followers, exceeding initial expectations.
• 📊 Despite the success, the game's rating on TAPTAP is 6.3, indicating areas for improvement such as localization and plot experience.
• 🛠 Solon highlighted the need for a scientific approach to address performance issues, suggesting the use of monitoring platforms to identify and prioritize the most critical problems.
• 🔧 Kuro Games learned from past experiences, particularly the importance of a unified global version to avoid time-limited wear and tear on content and to maintain the joy of content creation for the team.
• 🎨 The future direction for 'Wuthering Waves' includes focusing on character development, world-building, deep-sea exploration, and enhancing player interaction within the game.
• 🌐 Solon aspires to promote Chinese culture and aesthetics globally through the game's世界观 (world view), which is expansive and can incorporate various regions beyond the Chinese style.
• 🤖 The game's development will be underpinned by a scientific method and data-driven insights to cater to the preferences of a global audience and to create immersive and engaging content.
• 💖 A key takeaway from Solon's approach is the importance of loving the game, the players, and the team, as this passion is essential for long-term success in the gaming industry.

Q & A

Who is the speaker in the provided transcript and what is his role?

The speaker in the provided transcript is Mr. Li Solon, the producer of Kuro Games.

What is the main topic of Mr. Li Solon's speech?

The main topic of Mr. Li Solon's speech is the global operation ideas of the game 'Wuthering Waves'.

What does Mr. Li Solon emphasize as the biggest benefit of global self-publishing for content games?

Mr. Li Solon emphasizes that the biggest benefit of global self-publishing for content games is the ability to use the shortest chain to connect with users and to hear their feedback most efficiently.

How long did it take Kuro Games to achieve global self-publishing from the initial idea to implementation?

It took Kuro Games 7 years to achieve global self-publishing from the initial idea in 2017 to the actual implementation when 'Wuthering Waves' was launched in 2024.

What is the significance of having a global same version for content games according to Mr. Li Solon?

According to Mr. Li Solon, having a global same version for content games is significant because it ensures that users worldwide have the same fresh experience and that developers can receive genuine feedback on the content, regardless of their location.

What was the initial approach of Kuro Games towards global distribution before they decided to self-publish?

Before deciding to self-publish, Kuro Games initially relied on publishers for the overseas distribution of their games.

How does Mr. Li Solon describe the process of Kuro Games learning to distribute their games overseas?

Mr. Li Solon describes the process as a long period of learning and practice, where Kuro Games gradually built up their publishing capabilities through the experiences with their game 'Punishing Gray Raven'.

What is the current download count and social media following for 'Wuthering Waves' as mentioned in the transcript?

The current download count for 'Wuthering Waves' is close to 8 million, and the game's global social media following has exceeded 10 million.

What are some of the current shortcomings of 'Wuthering Waves' that Mr. Li Solon discusses in his speech?

Some of the current shortcomings of 'Wuthering Waves' discussed by Mr. Li Solon include issues with localization, plot experience, performance, work order squeeze, content quality control, bugs, and immature operations.

What is Mr. Li Solon's approach to addressing performance issues in 'Wuthering Waves'?

Mr. Li Solon's approach to addressing performance issues involves using scientific methods, such as setting up a performance monitoring system to quantify and identify the most critical issues that need to be addressed.

What is the creed of Kuro Games when it comes to making products, as stated by Mr. Li Solon?

The creed of Kuro Games when making products is to stick to good gameplay and good content, focusing on creating fun experiences and conveying interesting stories and values.

How does Mr. Li Solon view the role of character creation in the future of content games?

Mr. Li Solon views character creation as a crucial aspect of content games that must be constantly rethought and improved to resonate with players and to provide a more immersive experience.

What is the vision for the future gameplay of 'Wuthering Waves' as outlined by Mr. Li Solon?

The vision for the future gameplay of 'Wuthering Waves' includes focusing on four major sections: characters, the big world, the deep sea, and interaction, with the goal of creating a more immersive and interactive experience for players.

What does Mr. Li Solon believe is essential for a successful long-term operation of a content service game?

Mr. Li Solon believes that a successful long-term operation of a content service game requires a scientific method and a correct mindset, which includes loving the game, the team, and the players.

Outlines

00:00

🎮 Global Self-Publishing and Content Strategy

Mr. Li Solon, the producer of Kuro Games, discusses Wuthering Waves's global operation strategies, focusing on the benefits of global independent distribution and the importance of maintaining a global same version for content games. He reflects on the evolution of Kuro's publishing capabilities, which took 17 years to build and were significantly influenced by the experiences with Punishing Gray Raven. Solon emphasizes the value of direct user feedback for optimizing game content and the team's gradual realization of the advantages of self-publishing since 2017. The narrative also touches on the challenges and learnings from the global launch of Wuthering Waves in 2024.

05:01

🌐 Addressing Localization and Development Challenges

This section delves into the post-launch realities and shortcomings of Wuthering Waves, highlighting the game's performance on platforms like TAPTAP and its social media presence. Solon acknowledges the game's initial low rating and discusses the critical areas for improvement, such as localization quality and plot experience. He shares his approach to tackling these issues by employing scientific methods for performance monitoring and iterative verification of localization to ensure it resonates with a global audience. The summary underscores the commitment to investing in content creation and avoiding ineffective branch work, aiming to enhance user satisfaction and game quality.

10:01

🚀 Future Directions: Gameplay and Cultural Impact

Solon outlines Kuro's creed of adhering to enjoyable gameplay and rich content, showcasing the company's history of innovation across different game projects. He details the future vision for Wuthering Waves, which includes developing an immersive open world with interactive characters and environments. The goal is to create a game that not only entertains but also conveys meaningful stories and cultural elements. Solon expresses the desire to promote Chinese culture globally and to adapt the game's content to align with the preferences of different regions, ensuring a universally appealing experience.

15:01

💖 Long-Term Commitment to Content and Community

In the final paragraph, Solon emphasizes the importance of a long-term mindset for sustainable game development and operation. He stresses the need for love and passion for the game, the team, and the players as a driving force for success. The summary captures the essence of creating a content service game that can stand the test of time, suggesting that an open world framework offers endless possibilities for innovative gameplay and challenges for the development team, ultimately benefiting both the players and the company's long-term vision.

Keywords

💡Global Self-Publishing

Global Self-Publishing refers to the strategy where a game developer independently handles the distribution of their game worldwide without relying on third-party publishers. In the script, Li Solon discusses Kuro Games' decision to pursue global self-publishing for 'Wuthering Waves', emphasizing the benefits of direct engagement with users and the ability to optimize the game based on immediate feedback, which is crucial for content-driven games.

💡Content Games

Content Games are games that are primarily driven by their content, such as storytelling, characters, and world-building, rather than gameplay mechanics alone. The script highlights that for content games like 'Wuthering Waves', having the shortest chain between developers and users is vital to receive immediate feedback and make accurate optimizations, which can enhance the content experience for players.

💡Global Version

A Global Version implies that the game is released worldwide with the same content and updates, ensuring all players have an equal and simultaneous access to new features and storylines. Li Solon expresses regret that 'Punishing Gray Raven' did not achieve a global version, and for 'Wuthering Waves', making a global version was a clear goal to avoid time-limited wear and tear of content and to ensure fresh and genuine feedback from users worldwide.

💡Localization

Localization is the process of adapting a product, in this case, a game, to the language, culture, and preferences of a specific locale or market. The script mentions that one of the shortcomings of 'Wuthering Waves' is its localization, which is crucial for making the game appealing and accessible to a global audience, and Kuro Games is actively working on improving this aspect based on user feedback.

💡TapTap

TapTap is a mobile app platform and marketplace that allows users to discover and download games and apps. In the script, Solon refers to TapTap to discuss the game's downloads and ratings, indicating that while the downloads exceeded expectations, the game's rating of 6.3 suggests areas for improvement, such as localization and plot experience.

💡R&D (Research and Development)

R&D in the context of the video refers to the process of creating and improving the game. Li Solon mentions the importance of investing R&D efforts into creating content for 'Wuthering Waves', avoiding the inefficiency of version synchronization and localization that he experienced with 'Punishing Gray Raven', and focusing on the joy of content creation.

💡Gameplay

Gameplay refers to the ways in which players interact with a game, including its mechanics, rules, and challenges. The script discusses Kuro Games' creed of adhering to good gameplay and content, with the aim of creating fun and engaging experiences for users. For 'Wuthering Waves', this includes innovative gameplay that combines action with deep-sea exploration.

💡Open World

An Open World in gaming refers to a game design that allows players to explore and interact with a large, open environment without being constrained by linear gameplay. Li Solon talks about the potential of the open world framework in 'Wuthering Waves' to provide different experiences and challenges, and to motivate the development team to innovate.

💡Long-term Operations

Long-term Operations involve the ongoing management and development of a game after its initial release, ensuring its sustainability and growth over time. The script mentions that Kuro Games aims to be a long-term, content service game, which requires a scientific approach and a correct mindset of loving the game, the players, and the team.

💡Creed

In the context of the video, a Creed represents the core beliefs or guiding principles of a company or team. Kuro Games' internal creed is to stick to good gameplay and good content, which is a driving force behind their product development philosophy and their commitment to creating unique and engaging experiences for their users.

💡IP Power

IP Power refers to the strength and influence of an intellectual property, such as a game's characters, story, and world, which can be leveraged to create a lasting connection with the audience. The script mentions that Kuro Games aims to convey interesting stories and values through their games, indicating the importance of building a strong IP to support long-term engagement with users.

Highlights

Introduction of Li Solon, the producer of Kuro Games, who will share his experience on Wuthering Waves's global operation ideas.

Emphasis on global independent distribution and the benefits of Kuro's global same version approach for content games.

The importance of a short feedback loop with users for efficient optimization and improvement of the game.

Kuro's journey towards global self-publishing, which took 7 years from conception to full implementation in 2024.

Learning from Punishing Gray Raven's limitations and the commitment to a global version for Wuthering Waves.

The significance of a global version for maintaining content freshness and relevance for users worldwide.

Challenges faced in localization and content quality control as areas for improvement after the launch.

The current state of Wuthering Waves with over 8 million downloads and a TAPTAP rating of 6.3, indicating room for enhancement.

The strategy of focusing on scientific methods to address performance issues and user feedback systematically.

The role of Kuro's creed in guiding product development with a focus on good gameplay and content.

Future directions for Wuthering Waves, including character development, world-building, deep-sea exploration, and interaction.

The intention to promote Chinese culture and aesthetics globally through the game's world view.

The importance of creating characters that resonate with players and the strategy for character development.

The approach to scientific content creation that caters to global user preferences and cultural differences.

The vision for an open world in Wuthering Waves as a framework for innovative gameplay experiences.

The necessity of a correct mindset for long-term success, emphasizing love for the game, players, and team.

Transcripts

End of speech

We can know that Solon is sitting in the lower seat

Next to him

Next to him is the heart-moving Huang Yimeng

Please welcome Mr. Li Solon, the producer of Kuro Games

Let him share his experience with us

The topic is Wuthering Waves's global operation ideas

Hello, hello

Hello everyone

Let me introduce myself first

My name is Li Solon

Sol Lun Dui

Then

Today I will mainly introduce to you

Some simple ideas about Wuthering Waves's global operations

Then today I will mainly talk about three aspects

The first one is about the global independent distribution

And that is Kuro's global independent distribution and global same version

Some thoughts on this matter

Then the second one is actually our launch

Some situations after the launch of this product in Wuthering Waves

There are also some current shortcomings

Then the third one is to talk about it in general

Our thoughts and directions in the future

The first one is about our global self-publishing

The same version as the global version

Yes, that is, Kuro actually considered doing this spontaneously

In fact, we have been thinking about it for a long time

We have actually been thinking about it since 2017

We actually want to do this spontaneously

But what are the benefits of spontaneity?

Why do we always want to persist in pursuing this path?

In fact, our thinking is becoming

In fact, it is also gradually becoming clear step by step

Then I look back today

After the Wuthering Waves

Let me review it myself

I think the biggest benefit of spontaneity is that it is a game of content

For content games

I don’t quite understand the other things

For that kind of game

I think the biggest benefit is that

It can really use the shortest chain

and users

It allows our entire team to hear the voice of users most efficiently

When we can hear the voice of users most efficiently

Hear a feedback from users

Got it

It turns out that this matter is so serious

In fact, when we implement it

Let's optimize it

I think it is the most accurate and efficient

So I think this is my initiative

I think his biggest advantage

If what we make can become accurate

and can become efficient

Then I think the result will naturally become better

Yes

Then Kuro is actually doing this spontaneously

I think it is still quite good compared to our product

It's from action to open world

I think in this spontaneous thing

In fact, we are relatively conservative

It's from the time we proposed to do spontaneous

to the time we really achieved global spontaneous

In fact, it took 7 years

When we were actually working on the dual-project in 2017

We had already thought about doing it spontaneously

But when we really felt that we had the ability

and really did it spontaneously

It was actually when Wuthering Waves was launched in 2024

We actually summarized it through my own experience

In fact, we really learned through a long period of observation and practice

Then we completely mastered it

Yes

Then why do we say it is a long period of learning?

Because we actually have 17 years

Our entire publishing capability

In fact, it was slowly built up through Punishing Gray Raven

In fact, Punishing Gray Raven from the very beginning

We only did domestic self-release

In fact, we still release a lot of overseas

We still gave it to our publishers to release

In fact, during the period from 2017 to 2024,

We always felt that

When we may have mastered how to distribute domestically

We thought that we could invest some manpower now

to learn how to distribute overseas

At this time, we will discuss with our distributors

Can we take back some of the overseas parts?

Let us publish it ourselves

Yes

Then we can only say that we are lucky

That is, we have always

The publisher is very supportive of our work

and the previous publisher

So every time we come up with this idea

they are willing to return the publishing rights to us

Let us do it right

So we are actually like the famous teacher of Punishing Gray Raven

1.1 points

By 2024

We have completely recovered our products

We have entered a stage of global spontaneous development

Then I think for us

It may be a better information in the future

Even our Punishing Gray Raven was completely spontaneous

We also did it completely spontaneously in the Wuthering Waves

We can use some spontaneous experience of the two products

We can complement each other

After the information is connected internally

I think there will be a good one in the long run

Spiral upward effect

The second one is actually about the global version

In fact, I think after making Punishing Gray Raven

The biggest regret for me is that

Punishing Gray Raven actually did not achieve the global version

So when I was working on Wuthering Waves

When I started the project, I was very clear

I must make the global version the same

Why?

Because actually, when I was working on Punishing Gray Raven

I might have this feeling

But when it is really done

I think this feeling is very strong

Because I think the most important part of the content game

Actually, it is selling content

Then sell content

When users come into contact with this content

Does he feel fresh?

Did he exceed expectations?

I think this is very important

But if you can't make it a global version

Then except for overseas

When overseas users come into contact with these contents

It will definitely have a great time-limited wear and tear

If this content is from two years ago

I didn't play it until two years later

Then it's actually very difficult for you to really hear from the user

This is the first time he has come into contact with this content

Is his feedback real?

So I think for content games

Actually, the same version is a must for the whole world

It is a must

Then the second is for R&D

Actually, when we were making Punishing Gray Raven

there were some small things

Actually, for me, how should I put it?

It just touched me deeply

Before, Punishing Gray Ravenrd did not have the same version globally

In comparison, I actually have to invest a small part of the manpower

In fact, we often have to synchronize a lot of versions

Version transfer

Then version localization

Then I found that these classmates

Basically, after half a year

He will always come to you and say something

It's just that he doesn't know where his future direction is

This actually makes me very painful

Because I think he actually spent a long time

He actually didn't feel the joy of creating content, right?

So I think if I want to make a content-based game

If I want to invest in such people now

If everyone is invested in creating content

Wouldn't it be better?

But I think the answer is definitely yes

So I think when I was doing the Wuthering Waves

I was also very clear

We must let all the manpower invest in the content

Try to do less ineffective branch work

Yes, yes, and the second is to talk about the current situation and shortcomings

Then let me talk about the current situation

Before I shared this

I took a look

The downloads and attention of Wuthering Waves on TAPTAP

Then it is close to 8 million downloads

The current rating is 6.3 points

But when Wuthering Waves was launched

The lowest score was 05:03 points

The number of Wuthering Waves's global social media fans

Now it has exceeded 10 million

Just look at the current situation

If we look at our downloads and our turnover

I think it actually exceeded our team's original expectations

But the expected thing is uh

Our Kuro has always been in style

In fact, the expectations for product development are very low

Yes, when I was working on Wuthering Waves for more than 3 years

Every time I meet a candidate

The candidate will ask me what my long-term expectations are for this product

I will answer him very firmly

I think it's OK as long as we can survive, right

Because I think that actually making content games

In essence, we still hope to stick to long-termism

So at the beginning we still hope that this will be good for user expectations

That is, our own team's expectations can be lower

When you exceed expectations

You will actually have stronger faith

willing to do it and have a stronger sense of accomplishment

willing to continue to do it

Then

So in fact, the short-term business performance, downloads and users

actually exceeded our team's own expectations

Then I still hope that our team can pay more attention to

the part where we are actually lacking

For example, our score on TAPTAP is not very high

6.35.3

Why is it so low?

I think there are a few points that are worth paying attention to

The first one is our localization

The second one is our plot experience

Of course, localization is actually based on the world

The second is actually our story experience

Our performance

Our various work order squeeze

Our content quality control

We have a lot of bugs

Our operations are immature, etc.

In fact, these are the reasons why our ratings are not high

Yes

Then, for a large team, we

When encountering these problems

How do we solve them

How to solve it more efficiently

My own methodology

When we think that something like performance

If we think that performance is actually very broad and important

Then I will actually pull up a special line to pay attention to it immediately

Then I think something like performance

I will also talk about it below

That is to say, one of our core methods must be scientific.

For example, performance.

We actually have a lot of public opinion and cool feedback from the world now.

For example, the matter of public relations tickets.

We may have more than 100,000 tickets.

It may be our performance problem.

But performance issues are very scattered

It is actually very difficult to quantify it now

Which one is the most critical at the moment

It is the most important

Then how do you

How do you focus

Actually, this requires some scientific methods

We actually did some scientific construction before

On some performance monitoring and construction

All models in the world

Do we have a platform to pay attention to it

The frame rate of each frame

They are in different maps

Their CPU consumption

Their GPTU consumption

Their memory consumption

In fact, we have been buying this area before

In fact, we have not done enough

So it is also through

It is also because after the observatory

We think we need a better monitoring mode

to quantify all the problems as much as possible

Only by quantification

can we know what to do now

It is the most efficient for users in the market

Then for example, localization

In fact, we will also do a lot of localization

It is not just about grabbing one

You go and get it in

A classmate who may seem very experienced

I think synchronization is something you need to verify

You need to verify constantly

To verify localization

What kind of quality is the one that satisfies the users

So when we develop the internal version

We will go overseas to find many users

Try to come in and watch together

Hey, each version of our localization

Do you think there are any problems with this

Our nouns are translated

Do you think it is accurate?

Is it suitable for what we want to express to you?

Almost

Or you may think that our expression is actually wrong

You actually find it very difficult to experience

We will use a lot of these special projects to solve the problem

Then the third one

Actually, it's about some ideas and directions for the future

Yes

In fact, we have a creed when making products at Kuro

There is actually a creed internally

Our creed is actually to stick to good gameplay and good content

On the matter of fun and good gameplay

In fact, when we first made Battlefield Twintails

Then when we made Punishing Gray Raven

Then when we made Wuthering Waves

I think there are obvious experiences in all of them

All of them are clearly reflected

We hope to do something that users have never experienced

and it is fun

For example, when we were making Battlefield Twins

We came up with an innovative ballistic gameplay

When we were making Punishing Gray Raven

We came up with a match-3 game.

When we were working on the Wuthering Waves

We came up with a gameplay that combines action with the deep sea

That is what everyone understands as the gameplay of Pokémon

The essence of what we do is

We all hope that when we start the project

We have a set of gameplay that we hope users will play for a long time

He thinks it's fun

He thinks he's willing to play it all the time

The second is what we think is good content

That is, we hope that what we make is not only about fun gameplay

At the same time, we have content to convey to him

We have IP power

We convey some interesting stories to him in the long run

Good values ​​and spiritual encouragement

Then let's talk about the gameplay first

This is the fun part of Wuthering Waves in the future

In fact, our general idea is this

First of all, we think we have a game

Four major sections

One is our characters

The second is our big world

The third is our deep sea

The fourth is interaction

We actually look at interaction in two parts

One part is the interaction between users

The second is when the user is playing the game

He will feel that he is interacting with the world

For example, when he plays a game, he

He feels that in this process,

He interacts with the character

He has a strong sense of immersion

He interacts with the changes in the world

Because he did something

What did he do?

What caused the world to change?

It is the interaction between these two parts

When we make our products in the future

We will focus on this direction

Then how do we combine these four?

Combine these four labels better

Then finally use the carrier of the battle core gameplay to penetrate it

In fact, this is the future gameplay of our product

I want to keep exploring this matter

Then the second is actually good content

Because I actually told you before

That is to say, when I was working on the Wuthering Waves

I hope to promote some of the Chinese culture

cultural core

or some of the Chinese people's preferences for aesthetics

to the world

But in fact, it has been achieved today

I also hope that it is because of the world view of the Wuthering Waves

I think it is actually very huge

It is a phenomenon of sorrow

It appears in this world and the universe

So it can be many

In addition to the Chinese style

Besides the Chinese region

It can actually have many other regions

Then we also hope to

present it to users in the major versions of each year in the future

When the Wuthering Waves went to other countries

In other worlds

What does it look like?

The second one is a combination of the first one

Combined with the point of fun gameplay

We hope to continue to shape it for users

Or to provide users with some higher level of interaction

A more immersive experience

This immersion must match the script gameplay

These two aspects are also action-oriented

The third is actually the character creation that can move people more

Because in fact, in the current content game, which is already very saturated

market environment

We think that character creation will hardly have weaknesses in the future

We can’t use weaknesses

We must think about it all the time

How to make it in every version

Based on the label of this character

and the position of this character in this world view to give users

including the relationship between the character, the protagonist and the player

to create a character that players are more willing to accept

a shaping method

and the last one is actually more scientific

to satisfy the content of the whole world

It is indeed a content preference of users all over the world

This is indeed what we have been doing recently

In fact, it is a homework that I have been doing all the time

You will find

In fact, we made a content that we think is very good today

Female characters are also good

Or male characters

It is in different regions around the world

Like Japan, for example

Like South Korea

Like the United States

Like China

In fact, everyone's reaction

and the data it presents are very different

Yes

For example, we made a

For example, our European

Our first version of the Bedrock character

Then we can clearly feel the Bedrock character

It is in this region of China

It is in Japan and in the United States

The data it presents is very different

Based on these differences

In our future versions

How do we adjust its proportion

How do we design it

How to shape it

This is what we need to focus on now

A question

Then we also hope to find out through more data mining

Every week's meeting

Our future version content and version planning

How should we do it?

It can better enable users around the world to unlock

Yes

Then finally, let's talk about it

It's about making an open world and global development

In fact, we think it's a very cool thing

Why is that?

Because I think the open world itself is actually a frame

It can hold anything

This is very important for our entire R&D team

It is a very motivating direction

That is to say, if we think there is a way to play that is good today

Then we are in this

How come we can always think of some ways and methods

Let it appear reasonably in this place in the open world

It can provide users with some very different experiences

At the same time, it can provide some great challenges for our development team

Then I think this is actually the framework of the Wuthering Waves

I think long-term operators are good for the team

for users

for long-term operations

a very good guarantee

Yes

Then the second one is

In fact, the two students who just shared also talked about it

It is indeed often said in our team

I hope we are a long-term

content service game that can do a good job in the long run

If you want to achieve this point

In addition to a scientific method

You also need to have a correct mindset

I think the correct mindset is to love you and the players

You need to love your game

You need to love your team

Only if you do these three points

can you really have a good mentality

be in a good state to do the game business in the long run

this is what I brought today

thank you all

thank you Solon for the wonderful sharing