The World Is A Response - Edward Art (Neville Goddard Inspired)

Summary

The speaker advocates abandoning reason in favor of imagination, suggesting that reason often stems from fear and limitation. They argue that imagination is a realm where desires can be realized without the constraints of reality. By immersing oneself in the imagined state as if it's real, one can manifest their desires into reality. The key is to believe in the imagined reality and let go of external validation. The speaker emphasizes the power of 'I am' statements to shape one's internal state and subsequently the external world, encouraging individuals to embrace their desires fearlessly.

Takeaways

• 🧠 Reasoning is viewed as a construct that can both limit and liberate us, originating from our internal dialogue.
• 🔮 Imagination is presented as a realm where possibilities already exist, unbound by the constraints of reason.
• 🚫 The speaker encourages the abandonment of reasoning to fully embrace the imagined reality and one's desires.
• 🤔 The internal conflict between reason and imagination is highlighted, where reason can create fear and doubt.
• 🌟 Belief in one's imagined reality is emphasized as crucial for manifesting desires into the physical world.
• 💭 Neville Goddard's teachings are referenced, advocating for the power of assuming one's desired state of being.
• 🕊️ The concept of 'going mad' in imagination is introduced as a way to transcend the limitations of reason.
• 🌱 The idea that one's external reality is a reflection of their internal 'I am' state is discussed.
• 🔑 The power of assuming and the importance of self-belief in shaping one's reality are underscored.
• 🔄 The reshuffling of one's world in response to changes in their internal 'I am' state is suggested as a natural outcome of assuming.

Q & A

What is the main argument presented in the script about the role of reasoning?

The script argues that reasoning often stems from fear and limitation, and it can put individuals in a state of bondage. It suggests that reasoning may hinder the ability to fully immerse in imagination and believe in one's desires.

Why does the script suggest that we should abandon reasoning when imagining?

The script suggests abandoning reasoning when imagining because reason can create doubts and fears that prevent us from fully embracing and believing in our imagined desires. Imagination operates in the present, where desires are already realized, without the constraints of 'how' or 'when'.

What is the significance of the phrase 'I am' in the context of this script?

The phrase 'I am' signifies the present state of being, which the script emphasizes as the key to shaping one's reality. It suggests that by assuming 'I am' in the context of our desires, we can change our internal state and subsequently influence our external reality.

How does the script relate the concept of 'going mad' to the process of imagining?

In the script, 'going mad' refers to the act of fully surrendering to the imagined reality, disregarding the logical voice of reason. It implies a deep immersion in the imagined scenario as if it were real, which can lead to its manifestation in one's life.

What is the role of belief in the script's perspective on achieving desires?

Belief is central to achieving desires according to the script. It posits that truly believing in the imagined reality and the 'I am' state is what allows desires to manifest. Doubts and fears, often products of reasoning, can hinder this process.

How does the script differentiate between the internal and external man?

The script differentiates the internal man as the part of us that exists in imagination, free from limitations, and the external man as the part that is bound by reasoning and societal constraints. The internal man is where desires are already realized, while the external man often questions and doubts.

What does the script mean by 'the same voice that frees you is the same that binds you'?

The script suggests that our internal dialogue, or 'voice,' has the power to both limit us through reasoning and fear, and to liberate us through imagination and belief. The power lies in how we choose to use this internal voice.

Why does the script emphasize not focusing on the 'means' but on the 'being'?

The script emphasizes focusing on 'being' because it aligns with the state of already having achieved the desire. Focusing on the 'means' implies a lack and a journey to achieve, whereas 'being' signifies that the desire is already a reality in one's imagination.

What is the importance of feeling the end result while imagining, as mentioned in the script?

Feeling the end result while imagining is important because it aligns with the present reality of the desire in the mind. It helps to solidify the belief in the imagined scenario, making it more potent and likely to manifest in the external world.

How does the script view the role of fear in the manifestation process?

The script views fear as a product of reasoning that can hinder the manifestation process. Fear creates doubts and barriers that prevent full immersion in the imagined reality. By abandoning reason and embracing the 'I am' state, fear can be overcome.

What practice does the script recommend to help embody the 'I am' state?

The script recommends the practice of immersing oneself in the imagined reality as if it is the only reality, without the interference of reasoning. This involves assuming the 'I am' state and feeling it as a present fact, which can lead to a reshuffling of one's external world to reflect this internal state.