#11- Drummond -"Procura da Poesia"

Summary

This transcript explores the nature of poetry, presenting a meditation on its essence, detached from personal experiences or worldly events. It emphasizes that poetry is not defined by physicality, emotion, or societal constructs but exists in a realm beyond ordinary understanding. The piece delves into the abstract, focusing on the stillness and purity of poetry, which transcends time, memory, and human experiences. The poet suggests that true poetry is detached from superficial notions, focusing instead on a profound interaction with words and silence, offering a contemplative view on how poetry evolves and exists in its purest form.

Takeaways

• 😀 The pursuit of poetry is not about narrating events, creation, or death. It portrays life as a static ground, neither heating nor illuminating.
• 😀 Personal events, birthdays, and incidents are irrelevant to poetry. The poet should avoid making verses from the body, which is seen as complete and comfortable.
• 😀 The poem is not about physical sensations like pleasure or pain, or about specific personal emotions. It is distant from human experiences and is not about revealing feelings.
• 😀 Poetry does not stem from misunderstandings or flawed attempts at a journey. It is not something you can create with recent thoughts or self-deception.
• 😀 The poem is not the city, the machines, or the music heard fleetingly. It does not belong to the natural world or human society.
• 😀 The elements of rain, night, fatigue, and hope are irrelevant to poetry. The poem is not tied to things or the relationships between subject and object.
• 😀 The poet should avoid dramatizing or questioning too much. Poetry is not about abstract speech or lies. It is not something that can be defined or confined.
• 😀 The poem transcends material things, such as luxury or societal norms, which fade with time. It is not about family or transient human concerns.
• 😀 True poetry is not something that can be restored or reconstructed once lost. It doesn't exist in the mirror or memory, only in the moment.
• 😀 The poem is an entity in itself, a crystallized form that cannot be recreated once it has dissipated. It waits, stagnant and still, yet without desperation, in the realm of words.
• 😀 The poet should live with their poems before writing them. Poetry demands patience and acceptance, allowing each word to find its rightful place and power, whether in silence or in voice.

Q & A

What is the central theme of the transcript?

The central theme of the transcript explores the idea of poetry as a transcendent, almost abstract force, distinct from ordinary life and its events. The script emphasizes the disconnect between poetry and personal experiences, objects, and societal constructs, highlighting poetry as something detached from the mundane.

How does the script view personal experiences in relation to poetry?

The script dismisses personal experiences—such as birthdays and individual incidents—as irrelevant to poetry. It suggests that these events do not contribute to the creation of poetry, as poetry is not meant to be grounded in specific, individual occurrences.

What role does the body play in poetry according to the transcript?

The body is portrayed as irrelevant in the context of poetry creation. The transcript advises against creating poetry with the body, which is described as an 'excellent, complete, and comfortable' entity, emphasizing that true poetry transcends physical expression.

What is the attitude towards emotion in the transcript?

Emotion is seen as secondary or even counterproductive to poetry. The transcript advises against revealing or being guided by emotions, considering them as 'equivocally prevailing,' and instead suggests that poetry should not be based on feelings of joy or pain.

How does the script describe the relationship between poetry and nature?

The relationship between poetry and nature is distant and impersonal in the transcript. The script rejects the idea that poetry should be inspired by nature, weather, or societal structures, instead framing poetry as an independent, self-contained entity.

What does the script suggest about the role of poetry in relation to time?

The transcript suggests that poetry is timeless, not subject to the passage of time. It implies that poems do not belong to specific moments, as they exist beyond the conventional understanding of time and personal milestones.

What does the script imply about the creation and permanence of poetry?

The script implies that poetry is a form of existence that does not need to be artificially constructed or preserved. It suggests that poems, while they may appear 'paralyzed' or 'unwritten,' still hold an inherent truth, waiting to be realized or completed naturally, without force.

How does the transcript treat the concept of silence in relation to poetry?

Silence is described as integral to poetry. The script suggests that poetry exists both in its words and in the spaces between them, emphasizing the power of silence and the unspoken as a form of expression that completes the poem.

What does the term 'limbo' refer to in the context of the script?

'Limbo' refers to a state of incompleteness or potential within the realm of poetry. The transcript describes poetry as detached from conventional creation processes, waiting for realization, as if suspended in a state between non-existence and full formation.

What is the significance of 'words still moist with sleep' in the transcript?

The phrase 'words still moist with sleep' suggests that the language of poetry is not fully awakened or realized, implying that poetry is in a constant state of becoming. It emphasizes the freshness and potential of words, which are still in the early stages of forming their full meaning and impact.