Perfect Days: Philosophical Analysis

Julian de Medeiros
12 Mar 202409:45

Summary

TLDRIn 'Perfect Days' by Vim Venders, the film explores the meditative life of a Japanese toilet cleaner, challenging traditional notions of heroism. The protagonist's noble dedication to his unappreciated work and his monk-like existence reflect a deeper spiritual energy invested in everyday tasks. The movie delves into themes of class, reality creation, and the joy of analog culture, advocating for presence and appreciation of the moment. It's a poignant portrayal of life's repetitiveness and the pursuit of happiness, suggesting that embracing our 'symptom'—the daily tasks that define us—can lead to a sense of fulfillment and contentment.

Takeaways

  • 🎬 'Perfect Days' by Vim Venders is a film that explores the philosophical depth of everyday life through the eyes of a Japanese toilet cleaner.
  • 🌅 The film suggests that each day is a new beginning, offering opportunities for joy and fulfillment, akin to Schopenhauer's concept of daily rebirth.
  • 🧹 The protagonist, a toilet cleaner, is portrayed as a noble figure due to his dedication and commitment to his undervalued work.
  • 👁 The character's invisibility in society reflects on class differences and the different spheres of existence within the same world.
  • 📚 The film emphasizes the importance of minimalism and the joy found in analog culture, such as listening to music on cassettes and reading physical books.
  • 🛀 The protagonist's meticulous care for his living space and himself is depicted as a spiritual practice, paralleling the life of a monk or saint.
  • 🏰 The public toilets, commissioned for the Olympics, are portrayed as temples, symbolizing the sacredness of everyday spaces and acts.
  • 📷 The film does not advocate for analog culture over digital media but highlights the value of paying attention to and experiencing the world around us.
  • 🚴‍♀️ The mantra 'now is now, and next time is next time' from the film underscores the importance of living in the present moment.
  • 🔄 The concept of 'surplus enjoyment' is introduced, where the joy in life comes from repetitive actions and attention to detail.
  • 🌉 The film concludes with an optimistic view of life, suggesting that embracing our daily 'symptoms' or routines can lead to happiness and a sense of perfection in ordinary days.

Q & A

  • What is the central theme of the film 'Perfect Days' by Vim Venders?

    -The central theme of 'Perfect Days' is the idea that every day represents a little birth and an opportunity to experience joy, as well as a little death when we sleep, reflecting on the concept of eternal recurrence and the pursuit of a full and rich existence.

  • How does the film depict the main character's occupation?

    -The main character is a Japanese toilet cleaner, portrayed in a noble and monk-like manner, despite his occupation being considered lowly. His dedication to his work, which goes largely unappreciated, is highlighted as a key participatory mechanism of public life.

  • What philosophical concept does the film reflect on regarding the character's daily routine?

    -The film reflects on the concept of 'eternal recurrence', suggesting that every day is an opportunity to live a full and rich existence, and the idea of 'surplus enjoyment', which is the enjoyment derived from repetitive actions and attention to detail.

  • How does the film explore the idea of different worlds within the same society?

    -The film explores the idea of different worlds within society through the character's interactions with a homeless person who appears to be in his own fantasy world, and through the character's dialogue that suggests people exist in different spheres of participation and existence.

  • What is the significance of the character's relationship with his sister in the film?

    -The character's relationship with his wealthy sister serves as a reflection on class differences and the inability to communicate across these differences, symbolized by their failed attempts to connect and understand each other's worlds.

  • How does the film approach the topic of analog culture versus digital media?

    -The film does not suggest that analog culture is inherently better than digital media. Instead, it shows both as means of accessing and experiencing the world in a deeper way, emphasizing the importance of attention and presence in the moment.

  • What is the role of the public toilets in the film's narrative?

    -The public toilets, particularly those commissioned for the Olympics, serve as a central location in the film. They are depicted as a kind of temple and a sacred site, symbolizing the character's commitment to his work and his role in facilitating public life.

  • What is the significance of the character's meticulous care for his living space?

    -The character's meticulous care for his living space, including cleaning and tending to plants, reflects his monk-like or saint-like existence and his commitment to living a life of perfect habit and repetition.

  • How does the film depict the character's relationship with time?

    -The film depicts the character's relationship with time as a repetitive blur, where he exists outside of time and his life becomes a series of repetitive actions. This is highlighted by the mantra 'now is now and next time is next time', emphasizing the importance of being in the present.

  • What is the philosophical undercurrent regarding happiness in the film?

    -The philosophical undercurrent regarding happiness in the film is that it comes from identifying with and embracing one's 'symptom', which is the thing one is bound to do each day. Happiness is found in the realization that every day, despite its challenges, can be perfect in its own way.

  • How does the film end, and what does it suggest about the character's journey?

    -The film ends on an optimistic note, with the character riding into the sunset like a hero in a Western, contemplating the futility of existence but also the joy and childlike happiness that comes from the realization that every day is, in some way, perfect.

Outlines

00:00

🎨 The Art of Daily Existence: A Philosophical Perspective

This paragraph discusses 'Perfect Days,' a film by Vim vendors, which follows the life of a Japanese toilet cleaner, exploring themes of daily life's beauty and the philosophical concept of eternal recurrence. The protagonist's noble dedication to his undervalued work and his invisible yet essential role in society are highlighted. The film contrasts his saint-like existence with the social outcasts he encounters, suggesting a shared experience of being present yet ignored. It also delves into the minimalistic joys of analog culture, such as listening to music on cassettes and the tactile pleasure of reading physical books, emphasizing the spiritual connection one can have with these activities. The character's meticulous care for his living space and the public toilets he maintains is portrayed as a form of spiritual practice, drawing parallels between his work and the sacredness of temples. The narrative reflects on the idea that attention to detail and persistence in one's actions can lead to a fulfilling life, despite the character's personal failures and isolation.

05:01

📸 Embracing the Present: The Power of Mindful Living

The second paragraph continues the analysis of 'Perfect Days,' focusing on the concept of living in the present moment and the idea of surplus enjoyment derived from repetitive actions and habits. It contrasts digital and analog methods of capturing memories, suggesting that both can deepen one's connection to the world. The paragraph highlights a pivotal moment where the protagonist and his niece share a moment of capturing a tree with different technologies, symbolizing the coexistence of old and new ways of experiencing life. The film's mantra of 'now is now, and next time is next time' is emphasized, advocating for appreciation of the present. The character's repetitive lifestyle is examined, suggesting a state of being outside of time, which leads to a melancholic undertone of existential loss. The film concludes with an optimistic note, proposing that happiness can be found in embracing one's 'symptom,' or the daily rituals that define us, and that every day, despite its imperfections, can be perfect in its own way.

Mindmap

Keywords

💡Eternal Recurrence

Eternal Recurrence is a philosophical concept suggesting that the universe and all events within it will repeat an infinite number of times. In the context of the video, it is used to convey the idea that every day is an opportunity to live a full and rich existence, akin to a 'little birth' and 'little death' with each day and night cycle. The film posits that each day offers a chance to experience joy and to live meaningfully.

💡Irony

Irony is a rhetorical device, literary technique, or event in which there is a contrast between expectation and reality. The script mentions the irony of the film's hero being a toilet cleaner, a role not traditionally seen as heroic. Yet, his dedication to his work and the nobility of his character challenge this expectation, showing that heroism can be found in the most mundane tasks.

💡Minimalism

Minimalism in this context refers to a lifestyle or aesthetic that emphasizes simplicity and the essential elements of life. The video discusses the joy of engaging with analog culture, such as listening to music on cassettes and reading physical books, as opposed to digital media. This minimalism is portrayed as a way to focus on meaningful experiences and objects, fostering a deeper connection with one's surroundings.

💡Surplus Enjoyment

Surplus Enjoyment is a psychoanalytic concept that describes the pleasure derived from engaging in repetitive actions or habits beyond the mere consumption of a thing. The video uses this concept to explore the protagonist's dedication to his routine and the satisfaction he finds in his work, suggesting that happiness can be found in the commitment to daily tasks and attention to detail.

💡Participation

Participation here refers to the involvement or engagement in social or cultural activities. The script discusses how the toilet cleaner's work facilitates public life through access to bathrooms, making him a key participant in society despite his seemingly invisible role. It also touches on the idea that people exist in different 'worlds' of participation, reflecting on class differences and personal realities.

💡Analog Culture

Analog Culture refers to the traditional, non-digital ways of engaging with media and the world, such as listening to music on vinyl records or reading physical books. The video contrasts this with digital culture, suggesting that while analog culture offers a tangible and immersive experience, it is not necessarily superior to digital media. Both can provide deep engagement with the world.

💡Spiritual Energy

Spiritual Energy in the video is the concept of deriving a sense of purpose, fulfillment, or transcendence from everyday actions and attention to detail. The protagonist's meticulous care for his work and living space is likened to a spiritual practice, suggesting that even the most mundane tasks can carry a deeper, more meaningful significance.

💡Existential Experience

Existential Experience pertains to the feelings and realizations about the nature of existence, often involving questions of meaning, purpose, and the human condition. The script mentions a sense of melancholy and the feeling of being lost despite the character's commitment to his work, reflecting on the universal human experience of seeking meaning and fulfillment.

💡The Symptom

The Symptom, as used in the script, refers to a recurring aspect or action in one's life that one is bound to perform, akin to Sisyphus pushing the boulder up the hill. It is the task or habit that defines a person's daily routine and, in the video, is suggested as a source of happiness when embraced and identified with, despite its repetitive and seemingly futile nature.

💡Present Moment

Present Moment emphasizes the importance of being aware and appreciative of the current time, rather than being preoccupied with the past or future. The video uses the mantra 'now is now and next time is next time' to illustrate the protagonist's focus on living in the present, appreciating each day as it comes, and finding joy in the ordinary.

Highlights

The film 'Perfect Days' by Vim vendors is a philosophical exploration of everyday life through the story of a Japanese toilet cleaner.

The movie suggests that every day represents a 'little birth' and an opportunity to experience joy, aligning with Schopenhauer's philosophy of eternal recurrence.

The protagonist, a toilet cleaner, is portrayed as a noble character despite his lowly job, reflecting on the value of unrecognized work.

The film explores the idea of different 'worlds' of existence and participation, highlighting class differences and personal realities.

The character's minimalist lifestyle and participation in analog culture is contrasted with the joys of modern digital media.

Attention to detail and the act of cleaning are depicted as spiritual practices, akin to the habits of a monk or saint.

The character's life is shown as a series of perfect habits and repetitions, emphasizing the beauty of routine.

Despite his noble actions, the protagonist is unable to solve all problems or find a meaningful relationship, suggesting a life outside of the ordinary.

The public toilets, designed for the Olympics, are portrayed as temples, reflecting on the sacredness of everyday spaces.

The film does not advocate for analog culture over digital media but rather the deep experience that both can offer.

The concept of 'surplus enjoyment' is introduced, discussing the joy derived from habits and attention to detail beyond mere consumption.

The character's reading and contemplation are presented as profound moments, slowing down time and immersing the audience in his world.

The film's melancholic undertone suggests that despite our efforts, we may still feel lost or unfulfilled in our existential experience.

The idea of embracing one's 'symptom' or daily struggle as a path to happiness is explored, drawing parallels to Sisyphus pushing his boulder.

The movie concludes on an optimistic note, celebrating the futility of existence and the joy found in recognizing the perfection in each day.

Transcripts

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perfect days is the film by Vim vendors

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that depicts a Japanese toilet cleaner

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and it's an incredible movie it's

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wonderfully meditative and wise and in

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this short video I would like to attempt

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a brief philosophical analysis of this

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film in fact the first thing that came

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to mind for me was a quote from

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schopenhauer where he writes each and

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every day represents a little birth and

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every day a new youth every evening a

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new coming of age and every sleep a

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little death and that might as well be

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the argument of this film that every day

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is a little birth every day is an

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opportunity to experience joy and that

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in a sense every time you go to sleep it

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is also a little death it's about

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eternal recurrence as it were how each

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and every day represents an opportunity

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to live a full and Rich existence and

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yet there's a certain irony but perhaps

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a philosophically poignant one that the

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character who is the hero of the story

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is not a hero in any traditional sense

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of the word instead he is a mere

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supposedly mere toilet cleaner and yet

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there's something very Noble indeed in

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the manner in which he does this lowest

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of work the way in which he commits

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himself completely to doing something

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that goes unappreciated by others and

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that neveress facilitates one of the key

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participatory mechanisms of public life

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namely access to a bathroom therefore

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there is something saint-like indeed

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monk likee about his habits about his

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attention to detail and the manner in

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which he works in a way that makes him

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invisible people don't even see him or

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recognize him in fact one of the key

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recurring sequences in this film is that

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he sees a homeless person who appears to

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be stuck in a fantasy world of his own

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creation he's essentially a

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schizophrenic and one imagines that the

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toilet cleaner looking at him sees a

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sense of recollection in fact he smiles

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to himself there's a kinship between the

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two men who somehow stand outside of

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social life they are both seen and yet

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ignored they are there but also not in

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fact the film makes the argument through

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the character's dialogue later that

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people exist in different worlds that

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even though we live in one world there

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can be different spheres of

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participation and existence on the one

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hand this is a reflection on class

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differences the character has a wealthy

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sister but it's also reflection on the

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fact that we create a reality of our own

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making that we can choose to be happy

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that we can choose to be fulfilled as it

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were now this movie also reflects on the

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minimalism of participating in analog

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culture in other words we have a

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frequent focus on the joy of listening

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with attention to music on cassettes

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instead of streaming it on Spotify

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there's also an emphasis on the joy of

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discovering books and reading them on

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the physical quality that comes with

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these objects which is therefore uh a

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form of love if you will how we are able

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to focus on things that therefore become

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a meaningful part of our lives in fact

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there's something very spiritual about

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the way in which the character is

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depicted not only cleansing himself at

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the Onsen public bath after working in

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the public toilets but also the way in

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which he meticulously takes care of his

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own living space how he cleans the

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floors how he sprays the little plants

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in the morning essentially he lives a

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perfect life a life of perfect habit and

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repetition once again there is something

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monk-like or saint-like about his

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existence which is not to say that his

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life is perfect

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and said in some ways he is indeed a

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failure he is not able to confront his

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father who was in the hospital who is

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ailing he's not able to solve other

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people's problems or save them from

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Death he's not able to find a partner or

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meaningful relationship himself he

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exists outside of life in his own little

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world he is a spectator he is almost a

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kind of Flur which is to say that he

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goes through life seeing others and he

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himself simply is passing through and

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there's something very beautiful and

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meditative about how public life is

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constantly taking place around this

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character the public toilets and the

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remarkable architecture of these toilets

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that were commissioned for the Olympics

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therefore stand as a kind of Temple

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there's a certain irony to the way in

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which Vim venders films the public

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toilet as a sacred site and there are

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certain sequences in the movie in which

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he goes from the public toilet to an

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actual Temple which isn't to say that

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room vendors is trying to suggest that

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toilets are are like temples but he is

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trying to suggest that the manner in

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which we pay attention to the things

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around us to the things that we might

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take for granted and the energy that we

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invest within our work and our life

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takes on a kind of spiritual energy as

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well and one of the things that I really

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loved about this movie was that it

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didn't suggest that analog culture is

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somehow better than contemporary digital

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media it wasn't trying to send a message

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about that I think one of the key

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sequences is when his niece sits with

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him and he takes out a camera and she

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has her phone and they both take a

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picture of the tree above them this

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means that one of them is using digital

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technology and the other one an older

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technology and fundamentally these are

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both means of access to experiencing the

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world around you in a more deep way it's

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like when you write it down in your

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Journal it's not that you've necessarily

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recorded anything meaningful it's that

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you've paid attention to your

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surroundings and therefore feel more

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present in the moment indeed he is

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confounded when he she then takes out a

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camera which he gifted her her

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sensibility for photography is therefore

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being nurtured by him in a way that he

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didn't even realize and one of the most

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philosophical moments in this movie is

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when they're bicycling over a bridge and

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the niece says that she would like to go

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to the beach and he says that's for next

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time essentially what he's arguing is

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that now is now and next time is next

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time this becomes a mantra slogan that

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they say to each other over and over

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again it's about being in the present

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about it's about appreciating the

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present moment as it were but

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fundamentally this also means that this

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character exists outside of time it

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means that his life becomes a repetitive

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blur he does each and everything over

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and over again you could say that this

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is a movie about the Surplus enjoyment

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of habit of repetitive actions there's

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nothing remarkable or heroic about what

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is do about what he is doing save the

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save for the persistence with which he

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does it and surplus enjoyment is a

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psychoanalytic concept that talks about

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the enjoyment that we experience above

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and beyond the mere consumption of a

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thing

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instead we can derive Surplus enjoyment

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from a habit we can derive Surplus

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enjoyment from attention to detail it's

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like in the same way how within the

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Christian faith but also within the

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Buddhist lens attention to detail is a

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form of love and therefore a form of

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Grace the manner in which we therefore

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cultivate our environments reflect back

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onto ourselves this means that one of

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the most profound moments in this movie

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is precisely when the character is

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simply reading when he's simply taking

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in a book or ideas this is because

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everything slows down the passage of

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time in this movie is wonderfully

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depicted it's like we go through each

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and every day with the character and the

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slows down the film and brings us into

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the frame into the space of the film as

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if we too were experiencing the

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day-to-day motions of this habit becomes

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a very soothing movie indeed it's

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similar to Hay miyazaki's use of time in

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his own movies which he depicts as

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realists namely often the characters are

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sitting doing nothing against a

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supposedly neutral backdrop or against a

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backdrop filled with the motion of

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others and once again we see how the

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toilet cleaner is himself in his own

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world he's watching the world go by

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around him and therefore on the one hand

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he is a heroic figure you could say that

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this is an Epic movie of very small

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proportions but at the same time one

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wonders if perhaps he is lacking the

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courage to participate in social life as

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such we don't know anything about his

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background has he been hurt does he

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suffer is there something that he cannot

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forget or cannot forgo this means that

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fundamentally the movie is not

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sentimental but there is a certain

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Melancholy to the manner in which he

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commits himself to the futile task of

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doing something which will go

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unrecognized by others indeed in a key

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sequence he encounters his sister who is

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much more Rich than he is at least when

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it comes to monetary terms and she

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essentially tries to not look down upon

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him and he hugs her and we see him

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crying afterwards perhaps this is the

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crying of the failed communication of

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Two Worlds that simply cannot reach each

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other anymore therefore this is a movie

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that on the one hand posits the idea of

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spiritual enlightenment through

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repetitive acts of commitment and

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through attention to detail and Grace

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but at the same time I would say that

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the movie contains an undertone of the

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human existential experience which that

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no matter what world we live in we end

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up feeling lost we end up feeling like

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it's not enough each and every day all

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we can do is try over and over again

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this means that fundament L this is a

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film about what Lon called the symptom

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the symptom is that which you are bound

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to do each and every day it's like cisus

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pushing that boulder up the hill doomed

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and Faded to do it over and over again

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and yet somehow happy our symptom is

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that thing which we carry with us which

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we cannot overcome and fundamentally

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happiness therefore comes when we

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identify with our symptom when we

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embrace it in fact the movie ends on an

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optimistic note when the character

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riding into the sunset like a hero in a

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Western essentially contemplates the

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futility of existence but also the joy

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and childlike happiness that can come

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with the realization that every day is

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indeed in some way perfect that is

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perfect Days by viin vendors please

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don't forget to become a patron

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関連タグ
Perfect DaysJapanese CinemaPhilosophical AnalysisDaily RitualsExistentialismMinimalismAnalog CulturePublic LifeSpiritual EnergyHabitual Enjoyment
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