Benedict Cumberbatch reads Sol LeWitt's letter to Eva Hesse

Letters Live
26 Sept 201606:09

Summary

TLDRIn this heartfelt letter, the author encourages Eva to embrace her creative process without fear of judgment or the need for a specific purpose. They praise her work as 'real nonsense' and urge her to create more boldly, without worrying about societal expectations or her own self-doubt. The author empathizes with Eva's struggles, sharing their own experiences with creative agonizing and the drive to constantly improve. They advise Eva to let go of the pressure to conform and to simply create, trusting in her abilities and the value of her unique artistic voice.

Takeaways

  • 💡 Embrace your creativity, even if it feels nonsensical or unconventional.
  • 🎨 Push yourself to create more and explore your weird humor and unique ideas.
  • 🚫 Don't worry about conforming to expectations or preconceived ideas; create your own 'uncool.'
  • 🙌 If you feel anxious or afraid, channel those emotions into your work rather than worrying about them.
  • 🎯 You don't need to find a grand purpose or deep meaning in your work; just focus on doing it.
  • 🛑 Stop tormenting yourself and overthinking. Your work is good even if you don’t always see it.
  • 💪 Trust in your ability and challenge yourself by trying new, outrageous things.
  • 🧠 After completing a piece of work, let it go and avoid obsessing over its success or failure.
  • 👀 Sometimes it’s good to step back and evaluate your progress, but don't let it paralyze you.
  • 📅 There's a desire to see more of your work, especially new pieces, and a show is planned in May.

Q & A

  • What is the main concern expressed by Eva in the letter?

    -Eva expresses concern over the recipient's state of mind and their self-doubt, suggesting that they have the right to stop overthinking and worrying.

  • What advice does Eva give regarding the recipient's work?

    -Eva advises the recipient to continue their work, even if it seems nonsensical or crazy, and to embrace their unique humor and creativity.

  • Why does Eva suggest that the recipient should not worry about conforming to preconceived ideas?

    -Eva believes that the recipient's work should not be confined by expectations, allowing for more freedom and authenticity in their creative process.

  • What does Eva mean by 'real nonsense' in the context of the recipient's work?

    -Eva refers to 'real nonsense' as the recipient's unique and possibly absurd creative output, which she finds to be of high quality and encouraging.

  • How does Eva suggest the recipient deal with their fear and anxiety?

    -Eva suggests that the recipient should express their fear and anxiety through their work, using it as a form of release and not worrying about big, deep issues.

  • What does Eva mean when she tells the recipient to 'try to do something bad'?

    -Eva is encouraging the recipient to experiment with their work, even if it results in what they consider to be bad or poor quality, to see what happens and to break free from self-imposed constraints.

  • Why does Eva believe that the recipient should not punish themselves?

    -Eva thinks that the recipient is too hard on themselves and should not be punishing themselves for their work, as it is a deeply ingrained part of their nature and may be necessary for their creativity.

  • What is the significance of Eva's mention of her own agonizing reappraisal of work?

    -Eva shares her own experiences of reevaluating her work to show empathy and to suggest that such processes might be necessary for growth and pushing oneself to do better.

  • What does Eva mean by 'empty your mind' in the context of working?

    -Eva advises the recipient to clear their mind of distractions and focus solely on the task at hand, which can help improve the quality and authenticity of their work.

  • What does Eva admire about the recipient's work?

    -Eva admires the recipient's work greatly, particularly the pieces with more rigorous form and simplicity, and she cannot understand why the recipient is so bothered by their own creations.

  • What upcoming event does Eva mention in the letter?

    -Eva mentions an upcoming show at Daniel's gallery from May 4th to 29th, where she will be exhibiting her work and wishes the recipient could be there.

Outlines

00:00

🎨 Artistic Struggle and Encouragement

The speaker addresses Eva, acknowledging the passage of time since her last correspondence and the emotional turmoil she might be experiencing. They recognize her dislike for her current state but reassure her that her work is of high quality, describing it as 'clean, clear, but crazy like machines.' The speaker encourages Eva to embrace her unique humor and to create freely without concern for societal norms or expectations. They advise her to not worry about grand life decisions or conforming to any specific style, but to simply create. The speaker also suggests that Eva should attempt to do 'bad' work to see what happens, implying that there is value in exploring different avenues of creativity. They empathize with Eva's struggles, sharing their own experiences of self-doubt and the desire to constantly improve. The speaker concludes by expressing admiration for Eva's work and urging her to have confidence in her abilities.

05:02

🌟 Creative Evolution and Upcoming Events

In the second paragraph, the speaker continues to encourage Eva to push creative boundaries and to shock herself with her own work, suggesting that she has the power to do anything. They express a desire to see Eva's work and mention an upcoming show at Daniel's gallery from May 4th to 29th, indicating that they have changed and improved their own work since Eva last saw it. The speaker also mentions the impressive new works at Lucey's, particularly those with more rigorous form. They ask Eva to keep them updated on her shows and share news about their own life, ending the paragraph on a personal and hopeful note.

Mindmap

Keywords

💡Agony

Agony refers to intense physical or emotional pain. In the script, it is used to describe the mental and emotional turmoil the recipient is experiencing due to self-doubt and the pressure to create meaningful work. The agony is portrayed as a driving force behind the individual's creative process, pushing them to achieve more despite the pain it causes.

💡Nonsense

Nonsense, in this context, refers to ideas or creations that defy logic or conventional sense. The speaker encourages the recipient to embrace 'nonsense' in their work, suggesting that it can lead to more authentic and original creations. This concept is used to encourage the recipient to let go of societal expectations and create freely.

💡Insecurity

Insecurity is a feeling of uncertainty or fear about one's abilities or self-worth. The script mentions the recipient's insecurity about their work, which is a common theme for artists and creators. It is portrayed as a hindrance that the recipient needs to overcome to fully express their creativity.

💡Purpose

Purpose refers to the reason for which something exists or is done. The script discusses the pressure to find a clear purpose or direction in one's work and life. It suggests that sometimes the search for purpose can be overwhelming, and it might be more beneficial to simply create without overthinking the end goal.

💡Anxiety

Anxiety is a feeling of worry, nervousness, or unease about something with an uncertain outcome. The script acknowledges the recipient's anxiety, which is often a companion to creativity. The speaker advises the recipient to channel this anxiety into their work as a means of expression and release.

💡Creativity

Creativity is the use of imagination or original ideas to create something; inventiveness. The script emphasizes the importance of creativity, suggesting that the recipient should not limit themselves by conforming to preconceived ideas but should instead explore their own unique creative vision.

💡Self-doubt

Self-doubt is the lack of confidence in oneself or one's abilities. The script reflects on the recipient's self-doubt, which is a common obstacle for artists. It is presented as something that the recipient must learn to overcome in order to progress in their work.

💡Expression

Expression refers to the act of conveying thoughts or feelings in words, music, art, etc. The script talks about using art as a form of expression, particularly for the recipient's fears and anxieties. It is suggested that expressing these emotions can be cathartic and lead to more profound work.

💡Confidence

Confidence is the belief in one's own abilities. The script discusses the importance of having confidence in one's work, even when it feels difficult or when the work is not immediately recognized by others. Confidence is portrayed as a key factor in overcoming self-doubt and achieving creative success.

💡Responsibility

Responsibility refers to the state or fact of having a duty to deal with something or of having control over others. In the script, the speaker tells the recipient that they are only responsible for their work, not for the world or the opinions of others. This concept is used to encourage the recipient to focus on their own creative process without external pressures.

💡Art

Art is the expression or application of human creative skill and imagination. The script uses the term 'art' to discuss the recipient's work and the broader themes of creativity and self-expression. Art is presented as a medium through which the recipient can explore their feelings, ideas, and identity.

Highlights

Encouragement to stop overthinking and worrying.

Permission to take a break from societal expectations.

Acknowledgment of the struggle and the need for personal space.

Praise for Eva's work, despite her self-doubt.

Advice to embrace 'nonsense' and creativity in art.

Encouragement to draw from personal humor and inner world.

Suggestion to create without fear of judgment.

Recommendation to try creating 'bad' work to break creative barriers.

Advice to relax and let go of perfectionism.

Emphasis on the freedom of art without conforming to preconceived ideas.

Support for the idea that one's work should not be a punishment.

Understanding of the agonizing reappraisal process in art.

The necessity of pushing through creative pain for growth.

The importance of confidence in one's own work.

The idea that one should not justify their work to themselves.

The need to empty the mind before creating.

The concept of viewing one's work objectively over time.

The impact of the recipient's work on the speaker's own art.

The anticipation of seeing Eva's work in person.

An update on the speaker's upcoming art show.

Transcripts

play00:02

[Applause]

play00:06

dear Eva April 14th almost a month since

play00:11

you wrote to me and you have possibly

play00:12

forgotten your state of mind I doubted

play00:14

though seen the same as always and being

play00:19

you hate every minute of it don't learn

play00:25

to say you to the world every once

play00:28

in a while you have every right to just

play00:30

stop thinking worrying looking over your

play00:37

shoulder wondering doubting fearing

play00:40

hurting hoping for some easy way out

play00:45

struggling grasp and confusing itching

play00:48

scratching mumbling bumbling grumbling

play00:50

humbling stumbling numb bling rambling

play00:53

gambling tumbling scumbling scrambling

play00:56

hitching hatching bitching moaning

play00:58

groaning honing boning horse

play01:02

hair splitting nitpicking piss trickling

play01:05

no sticking a scowl geing eyeball poking

play01:09

finger pointing alleyway sneaking long

play01:12

waiting small steppin evil eyeing back

play01:14

scratching searching purging besmirching

play01:17

grinding grinding grinding away yourself

play01:22

stop it and just do

play01:37

from your description for what I know of

play01:39

your previous work and your ability the

play01:41

work you were doing sounds very good

play01:45

drawing clean clear but crazy like

play01:48

machines larger and bolder real nonsense

play01:51

that sounds fine wonderful real nonsense

play01:55

do more more nonsensical more crazy more

play01:58

machines more breasts penises

play02:01

whatever make them abound with nonsense

play02:04

try to tickle something inside you

play02:06

you're weird humor you belong in the

play02:11

most secret part of you don't worry

play02:14

about cool make your own uncool make

play02:17

your own make your own world if you fear

play02:19

make it work for you draw and paint your

play02:22

fear and anxiety and stop worrying about

play02:26

big deep things such as to decide on a

play02:29

purpose and way of life a consistent

play02:32

approach to even some impossible end or

play02:34

even an unimaginative being stupid dumb

play02:41

unthinking empty then you will be able

play02:47

to do and much confidence in you and

play02:53

even though you are tormenting yourself

play02:54

the work you do is very good try to do

play02:56

something bad try to do some bad work

play02:59

the worst thing you could think of to

play03:00

see what happens but mainly relax and

play03:03

let everything go to hell you are not

play03:06

responsible for the world you're only

play03:09

responsible for your work so just do it

play03:12

don't think that your work has to

play03:14

conform to any preconceived idea for

play03:16

more flavor it can be anything you want

play03:18

it to be but if life would be easier for

play03:21

you if you stopped working to stop don't

play03:23

punish yourself however I think that

play03:25

this is so deeply ingrained in you that

play03:27

it would be better for you to do it

play03:33

seems I do understand your attitude

play03:34

somewhat anyway because I go through a

play03:36

similar process every now and again

play03:38

myself

play03:40

I have an agonizing reappraisal of my

play03:43

work and change everything as much as

play03:45

possible and hate everything I've done

play03:46

and tried to do something entirely

play03:48

different and better and maybe that kind

play03:50

of process isn't necessary to me pushing

play03:53

me on and on and well the feeling that I

play03:55

could do better than that I just

play03:56

did maybe you need your agony to

play04:00

accomplish what you do and maybe it

play04:01

goads you want to do better but it's

play04:02

very painful I know it would be better

play04:06

if you had the confidence just to do the

play04:08

stuff and not even think about it can't

play04:12

you leave the world and art alone also

play04:17

quit fondling your ego I know that you

play04:21

or anyone can only work so much and the

play04:23

rest of the time you are left with your

play04:24

thoughts but when you work or before you

play04:27

work you have to empty your mind and

play04:29

concentrate on what you were doing after

play04:32

you do something it is done and that's

play04:34

that after a while you can see some

play04:38

better than others but also you can see

play04:41

what direction you're going sure you

play04:44

know all that you also must know that

play04:47

you don't have to justify your work not

play04:51

even to yourself well you know I admire

play04:55

your work greatly and can't understand

play04:57

why you are so bothered by it but you

play04:59

can see the next ones and I can't you

play05:02

also must believe in your ability I

play05:04

think you do so try the most outrageous

play05:08

things you can shock yourself you have

play05:13

at your power the ability to do anything

play05:20

I'd like to see your work and we'll have

play05:23

to be content to wait until August of

play05:26

summer Tom's new things at lucey's

play05:27

they're very impressive especially the

play05:30

ones with more rigorous form the simpler

play05:31

ones I guess it will send some more

play05:34

later on let me know how the shows are

play05:36

going and that kind of stuff my work has

play05:40

changed as you left and it's much better

play05:46

I will be having a show May 4th to 29th

play05:49

the Daniel's gallery 72 East and 64th

play05:51

Street where Emmerich was I wish you

play05:53

could be there much left you both saw

play06:07

you

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