How To Edit Documentaries Like James Jani
Summary
TLDRこのスクリプトは、ドキュメンタリー映画製作者であるJames Johnnyの手法を紹介しています。彼は、非線形な編集技術を用いて、視聴者に情绪に沿った旅程を提供し、映画的な品質でストーリーを語ります。また、音楽を用いて編集を導く方法や、モーショングラフィックチームと協力してYouTubeで最高の映像を生成する方法も説明されています。
Takeaways
- 🎥 動画制作において、感情や不快感を引き出すことに重点を置くことが重要である。
- 🕵️ 詹姆斯・ジョニーは、調査的な感じや陰謀の要素を取り入れた動画を作成している。
- 🎬 ジャンルを超えたシネマティックな品質を持つ動画をNetflixに映せるほどの作品を制作している。
- 🎞 非線形な編集技法を用いて、視聴者に感情的ジャーニーを提供する。
- 🎵 音楽を用いて編集を導く方法と、視聴者の期待を玩弄する方法。
- 💡 動画制作プロセスでは、ストーリーを通じて人々の注意を引き、興味を持続させる。
- 🧩 ビデオ制作では、謎や問題解決の要素を取り入れることで、視聴者にストーリーを引き込む。
- 📈 時間の経過と重要な瞬間を伴うカウントダウンを使って、物語の緊張感を高める。
- 🎥 動画制作において、最高のクオリティを目指すことが、視聴者への敬意とプロフェッショナリズムの表現である。
- 👥 ドキュメンタリーでは、物語の核心にある人間の感情を引き出すことが重要である。
- 🚀 完璧主義は品質向上を阻害し、70%の満足度で進むことが時には必要である。
- 🤝 チームビルディングとサポートは、創造的なプロセスにおいて、ストレスと負担を軽減する上で役立つ。
Q & A
James Johnnyのドキュメンタリー作品の特徴は何ですか?
-James Johnnyのドキュメンタリー作品は、感情や不快感を引き出すことで知られています。彼は表面的な美しさの裏にある真実を探求し、視聴者に興味深いストーリーと驚くべき発見を提供します。
Jamesはどのようにして視聴者を引き込み、興味を持たせますか?
-Jamesは、非線形な編集手法や映画的なモチーフを使い、視聴者をそのエモーショナルな旅に連れて行きます。また、音楽やモーショングラフィックを巧みに使用して、視聴者の期待をプレイし、興味を維持します。
Sam Bankman-Friedの物語がどのようにドキュメンタリーに取り上げられましたか?
-Sam Bankman-Friedの物語は、初期の成功と富とその後の破綻を描いたものとして取り上げられました。Jamesは、Samの人格やFTXの軌跡を追いながら、視聴者に不審な感じを与えるような要素を取り入れ、物語を展開します。
Jamesはどのようにして自分の動画のクオリティを向上させたのですか?
-Jamesは、編集过程中で音楽を活用し、それを通じてペースを合わせることでクオリティを向上させました。また、ストーリーの核心を捉え、人間的な感情を描き出すことで、視聴者との共感を促しました。
Jamesの動画制作において、音楽はどのような役割を果たしていますか?
-音楽はJamesの動画において、シーンのリズムや感情を伝えるために使用されます。音楽の選択は、編集のペースや感情に大きな影響を与えるため、重要な要素となっています。
Jamesはどのようにして自分の動画の編集プロセスを改善しましたか?
-Jamesは、ストーリーボードを使って編集プロセスを計画し、音楽を利用してペースを調整することで編集プロセスを改善しました。また、チームを構築して助けを求めることで、完成度の高い動画を作成することができました。
Jamesはどのようにして視聴者を興味を持たせ続けますか?
-Jamesは、不確実性や問題を引き出すことで視聴者の興味を引き続けます。また、過去と現在を行き来する編集手法を使って、視聴者が徐々に全てを理解するように導きます。
Jamesはどのようにしてドキュメンタリーのストーリーを構築するのですか?
-Jamesは、ドキュメンタリーのストーリーを構築する際には、事件や問題の裏にある真実を明らかにするために、深く掘り下げます。また、視聴者にとって興味深いと感じられるストーリーを選び、その中にある人間的な要素を取り入れることで、共感を促します。
Jamesはどのようにして自分の動画で情報を正確に伝えるのですか?
-Jamesは、信頼できる情報源から情報を収集し、その情報を基に動画を作成します。また、ストーリーを通じて情報を伝える際には、バランスの取れた視点や様々な意見を含めることで、視聴者に正確な情報を提供します。
Jamesはどのようにして自分の動画のクオリティを維持するのですか?
-Jamesは、編集プロセスで細部に注意を払い、音楽やモーショングラフィックなどの要素を巧みに使用することで、動画のクオリティを維持します。また、チームと協力し、フィードバックを取り入れることで、クオリティを向上させています。
Jamesはどのようにして自分の動画で視聴者と共感を促すのですか?
-Jamesは、ストーリーの核心にある感情や人間的な要素を強調することで、視聴者と共感を促します。また、視聴者が関係感到るような状況や問題を描くことで、共感を促進します。
Jamesはどのようにして自分の動画で興味深いストーリーを作り出すのですか?
-Jamesは、表面的な情報の裏にある真実を探求し、その中で興味深いストーリーを見つけ出します。また、視聴者の予想外の展開や、驚くべき発見を提供することで、興味深いストーリーを作り出します。
Outlines
🌿 ドキュメンタリー作品の感性とストーリーテリング
この段落では、ドキュメンタリー製作者のジェームズ・ジョニーが、作品で表現する感情と感性について語ています。彼は、作品がまるで美しい庭園のように、人々がその木から素晴らしい苹果を食べているかのような雰囲気を出したいと考えています。しかし、ジェームズがその場面を観察すると、木が死体で養われていることが判明し、その驚愕感を映像で表現しています。また、彼は作品で謎めいたストーリーを提供し、視聴者に興味深く魅力的な世界を提示します。
🧩 編集技術と叙事の巧みさ
この段落では、ジェームズがどのようにしてエピソードを構成し、視聴者を引き込みながら叙事を進めているかについて説明しています。彼は非線形的な編集手法を用いて、時間を行き来させ、叙事の進行と共に謎を解き始めます。また、音楽を用いて叙事を導き、モチベーションを高め、視覚効果のチームと協力して、YouTubeで見られるべき品質の視覚を生み出しています。
🎶 音楽と編集の相乗効果
この段落では、音楽が編集プロセスにどのように影響を与え、叙事のリズムや感情を表現する役割を持っているかが説明されています。ジェームズは、音楽を選定する際に、ストーリーと共鳴し、ペースを合わせる必要性に重点を置いています。また、音楽の選択が視聴者の感情に影響を与えるため、重要な役割を果たしていると強調しています。
👤 ドキュメンタリーの心臓部
この段落では、ドキュメンタリーの制作において、物語の核心となる感情や人間要素を見つけることが重要であることが述べられています。FTX崩壊の犠牲者のインタビューを取り入れ、その物語を人間味を持ち、共感を促すことが重要だとジェームズは述べています。また、彼は作品の最後に、犠牲者の声を引き合いに取ることで、物語の感情的な結末を強調しています。
🚀 完璧主義と創作プロセス
この段落では、ジェームズが完璧主義と創作プロセスとの掻い合いについて語っています。彼は、作品の完璧さにこだわることが、ストレスや疲労の原因になるとも言及しています。完璧主義を抑えることと、70%の満足度で進むことのバランスを見つけることの重要性についても話しています。そして、創作の自由を与えることを勧め、最初の動画を公開する前に自分に許容できる範囲を設定し、それを超えることを許容するようにアドバイスしています。
Mindmap
Keywords
💡ドキュメンタリー
💡エモーショナルジャーニー
💡編集技術
💡阴谋
💡サム・バンクマンフリード
💡暗号通貨
💡繰り返しのパターン
💡音楽
💡モチベーション
💡倒计时
💡人間の要素
Highlights
James Johnny's documentary filmmaking style emphasizes creating a captivating emotional journey for the audience.
The filmmaker uses nonlinear editing techniques to build an emotional narrative, similar to a conspiracy-themed video.
James's creative process involves guiding the edit with music and directing motion graphics to produce polished visuals.
The documentary on Sam Bankman-Fried explores the rapid downfall of his $32 billion company, FTX.
The storytelling approach involves presenting a mystery first, followed by contrasting moments that create unease and intrigue.
The use of puzzle pieces as a cinematic motif helps the audience understand the gradual buildup to FTX's collapse.
The video's structure includes a mix of past and present events, allowing the audience to piece together the story alongside the filmmaker.
The narrative is designed to make viewers feel they are part of the investigation, discovering the truth behind the headlines.
The documentary uses retention editing techniques, such as dopamine hits and countdowns, to keep viewers engaged and looking forward to the climax.
The filmmaker's process includes a detailed storyboard with script on one side and direction for motion graphics and b-roll on the other.
Music plays a significant role in dictating the pacing and shaping the scenes in the video.
The filmmaker collaborates with a motion graphics team, providing detailed creative briefs for the visual elements of the video.
AI is utilized in the creative process, assisting with concept ideas for motion graphics and enhancing the storytelling.
The documentary humanizes the story of FTX's collapse through an interview with a victim, adding emotional depth to the narrative.
The filmmaker emphasizes the importance of including the human element to make the story relatable and impactful.
Despite perfectionism, the filmmaker recognizes the need to be satisfied with a certain level of quality and avoid overextending oneself.
The process of creating a documentary involves a balance between achieving high quality and managing the emotional and physical toll of perfectionism.
The filmmaker's advice for aspiring creators is to give themselves permission to be bad, acknowledging that not everything will be perfect.
Transcripts
you can't go too far down the list of
YouTube's best documentary filmmakers
without getting to James Johnny that
feeling is really what I love having in
the videos and it should feel like it's
a beautiful garden and there's a bunch
of people eating from this tree that has
amazing apples on it and in comes James
who's sort of watching this all and
going okay on what's what's going on
here and so I would start digging around
the tree to find that the thing that's
fueling this tree are dead
bodies whoa whoa whoa Rel like hold on
everyone like this is what's happening
underneath the surface James's video
Builds on that feeling of unease I've
doubled down on more of like the
investigative almost that feeling of
like a conspiracy sort of video but how
does James tell a story that anyone
could tell but with a cinematic quality
that should be on Netflix in this
episode we break down how James uses
crazy editing techniques like editing in
a nonlinear way to bring his audience on
his emotional Journey as a filmmaker how
James uses cinematic motifs to play with
his audience expectations and keep them
watching and we get an inside look at
James's creative process how he guides
the edit with music and how he directs
his Motion Graphics team to generate
some of the most polished visuals on
YouTube this is the editing podcast and
this interview was recorded with
Riverside the all-in-one video
podcasting tool if you're new here
please
subscribe I'm very excited to introduce
you to Sam bankman freed the wealthiest
person under 30 in the world sleeping on
a bean bag in his office you build these
people up to be these really interesting
people but you know that their entire
world their entire Foundation is about
to crumble from a 32 billion doll
company to bankruptcy in a matter of
Just 4 days or so many out there who
believe he's just a pathological liar I
feel like that comes down to just the
stories that you pick like inherently
are just interesting and I think that is
a really good analogy I think for what
I'm trying to do with the videos is to
give you first like a mystery something
that's intriguing that has almost again
that essence of I think a community
around it like with both mega churches
cryptocurrencies even FTX and especially
this this new video that I'm working on
there's this element of like there are a
bunch of people that surround this thing
um that there has a lot of attention
around it but there's a sense of
something isn't quite right uh and I
think I'm just naturally hooked to
stories like that uh which is why I
usually gravitate in that direction when
I pick ideas how do you make us feel
that cuz yeah you can show us hey look
how great Sam bman freed is but I don't
trust him already how did you make us
feel that with the context in mind that
you're watching a video titled the fake
genius there's already a feeling of
unease with that I think in the hook of
that video there was a really important
um sort of contrasting moment that I
wanted to get where you start off the
video with this very exciting music the
wealthiest person under 30 in the
[Music]
world almost too overly optimistic where
you sort of hear me saying there's this
guy everybody loves a story about an
underdog and a genius and then you hear
like s m mfri he's sleeping on bean bags
and he's rich and he wants to give all
of his money away and then you
eventually have the switch which is like
literally me going you know the
equivalent of I'm not like other girls
like this isn't like this isn't one of
those stories he wanted to dedicate his
life to doing good for the
world this is not one of those
stories and then that launches us into
the next segment which is where we sort
of the shifts there's a bit of a darker
theme and we get this Mark cot's tweet
appear which is just literally the words
FTX is a problem after having a whole
segment of how great this guy is and how
amazing he is just having that moment of
someone tweeting FTX as a problem is
like okay like all right what's what's
happening like let me dig into this and
so in the case of the video there was
this common Motif that we used which was
these puzzle pieces kind of coming
together puzzle that had managed to fool
so many but what I found was a story
that left people brok
throughout the video you start to see
how these puzzle pieces happen as we go
to the past or go to the present and
we're starting to see slowly as an
audience you're getting a a picture of
okay so I see like this thing is
important this thing is important I'm
starting to understand how all of this
is going to lead up to this big collapse
moment um and it's almost like when you
when you have those moments you can feel
what it's like to be me in that in the
sort of story of trying to piece
together what is going on taking the
audience through the same Journey that
you essentially took it brings in a very
interesting narrative it's like by
throwing us backwards and forwards in
time in the same way that you are
discovering it yourself in that sense
making us Discover it in that probably
same way every single time a significant
moment happened it was then bookended
with cutting towards the puzzle pieces
but if you tell someone that there is a
box that they can put their money into
and that box will return back tfold what
you gave it how could you not be tempted
from the years of 2020 to 202
the world of cryptocurrencies had become
that box for regular people the puzzle
pieces though it was a really satisfying
I was a retention moment of like I am
now understanding the story so much more
I'm seeing it being built but I think
the really really cheeky part of it all
is at the start of the video you started
with those puzzle pieces and you broke
them away yeah and I was like I was like
wait no I wanted to see what that was
but then you started building it back up
in the retention editing language that
became my dopamine hit you know like oh
this is working I I am now getting uh
the signal of chapters of like getting
that sense of progression there's a very
cheeky retention uh storytelling
technique but it works very well in this
context this interview was recorded with
Riverside the all-in-one video
podcasting tool so we've been using
Riverside for over a year now and it's
simply because they've been a great
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off the countdown that then being
another sense of progression another
sense of time of what of something for
us to then look forward to towards that
moment why was the countdown so
important for you in this story yeah the
countdown thing was it was interesting
because that was never in the kind of
like original sort of first draft of the
video it only became a concept after um
in the second draft especially when I
committed to the idea of not telling
this story in a linear way and when I
went and looked at the first draft and
this sort of back and forth it kind of
felt jarring like something just felt
wrong or that it was missing and I think
it was just naturally through the
scripting process like what if I just
add in like a countdown of like 10
months left and immediately it was like
oh my God like that that works perfectly
because it kind of accompanies even the
puzzle pieces element where so not only
are you looking in the past and you're
piecing together this puzzle you're
constantly reminded that this thing is
going to collapse that something is
going to fall and it keeps reminding you
why you're building those puzzle pieces
it's because you know things are about
to end and you want to find out what
what the hell is happening cuz
constantly in the story you're told how
great this person is how amazing the
business is and you're piecing together
the puzzle but then you're always
reminded every single time there's 10 10
months left there's 5 years left in that
retention tactic sort of world like that
again acts as a moment for someone to be
like I'm I'm here because I want to see
how this ends and how this eventually um
yeah how this all sort of collapses I
love it it's it's it's it's a very
really effective way just knowing the
end is coming there's a fantastic
feeling about uh the
pre-apocalypse right yes you know that
the world's about to end and then that
feeling that you can create and then
just that countdown of like this is when
the apocalypse is going to happen s bman
freed is the devil he is the devil in
crypto this guy's literally trying to
ruin crypto permanently and you know
what he says oh that's not what I'm
doing you liar you lie s bman
[Music]
fre
so James the Polish of your videos is
excellent quality this is the things
that we would see on network television
or some of the biggest streaming sites
the thing that I'm definitely curious of
is of course the journey to get to that
point so I'm curious what does the V1
version of this look like the assembly
cut I's say you've recorded everything
you've got it and what I have is
somewhat of a storyboard before we jump
into the edit and the storyboard will
literally be like script is kind of on
the left side on the right hand side
you'll have somewhat of a direction
whether it's motion graphic here b-roll
of this thing here etc etc gives you
some sense of what the edit could look
like once you get into the edit you drop
in your a-roll your face cam Miner
rating footage cut it all up any
mistakes and stuff so that you've just
got the things that you know you're
going to include after that's done you
know that there's going to be bits of
kind of essential b-roll is what I call
it we know that there's going to be a
footage of this thing happening here or
this interview here because it's
literally in the script and it says so
so we start to put in the essential
footage in there what happens next is
where things get a little bit more
interesting it's where you kind of go
into this process of back and forth and
it will be now the moment where you
start to implement some music and music
like I mentioned is a big part in my
videos and what I do so as soon as I
drop a song in that can dictate a lot of
about how the footage is going to roll
and how everything is going to be paced
again we have a sense of and it's
something I'm still trying to get better
at is having a sense of pacing before
you even do that um because that's going
to help you with your music selection
and everything else and now we're like
okay as you like watch through the video
there should be a sense and again you
can use a storyboard as an example we
know that okay we got to get a bunch of
Clips here of people praising Sam
bankman freed but now with the context
of the music in there you can start to
be able to shape the Clips in a way that
it makes sense with the music one of the
greatest quarterbacks in football
history well he's not only an ambassador
for FTX now he's also given equity in
the company and the same goes for the
Brazilian fashion model and Brady's wife
at the time bun the entirety of Major
League at this point as well again in
the story board you'll have a sense of
where Motion Graphics is going to be
which in the timeline uh in Premier Pro
is what I use the timeline is literally
just going to be a black screen that
says insert Motion Graphics of whatever
here once you've got a good sense of we
know the music is right we have a decent
amount of footage um an archive footage
that we we know we're going to use maybe
there's some like polishing that needs
to be done with it but whatever we have
a very good sense of what all of that is
going to be for a lot of them so I I
have a lot of what I call internet
sequences in my videos which is just
anything where it's like clicking on an
article or searching someone's name on
Google um it's a very kind of specific
thing that I have a lot of the time in
my videos I've got a whole creative
brief page that instructs like how to go
about making those internet sequences
from the effects used including like
after effects templates all of this
stuff and I will generally give that to
uh my Motion Graphics editors we had
this detective board thing that appeared
um is what we called it where we showed
kind of the piece of uh the individuals
who are important in the kind of sand
bankman free team or FTX in a circle
those ones require a bit more
storyboarding screen record me really
badly but still somewhat helpful in a
paint uh in an MS paint uh document and
just like drawing what I'm like looking
to have happen uh with the Motion
Graphics once they're done with the
Motion Graphics there might be a little
bit of back and forth but once they've
finally locked it in we just plug it
into the sequence and then yeah mixing
and and mastering kind of happens
afterwards which I'm I'm very terrible
at interestingly enough um conversation
around like AI kind of used mid journey
to help with some concept ideas which I
have found like AI to be helpful when it
comes to like figuring out concepts for
stuff like with the detective board uh
shots of this video I knew I wanted
something that looked a bit neon and and
kind of with this orange and blue theme
run it through mid Journey got some
really cool results fed it back to my
Motion Graphics guy and we kind of
played around with ideas and eventually
you know we got we got what we were we
were happy with in One Moment In the FTX
video we had this uh point in time where
it's we're kind of towards the end of
the story where customers are trying to
withdraw their funds from FTX and
there's this big moment where we talk
about how um imagine being a customer on
FTX when you're hearing all of this bad
news and you you want to withdraw your
money and we initially wanted to do we
we saw it we were like we have a big
Motion Graphics bit here can we just
like can we just record something can we
get like some some actual footage like
of this and we tried we we did like a
day we tried to to you know film
something and it didn't work we did we
didn't manage to find a good way of
doing it so we went back to the drawing
board and was like okay let's just
actually go and have an animation that
is mimicking what it'd be like as a as a
person on their computer so the
animation themselves is like being in a
browser clicking and seeing the article
then clicking to the tweet and seeing CZ
it's very like not it's kind of on the
nose it's very obvious but it was a
moment like okay cool this is fine like
let's move on um and yeah you'll get
moments like that I try and avoid it but
uh that that generally is how sort of
directional Motion Graphics will work
hey hold up let's take a quick music
break
this is nice isn't it music is such a
key source of inspiration for me lots of
times I put music on and I just sit and
I think and I listen I'm like is this
going to work for a scene on my next
project is this going to work in this
YouTube video and doing that research
ahead of time is a big deal and when I
find something that I know I'm going to
want to use in a scene I get pretty stok
bro I it's kind of exciting music bed is
that source of inspiration for me and
recently I have made the switch to music
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anybody else is that their curation
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the music submitted to them on their
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if you know what you know what I'm
saying they have any kind of genre any
kind of mood and the producing quality
is absolutely ridiculous like off the
charts it sounds so Pro So Pro that you
might even find artists that you already
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get a 14-day free trial right now back
to the conversation what are some of the
small moments that are really important
for you to pull off in this documentary
when I do the videos there's always an
element of like you want to find what
the heart of the story is like what's
kind of the thing that actually brings
the human emotion into it because Sam
bankman freed is this very like know
Larger than Life type of character um
you know you just hear big headlines
about how much money he's worth and how
much money the FTX collapse caus and all
of this stuff it's very hard to relate
to it maybe on a human and emotional
level so one of the important things
that I really wanted to have was this uh
interview that I had with one of the
victims of the FTX collapse um who had a
really like powerful story which I think
humanized everything that was going on I
was following the situation uh quite
well after all of this and I was
horrifying that it's it's fun to see a
countdown it's fun to see you know oh my
God like this guy is not as what people
seem and all of those elements are
interesting to watch but then I think
the the thing that I constantly wanted
to have uh was this interview running
with uh like Martin who was the the
victim and to have him constantly go
through his experience and have this
moment at the end where I knew I wanted
to end kind of the main video on just
his own comments and his own thoughts on
the whole thing which I felt would have
been the real way to close it out is
yeah you hear the story about s m free
but you're finally reminded at the end
of it that there is someone who you know
is at the heart of it the ones who did
lose money and had real consequences
happened and Martin you know had this
really powerful moment where he's
talking about you know this is like
watching all your Christmas bonuses all
your checks everything you've worked
hard to like seeing it sort of thrown
into the wind it felt like everything I
worked up to this point in my life has
been just like there were different
memories flashing in my head of all the
raises you get at work of all the money
you get Christmas bonuses it would be
all the same if I just took those checks
and burned them and thrown them into the
wind or whatever and then this moment
where I kind of I includ in the
interview where I asked him you know
what what would you say to Sam bankman
freed if if he would you know if you
could talk to him uh and him just saying
you know just try make it right if he
has any Humanity left I think that was a
really big moment to emphasize that it
wasn't just about this bankman freed
character that everyone spoke about that
there were real losses uh at the end of
it all um and that I think was like kind
of the heartbeat of the story which I
think was really important to include
otherwise it becomes this funny roller
coaster story of rich man who you know
is so great and good and turns out he's
not spectacle is fun it can be
entertaining but spectacle doesn't hit
until you can bring in that human
element towards it how are you able to
allow yourself to be in a place where
you don't care how long it is between
uploads or you're making sure that you
are working on the video Until It's
actually done I funly enough I do care
quite bit about the upflow time it's
kind of it's been my um biggest kind of
pet peeve at the moment in terms of not
being able to consistently upload I
think again part of the issue is I still
have those areas of perfectionism which
makes me want to continue to draw things
out slowly as I've started to begin
developing out a team or people to help
me um like with this FTX video we hit um
a point you know weeks before the actual
release where I'm looking at my um my
creative producer and I'm saying to him
you like bro I don't think I don't think
this is ready like there's so much more
that I want to add into this like the
video is bad it's terrible I can't put
this out and he's like look we had a
conversation about it we're like we need
to be happy with 70% of this thing being
good and continue and move on from there
because truthfully that perfectionism
wanted me to pursue the the best
possible video in lie of like the
emotional like stress and and mental
like fatigue and and physical fatigue
that would it take to like get that last
bit completed um and I think it was
helpful having again like want to
actually again fundamentally different
to what it was before prior to burning
out where I brought on a team and
thought I had to come with the answers
this was a moment where I got to sit
down and be like okay here's how I'm
feeling and and we ended up you know
figuring out the solution in there what
we've been coming to realize uh amongst
a lot of these conversations is that
that last 30 to 20% of details barely a
100 people will really notice that
detail yeah and then but then that's
where you then start breaking your mind
on that detail that 99.9% of the
audiences won't care about and as you
gain the audience and you gain the
pressure of like a reputation of being
someone that uploads like high quality
content is you you I started to lose
this principle which is really important
I think to me which is giving yourself
permission to be bad um that was like I
I wouldn't have even uploaded my first
video if I didn't like drill that into
my head because you know when I was
making the first video as I'm recording
in my head the only thought was this is
the worst thing I this is going to be so
bad but it was always like give yourself
permission to be bad it's going to be
okay it was it and bear in mind like I
didn't have much of like I didn't have
any editing experience really prior to
starting this channel the only way I
slowly improved on that and understood a
lot of like what I was doing was again
going this video there were good moments
couple moments where I think I could
have improved let's move on to the next
[Music]
one
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