CPAR GAMABA Awardees
Summary
TLDRThis educational video script celebrates the rich cultural heritage of the Philippines through its National Living Treasures, recognized by the National Commission for Culture and the Arts (NCCA). It highlights the 1992 establishment of the Gawad sa Manlilikha ng Bayan (GAMABA) awards, which honor Filipinos who excel in traditional arts and contribute to national heritage. The script introduces various awardees, each a master in their craft, from poetry and weaving to musical instruments, showcasing the diversity and creativity of Filipino culture.
Takeaways
- 🏆 The Philippines recognizes its rich cultural heritage through the identification of 'National Living Treasures' who have made significant contributions to the country's traditional arts.
- 🎭 The National Commission for Culture and the Arts (NCCA) is the highest policy-making and coordinating body for culture and arts in the Philippines, responsible for promoting and preserving traditional Filipino arts.
- 📜 Republic Act No. 7557, also known as the 'Manlilikha ng Bayan Act,' was established in 1992 to recognize Filipino citizens who excel in traditional arts and pass on their skills to their communities.
- 🎨 The NCCA has honored 16 Gawad Samanilikan ng Bayan (GAMABA) awardees who have demonstrated exceptional skill and artistry in various traditional Filipino art forms.
- 📚 The script highlights the importance of preserving pre-colonial traditions and ensuring they continue to be woven into everyday life.
- 📝 The awardees come from different regions of the Philippines and represent a diverse range of art forms, including poetry, music, weaving, and storytelling.
- 🎵 Notable awardees include Nino Bilob, who introduced Surat Mangyan in Ambahan poetry, and Masino, a master of basal or gong music.
- 🌟 The GAMABA awardees are celebrated for their creativity, technical excellence, and their role in maintaining the cultural diversity and creativity of the Filipino people.
- 👵🏼 The script emphasizes the importance of passing on traditional arts to future generations to ensure the continuity of the country's cultural heritage.
- 🏞️ The recognition of these artists and their work helps to promote a genuine appreciation and pride among Filipinos for their unique cultural identities.
Q & A
What is the significance of the term 'Tagawad Samanilikanang Bayani' in the context of the Philippines?
-The term 'Tagawad Samanilikanang Bayani' refers to the 'Gawad sa Manlilikha ng Bayan' awardees, who are recognized for their exceptional contributions to the preservation and promotion of traditional Filipino arts and culture.
What does the National Commission for Culture and the Arts (NCCA) do in the Philippines?
-The NCCA is the highest policy and coordinating body for culture and the arts in the Philippines. It searches for the finest traditional artists, ensures the transfer of their skills to others, and promotes appreciation and pride in the Filipino cultural heritage.
What is the purpose of Republic Act No. 7557, also known as the 'Manlilikha ng Bayan Act'?
-Republic Act No. 7557, or the 'Manlilikha ng Bayan Act,' was established to recognize and honor Filipino citizens who are engaged in traditional arts and have reached a high level of technical and artistic excellence, contributing to the national heritage.
Who is Nino Bilob and what is his contribution to Filipino culture?
-Nino Bilob is a 1993 Gawad sa Manlilikha ng Bayan awardee from Panaitayan, Mansalayi, Oriental Mindoro. He is known for introducing Surat Mangyan in Ambahan poetry and preserving the Hanunoo Mangyan script.
What is the significance of Masino's work in the field of traditional Filipino music?
-Masino is recognized for his mastery of basal or gong music, playing the kushapi, ardeen, and other traditional instruments. He is also an epic chanter and storyteller, achieving excellence in the art of playing the huchapi or kugapi, and kulingtang agong.
What is the art of tinala weaving, and who is Lang Dulai in relation to this craft?
-Tinala weaving is a traditional textile art using abaca fibers. Lang Dulai, a 1998 awardee, is credited with preserving her people's traditional tinala weaving using fine abbaja fibers and recreating intricate designs like crocodiles, butterflies, and flowers.
What is the contribution of Salinta Monon to the field of traditional weaving in the Philippines?
-Salinta Monon is recognized for her mastery in inabal weaving, a traditional textile of Bagobo. She demonstrated the creative and expressive aspects of the ikat weaving technique, which was threatened with extinction.
How does Federico Caballero contribute to the preservation of Filipino oral literature?
-Federico Caballero works towards documenting the oral literature of the people, particularly the epics rendered in a language that is no longer spoken, thus preserving an important part of Filipino cultural heritage.
What is the importance of Alonzo Saclad's work in the context of Filipino culture?
-Alonzo Saclad is known for painting portraits of his people and recording traditions and dualities of character through the use of Kalinga musical instruments, creating dance patterns and moves related to rituals.
What is the significance of Hajja Amina Api's mastery in matt weaving?
-Hajja Amina Api is recognized as a master of matt weaving, showcasing her precise sense of design, proportion, symmetry, and sensitivity to color through her colorful mats with complex geometric patterns.
How does Magdalena Gabayo contribute to the tradition of abel weaving in the Philippines?
-Magdalena Gabayo is a master in abel weaving, not only weaving traditional Iloko textiles but also designing new patterns, such as the pili lian technique, which produces unique and intricate designs.
Outlines
🎨 Cultural Preservation and Recognition of Filipino Art
The script introduces the rich cultural heritage of the Philippines, emphasizing the importance of traditional arts and the role of national living treasures in preserving these art forms. It discusses the concept of 'Tagawad Samanilikanang Bayani' and the National Commission for Culture and the Arts (NCCA), which recognizes Filipino citizens who have mastered traditional arts and contribute to cultural diversity. The script also highlights Republic Act No. 57355, also known as the 'Manilykan Bayani Act,' established in 1992 to promote and protect these traditional arts. Examples of awardees and their contributions to various art forms, such as poetry, music, weaving, and storytelling, are provided.
🏆 Celebrating Excellence in Traditional Filipino Arts
This section of the script delves into the achievements of several awardees who have excelled in their respective traditional art forms. It covers the mastery of musical instruments like the huchapi or kugapi, and the art of weaving using fine abbaja fibers. The script also mentions the preservation of traditional colors in weaving and the importance of passing these skills to the younger generation. The narrative showcases the dedication of these artists in maintaining their cultural practices and the recognition they receive for their efforts.
🌟 Highlighting the Artisans and their Artistry
The script continues to celebrate the achievements of traditional Filipino artists, focusing on their unique skills and contributions to the arts. It discusses the intricacies of metal plating, weaving, and the creation of religious and secular artworks. The artists mentioned are recognized for their dedication to their craft, their innovation in design, and their commitment to teaching the next generation. The section also touches on the cultural significance of these art forms and how they contribute to the national heritage.
📜 Summarizing the Significance of Filipino Traditional Arts
In conclusion, the script summarizes the importance of recognizing and preserving traditional Filipino arts through the efforts of the NCCA and the Gawad Samanilikanang Bayani awardees. It reiterates the purpose of Republic Act No. 7355 and the role of the NCCA in promoting these arts. The script lists the awardees and their respective art forms, emphasizing the diversity and richness of Filipino culture. It encourages continued pride and support for these cultural treasures.
Mindmap
Keywords
💡National Living Treasures
💡National Commission for Culture and the Arts (NCCA)
💡Gawad sa Manlilikha ng Bayan
💡Traditional Art
💡Cultural Heritage
💡Intangible Cultural Heritage
💡Technical and Artistic Excellence
💡Pre-colonial Traditions
💡Community
💡Cultural Diversity
Highlights
The Philippines is rich in cultural arts that have been passed down by ancestors and recognized as national treasures.
16 National Living Treasures are known as 'Tagawad Samanilikanang Bayani', recognized for their contributions to the national heritage.
The National Commission for Culture and the Arts (NCCA) is responsible for promoting and preserving traditional Filipino arts.
Republic Act No. 7553, also known as the 'Manlilikha ng Bayan Act', was established in 1992 to recognize and promote traditional Filipino arts.
NCCA ensures the transfer of traditional art skills to others and promotes appreciation and pride in Filipino cultural heritage.
National Living Treasure artists enhance Philippine identity through various forms of arts.
Nino Bilob from Oriental Mindoro is recognized for preserving the Hanunoo Mangyan script and Ambahan poetry.
Masino from Region 4B is an outstanding master of Basal or gong music and a prolific epic chanter and storyteller.
Lang Dulai from South Cotabato is credited with preserving the traditional Tinala using Abaca fibers.
Federico Caballero works on documenting oral literature, particularly the epics of the people.
Alonzo Saclad from Kalinga is known for painting portraits that capture the traditions and dualities of his people.
Hajja Amina Api from Muslim Mindanao is recognized as a master weaver of Matt, showcasing her sense of design and color.
Eduardo Moto from Pampanga is an artist known for his religious and secular artworks in various materials.
Darhata Sawabi from Sulu is devoted to teaching the art of Pisibit weaving, ensuring the best quality of her products.
Magdalena Gabayo from Ilocos Norte is a master in Abel weaving, creating new patterns and techniques.
Tiofilo Garcia from Abra is known for his expertise in Katukung or Tabungao hat making.
Ambalang Ausalin from Basilan Island is respected for her Yakan weaving skills and her ability to perform complex embellishment techniques.
Estelita Bantilan from Region 12 is known for her Bala and Matt weaving, showcasing her dexterity and rhythmic coordination.
Yabbing Masalandullo from Region 12 introduced Balaan Ikat, a traditional dyeing and fabric weaving technique.
Transcripts
audio jumper
[Music]
good day my dear students our country
the philippines
are rich in culture based on its
different forms of arts
which has been strengthened by our
ancestors
their amazing works of arts which was
been passed
to the new generation help us to be
recognized
on our unique identities as filipinos
they are the living treasures who has
been recognized
under special contributions to their
community
and to our national heritage
in this lesson you will learn about our
16
national living treasures known as
tagawad samanilikanangbaya
[Music]
from the national commission for culture
and the arts
or the ncca the awardees produce
art forms that are woven into
everyday life they show
how pre-colonial traditions continue
through the present time as envisioned
in republic
act number five 7355 known as manily
kanambayan act
was established in 1992 and shall mean
citizen
engage in any traditional art uniquely
filipino
whose distinct skills have reached such
a high level of technical
and artistic excellence and they pass it
on
to his or her community with the same
degree
of technical and artistic competence
what
is national commission for culture
and the arts or the ncca
it is the highest policy and
coordinating body
for culture and the arts of the state
it has to search for the finest
traditional artists of the land
who adopts a program that will ensure
the transfer of their skills to others
undertakes measured to promote a genuine
appreciation
and to give pride among our people
about the genius of manglika
nangbayan what about
tagawadzimanilikanangba
as filipino who recognize the unique
identities
of our fellow filipinos it is the right
to see their contribution to the
community
the country is rich with various
elements
of tangible and intangible cultural
heritage
which has passed on the new generation
culture as part of our philippine
identity
includes a variety of arts that enhance
by our national living treasure artists
who are recognized in their special
contribution
to the national heritage these are
filipino citizen
who is engaged in any traditional art
forms
and has contributed to the development
of cultural diversity
and the creativity of humanity
[Music]
here are the gamba awardees for the year
1993
nino bilob from panaitayan mansalai
oriental mindoro from region 4b
he introduced surat mangyan in ambahan
poetry
he and his community preserve the hanuna
mangian script
in ambahan is a poem consisting of seven
syllable lines
and promote in every occasion so that
the art
will not be lost but preserved for
posterity
[Music]
masino
island region 4b he is an outstanding
master of basal
or gong music
highly lyrical foam and baguette
instrumental music played
on the kushapi also played the ardeen
or the mouth heart babara or the ring
float
and above all he was a prolific
and preeminent epic chanter and
[Music]
storyteller
[Music]
in muslim mindanao he achieved
the highest level of excellence in the
art of playing
huchapi or kugapi two-string glute
and also profession in kulingtang agong
suspended bus gong with wide rim
[Music]
so
come up awardees for the year 1998
lang du lai from tibuli south cebu
soutabato mindanao under bangsamoro
autonomous region
in muslim mindanao she is credited with
preserving her people's
traditional tinala using abbaja fibers
as fine as hair which traditionally has
three primary colors
red black and the original colors
of abakalib she recreated
by her nimble hands the crocodiles
butterflies and flowers
[Music]
she was awarded for fully demonstrating
the creative
and expressive aspects of bhagobo abbaka
ikat or the ikat weaving
ikat means to die or
bound this weaving is also called inabal
traditional textile of bagobo at a time
when such art was threatened with
extinction
the mob awardees for the year 2000.
from yakan la mitan basilan island of
bangsamoro autonomous region
in muslim mindanao he referred to
for his ability and mastery in playing
different yakan
instruments made of bamboo
wood and metal and for the imparting his
insights to the youngsters of his local
he kept on performing and struck despite
his diminishing visual perception
keeping the yakan melodic custom alive
and thriving federico caballero
from sulud bukitnun kalinog iloilo
panay island from region 6
he continuously works for the
documentation of the oral literature
in particular the epics of people
these 10 epics rendered in a language
that
though related to kineraia is no longer
spoken
alonzo saclad from kalinga northern
luzon
island of cordeliera administrative
region
his lifestyle's work is to paint
a portrait of his people to record
a tradition of opposites and dualities
of people character
recorded in cadences each aggressive and
gentle play kalinga musical instruments
create dance patterns and moves
related to rituals
[Music]
[Music]
in muslim mindanao she was recognized
as the master of matt weaver her
colorful mats
with her complex geometric patterns
showcased
her precise sense of design proportion
symmetry and sensitivity to color
eduardo moto from appali pampanga
regentry he is an artist
who has devoted his existence to
developing religious and secular
artworks
in silver bronze and wood
his intricately detailed tablos
mirrors altars and carrosas
are in church buildings and non-public
collections
a range of these works are quite large
some exceeding 40 feet some are very
small
and feature very nice and refined
[Music]
craftsmanship
[Music]
darhata sawabi from taosu
parang solu southern philippines under
bangsamoro autonomous region
in muslim mindanao she remained devoted
and persevered with her mission to teach
the artworks of fishy bit
weaving her strokes firm ensure
her color sensitivity acute and her
dedication
to the best of her products and
weavering
kamab awardees for the year 2012
magdalena gamayo pinili ilocos norte
region 1. she has been a master in a
bell weaving
she is not only weaving traditional
ilocano textiles
but also designed new patterns one of
her designs
employs a difficult weaving techniques
called
pili lian meaning partially
though we produce a one-of-a-kind design
that takes after a string of flowers
[Music]
does it name inubon asabon
she did not formally study such
traditional art
instead she watched closely to her ant
and imitated the patterns
[Music]
iofilo garcia sankintin abra
region 1 he introduced katukung
for taboonau hat making when he finishes
field work as a farmer he focuses
on the cultivation and development of
taboo now
that is the ilocano term for uppo
at the age of 15 he learned the art
of katukong or tabungao had making
and basket weaving from his grandfather
[Music]
[Music]
[Music]
come up awardees for the year 2016.
ambalang ausaleen from la meeton basilan
island
bangsamor autonomous region in muslim
mindanao
she introduced yakan weaving apombalang
is significantly respected in all of
lamitan
her abilities are guarded unique she can
bring forth all designs
and actualize all textile categories
under the yakan community who are known
to be among the finest weavers
within the southern philippines
she can perform the suwo becca or the
cross stage like
embellishment and suwa pendan
or embroidery-like embellishment
techniques
of the bungasama category she has the
complex knowledge
of the whole weaving process
estelita to mandan bantiland
[Music]
from region 12 or sox surgeon
she introduced bala and matt weaving
since she was a child she was bright and
careful
in tangled weaving her perseverance
took place because of her supportive
husband
[Music]
the thin strips of the pandanus romblon
rice matrix through their fingers
performing
an individual rhythm the beat
guided by her eyes then whooping strips
are held tight
at the other end of her body as toes
curl and glows around the arc of her
torso
that remains the dexterity of feet and
toes
hand and eye coordination happen inside
the frame
of mile sequence
[Music]
[Music]
yabbing masalandullo
region 12. she introduced balaan ikar
or thai dying fabric weaving yabbing
masalandullo
called was only 14 years old
when she started weaving all her younger
years were spent in sharpening her
skills
and imparting the knowledge to younger
generations
of bala and weavers she follows her
mother's movement
back and forth she colors the fibers
count the thread and observes the
rhythmic dance
of fever's dream woven into unique
soulful pieces
[Music]
to summarize republic act number seven
three five five as manly canon by an
act was established in 1992
to give recognition to traditional art
uniquely filipino
who preserves and promotes its
traditional folk arts
that contribute to the national heritage
national commission for culture and the
arts or the ncca
is the highest policy and coordinating
body for
culture and arts of the state the
philippines through the effort of
ncca introduced the sixteen
gawad samanili kanangbayan or gamaba
awardees
namely gino vilog 1993
surat mangyan in ambahan poetry
masino in tarai 1993
epic chanter and storyteller
sama own sulaiman 1993
playing kujapi lang dulai
1998 tinalaq weaving
salinta monon 1998
in abal weaving ahadas
2000 playing yakan instruments
federico caballero 2000
chanting epic opening
alonso 2000
playing kalinga musical instrument
hajja amina api 2004
matt weaving eduardo moto
2004 metal plating
darhata sawabi 2004
physiabit weaving magdalena gabayo
2012 abell weaving
tiofilo garcia 2012
katukong or tabungao hat making
ambalang ausalin 2016
yakan weaving estelita bantilan
201
[Music]
fabric weaving that's all for today
let us continue to be proud to our gamba
awardees
see you on our next session
thank you and goodbye
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