Dayaw Season 4 Episode 3 : Living Treasures (Part 2)

Summary

This script explores the resilience and intricacies of indigenous cultures, focusing on the gawad melilla canon bian awardees who embody their community's spirit and traditions. It features Eduardo Mo Top's metalwork, Federico Caballero's chanterelle, and a musician from Basilan, highlighting their dedication to preserving and passing on their art forms amidst challenges like colonization and marginalization. The script emphasizes the importance of recognizing these art forms as more than simple handicrafts, acknowledging the depth of their cultural significance.

Takeaways

• 🌟 Indigenous cultures are treasure troves of knowledge that have been passed down through generations and need to be documented and preserved.
• 🏺 Art forms such as metalwork, chanting, and music are intricate and complex, reflecting the depth of indigenous traditions and their connection to community spirit.
• 🎭 The script highlights the work of Gawad Manlilikha ng Bayan (GAMABA) awardees, who are recognized for their contributions to the preservation of Philippine cultural heritage.
• 🔨 Eduardo Mendoza is a metalwork artist whose craft connects to the gilded age of Catholicism in the Philippines, showcasing the baroque refinements in religious furniture.
• 🎵 Federico Caballero is a chanter who, despite personal tragedy, continues to share his knowledge and passion for the chant, preserving an important oral tradition of his people.
• 📜 The importance of writing down and preserving the vanishing epics and lifeways of indigenous communities is emphasized, as demonstrated by Caballero's efforts.
• 👨‍👧‍👦 The script mentions the joyous aspect of family involvement in music-making, where the entire family contributes to create a vibrant tapestry of sound and art.
• 🎼 The music of Danongan Kalanduyan is described as sophisticated and rhythmically complex, with the use of interlocking rhythms creating a unique musical experience.
• 👗 The cultural significance of traditional textiles and clothing is highlighted, as they become a living work of art when combined with music and movement.
• 🔍 The challenges faced by researchers in identifying and preserving indigenous art forms are noted, suggesting the need for a larger pool of knowledgeable individuals.
• 📚 There is a call for a thorough review and evaluation of the laws and guidelines related to the preservation of indigenous cultures, indicating the need for updated policies.

Q & A

What is the main theme of the video script discussing?

The main theme of the video script is the preservation and transmission of indigenous cultures and art forms, focusing on the bearers of these cultures and the challenges they face in a modern world.

What does the script imply about the general perception of indigenous art forms in today's society?

The script implies that indigenous art forms are often undervalued and perceived as simple handicrafts or folk songs, rather than being recognized for their intricacy and the depth of knowledge they represent.

Who is Eduardo Mo Top and what is his contribution to the art of metalwork?

Eduardo Mo Top is a metalwork artist from Pampanga who creates intricate religious furniture and altar pieces. His work connects to the gilded age of Catholicism and represents the art of 'pop' or beaten metal.

What is the significance of the Gawad Manlilikha ng Bayan (GAMABA) awardees mentioned in the script?

The GAMABA awardees are recognized for their mastery and contribution to the preservation of traditional arts and culture. They embody a commitment to their communities and traditions, and their work is seen as a continuation of their cultural heritage.

What challenges do traditional artists face in preserving their art forms?

Traditional artists face challenges such as marginalization, indifference, and even armed conflict within their own communities. They also struggle with the pressure of modernization and the potential loss of their cultural practices.

What is the role of Federico Caballero in the preservation of chanterelle traditions?

Federico Caballero is a chanterelle from Aloo Eno who has mastered the ten important epic tales of his people and is committed to preserving this oral tradition through his chanting, despite personal tragedy.

How does the script describe the music of the blind musician from Basilan?

The script describes the music of the blind musician from Basilan as sophisticated, intricate, and overlaying beats, suggesting that his blindness may have deepened his internal life and understanding of rhythm.

What is the importance of the family's involvement in the music-making process as described in the script?

The family's involvement in music-making is portrayed as a joyous aspect that turns their performance into a living work of art, where textiles, colors, movement, and energy become one with the music, showcasing their artistry and cultural heritage.

What are some of the issues faced by the government in supporting traditional artists?

The government faces issues such as ensuring adequate funding, reviewing and updating laws and guidelines to better support traditional artists, and avoiding the transformation of artists into celebrities that could isolate them from their communities.

How does the script suggest that the work of traditional artists contributes to the greater cultural heritage?

The script suggests that the work of traditional artists, by embodying the spirit of their communities and traditions, becomes a part of the collective knowledge and pride of their culture, ensuring its continuance for future generations.

Outlines

00:00

🌟 Preserving Cultural Heritage Through Art

This paragraph introduces the theme of cultural preservation amidst technological advancement. It highlights the importance of indigenous art forms and the dedication of artists who carry on these traditions despite historical challenges such as colonization and marginalization. The paragraph focuses on the Gawad CCPA awardees, showcasing the work of a metalwork artist, a chanterelle, and a musician, whose art forms are intricate and deeply connected to their community's spirit and traditions. Eduardo Mo Top, a metalwork artist, is presented as an example of an artist whose work is a testament to the Baroque refinements of Catholicism, demonstrating the complexity and beauty of indigenous art.

05:01

🎨 The Art of Metalworking and Chanting

This paragraph delves into the art of metalworking, showcasing the transformation of a designer's vision into a finished beaten metal piece. It emphasizes the rarity and value of such craftsmanship, with the artist being the inheritor of a long-standing tradition. The narrative then shifts to Federico Caballero, a chanterelle who, despite personal tragedy, continues to share his knowledge and passion for the chant, an epic tradition that he has preserved and passed on, highlighting the importance of oral traditions and the need to document and teach them to future generations.

10:01

🎶 The Complexity of Music and Memory

The focus of this paragraph is on the music of the blind musician, whose sophisticated and intricate overlaying of beats and rhythms is explored. It discusses the possibility that his blindness has enriched his internal life and musical expression. The paragraph also touches on the cultural significance of music, with the musician's family playing a vital role in creating a vibrant tapestry of sound and movement, embodying the art and tradition of their community.

15:01

🏺 The Vibrancy of Aklanon Music and Community

This paragraph celebrates the rich musical tradition of the Aklanon people, with a spotlight on the musician who has mastered various instruments and the complex rhythms that define their music. It discusses the concept of 'nuclear melodies' created through interlocking rhythms and the energy with which the musician performs. The family's involvement in music-making is highlighted, turning their performances into a living work of art that combines textiles, colors, and movement with music.

20:05

🔔 The Challenges and Responsibilities of Cultural Artists

The final paragraph addresses the challenges faced by traditional artists, including indifference, marginalization, and conflict, and their role in ensuring the continuity of their cultures. It discusses the potential pitfalls of confining artists to a celebrity status and the importance of maintaining their integral part within their communities. The paragraph also touches on the financial support provided by the government and the need for a thorough review of the cultural preservation policies, emphasizing the collective responsibility of awardees to pass on their knowledge and pride to future generations.

Keywords

💡Living Cultures

Living cultures refer to the dynamic and evolving cultural practices, traditions, and expressions that are actively maintained by communities. In the video, the term is used to emphasize the importance of documenting and preserving these cultures to prevent them from being lost or forgotten. The video highlights the bearers of these cultures who pass on knowledge through generations, ensuring their survival despite challenges like colonization and marginalization.

💡Indigenous Art Forms

Indigenous art forms are artistic expressions that originate from and are practiced by indigenous peoples, reflecting their history, traditions, and cultural identity. The video discusses how these art forms are often underestimated as simple handicrafts or folk songs, but they actually possess a high level of intricacy and cultural significance. The video showcases the metalwork artist from Pampanga, emphasizing the detailed craftsmanship involved in creating religious artifacts.

💡Gawad Manlilikha ng Bayan (GAMABA)

Gawad Manlilikha ng Bayan is a prestigious award in the Philippines that recognizes individuals who have made significant contributions to the preservation and promotion of the country's cultural heritage. The video features awardees like Eduardo Mendoza, a master of 'motox' or beaten metal art, illustrating how the award honors and supports the continuation of traditional arts and the artists who practice them.

💡Motox

Motox, also known as 'beaten metal', is a traditional Filipino metalworking technique used to create intricate designs on metal surfaces, often for religious and ceremonial objects. The video introduces Eduardo Mendoza, who is a master of this craft, and discusses how his work connects to the gilded age of Philippine Catholicism, showcasing the baroque refinements in altars and religious furniture.

💡Intricacy

Intricacy in the context of the video refers to the detailed and complex nature of traditional art forms and practices. It is used to describe the meticulous craftsmanship involved in creating works of art like metalwork, chanting, and music. The video emphasizes that while the physical details of these works can be appreciated, it is equally important to understand the depth of cultural knowledge and tradition they represent.

💡Federico Kabalyero

Federico Kabalyero is a chanterelle from Aloo Eno recognized for his powerful chanting and his commitment to preserving the oral tradition of his people. Despite personal tragedy, he continues to share his knowledge and passion, embodying the resilience and importance of passing on cultural knowledge. His story in the video illustrates the human aspect of cultural preservation and the role of individuals in maintaining epic traditions.

💡Oral Tradition

An oral tradition is a method of transmitting knowledge, stories, and history through spoken word rather than written text. In the video, Federico Kabalyero is highlighted for his role in preserving the oral tradition of his community by memorizing and chanting epic tales. This practice is crucial for maintaining cultural continuity, especially in the face of modernization and the risk of cultural erasure.

💡Community

Community in the video represents the collective of individuals who share cultural practices, traditions, and a sense of belonging. It underscores the importance of cultural practices being an integral part of community life, rather than being isolated to a few 'celebrity' artists. The video discusses the risk of isolating artists from their communities and the importance of maintaining a sense of community in cultural preservation efforts.

💡Cultural Preservation

Cultural preservation is the act of maintaining and protecting cultural heritage to prevent it from being lost or forgotten. The video discusses the efforts of various artists and awardees in preserving their cultural practices, such as metalwork, chanting, and music. It highlights the importance of documenting and passing on these traditions to future generations to ensure their continuance.

💡Gamma Ba

Gamma Ba, or Gawad sa Manlilikha at Kultura ng Bayan, is an award given to outstanding cultural workers in the Philippines. The video mentions this award in the context of recognizing and supporting individuals who have made significant contributions to their cultural communities. The award serves as an encouragement and validation of the artists' work in preserving and promoting their cultural heritage.

💡National Artists

National Artists are individuals in the Philippines who have been recognized for their exceptional contributions to the development of Philippine arts. The video mentions national artists like Ramon Obusan, whose work and collections are preserved in cultural centers, highlighting the importance of their legacy in the country's cultural heritage. The term is used to emphasize the significance of these artists' work in shaping and preserving the nation's cultural identity.

Highlights

The importance of documenting and preserving precious living cultures that have survived colonization, conflict, marginalization, and yet persist.

Indigenous art forms are often underestimated for their intricacy in both the finished product and the process involved.

The Gawad CCPi Bayani Awardees or GAMABA represent a commitment to their communities and traditions through their work.

Eduardo Mo Top, a metalwork artist from Pampanga, connects us to the gilded age of Catholicism with his intricate altars and religious furniture.

Federico Caballero, a chanterelle from Aloo Eno, has mastered the ten important epic tales of his people and preserves the great oral tradition.

The music of Bayani, a musician from Basilan, is sophisticated and intricate, showcasing his mastery of various instruments and rhythms.

Caballero's chanting is a powerful indicator of the creativity of the community and the importance of preserving it against consumerism.

The challenges faced by traditional artists include indifference, marginalization, and even armed conflict within their own communities.

The GAMABA awardees share a common responsibility to ensure the continuance of their cultures, turning their knowledge into our pride.

The need to review and update the guidelines for the preservation and promotion of traditional arts to adapt to the digital age.

The importance of not isolating artists from their communities and maintaining their integral role within the community.

The potential issues with stipends for national artists, such as relatives trying to claim a share of the funds.

The role of researchers in identifying and supporting traditional artists, and the need for a larger pool of knowledgeable individuals.

The joyous aspect of Bayani's music-making, where the entire family gets involved, creating a living work of art.

The challenges of preserving traditional art forms in the face of modern demands and the need for government support.

The beauty and artistry displayed by traditional artists when performing in their traditional textiles and clothing.

The need for a thorough review and evaluation of the current laws and guidelines for the preservation of traditional arts.

Transcripts

[Music]

in a world and time when so much is

changing there is still so much of our

culture that has to be documented and

kept alive who are the bearers of these

precious living cultures how do they

pass on a knowledge transmitted through

the ages

[Music]

what they represent a survived

colonization conflict

[Music]

marginalization and yet they persist

Salah oxacillin the living vessels that

store dial our knowledge our pride

[Music]

in a world that is run by technology or

in our own gadget dependent lives we

often think of indigenous art forms as

merely simple handicrafts folk songs or

melodies what we fail to acknowledge is

the intricacy both of the finished

product as well as a process that least

entail in a continuing series on the

gawad melilla canon bian awardees or

gamma ba we look at the intricate

processes of a metalwork artists from

Pampanga a chanterelle from aloo Eno and

a musician from Basilan from the

tangible to the intangible their work

embodies a commitment to the spirit of

their communities and their traditions

[Music]

a man of few words

Eduardo mo top seems like the proverbial

introspective artist who would much

rather let his work speak for himself

and what thoughts what birds and

memories are revealed by his glistening

master works on altars and crows us on

frontals and other pieces of religious

furniture motox work connects us to the

gilded age of our own Catholicism when

altars were replete with the baroque

refinements and excesses call or

describe it in artsy terms for this

quiet man this is simply the art of pop

pop or beaten metal

my reverse a romantic chef no mass or

inertia antics yeah

Fiona wanna go Anya and I mean median

and mode are antiques latin by Bellini

in the goggle shammy toggled upon

another tuna come with Carolyn ganya

younger man Amelia shot in Chicago in a

gala Hoonah Salmonella not when a mr.

Bhushan

but London agoraphobe libera mr. Bhushan

my sorrow in a summer on mr. Robeson -

sir in a villa near the Capitol Avenue

Runa Gupta Solomon universe ACCA

a Gaston young miss is here here in the

goop is an unknown young man go Alfred

novella Lang after Darren Kennedy Nakoa

man panini Korea macapagal-arroyo known

occupation was a CCA you never know

Howard

the master were commissioned by the late

national artists Ramon Busan is now the

proud centerpiece of Bahama quia the

study center that houses a Busan's vast

collection of archival footage folk

dance notations and material artifacts

the piece allows a deeper understanding

of motox skill both as a designer and

craftsman Gaga moon and pattern we are

in a pattern

Kagawa an emoji you know a corny joke

away go a tan pattern you know among

mold young gagawin MO but we are in a

multi you know Hmong yellow brush and

associated no Corrado metal in the

center cally thousand decide sir sorry

Nana mana the guy beside a fearlessness

but cap additional design a total

unanimous a silver pakka was a silver

ornament in our brain motox ability to

design became evident when he

demonstrated how his vision is

transformed from a piece of paper to a

finished beaten plate

atiim decide no crucifix pattern

inclusive Osito but erm pattern Gugino

Sahara more demos foreign langu moment

imagine Union on iguana terminal pattern

ethical Takeshi bikumu govern cemetery

capital commune acronym pattern cemolina

you multi my regarding say no Commission

marination governor

[Music]

you find up any modes of very good

English until now and so here is the

inheritor of a long tradition

unfortunately there are very few other

people who who make this or have

continued this tradition in the country

and we value the work of adding water

because yes actually preserve it and I

hope you can teaches you can teach this

way the people in this community in the

work of a Bhima talk I am reminded of

that old Jesuit moto that all things we

do we do for the greater glory of God ad

majorem Dei gloriam

[Music]

[Music]

[Music]

intricacy is most often seen and works

like those produced by Eddie Murdoch of

Pampanga our eyes take in all the

details of his work and our hearts are

full it is a bit more challenging to

open our minds and hearts to the

intricacy of Federico kabalyero powerful

chanting when the interview was

conducted federico Caballero had just

lost a son but he bravely went on

sharing his knowledge and his passion

for the chant that he had been

recognized for in murder perhaps in the

tragedy that had befallen their family

he was all the more deeply aware of the

impermanence of life as well as a need

to continue an epic tradition that he

was only a vessel a solute bukidnon from

the mountains of central pnai he has

mastered the ten important epic tales of

his people he chanced these in the

canary a language this great oral

tradition would have been lost had not

kabalyero persevered in committing the

epics to memory traditionally sung while

lying on a hammock the stories of mythic

heroes like la bow dongle and Hamada

Noah come to life much as his own

grandmother's chanting brought them to

life for the young Federico

[Music]

present on Angelina from generation to

generation since birth down agafia

yamanami

heart is about me and I'm gonna end up

over who that's will be done and I'm run

this one Osaka nobody coming around Ito

and source not metallic when I became

known tried echo Dance Masters al-hattal

had not done during the mint aluminum

big justice

archaic language maraming inhaled in

archaic language the language of the bus

today he continues to work with the

Bureau of non-formal education traveling

from barangay to barangay an encouraging

older folk to learn to read and write a

poem on came in Sun interesado safety

Yoshioka Nana chant chant Abdul Kalam

Anya so master monster ganja masala

mantra SIA they'll open angling and they

pick me Hogan and lalala did I mean

don't be another policy I mean petunia

marooned on Santa

Alan no on Veronica in today's the hell

was I thinking ahead

epic Oi the presence of the chant is an

indicator of the creativity of the

community the moment a Chinese appears

that means the community has already

become consumerist just like just like

the many urban centers in this country

that's why it's important that we

presently we preserve this chanting the

addition of the facility bukidnon in the

person of Fidel eco kabalyero and

political comedy was able to teach only

a very few people in this community but

now his his teaching has spread to many

many parts of tapas copies and even in

Culina in you know that's why this child

has become much more alive in his in his

area now

[Music]

he knows the importance of committing to

paper The Vanishing epics and life ways

of his people in many ways

Federico Caballero is his own epic story

man tolling the Subura cotton swab

[Music]

[Music]

[Applause]

when I first listen to the music of on a

harness I had to keep reminding myself

that this vr-2 also was in fact blindly

sophisticated is the word that comes to

mind upon hearing the full yacon and

some led by the will to also along Hadas

I can't help but wonder if his deep

understanding his exploration of this

intricate overlaying of beats have

anything to do with his blindness if

that is true then his eye ailments have

made his internal life so much deeper

and much more rewarding a native of

Lomita New Zealand the young moon was

said to have been punished by offended

nature spirits because of his child play

if this is true then the spirits must

have given him an even deeper gift a

mastery of the complicated rhythms and

instruments that make up the economy

cycle and Sun from the gabbana or bamboo

xylophone to the our go to the

deceptively simple Quinn hang on Caillou

to AG and lot of other instruments Huang

Dada has mastered them all and performs

with an energy and bravura that matches

the vibrancy of the akan music

I'm gonna be rockin the accordant

initially has there's only five notes

you cannot play so many melodies with

only five notes that's why their their

concept of music is highly rhythmic and

to the use of what is called

interlocking rhythms in the logarithm

sir you you play simultaneously

different rhythms at the same time you

are able to create melodies some we can

call this nuclear melodies no he's able

to play nuclear medicine interlocking

rhythms and the I think the most well

rapid way of playing the clinton is for

the monday you can especially the

playing of well along hadas and other

Bullington performers simply because the

of the rhythmic way of playing the the

korean tongue to create nuclear melodies

you have to really make sure that you

invest mirai's the audience with a speed

of your playing mana mana magma to Tosa

Gabon

but perhaps the most joyous aspect of

his music making is the fact that an

entire family gets together to help him

create this tapestry of sound when

dressed in there you can finally they

become a living work of art where the

textiles the colors the movement and the

energy become one with the music

[Music]

what I do know about the one is that he

has a fantastic family they probably

should be given a group price but they

do almost anything and music-wise dance

wise wheezing wise all of them are

really amazing and beautiful people

I report seeing them all dressed up no

to play in their traditional textiles in

their in their clothing and you will be

bowled over by them because they look so

stunning and they display so much

artistry the problem is that because of

the demands no because of the demands of

the search it has to be done so slowly

see in an aluminum Yamanaka go out into

the fields among abundant window peony

no a chaja semana islam a joke about

their Tao I know it's hard to find

researchers one who have the savvy know

a young researcher sometimes will miss

what somebody who knows the field will

immediately know this so your enlarging

the pool and providing the

necessarily logistics for that I think

that's that they were making it easier

to send out teams see even in an onion

it's unbelievable how small the search

groups are and the red date that's

involved minimal red dates and beer I

think if there are more people involved

then faster faster faster dynamic

development so that would be one way the

government can can help because of

course gamma bond doesn't have a very

big budget and it has a limited number

of people working under it we were

working on a review a review of the

entire law it's been several decades now

and I think it's time to review actually

there has been some transition

transitioning into a new set of

guidelines pero hindi Pyatt an again

very thorough so I think a very thorough

review and evaluation first and then

based on that review and evaluation then

a project that direction one of the

problems of bumaba was really how do you

make sure that we don't transform yo

army into a a so-called celebrity

because when a person sting allows us an

individual so called artist

there's no quantity of artists and outer

digital culture because every person is

supposed to be an artiste

performer well cool and everything else

not so the moment we just confine the

one upon person to the role of an artist

we will somehow extricate somehow

isolate this person from his community

we can somehow the sense of community

because this person is no longer

function or sell what integrate integral

part of the community another problem

aside from let's say a superstar

developing some kind of ego and

therefore no longer clear for his

community another premium is encoded in

the beginning until now actually said

whenever the stipend comes because

necessarily being treasurer a manatee

Hannibal and receive a regular stipend

from the government just like you know

just like every national artist one of

the problems we have been caught up in

very beginning until now because every

stipend comes all the relatives try to

get a piece of the pie the mama is a

definition of home it's its home because

you have to go home

and what will you find there and that is

the Delmarva artist

[Music]

Adam Muto federico kabalyero and won a

Hadas three traditional artists who have

faced indifference marginalization even

armed conflict in their own communities

but from these adversities has from

intricacy and complexity in beaten metal

in the human voice and the memories it

sinks off in a rich and dynamic musical

tradition in passing on their knowledge

or gamma ba awardees share a common

responsibility to ensure the continuance

of their cultures their dial becomes our

knowledge our pride

[Applause]

[Music]

[Music]

[Music]

[Applause]

[Music]

you

[Music]