Appreciating Vagabond - Musashi's Spiritual Journey

Schnoz Meister
13 Jun 202226:57

Summary

TLDRThe video script explores the character development of Miyamoto Musashi in the manga 'Vagabond,' tracing his journey from a young man seeking strength through violence to a philosopher swordsman. It discusses Musashi's transformation influenced by Zen Buddhism, as depicted through his introspective battles and encounters, highlighting the manga's themes of self-discovery, enlightenment, and the true meaning of strength. The script draws parallels between Musashi's experiences and the teachings of 'Zen in the Art of Archery,' offering viewers a deeper appreciation of the manga's narrative and philosophical depth.

Takeaways

  • 🗡️ Miyamoto Musashi's journey in the manga 'Vagabond' is a profound exploration of self-discovery and the true meaning of strength.
  • 🌞 Musashi starts as Takazo, a young man obsessed with proving his strength by defeating renowned swordsmen, driven by a fear of being left behind.
  • 🤺 Musashi's early life is marked by callousness and a disregard for life, which is a source of frustration for the reader but is later revealed to be intentional for character development.
  • 🌱 As the story progresses, Musashi evolves from a reckless warrior to a more introspective and kind individual, learning from his experiences and mentors.
  • 🧘 Musashi's spiritual awakening begins with his encounter with the Buddhist monk Takuan, who teaches him to value his own life and look inward for strength.
  • 🎯 The concept of 'Zen' is introduced through the book 'Zen in the Art of Archery', highlighting the pursuit of self-emptying and heightened awareness.
  • 🏹 The goal of Zen practice is to achieve a state of emptiness where the mind is free from desires and emotions, which parallels Musashi's own journey.
  • 🌌 Musashi's character development is gradual and natural, reflecting the idea of 'natural unnaturalness' or finding harmony between instinct and control.
  • 🛡️ Musashi's transformation is evident in his approach to combat, shifting from a brutal style to one that is more fluid and seemingly effortless, reflecting his internal growth.
  • 🌾 The manga also explores themes of kindness and compassion, as Musashi learns to value the lives of others and act out of sympathy rather than self-interest.
  • 🎨 The art style of 'Vagabond', particularly the use of ink brushes, embodies the theme of flow and imperfection, mirroring Musashi's journey and the concept of Zen.

Q & A

  • Who is the main character of the manga 'Vagabond'?

    -The main character of the manga 'Vagabond' is Miyamoto Musashi, who starts as Takazo and evolves into a legendary philosopher and swordsman.

  • What is the initial motivation behind Takazo's journey in 'Vagabond'?

    -Takazo's initial motivation is to prove his strength by defeating famous swordsmen across the land and becoming 'invincible under the sun', stemming from his deep-seated fear of being left at the bottom.

  • How does the character of Musashi develop throughout the series?

    -Musashi's character develops from a callous and self-centered individual to a more introspective, kind, and methodical person, learning from his experiences and mentors.

  • What role does the Buddhist monk Takuan play in Musashi's spiritual journey?

    -Takuan saves Musashi from self-loathing and teaches him to value his own life, leading Musashi to focus less on external conflicts and more on introspection and self-improvement.

  • How does the concept of 'Zen' from the book 'Zen in the Art of Archery' relate to Musashi's journey in 'Vagabond'?

    -The concept of 'Zen' involves achieving a state of emptiness and acute awareness, which parallels Musashi's experiences where he enters a state of zen during pivotal moments, leading to profound personal growth and understanding.

  • What is the significance of Musashi's fight with Den Sichiro in the manga?

    -Musashi's fight with Den Sichiro is significant as it highlights the transformation in Musashi's character and his new understanding of strength, as he is able to fight without drawing his blade, embodying the zen concept of art becoming artless.

  • How does Musashi's encounter with Master Yagyu influence his perception of strength?

    -Musashi's encounter with Master Yagyu shifts his perception of strength from killing others to understanding the profound kindness and the true meaning of being invincible, realizing that true strength lies within oneself.

  • What is the connection between Musashi's introspective battles and the concept of 'Metta' in Buddhism?

    -The concept of 'Metta' in Buddhism revolves around kindness and appreciation for life. Musashi's introspective battles lead him to embody this idea by showing genuine compassion and respect for others, even his opponents.

  • How does the manga 'Vagabond' reflect the idea of flowing with life?

    -The manga reflects the idea of flowing with life through Musashi's experiences and realizations, where he learns to adapt and change, much like water, instead of trying to fight against the natural flow of life.

  • What is the significance of the art style used by Takahiko Inoue in 'Vagabond'?

    -Takahiko Inoue's art style, which includes using ink brushes for both coloring and line work, embodies the theme of flow and imperfection, reflecting the manga's philosophical underpinnings and Musashi's journey.

  • What lesson can be learned from the creator's personal experience with taking a Buddhism class?

    -The lesson is to find positivity in undesirable situations, as unexpected insights and opportunities can arise, such as gaining a deeper appreciation for a subject or developing new skills.

Outlines

00:00

🗡️ The Evolution of Miyamoto Musashi

This paragraph delves into the character development of Miyamoto Musashi, a legendary swordsman in manga, from his early days as Takazo to his eventual transformation into a philosopher. Initially, Musashi is portrayed as a young man obsessed with proving his strength through combat, driven by a fear of inadequacy stemming from an abusive upbringing. As the story progresses, Musashi evolves from a callous warrior to a more introspective and compassionate individual, guided by life experiences and mentorship. His journey is marked by a nuanced understanding of strength, which he redefines over time through self-reflection and spiritual growth, highlighting the believability of his character's evolution.

05:00

🧘‍♂️ Zen and the Art of Swordsmanship

The second paragraph explores the influence of Zen Buddhism on Musashi's life and his pursuit of swordsmanship. It discusses the concept of Zen as a path to spiritual enlightenment through the arts, rather than traditional religious practices. The paragraph references 'Zen in the Art of Archery' by Eugen Herrigel, drawing parallels between the philosophical teachings and Musashi's experiences. It explains the Zen goal of achieving a state of emptiness, where the mind is free from desires and distractions, and how this state can be reached through intense focus and practice in martial arts. The discussion includes the idea of 'artless art', where the practitioner transcends technique to a level of instinctive mastery.

10:00

🎯 The Profound Experiences of Musashi

This paragraph examines the pivotal moments in Musashi's life that lead to profound personal growth and spiritual experiences. It discusses Musashi's encounter with a Buddhist monk, Takuan, who teaches him to value his own life and look inward for strength. The narrative highlights Musashi's transformation from seeking external validation through combat to finding inner peace and self-worth. The paragraph also touches on Musashi's battles, particularly his fight with Den Shichiro, where he enters a state of zen, demonstrating a transcendent level of swordsmanship that goes beyond physical technique.

15:01

🌱 Musashi's Spiritual and Philosophical Transformation

The fourth paragraph continues to explore Musashi's journey, focusing on his encounters with Master Yagyu and the philosophical shifts that occur as a result. It discusses how Musashi's understanding of strength evolves from a desire to be invincible to recognizing the insignificance of such a concept. The paragraph also delves into Musashi's introspection during his battle with the 70 Yoshioka, where he demonstrates an advanced level of perception and a deep respect for his opponents. The summary emphasizes Musashi's internal struggle and the life lessons that lead him to value kindness and compassion over violence.

20:02

🛣️ Musashi's Life Lessons and Growth

This paragraph reflects on the broader implications of Musashi's experiences and the life lessons he learns along the way. It discusses how Musashi's character changes over time, moving from a fear-driven fighter to a compassionate and introspective individual. The narrative highlights Musashi's ability to adapt, such as when he adopts a more defensive fighting style after an injury, and his realization that some things in life cannot be fought. The paragraph concludes with a discussion of Musashi's newfound appreciation for the natural world and the importance of kindness, reflecting the Buddhist concept of metta.

25:03

🎨 The Artistry of Takahiko Inoue and Life's Flow

The final paragraph shifts focus to the artistic techniques of Takahiko Inoue, the creator of the manga 'Vagabond'. It discusses Inoue's unique use of ink brushes for both coloring and line work, which embodies the theme of fluidity and natural beauty present in the story. The paragraph draws a parallel between Musashi's life philosophy and Inoue's artistic approach, emphasizing the idea of flowing with life's challenges. It concludes with a personal reflection on the value of finding positivity in undesirable situations, inspired by Musashi's character development and the creator's artistic process.

📚 Embracing Life's Opportunities for Growth

In this closing paragraph, the narrator shares personal insights about making the most out of life's opportunities, even when faced with challenges or undesirable situations. The narrator reflects on their own experience of taking a university class on Buddhism, which unexpectedly led to a deeper appreciation for the manga 'Vagabond'. The summary encourages viewers to find positivity and growth in every situation, highlighting the potential for unexpected benefits and personal development.

Mindmap

Keywords

💡Miyamoto Musashi

Miyamoto Musashi is a legendary Japanese swordsman, philosopher, and the central figure in the manga discussed in the video. He is depicted as a character with a profound journey of self-discovery and enlightenment. In the script, Musashi's evolution from a young man seeking strength through combat to a more introspective and philosophical person is highlighted, illustrating the theme of personal growth and the search for true strength.

💡Self-discovery

Self-discovery refers to the process of understanding oneself, one's values, and one's purpose in life. In the context of the video, Musashi's journey is deeply rooted in self-discovery, as he moves from a focus on physical strength to a more nuanced understanding of strength that includes mental and spiritual dimensions. His character development exemplifies the theme of self-discovery, as he learns from his experiences and encounters throughout the manga.

💡Zen

Zen is a school of Buddhism that emphasizes meditation and experiential wisdom. The video script discusses the influence of Zen on Musashi's character development, particularly in his quest for enlightenment and understanding of true strength. The script mentions 'Zen in the Art of Archery,' a book that parallels Musashi's experiences, suggesting that spiritual enlightenment can be achieved through the mastery of an art form, which is a central theme in the video.

💡Strength

In the video, 'strength' is a multifaceted concept that evolves throughout Musashi's journey. Initially, it is associated with physical prowess and the ability to defeat others. However, as the video progresses, strength comes to encompass mental fortitude, self-awareness, and spiritual enlightenment. The script uses Musashi's character to explore the various dimensions of strength and how it is ultimately found within oneself.

💡Vagabond

Vagabond is the title of the manga being discussed in the video, which is a fictionalized account of Miyamoto Musashi's life. The script uses the term to refer to the narrative and Musashi's experiences within the manga. The video explores how the manga portrays Musashi's transformation and the philosophical themes it contains.

💡Takahiko Inoue

Takahiko Inoue is the author and illustrator of the manga 'Vagabond.' The script mentions Inoue's unique drawing technique, which uses ink brushes for both coloring and line work, reflecting the themes of the manga. His artistic style is highlighted as a significant aspect of the manga's presentation, adding depth to the narrative.

💡Takuan

Takuan is a Buddhist monk who plays a pivotal role in Musashi's spiritual journey in the manga. The script describes how Takuan helps Musashi move away from self-loathing and towards self-acceptance and introspection. Takuan's teachings are instrumental in Musashi's understanding of true strength and his personal growth.

💡Sekigahara

The Battle of Sekigahara is a historical event referenced in the script, where Musashi (then known as Takazo) fights for fame. This battle serves as a backdrop to Musashi's early pursuit of strength and recognition, contrasting with his later, more introspective approach to life and combat.

💡Denshichiro

Denshichiro is a character in the manga 'Vagabond' and a significant opponent of Musashi. The script discusses their encounter as an example of Musashi's transformation, where he enters a state of zen and acts without conscious thought, reflecting the video's theme of transcending one's self to achieve a higher level of understanding and skill.

💡Yagyu

Yagyu is a master swordsman and a character who influences Musashi's understanding of true strength in the manga. The script describes Musashi's encounter with Yagyu as a turning point in his life, where he realizes that true strength is not about being invincible but about understanding one's self and the world around them.

💡Metta

Metta is a Buddhist concept of loving-kindness and compassion towards all sentient beings. The script mentions this concept in relation to Musashi's actions in helping a starving village, reflecting his growth from a self-centered warrior to a compassionate individual who values the well-being of others.

Highlights

Miyamoto Musashi's journey of self-discovery and enlightenment is portrayed as a unique and thought-provoking narrative in the manga.

Musashi's initial concept of strength is tied to his ability to defeat others, stemming from a fear of being left behind.

The manga shows Musashi's growth from a callous and self-absorbed individual to a more introspective and kind person.

Musashi's early life experiences, including an abusive father, contribute to his insecurities and actions.

The gradual development of Musashi's character is paced naturally, reflecting significant changes over 25 volumes.

Musashi's spiritual journey begins with meeting a Buddhist monk named Takuan, shifting his understanding of strength.

Zen practices are depicted as a means to achieve spiritual enlightenment through arts such as swordsmanship.

The concept of 'artless art' is introduced, where the practitioner transcends technique to a state of naturalness.

Musashi's battle with Den Sichiro illustrates his evolved understanding of strength and zen-like state during combat.

Musashi's introspection during combat allows him to read opponents' intentions, reflecting a heightened sense of awareness.

The encounter with Master Yagyu is pivotal for Musashi, challenging his previous notions of invincibility and strength.

Musashi's character transformation is evident in his respect for opponents and the duels they share.

The manga reflects on the importance of kindness and sympathy, even in Musashi's earlier violent actions.

Musashi's philosophy of flowing with life, like water, is a key takeaway from his experiences and growth.

The art style of the manga, using ink brushes, mirrors the themes of flow and natural beauty.

The author's personal experience with Buddhism in university led to a deeper appreciation of the manga's themes.

The video concludes with a message of finding positivity in undesirable situations, relating to Musashi's character journey.

Transcripts

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miyamoto musashi is one of the most

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fascinating protagonists in all of manga

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even compared to some of his seinen

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contemporaries musashi's journey of

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self-discovery and enlightenment makes

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for a truly unique and thought-provoking

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story

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before becoming the philosopher

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swordsman of legend we're introduced to

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him as takazo a young man who wants to

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prove his strength by defeating famous

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swordsmen across the land and becoming

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in his own words invincible under the

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sun

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however this is a path paved with death

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as takazo's idea of strength lies only

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within his ability to kill other

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warriors because despite his grand

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ideals of standing at the top his real

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motivations stem from a deep-seated fear

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of being left at the bottom

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being raised by an abusive father has

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left takazo angry and afraid of the

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world and he acts the way he does to

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cover up these insecurities

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for much of early vagabond i was kind of

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frustrated with musashi because of his

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callousness disregard for life and

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generally because he was kind of a dumb

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ass however i do think that this was

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intentional he's just so caught up in

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his pursuit of strength that he ignores

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the beautiful world around him and

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pushes away those who care about him and

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it creates this kind of disconnect

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between him and the reader which slowly

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closes over time as we learn more about

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his upbringing and see him grow as a

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person

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through guidance and experience he

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becomes a much more methodical

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introspective and kind individual it was

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always a story about self-betterment but

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over time musashi gains a much more

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nuanced understanding of what it means

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to have strength

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and what makes his journey so compelling

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is the believability of it

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everything from the densely drawn

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environments the small details like

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people having to shave and bathe and the

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characters who all have their own lives

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within this world with motivations flaws

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and philosophies which guide them

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throughout their own personal journeys

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mirroring clashing and oftentimes

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changing to reflect their experiences of

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course this is a fictional version of

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musashi's life so there are definitely

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some creative liberties taken but

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there's always a sense that the story is

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grounded in reality and on top of

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everything i just mentioned i think a

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lot of that comes from the very very

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gradual development of musashi's

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character

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look at takazo in volume 1 then musashi

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in volume 25 and you'll see two

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completely different people i mean

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obviously a character can drastically

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change over the course of 25 volumes but

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his growth is paced so gradually and

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handled so naturally that it almost

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doesn't register until you really take a

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step back and look at the bigger picture

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so many of the life-changing lessons

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musashi learns take time to fully sink

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in and it's only after repeated failure

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and reflection that he's able to truly

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internalize these changes

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musashi's spiritual journey begins when

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he meets a buddhist monk named takuan

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at this point in the story his idea of

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strength is solely reliant on his

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physical capabilities so after being

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captured by a monk and stripped of his

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agency musashi deems himself a failure

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and wishes for death he hates himself

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because for his entire life all he's

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ever known is this toxic idea that

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you're only ever worth something if you

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can prove that you're the best

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but it's taco on who saves musashi from

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his self-loathing and teaches him to

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value his own life he stops focusing so

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much on external conflicts and instead

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starts looking inward challenging

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himself rather than the world around him

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compare takazo fighting in the battle of

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sekigahara for fame with musashi

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climbing some random mountain just to

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see if he could

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he isn't proving anything to anyone but

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himself

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such a profound change could only be

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brought about by profound experiences

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and that's what i want to talk about in

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this video because there are these

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moments in vagabond where that

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aforementioned veil of reality is lifted

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and we're left with what i can only

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describe

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as transcendent spirituality

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yagyu protecting himself in his sleep

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musashi forgetting to draw his blade

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taqwan exuding a demonic presence

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small instances that almost imply a

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supernatural influence

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these are the moments that lingered in

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the back of my mind after i finished

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reading the latest chapter and for the

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longest time i felt like i didn't really

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understand what they all meant sure i

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had a general idea and i definitely knew

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that these instances were psychological

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instead of supernatural but i felt like

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there was more to it that i just didn't

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understand

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that is until i read a certain book

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zen in the art of archery was published

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in 1948 and written by the german

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philosopher oygen herigel it details his

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experience training under a master of

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japanese zen buddhism and it was written

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with the intent of explaining zen to

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western people now i really recommend

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reading this book for yourself because

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oygen's experience is really interesting

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and that just around 80 pages it's

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really accessible even to the typical

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manga degenerate who can't handle more

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than three sentences per page the

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language is a bit unconventional because

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it was written in the 40s and translated

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from german to english but just give it

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a couple pages and you'll get used to it

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the links are in the description

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okay now that all the nerds have left

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the room let me preface this by saying

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that i am not an authority on the

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subject and that any knowledge i have

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regarding zen is purely from an academic

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standpoint not a practical one so i'll

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try to explain this to the best of my

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ability but even oygan himself admits

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that it can be difficult to explain

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without experiencing it yourself

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as

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like all mysticism zen can only be

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understood by one who is himself a

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mystic and is therefore not tempted to

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gain by underhand methods what the

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mystical experience withholds from him

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but essentially the goal of zen is to

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achieve a state of being in which one

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loses their sense of self allowing their

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minds to become empty and therefore

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open to everything

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the mind reaches a kind of equanimity an

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acute state of awareness where it's free

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from disparate thoughts of desire

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emotion or pain

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now when people typically think of

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buddhist practices things like

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meditation and prayer come to mind but

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in the case of zen it's believed that

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spiritual enlightenment can actually be

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achieved through the arts things like

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ink painting tea ceremonies and flower

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arrangement along with martial arts like

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archery and swordsmanship

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however it's really important to

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understand that students of zen are not

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learning these skills for their original

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utilitarian purpose they are learning

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them exclusively as an art form in

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oygen's case he doesn't learn archery

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for the purpose of hunting fighting or

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sport but rather for the sake of the art

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itself

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because by training one's body and mind

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through these arts they can eventually

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reach that state of emptiness and it's

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within that moment that the art becomes

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artless

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then comes the supreme and ultimate

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miracle

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art becomes artless

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shooting becomes not shooting a shooting

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without bow and arrow

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the teacher becomes a pupil again the

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master a beginner

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the end a beginning

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and the beginning perfection

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so what i'm saying actually you see i

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mean it's a combination of both i mean

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here it is the natural instinct and here

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is control

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you are to combine the two in harmony

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the ideal is unnatural naturalness or

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natural unnaturalness

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this might sound kind of blasphemous for

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me to say but you can almost think of it

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like high level daydreaming

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imagine focusing on something so much

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that your perception of the rest of the

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world falls away

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now imagine the subject of your focus

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falling away too

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and what are you left with

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nothing

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but also

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everything

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for all my math homies out there imagine

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focusing on a single point that becomes

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infinitesimally small

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eventually the point will become so tiny

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that it might as well not even exist

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and you'll realize that while focusing

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on something that becomes nothing

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your focus has now extended to infinity

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i understand that this can sound really

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vague and even paradoxical but this is

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the point where the spiritual concepts

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of zen become difficult to explain so

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let's reign it in a little and try to

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understand this in simpler terms with an

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example after training with his master

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for four years oygan eventually achieves

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a state of zen while firing off an arrow

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then one day after a shot the master

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made a deep bow and broke off the lesson

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just then it shot he cried as i stared

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at him bewildered

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and when i at last understood what he

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meant i couldn't suppress a sudden whoop

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of delight

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what i have said the master told me

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severely was not praise only a statement

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that ought not to touch you

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nor was my bow meant for you for you are

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entirely innocent of this shot

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you remained this time absolutely

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self-oblivious and without purpose in

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the highest tension

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so that the shot fell from you like a

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ripe fruit

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once again i understand that this seems

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contradictory or paradoxical like how

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can the master say that oygan is

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innocent from this shot when it's

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clearly oygin that's holding the bow

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knocking the arrow and letting it go

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this is where a lot of people

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understandably get confused within the

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abstraction honestly myself included

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even oygen finds it difficult to

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articulate a definite unambiguous

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explanation of what happened despite the

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fact that he himself has experienced a

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state of zen but in essence art is

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simply a means for deeper introspection

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and spiritual enlightenment which is

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also why so many of oygan's experiences

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with archery can be applied to musashi's

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experiences with swordsmanship

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one of the ways that this relates to

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vagabond is when the master explains

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that bow and arrow are only a pretext

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for something that could just as well

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happen without them

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only the way to a goal not the goal

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itself

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which is exactly what happens during

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musashi's second fight with den shichiro

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as the two combatants approach each

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other then shichiro draws his blade and

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assumes a stance

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he's tense and anxious

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after all he's facing the man who killed

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his own brother musashi on the other

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hand is calm and composed

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unconcerned with himself and only

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focused on how he will swing his sword

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until eventually

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it

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swings

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for just a moment musashi enters a state

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of zen and swings without drawing his

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blade

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just like a bow and arrow a blade is

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only a pretext for something that could

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just as well happen without it

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notice how musashi becomes unaware of

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his body's actions only coming to his

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senses after bumping into den shichiro

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just like oygen not realizing that he

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had entered a state of zen until seeing

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his master bow look at musashi's eyes

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during these moments and all you'll see

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is emptiness

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even when trying to recall their

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encounter musashi doesn't seem to

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remember many of the details or even

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some of his own actions

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this next one might be a stretch but

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during the fight both men notice a key

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difference between each other musashi

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observes denshichiro's rigid posture and

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denchicudo marvels at musashi's strong

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presence despite his looseness

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this could be a reference to the special

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breathing techniques used by those who

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practice zen

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instead of relying on the strength of

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their muscles they instead use a

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breathing technique that allows them to

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tap into a sort of inner strength while

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staying outwardly relaxed in oygen's

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case he was having difficulty drawing

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his bow so his master showed him how to

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do so by using this technique

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for through this breathing you will not

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only discover the source of all

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spiritual strength but will also cause

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this source to flow more abundantly and

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to pour more easily through your limbs

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the more relaxed you are

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and as if to prove it he drew his strong

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bow and invited me to step behind him

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and feel his arm muscles they were

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indeed quite relaxed as though they were

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doing no work at all

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now i'm not going to pretend like this

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is a one-to-one comparison but the idea

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is still there i mean just look at the

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animalistic way that musashi used to

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fight and compare that with his delicate

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flowing swings in the latter half of the

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manga there's almost a weightlessness to

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his movements as if his body was under

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no strain whatsoever and even after

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injuring his leg he's still somewhat

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able to fight

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but most importantly this moment between

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musashi and denchichito highlights the

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distance between them and their past

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selves

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it's been around a year since they last

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fought with nearly 200 chapters in

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between and while danshichiro hasn't

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really changed much the same can't be

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said for musashi oygen actually

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experienced something very similar to

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this

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after spending several years learning

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the way of zen in japan he eventually

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had to return home and as he was leaving

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his master left him with a warning

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you have become a different person in

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the course of these years for this is

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what the art of archery means a profound

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and far-reaching contest of the archer

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with himself

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perhaps you have hardly noticed it yet

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but you will feel it very strongly when

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you meet your friends and acquaintances

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again in your own country things will no

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longer harmonize as before

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you will see with other eyes and measure

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with other measures

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musashi has moved past the person he was

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a year ago

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his fear replaced with calmness his

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bloodlust replaced with mercy

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he even offers to call off the duel once

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he realizes the difference in their

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strength returning then she chose

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sentiments from their previous encounter

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but this time neither of them run away

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and the fight ends with denshi chito's

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death

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this leads into musashi's battle with

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the 70 yoshioka and it's during this

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scene that musashi once again enters a

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state of emptiness allowing the loss of

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his own ego and letting his mind flow

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into a deep introspection

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he loses track of himself

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his opponents

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and his own thoughts

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even the artwork becomes more abstract

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to reflect musashi's growing

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dissociation but then something really

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interesting happens

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musashi seemingly gains the ability to

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read his opponent's intentions and is

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able to distinguish between those who

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wish to kill him and those who don't

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have the resolve to fight this could be

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an allusion to an anecdote by the

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religious scholar and buddhist monk dt

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suzuki who's featured in ogan's book the

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anecdote follows a student learning the

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art of swordsmanship from a zen master

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the student repeatedly tries and fails

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to hit his master who effortlessly

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dodges and avoids the student's strikes

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even when he isn't expecting them and

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when trying to understand how the master

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is able to do this suzuki explains that

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the pupil must develop a new sense or

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more accurately a new alertness of all

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of his senses which will enable him to

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avoid dangerous thrusts as though he

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could feel them coming

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once he has mastered this art of evasion

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he no longer needs to watch with

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undivided attention the movements of his

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opponent or even of several opponents at

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once rather he sees and feels what is

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going to happen and at that same moment

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he has already avoided its effect

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without there being a hair's breath

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between perceiving and avoiding

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this then is what counts

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a lightning reaction which has no

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further need of conscious observation

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this can be seen in musashi's behavior

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during this battle he fights even when

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he can't see his opponents whether he's

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blinded with mud or simply too deep in

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his own introspection that he loses

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sight of his surroundings

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and within that introspection he begins

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to question the very purpose of all this

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and decides that he will live on and

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escape this spiral of killing inching

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ever closer to the idea of true strength

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he saw long ago when he met master yagyu

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this encounter is one of the most

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important moments in the manga because

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it begins one of the major shifts in

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musashi's character

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at this point in the story musashi is

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trying to kill yagyu under the idea that

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killing someone of his status will prove

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his own strength

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he eventually finds yagyu but despite

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being an old man asleep in his bed

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musashi simply cannot kill him

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it isn't pity or guilt that's stopping

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him

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but rather a profound display of

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kindness

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this is when musashi's understanding of

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strength begins to change

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even someone like itosai who is much

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farther along in his journey gained some

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insight into the nature of strength by

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talking to yagyu

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the imagery used in this scene and

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musashi's relationship to yagyu are very

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similar to a part of that previous

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anecdote

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one day the master was found cooking his

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own vegetables over an open fire

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the pupil took it into his head to avail

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himself of this opportunity taking up

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his big stick he let it fall on the head

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of the master who was then stooping over

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the cooking pan to stir its contents but

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the pupil stick was caught by the master

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with the cover of the pan

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this opens the pupils minds to the

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secrets of the art which had hitherto

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been kept from him

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he then for the first time

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really appreciated the unparalleled

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kindness of the master

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musashi compares his own understanding

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of what it means to be invincible with

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what he's experiencing from the old man

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in front of him

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he flashes back to his father who was

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crushed under the weight of his own

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achievements and driven mad by the

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thought of being invincible

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untouchable to the point that he was

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afraid of anyone who could ever threaten

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that identity

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even his own son

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through his inability to harm yagyu

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musashi comes to realize that to be

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invincible

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really means nothing at all

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and within that nothingness

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you can see just how infinite you truly

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are

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this is the point in the story where

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musashi really starts to look inward

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remember that mountain he climbed just

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to see if he could well that's one of

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the first things he does after meeting

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yagyu

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and as he reaches the top all he sees

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are higher peaks stretching infinitely

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towards the sky

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a beautiful representation of the

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journey to come

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at this point you might be wondering

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what's the point of all this

play18:30

understanding oneself reaching

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enlightenment mastering an art what's it

play18:34

all for

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and to answer that question i want to

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take a look at the most infamous parts

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of the manga

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during the farming arc musashi comes

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across a starving village and helps them

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grow crops he doesn't have any ulterior

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motives and he doesn't even do it for

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recognition as he gives them the name

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takazo instead of musashi

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he simply helps them out of genuine

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sympathy and kindness

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because after all any random person or

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even animal has the ability to kill

play19:05

but to show kindness to others

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one must be truly strong

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this isn't really mentioned in oygan's

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book but metta is a buddhist concept

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that revolves around appreciation of the

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natural world and the value of kindness

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towards sentient life

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and i think at this point in vagabond

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musashi embodies this idea in his own

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way

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it might seem a bit hypocritical for me

play19:28

to say that considering all of the

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people he's killed but you have to

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consider the key difference in his

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motivations and circumstances at various

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points in the story

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he began as an instigator seeking out

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fights and killing as a means to prove

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his own self-worth and throughout the

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story it's a constant struggle for him

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to break free of that toxic mindset

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but no matter how many setbacks musashi

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faces he always strives to move forward

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to change and to grow from the person he

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was yesterday

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all of his experiences in life

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regardless of whether they were good or

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bad helped musashi understand himself

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and the world a little better like how

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he was forced to adopt a more defensive

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fighting style after crippling his leg a

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pretty literal representation of him

play20:10

learning to stop seeking confrontation

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and not just with other people but also

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with nature and life itself

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like when he's trying to stop a flooding

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river from ruining iori's rice paddy

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musashi tries time and time again to

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obstruct the flowing river but even

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something as soft as water can be strong

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enough to smash through stone

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so instead of trying to stop the water

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musashi redirects it i said empty your

play20:36

mind

play20:38

be formless

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shapeless

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like water

play20:43

now you put water into a cup

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it becomes the cup you put water into a

play20:48

bottle it becomes the bottle you put in

play20:50

a teapot it becomes the teapot now water

play20:53

can flow

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or it can crash

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be water my friend

play21:00

simply put musashi learns to flow with

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life

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whether it be with nature other people

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or yourself there are some things you

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can't fight and some fights you can't

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win

play21:12

but once you accept these truths once

play21:15

you realize your own weakness and

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insignificance in the grand scheme of

play21:19

things

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you will be free free to look the other

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way to look inward where you will find

play21:25

that strength purpose and infinity all

play21:29

exist from within your own self

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and this isn't just idealistic [ __ ]

play21:34

either this philosophy is literally

play21:36

reflected in the way that takahiko inoue

play21:39

draws vagabond

play21:41

on top of pens and pencils he often uses

play21:44

ink brushes not only to color in the

play21:46

blacks like most mangaka but to actually

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draw the line work and his art embodies

play21:51

that idea of flow in the way that he

play21:53

works with the imperfections of the

play21:55

brush

play21:57

while he is definitely the one holding

play21:58

the brush and moving it across the paper

play22:01

inoy gives the ink a certain degree of

play22:03

freedom to flow on its own accord

play22:06

of course there is some masterful

play22:08

[ __ ] artistry on display here but at

play22:11

the same time there's also an element of

play22:13

chaos

play22:14

faded colors uneven lines and straight

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bristles guided by inoue's hand create

play22:20

an image that is all at once

play22:21

deliberately crafted and natural in its

play22:24

beauty and i think it can't be

play22:27

understated just how cool it is that

play22:28

inoue's technique reflects his art in

play22:31

such a unique and thematically relevant

play22:33

way

play22:35

by the end of the story musashi is much

play22:37

more considerate of his opponents both

play22:40

in who he chooses to fight and how he

play22:43

chooses to fight them

play22:44

his previous disregard for life gives

play22:47

way to a profound respect towards his

play22:49

opponents whether it be offering peace

play22:52

honoring them in death or just

play22:54

appreciating the duel they had

play22:56

and i think for me that's the real

play22:58

takeaway here

play22:59

those small moments where musashi just

play23:02

takes a second to reflect on the

play23:03

positive aspects of his life and express

play23:06

his gratitude

play23:07

like how he tries to find his sword

play23:09

after fighting the 70 yoshioka

play23:11

it made me think back to when this dude

play23:13

was using freaking sticks and rocks to

play23:15

beat people to death whereas now he's

play23:18

lamenting the loss of his sword because

play23:20

he knows how hard kotetsu worked on it

play23:23

or how about musashi's shallow

play23:24

relationship with jyotaro compared to

play23:26

his genuine compassion for iori

play23:29

these are real tangible changes in

play23:32

musashi's character and i think it

play23:34

speaks volumes that even when he finds

play23:36

himself starving and working himself to

play23:38

the bone every single day for scraps in

play23:42

some nameless backwater village

play23:44

he can still smile

play23:46

like this

play23:50

i was originally going to title this

play23:51

video understanding vagabond or

play23:54

something pretentious like that and

play23:56

while i do think i have a better

play23:57

understanding of the narrative after

play23:59

reading zen in the art of archery i'd

play24:01

honestly say that it gave me a deeper

play24:02

appreciation for vagabond than its

play24:04

themes more than anything

play24:06

now whether that's even more pretentious

play24:08

than what i originally said i'll leave

play24:10

that up to you but what i'm ultimately

play24:12

trying to say here is that reading this

play24:14

book made me enjoy this book

play24:16

even more than i already did so if you

play24:19

enjoyed vagabond i highly recommend

play24:21

reading zen in the art of archery for

play24:23

yourself

play24:25

if you've gotten this far into the video

play24:27

then you might still have one last

play24:29

question on your mind

play24:31

why

play24:32

why did i even read this book in the

play24:35

first place

play24:36

and the very disappointing answer to

play24:37

that question is because i had to take

play24:39

an elective class in university and i

play24:42

just so happened to pick a class about

play24:44

buddhism

play24:45

now if you've ever gone to college or

play24:46

university then you know that you're

play24:48

required to take a bunch of general ed

play24:50

and elective classes that have

play24:51

absolutely nothing to do with what

play24:54

you're actually trying to study this is

play24:56

without a doubt just a [ __ ] excuse

play24:58

to keep you there for longer and to get

play25:00

as much money from you as possible but

play25:02

at the end of the day higher education

play25:04

in the us is a scam and it seems like we

play25:06

just have to live with it

play25:07

that being said

play25:09

you now have two options

play25:11

you could either be cynical and just

play25:13

pass the class while disregarding any of

play25:15

the actual lessons being taught

play25:17

or

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you can try to make the most of it

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because you never know when you might

play25:22

learn something that's actually relevant

play25:24

to your life maybe you'll even meet some

play25:26

cool people that you wouldn't have

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otherwise

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i know this was a pretty benign example

play25:30

but if you ever find yourself in an

play25:32

undesirable situation

play25:34

try to find something positive about it

play25:36

i mean just look at how many people

play25:37

became content creators because of the

play25:39

quarantine

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myself included so appreciate what you

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have and always try to look on the

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bright side take care you guys and i'll

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see you on the next one

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hey thanks for watching i really hope

play25:51

you enjoyed holy [ __ ] that took way

play25:53

longer than it should have i know it's

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been like uh insert how many months a

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year uh since my last upload but

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yeah i'm trying to get these out slowly

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but surely i've got like 10 trillion

play26:04

scripts in the works

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um it's just honestly a matter of time

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before i can just set aside enough time

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to actually record

play26:12

and

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finish scripting and just editing all of

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those

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but i really do appreciate you guys

play26:17

patience i know it can be frustrating

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waiting months and months and months for

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a video but i mean that's just how it is

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for now at least hopefully

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i'll be in a better position later to uh

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make more frequent uploads which i do

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want to do

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but until then i just want to thank you

play26:33

guys once again for your patience and i

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really do hope you enjoyed i also want

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to shout out my awesome patrons whose

play26:39

names are on screen now these folks are

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generous enough to support my efforts

play26:43

and it's just really bizarre and

play26:45

humbling to receive any kind of support

play26:47

like this so seriously thank you you

play26:50

guys are awesome

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Etiquetas Relacionadas
Vagabond MangaMiyamoto MusashiZen PhilosophySelf-DiscoverySwordmanshipSpiritual GrowthMartial ArtsBuddhist TeachingsCharacter DevelopmentLife Lessons
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