Best Scene Of Sunny Deol | Ghatak Movie #BollywoodScene | B4U Prime

B4U Prime
25 Oct 202113:47

Summary

TLDRThe script appears to be a mix of dialogues and song lyrics from a Hindi film, featuring a character named Ajay. It includes themes of strength, resilience, and the struggle for justice, with mentions of police corruption and the challenges faced by the protagonist.

Takeaways

  • 😀 The script seems to be a mix of dialogues and song lyrics, possibly from a film or a show.
  • 🎬 There are references to a character named Ajay, who is involved in some form of conflict or action.
  • 🔪 The script mentions violent acts such as hitting someone with a bad look and then taking out their heart.
  • 💡 The mention of 'oil' and 'oil extraction' could be symbolic or related to a specific plot point in the story.
  • 🌧️ The phrase 'thunderstorm' could be a metaphor for a chaotic situation or an actual weather event in the narrative.
  • 👮‍♂️ There is a mention of a police station and changing its area, suggesting a storyline involving law enforcement.
  • 💰 The script talks about earning money through hard work, possibly reflecting on the struggles of the working class.
  • 🐶 The metaphor of becoming a dog in a cage, losing one's freedom, is used to describe a transformation or a loss of dignity.
  • 🔥 The script contains religious chants and mantras, indicating a spiritual or cultural aspect to the story.
  • 📞 There is a mention of remembering a phone number related to Ajay, which could be a crucial plot element.
  • 🌟 The script ends with a chaotic mix of sounds and words, suggesting a climax or a dramatic ending.

Q & A

  • What is the significance of the phrase 'कर दो' in the script?

    -The phrase 'कर दो' is repeated several times in the script, suggesting it might be a key action or command in the narrative. It translates to 'do it' in English, indicating an urgency or a call to action.

  • Who is Ajay mentioned in the script?

    -Ajay appears to be a character in the script who is involved in some form of action or conflict. His name is mentioned multiple times, indicating his importance in the storyline.

  • What does the script imply about the character who is said to 'kill with a bad look and then take out his heart'?

    -This description suggests a violent and ruthless character who is not only capable of murder but also performs a gruesome act of removing the heart of their victims.

  • What is the significance of the mention of 'oil' in the context of the script?

    -The mention of oil in the script could be metaphorical or literal. It might symbolize a need for resources or be part of a ritual or a method of killing, as suggested by the line 'मेरे तेल निकालने के लिए में तेल चाहिए' (I need oil to extract oil).

  • What is the role of the character who is described as 'a hand of the laborer'?

    -The 'hand of the laborer' might symbolize a worker or a representative of the working class. The description of changing the shape of iron by heating it suggests a transformative role or a metaphor for the power of labor.

  • What is the significance of the mention of 'cartoons' in the script?

    -The mention of cartoons could be a metaphor for simplicity or a way to describe the unrealistic expectations or perceptions of the characters involved in the narrative.

  • What does the script suggest about the character who is compared to a 'lion'?

    -Being compared to a lion suggests strength, courage, and leadership. It might indicate that this character is respected or feared by others in the script.

  • What is the significance of the mention of 'Switzerland' in the script?

    -The mention of Switzerland could be a reference to a place of safety or a symbol of wealth and stability. It might be a goal or a place the characters aspire to reach or associate with.

  • What is the significance of the repeated phrase 'कर दो, कर दो' in the script?

    -The repeated phrase 'कर दो, कर दो' (do it, do it) could be a chant or a mantra used to motivate or incite action. It might be a call to arms or a command to proceed with a plan.

  • What does the script imply about the character who is said to 'take the initiative'?

    -The character who takes the initiative is likely a proactive figure who drives the action in the narrative. This could be a leader or someone who takes risks to achieve their goals.

  • What is the significance of the mention of 'nature's curse' in the script?

    -The mention of 'nature's curse' could be a metaphor for a natural disaster or a calamity that has befallen the characters. It might symbolize an external force that the characters must overcome.

Outlines

00:00

😀 Ajay's Bold Actions and Consequences

This paragraph introduces Ajay, a character who is portrayed as fearless and ready to fight anyone. It highlights his reputation for being ruthless, as he is known to kill people with a bad look and then remove their hearts. The paragraph also mentions Ajay's involvement in extracting oil for hunting, and his readiness to open opportunities and listen to advice. The narrative includes a mix of music and dialogue, emphasizing Ajay's strength and the impact of his actions on others.

05:01

😨 Ajay's Encounters with Law and Society

In this paragraph, the focus shifts to Ajay's interactions with the law and society. It discusses his confrontations with the police and his audacity to challenge authority figures like the district chief, Sudhir. The narrative also touches on Ajay's manipulation of the police station's jurisdiction and his defiance in the face of corruption. The paragraph is filled with musical interludes and dialogue that highlight the tension and drama of Ajay's encounters, as well as his determination to assert his dominance.

10:03

😌 Reflections on Ajay's Impact and Society's Response

This paragraph reflects on the impact of Ajay's actions and the societal response to his behavior. It discusses the distress caused by his actions, particularly the suffering of his brother, and the public's mixed reactions to his deeds. The paragraph also addresses the transparency of Ajay's actions and the consequences faced by those who oppose him. The narrative includes a call for awareness and caution, urging people to remember the potential dangers of engaging with such individuals. The paragraph concludes with a mix of music, praise, and laughter, adding a layer of complexity to the portrayal of Ajay's character.

Mindmap

Keywords

💡कर दो (Kar Do)

The phrase 'कर दो' translates to 'Do it' in English. It is repeated several times throughout the script, suggesting a theme of action or taking initiative. It is used to emphasize a call to action or a challenge being issued, as seen in the context 'कर दो, अजय को' which could be urging someone named Ajay to take some action.

💡अजय (Ajay)

Ajay appears to be a character in the video, possibly the protagonist or a significant figure. The script repeatedly mentions Ajay in various contexts, indicating his importance to the narrative. For example, 'अजय को' is used in a way that implies Ajay is being addressed or referred to in relation to certain actions or events.

💡संगीत (Sangeet)

Sangeet translates to 'music' in English. The script mentions 'संगीत' in several places, suggesting that music plays a significant role in the video. It could be used to set the mood, accompany actions, or highlight emotional moments, as indicated by the recurring '[संगीत]' throughout the transcript.

💡मौत (Maut)

Maut means 'death' in Hindi. The script mentions 'मौत' in the context of contemplating or facing death, which could be a central theme or a dramatic element in the video. For instance, 'इसकी मौत सोचने पड़ेगी' suggests someone is considering the implications of death.

💡भ्रष्ट (Bhrashta)

Bhrashta translates to 'corrupt' in English. The script uses this term to describe a character or situation, indicating a theme of corruption or moral decay. It is used in the context 'भ्रष्ट हैं, अजय को', which could imply that Ajay is corrupt or is dealing with corrupt individuals.

💡मजदूर (Mazdoor)

Mazdoor refers to a 'laborer' or 'worker'. The script mentions 'मजदूर' in relation to work and labor, suggesting a focus on the working class or the struggles they face. The phrase 'मजदूर का हाथ' could be highlighting the role or contribution of laborers.

💡ताकत (Takht)

Takht translates to 'strength' or 'power'. The script uses this term to describe physical or metaphorical strength, as in 'ताकत खून पसीने से कमाई हुई रोटी के है', which could be a metaphor for strength gained through hard work or struggle.

💡मर्द (Mard)

Mard means 'man' or 'male' in Hindi. The script uses this term in various contexts, possibly to discuss masculinity, courage, or the role of men in the narrative. For example, 'ये मर्दों में रहो शेर की तरह' could be advising someone to live like a lion among men.

💡कठोरता (Kathorata)

Kathorata translates to 'toughness' or 'hardness'. The script mentions this term in the context of becoming tougher or more resilient, as in 'कठोरता करेगा', which suggests a theme of personal growth or development through adversity.

💡भाईयों (Bhaiyon)

Bhaiyon means 'brothers' in Hindi. The script uses this term to possibly address a group of people or to refer to a community of men. It could be used to convey a sense of camaraderie or to invoke a collective identity, as in 'भाइयों की जगह रह जाते'.

💡सुधीर (Sudhir)

Sudhir is a personal name mentioned in the script, likely referring to a specific character or person involved in the narrative. The context 'प्रदेशाध्यक्ष सुधीर व' suggests that Sudhir might hold a position of authority, such as a district head.

Highlights

ए मुन्ना के लिए मैं किसी के साथ भी लड़ सकता हूं

यह आदमी बुरी नजर से मारता है और फिर उसका दिल निकाल लेता है

मैं अच्छी हूं

कातिया, लोहा पिघलाकर उसका आकार बदल देता है

ताकत खून पसीने से कमाई हुई रोटी की है

गली में रहने से बेहतर है यह मर्दों में रहो शेर की तरह

पिंजरे में आकर शोर भी कुत्ता बन जाता है

नाम होगा तुम्हारा, रुपया पैसा मिलेगा, इज्जत होगी तुम्हारी और लोग तुमसे डरेंगे

मर्द बनने का इतना शौक है तो कुत्तों का सहारा लेना छोड़ दे

अजय को कर दो

यह मजदूर का हाथ है, लोहा पिघलाकर उसका आकार बदल देता है

सदा रहेंगे तेरी सदा यह है कि यह तेरी सदा खुश

जो लोग घायल हैं उनको 10 ₹70 मैं अभी देता हूं

मौत कब किसे अपने शिकंजे में ले ले यह बात कोई नहीं जानता

हादसा किसी के साथ भी हो सकता है, जिंदा लोगों को यह याद रखना चाहिए

Transcripts

play00:00

कर दो

play00:02

[संगीत]

play00:06

ए मुन्ना के लिए मैं किसी के साथ भी लड़

play00:08

सकता हूं कि

play00:11

कर दो

play00:21

कर दो

play00:23

अजय को

play00:27

[संगीत]

play00:33

हुआ है

play00:36

वो

play00:37

कहते हैं बुरी नजर से यह आदमी को मारता है

play00:42

और फिर उसके बाद उसका दिल निकाल लेता है

play00:44

ऐसा सुबह मैंने का शिकार तेल निकालने के

play00:48

लिए में तेल चाहिए

play00:54

हुआ है

play00:57

अजय को

play00:59

[संगीत]

play01:01

हुआ है

play01:05

[संगीत]

play01:08

मैं हूं

play01:11

कर दो

play01:13

अजय को

play01:14

कि अ

play01:20

अजय को

play01:23

इस

play01:25

मौक ा

play01:29

कर दो

play01:34

को

play01:37

खोल दो

play01:41

कर दो

play01:44

और सुनाओ

play01:47

है

play01:48

तथा बाढ़ आ

play01:53

[संगीत]

play01:56

कि

play01:58

[संगीत]

play02:03

भ्रष्ट हैं

play02:07

अजय को

play02:10

हुआ है

play02:13

कर दो

play02:20

कर दो

play02:23

कि

play02:27

आप यूज करें

play02:32

[संगीत]

play02:34

मैं

play02:40

अच्छी हूं

play02:42

[संगीत]

play02:44

हुआ है

play02:48

कि अ

play02:51

हुआ है

play02:53

कर दो

play02:54

[संगीत]

play03:00

कर दो

play03:03

और सुनाओ

play03:05

[संगीत]

play03:13

कर दो

play03:15

[संगीत]

play03:25

कि

play03:27

भाड़ में

play03:30

कर दो

play03:33

अजय को

play03:37

क्यों क्या हुआ था फिल्म

play03:48

एक

play03:50

अच्छा किया जी जो रोक दिया वरना साथ

play03:54

भाइयों की जगह रह जाते

play03:57

काशीनाथ हमें खुशी हुई तुम्हारी बांसुरी

play04:00

देखकर

play04:01

तुम्हें भी बहुत खुशी होगी यह जानकर कि आज

play04:05

के बाद तुम मेरे ग्रुप में काम करोगे यह

play04:08

मजदूर का हाथ है कातिया

play04:10

लोहा पिघलाकर उसका आकार बदल देता है

play04:14

यह ताकत खून पसीने से कमाई हुई रोटी के है

play04:18

मुझे किसी के टुकड़ों पर पलने की जरूरत

play04:21

दैहिक कीड़े-मकोड़ों की तरह गली में रहने

play04:23

से बेहतर है यह मर्दों में रहो शेर की तरह

play04:28

पिंजरे में आकर शोर भी कुत्ता बन जाता है

play04:30

कहां से तू चाहता है कि मैं तेरे हां

play04:33

कुत्ता बन कर रहा हूं मैं तो कहता भाइयों

play04:36

तू कहे तो कार्टून ऐसा ही समझो

play04:40

है तो क्या है

play04:42

कि हमारे साथ काम करोगे तो नाम होगा

play04:44

तुम्हारा

play04:45

कि हिना मिलेंगे

play04:47

कि रुपया पैसा मिलेगा

play04:50

को इज्जत होगी तुम्हारी और लोग चलेंगे तुम

play04:53

से डराकर लोगों को वह जीता है जिसकी

play04:55

हड्डियों में पानी भरा होता है

play04:57

मर्द बनने का इतना शौक है तो कुत्तों का

play05:01

सहारा लेना छोड़ दे कर दिया है

play05:03

[संगीत]

play05:06

हुआ है

play05:10

हुआ है

play05:14

कर दो

play05:18

कर दो

play05:21

play05:22

काश यह बात हम कुछ अ

play05:27

कर दो

play05:30

कर दो

play05:33

कि

play05:35

इसकी मौत सोचने पड़ेगी सोच नहीं पढ़े थे

play05:45

अजय को

play05:50

कर दो

play05:57

के

play05:58

प्रदेशाध्यक्ष सुधीर व

play06:02

कि

play06:03

चित्तौड़ लुटा लुटा

play06:08

मैं पुलिस चौकी को बदलो मुद्दे का

play06:12

क्षेत्रफल

play06:13

[प्रशंसा]

play06:17

और सुनाओ

play06:18

का अधिग्रहण तरफ

play06:22

हीर

play06:23

विशिष्ट

play06:27

उद्देश्य से

play06:32

बजा दो

play06:38

कर दो

play06:40

कर दो

play06:42

[संगीत]

play06:45

की

play06:47

प्रॉब्लम है

play06:51

कि

play06:52

ब्लूटूथ

play06:56

लुट

play06:58

पीता है

play07:04

और सुनाओ

play07:05

कि

play07:07

रूल धो लें

play07:13

[संगीत]

play07:16

अ क्वेश्चन अ

play07:19

मैं तो देख रहा था तू का व्याख्या कुत्ता

play07:22

बनकर नहीं रहना चाहता लेकिन अपने एक हैं

play07:25

एक बार कुत्ता बनकर मेरे सामने तुम हिला

play07:28

रहा है मेरे तब से चाहा है

play07:32

एक कुत्ते का पिल्ला पुख्ता होता है शेष

play07:35

नहीं

play07:36

तेरा बाप होता है तो कुत्ते का पिल्ला है

play07:40

कुत्ता है तो कुत्ता

play07:44

इस

play07:45

मिश्रण को कहा मैं चाहता तो तुझे उसी दिन

play07:49

चांसेस बढ़ जाता है

play07:51

थे लेकिन वहां यह तेरी बांसुरी का आईना

play07:55

होता सदा रहेंगे तेरी सदा यह है यह

play08:00

कि यह तेरी सदा खुश

play08:03

कि इसके बाद तेरी हर सांस तुझे अधिकारी की

play08:07

की जिंदगी हो सकेगी तुझे भी और तुम्हारी

play08:10

कठोरता करेगा

play08:12

जब फट जाए

play08:14

वो तो कातिल के दरवाजे पर आना प्रारंभ हो

play08:18

गया तो कि आप जब भी दे देगा

play08:21

[संगीत]

play08:24

शो मोर

play08:28

आ जा कुत्ते

play08:30

अपने बिल्ले के पास जा अभी तो

play08:34

फोन नंबर अजय को

play08:39

[संगीत]

play08:43

याद दिला दो

play08:46

को विजय

play08:52

राघवन अक्षर ए जिन

play08:55

[संगीत]

play08:59

अधरों

play09:01

[संगीत]

play09:06

का

play09:10

रसपान ॐ अग्नए स्वाहा

play09:13

ओम विष्णु

play09:16

ओम धनवंतरी व ॐ

play09:19

ओम नमः शिवाय ॐ प्रजापतए स्वाहा

play09:23

सब्सक्राइब टो

play09:29

[संगीत]

play09:33

के नीचे दो

play09:36

है

play09:37

लेकिन

play09:39

विपक्ष ने अभियुक्त आपको यह चाहिए था

play09:45

जो भक्त या गेम चाहिए अपनी सब चीजों को

play09:49

दिखाइए

play09:50

कि अच्छा बताइए शादी switzerland को

play09:52

बेवकूफ बना बजे अलार्म सेट करो अली अहमद

play09:56

कमल फिरोज़ खन इंटरव्यू

play09:58

कि प्याज लहसुन अदरक प्रभाव

play10:02

[संगीत]

play10:09

बुरा हुआ है कातिया भाई को इस बात का बहुत

play10:13

ज्यादा दुख पहुंचा है इसलिए उनको आप लोगों

play10:17

से मिलने के लिए खुद आए हैं

play10:20

हुआ है

play10:23

ऐसा कहने वाले कहेंगे

play10:26

कि यह सब का त्याग किया

play10:31

हैं और सब जानते हैं

play10:32

[संगीत]

play10:33

कि एक दिया जो कुछ भी करता है

play10:35

[संगीत]

play10:37

को खुलेआम करता है है

play10:40

[प्रशंसा]

play10:42

है तब के सामने करता है

play10:45

है और दिनदहाड़े करता है

play10:48

कि यह अच्छा कुदरत का कहर रहे

play10:51

मरने वाले को भी सजा रुपए

play10:55

है और जो लोग घायल हैं उनको 10 ₹70 मैं

play10:58

अभी देता हूं सरकार की तरह 27 पास है

play11:02

कि एक बात और

play11:05

की मौत कब किसे अपने शिकंजे में ले उ

play11:08

कि यह बात कोई नहीं जानता था

play11:11

है इसलिए जो लोग जिंदा है

play11:13

कि उन्हें याद रखना चाहिए यह हादसा

play11:18

कि उनके साथ हो सकता है

play11:21

चला दो

play11:24

कर दो

play11:27

हुआ है

play11:32

अजय को

play11:35

[प्रशंसा]

play11:35

[संगीत]

play11:38

कर दो

play11:39

कि अ

play11:45

कर दो

play11:46

[प्रशंसा]

play11:51

को

play11:52

अच्छी तरह से

play11:55

[संगीत]

play12:02

है

play12:05

अरे छोड़ो जाने दो

play12:08

हुआ है

play12:14

कर दो

play12:19

ने

play12:20

साफ कर दिया कि यह बात बाहर का ख्याल रखना

play12:25

चाहिए कि बॉल मेरे वॉइस

play12:28

उठावना उठावना

play12:31

होगा जिस

play12:40

[प्रशंसा]

play12:45

[संगीत]

play12:50

[हंसी]

play12:58

[प्रशंसा]

play13:00

कर दो

play13:06

कर दो

play13:07

[प्रशंसा]

play13:09

[संगीत]

play13:12

[प्रशंसा]

play13:15

[संगीत]

play13:18

कर दो

play13:20

[संगीत]

play13:22

[प्रशंसा]

play13:23

[संगीत]

play13:30

कर दो

play13:35

[संगीत]

play13:42

झाल

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