FUJIFILM X100V SETTINGS Guide | Full Setup

Summary

In this informative video, wedding photographer Reggie Ballesteros shares his personal settings for the Fujifilm X100V, tailored for various photography scenarios. He emphasizes the importance of customization for individual needs, covering aspects from image size and film simulation to autofocus and movie mode settings. Reggie provides a downloadable configuration file for viewers to replicate his setup, encouraging experimentation for finding one's own optimal settings.

Takeaways

• 📷 The Fujifilm X100V does not have universally 'best' settings; they depend on the photographer's style and needs.
• 🌟 Reggie Ballesteros, a wedding photographer, shares his personal settings for the Fujifilm X100V for various types of photography.
• 📱 For image size, Reggie chooses 'small 3 by 2' for quick transfer to his phone for Instagram stories, while shooting in RAW for editing in Lightroom.
• 🎞 Reggie's film simulation of choice is 'Classic Chrome' with adjustments to color and grain effects for a personalized look.
• ⚙️ He sets white balance to auto but adjusts it with a color shift for warmer skin tones when using 'Classic Chrome'.
• 📈 For tone curve, Reggie matches what he sees in the camera to what appears on his iPhone, using specific highlight and shadow settings.
• 🔍 All image quality settings like color, sharpness, noise reduction, and clarity are set to zero, except for long exposure noise reduction which is on.
• 🛠 Reggie customizes four settings for different scenarios including a warm version of 'Classic Chrome' and a black-and-white preset.
• 👀 For autofocus, he prefers 'all' to cycle through different focus types easily and sets AF-C custom settings for various situations.
• 📹 In movie mode, Reggie uses '4K 16:9' at 23.98 fps with 'Classic Chrome' for minimal color grading and a flat profile for post-production.
• 🔄 He also shares his custom button and dial settings, emphasizing the importance of personalizing the camera for efficient shooting.

Q & A

What is the main point of the video?

The main point of the video is to share the personal settings that Reggie Ballesteros uses for his Fujifilm X100V camera and to explain why he chose them, encouraging viewers to use these as a starting point and adjust based on their own needs.

Who is the presenter of the video?

The presenter of the video is Reggie Ballesteros, a wedding photographer based in the San Francisco Bay Area.

What type of photography does Reggie Ballesteros specialize in?

Reggie Ballesteros specializes in wedding photography, portrait photography, travel photography, and documenting family day-to-day.

What firmware version is Reggie using for his Fujifilm X100V?

Reggie is using firmware version 1.0 for his Fujifilm X100V.

Why does Reggie set the image size to small 3 by 2?

Reggie sets the image size to small 3 by 2 because he uses the JPEGs for his camera to send to his phone for Instagram stories, while he shoots in RAW for editing in Lightroom.

What film simulation does Reggie prefer to use on the Fujifilm X100V?

Reggie prefers to use the Classic Chrome film simulation on the Fujifilm X100V.

How does Reggie adjust the white balance for Classic Chrome?

Reggie adjusts the white balance for Classic Chrome by setting a white balance shift of negative 3 for the blues and 3 for the red to add warmth to the skin tones.

What custom settings does Reggie have for the Fujifilm X100V?

Reggie has four custom settings: a warm version of Classic Chrome, the standard version of Classic Chrome, a black-and-white preset based on Acros, and a RAW custom setting based on Negative Standard for a very flat profile.

How does Reggie set up the autofocus settings on his Fujifilm X100V?

Reggie sets the autofocus settings to 'all' to cycle through different autofocus types easily, uses 'AF+MF' for most situations, and sets the number of focus points to 425 for more selection options.

What is Reggie's approach to ISO Auto settings?

Reggie sets up three ISO Auto settings with different minimum shutter speeds and top ISO limits to suit different lighting conditions and needs for low-light capability.

How does Reggie configure the movie mode settings on the Fujifilm X100V?

Reggie sets the movie mode to 4K 16:9 at 23.98 frames per second with 100 megabit per second bitrate, uses Classic Chrome for minimal color grading, and sets highlights and shadows to negative two for an ultra-flat profile suitable for post-production color grading.

What is the purpose of the configuration file Reggie provides?

The purpose of the configuration file is to allow viewers to quickly duplicate Reggie's camera settings on their own Fujifilm X100V using the Fujifilm X Acquire software's restore camera settings feature.

How can viewers get access to Reggie's configuration file for the Fujifilm X100V settings?

Viewers can access Reggie's configuration file by clicking the link provided in the video description, filling out the form, and then receiving an email with a link to download the setting configuration file.

Outlines

00:00

📷 Fujifilm X100V Personal Setup Introduction

Reggie Ballesteros, a San Francisco Bay Area-based wedding photographer, introduces his video on the best settings for the Fujifilm X100V. He emphasizes that there are no universal 'best settings' in photography due to individual approaches but will share his personal setup for various situations like weddings, portraits, travel, and family documentation. He encourages viewers to use his settings as a starting point and to experiment to find what works best for their style. He also checks the camera's firmware version and resets all settings to default before beginning his explanation of individual settings.

05:06

🎨 Customizing Image Quality and Film Simulation Settings

Reggie discusses his preferred image size and quality settings for the Fujifilm X100V, opting for small 3:2 and fine plus raw to balance quick sharing and detailed editing. He favors lossless compressed raw recording for quality and space efficiency. His film simulation choice is Classic Chrome, with adjustments to color chroma and white balance to enhance skin tones. He also explains his approach to tone curve, image quality settings like sharpness and noise reduction, and his rationale for choosing sRGB color space for JPEG images to avoid color shifts on mobile devices.

10:14

🔍 Autofocus and Focus Area Custom Settings

This section delves into the autofocus settings Reggie uses for the Fujifilm X100V. He prefers the 'all' setting for focus mode, allowing easy cycling through autofocus types. His AF+C custom settings are tailored for most situations, with adjustments for unpredictable moving subjects. He details his preferences for focus point display, number of focus points, and pre-AF settings for battery life optimization. Reggie also covers manual focus assist, focus check, and settings for instant AF and continuous autofocus for capturing fast action.

15:17

📹 Movie Mode and Additional Camera Settings

Reggie configures his movie mode settings for the Fujifilm X100V, choosing 4K 16:9 at 23.98 fps with 100 Mbps bitrate for high-quality video. He sets film simulation to Classic Chrome for minimal color grading and adjusts white balance, dynamic range, and色调curve for a flat profile suitable for post-production. He also discusses focus area selection, autofocus custom settings, and manual focus assist for video. Additionally, he mentions HDMI output settings, zebra patterns for exposure, and audio settings for video recording.

20:21

⚙️ Button, Dial, and Touchscreen Customization

In this part, Reggie customizes the button and dial settings on the Fujifilm X100V to streamline his photography workflow. He sets the focus lever and quick menu for easy access to common settings. He also configures function buttons for quick adjustments and utilizes the touchscreen for performance swipe and custom settings. Reggie explains his choices for rear dial and selector settings, which allow him to control shutter speed and ISO independently. He wraps up with his preferences for touch screen settings, ensuring they complement his shooting style.

🔋 Power Management and Final Settings

Reggie concludes the video with power management settings to optimize the Fujifilm X100V's performance and battery life. He mentions the default settings for save data and copyright information. Additionally, he covers Bluetooth settings for easy image transfer to his phone, general settings for file transfer, and his approach to configuring the camera's sound settings for a more silent shooting experience. He invites viewers to download his configuration file for a quick setup and encourages subscription for weekly photography tips.

Keywords

💡Fujifilm X100V

The Fujifilm X100V is a digital camera known for its compact design and advanced features, which is the central subject of the video. The video's theme revolves around the best settings for this specific camera model, as used by the presenter for various photography scenarios such as weddings, portraits, travel, and family documentation.

💡Settings

In the context of photography and videography, 'settings' refer to the various options and parameters that can be adjusted on a camera to achieve desired results in terms of image quality and style. The video discusses the presenter's personal preferences for these settings on the Fujifilm X100V, emphasizing that there is no 'one size fits all' approach.

💡Film Simulation

Film Simulation is a feature on Fujifilm cameras that allows users to mimic the look of traditional film stocks with digital images. The video mentions 'Classic Chrome' as the presenter's choice for its particular color rendering and how it can be adjusted with other settings for different looks.

💡RAW

RAW is a file format that stores unprocessed image data directly from the camera sensor, offering the most flexibility for post-processing. The script mentions that the presenter shoots in RAW for the highest image quality and uses the 'Fine plus RAW' setting to also send a JPEG to their phone for quick sharing.

💡White Balance

White balance is a setting that adjusts the color temperature of an image to match the lighting conditions, ensuring natural colors. The video describes how the presenter uses auto white balance and makes adjustments for specific film simulations to achieve warmer skin tones.

💡Tone Curve

The tone curve is a tool used to adjust the contrast and tonal range of an image. The script explains that the presenter sets the tone curve to match what they see in the camera viewfinder with what appears on their iPhone, using specific values for highlights and shadows.

💡Autofocus (AF)

Autofocus is a camera feature that automatically sets the focus on the subject. The video details various autofocus settings and custom settings the presenter uses, such as 'AF-C' for unpredictable moving subjects and the use of face and eye detection.

💡ISO

ISO measures the camera's sensitivity to light. The script discusses different ISO auto settings the presenter uses depending on the lighting conditions, with different top ISO limits and minimum shutter speeds to balance noise and exposure.

💡Bracketing

Bracketing is a photography technique where several shots of the same scene are taken at different exposures. The video describes how the presenter uses auto exposure bracketing to capture a range of exposures for high dynamic range (HDR) images or to choose the best exposure in post-processing.

💡Dynamic Range

Dynamic range in photography is the ratio between the brightest and darkest elements that can be captured in an image. The script mentions how the presenter adjusts dynamic range settings to '100%' for a flat profile suitable for color grading in video shooting.

💡Custom Settings

Custom settings on a camera allow users to save and quickly switch between different configurations of other settings. The video outlines specific custom settings the presenter uses, such as different versions of 'Classic Chrome' and a black-and-white preset, which can be quickly accessed as needed.

Highlights

Best settings for the Fujifilm X100V vary depending on the photographer's approach and needs.

The Fujifilm X100V is used for various photography scenarios including weddings, portraits, travel, and family documentation.

Image size is set to small 3 by 2 for quick transfer to mobile devices, with RAW for editing in Lightroom.

Film simulation is set to Classic Chrome for its aesthetic appeal, with adjustments for contrast and color saturation.

White balance is set to auto with specific adjustments for Classic Chrome to enhance skin tones.

Tone curve settings are customized to match what is seen in the camera with the iPhone display.

All image quality settings except for long exposure noise reduction are set to zero for natural image rendering.

Custom settings include warm and standard versions of Classic Chrome, a black-and-white preset, and a flat profile for RAW.

Autofocus settings are tailored for various scenarios, with a preference for 'all' focus mode for versatility.

Face and eye detection is enabled for portraits, with manual focus assist set to peak highlight for precision.

Auto exposure bracketing is set for seven frames with a one-stop interval for creative flexibility.

ISO Auto settings are configured for different lighting conditions, with a special setup for low-light scenarios.

Movie mode is set to 4K with specific film simulation and white balance settings for minimal post-production.

User settings include preferences for date, time, language, and menu customization for ease of use.

Bluetooth settings are configured for easy image transfer, with options to maintain camera time independence.

Button and dial settings are personalized for quick access to frequently used functions.

The presenter offers a downloadable configuration file to replicate his Fujifilm X100V settings for viewers.

Transcripts

So you want to know what the best settings are for the Fujifilm X100V?

What's up guys @reggiebphoto here, and welcome back to the channel. So for those

of you who are new my name is Reggie Ballesteros and I'm a wedding

photographer based in the San Francisco Bay Area. In this video I'm gonna go over

the best settings for the Fujifilm X100V. OK, so I'm gonna level with you - there

are no best settings for this camera or for any camera in general. The truth is

in the world of photography there is no best anything each photographer has a

different approach to their craft so the settings that are the best for me are

not necessarily gonna be what's best for you would that set in this video I'm

gonna go over how I personally set up my fujifilm X100V so I use this camera for

a wide range of different type of situations including professional

wedding photography portrait photography travel photography and of course

documenting my family day-to-day I'm hoping that by sharing my settings for

this camera and explaining exactly why I picked them will help you figure out

what settings are gonna work best for you feel free to use my settings as a

starting point but always do your own experimentation and test to see what

setup will actually work best for you and your working style alright so first

things first I'm gonna hold display back and turn the camera on so we can verify

it what firmware I am on with the fujifilm X100V and that is version 1.0

all right so turning it back on I'm going to navigate and reset all my

settings so that we can stay on the same page as each other okay so I'm going to

reset the camera right here okay so down that we have all the default settings

we're gonna start off right from the beginning and for image size I

personally pick small 3 by 2 so the main reason why I use the 3 by 2 in the small

setting is because I use the JPEGs for my camera for setting to my phone for

Instagram stories but I personally shoot in RAW all the time so I set this to

fine plus raw this lets me send a JPEG to my phone

I need to and still have the raw for editing in Lightroom later on and for

the raw recording I'm gonna set this to lossless compressed as this save some

file space on my memory card but doesn't really sacrifice anything as far as

quality goes so my film simulation of choice is classic Chrome and that's what

I'm gonna set up right here and I'm gonna leave the grain effect offer my

personal film simulation setting so I actually like to use color chroma effect

and turn that to weak this basically increases the contrast and some of the

color saturation of the image for a color chrome effects blue I'm going to

turn that off and for white balance I'm going to leave that to auto but for

color chrome it does tend to have a little bit of a washed out cooler tone

so I like to employ a white balance shift of negative 3 for the blues and 3

for the red this gives a little bit more warmth to the skin tone as far as I

never grain shows I always leave this at 100% because I'm shooting in RAW and for

the tone curve I basically set this so that what I see in my camera is going to

be the same that shows up on my iPhone when I transfer it over and I've come up

with that being +1 for the highlights and +1 for the shadows and the rest of

the image quality settings I set to color at zero sharpness at zero noise

reduction at zero and clarity at zero I leave long exposure noise reduction on

on and I leave the color space on srgb a lot of people think that you should be

setting this to Adobe RGB but this only affects the JPEG image and if you're

gonna send the JPEG images over to your phone then you should leave it at srgb

or else you'll notice a color ship especially in the Reds when you transfer

it to your phone so pixel mapping I don't mess with as this is more for hot

pixels and now we're gonna go to editing my custom settings so here are the four

custom settings that I personally use the first one is a warm version of

classic Chrome the second is the standard version of classic chrome the

third is my black-and-white preset based on a gross and my last is a raw custom

setting that is based on negative standard for a very flat

profile which has a very accurate histogram so going into that the warm is

basically what I already showed you so we're going to go into the neutral and

show you what I have there basically for this one I have classic chrome I have

everything else the same so great effect off color chrome effect on week color

Chrome FX blue on/off and I have the white balance to auto with no color

shift and I have the same thing for dynamic ranges at 100% and they have D

range priority on off with the highlight at +1 shadow at +1 color at zero

sharpness at zero noise reduction and zero clarity at zero and so on as far as

my black and white settings go I use a gross again and I have that set to a

gross with no monochromatic color shifts at all

I leave the great effect at weak and small I have the color chrome effect off

the color chrome FX blue on off the white balance is on auto dynamic range

is on 100% again the range of priority is off and I do have the tone curve to

+1 on these shadows sharpness is at zero noise reduction is at zero clarity is at

zero and the last one is my raw custom setting which is basically geared toward

having a very flat profile just for raw purposes and has a very accurate

histogram so I have that the film simulation on pro- standard great effect

off color chrome effect off color chrome FX blue off white balances on auto

dynamic range is 100% D range priorities on/off and for the tone curve I have

this at negative two on the highlights and shadows at zero this gives me a very

accurate highlight Ordnung as well as a very conservative shadow profile to make

sure that i don't understant color is at zero sharp tests at zero noise reduction

is at zero and clarity is at zero

all right so now we get on to the autofocus settings and focus area is

basically just how you pick the focus point so we're gonna move on to a fo and

I like to set this to all basically what all does is lets you cycle through all

the different auto focus types by just scrolling through the wheel rather than

having to change the mode so for AF see custom settings I typically have this on

set to for most situations the only other time is if I'm taking pictures of

my kids I set it to set five which is for very unpredictable moving subjects

but for now we're gonna leave it at set to our leave store AF mode by

orientation on/off I have the AF point display for zone focus modes on and on

and I leave the number of focus points at 425 because I like to have as many

points to select from I use pre AF on/off and I suggest you leave pre AF

on/off if you want to save battery life as if you leave it on it's going to be

looking for focus even when you're not pressing down the shutter

I leave the AF illuminator on/off and for any time that you use face and eye

detection I leave that on I ought oh so for the auto focus man focus override I

leave that on/off and for the manual focus assist I'm gonna set that to peak

highlight and I'd like to have it on red hi alright moving on I have a focus

check on off and I have interlocked the spot and auto exposure and focus area on

off so for the instant AF setting I leave that on auto focus single and I

have the depth of field scale to pixel alright so the release and focused

priority I leave the auto focus single on focus priority because I want to make

sure that always in focus before I shoot and then for the fast action for auto

focus continuous I leave that on release priority as I want to make sure that

they capture moments and no lag when I'm taking the photo as far

as touchscreen modes I leave this usually on area as I just want to select

the area and still have the half press be the autofocus acquisition and then

here's the corrected AF frame I'm not quite sure what this is I think it's for

the ouvea but I leave that on off for now so sports find the remote I leave

that on/off self timer is on off at this point

save self timer settings I'll leave that on on so that when I do set it will

remember so for interval timer settings I like to leave this at zero minutes and

one second and right when I go over here I like to leave that right at infinity

and then we're going to just start it up just to save that I like to leave it

there that way I can just let it go as long as I want to and then just cancel

it to stop we also have interval timer shooting exposure smoothing on on I

think this is a new feature for the X 100 V so now onto auto exposure

bracketing I like to have this to give me seven frames total at one exposure

stop each so it's going to be three frames overexposed and three frames

underexposed and if you leave this on continuous so I like to leave this on

underexposed first correctly exposed and then overexposed and I'll quickly

demonstrate that for you what that looks like

which is cool is because it does a continuous burst when it does that so

for film simulation bracketing I like to set this at classic Chrome for the first

one classic negative for the second one and a gross for the last one unfocused

bracket setting I don't change anything on that because I don't really use that

for multiple exposure I change this based on the type of photo that I'm

taking at this point I'm going to use additive and for the shadow type I

typically leave this at mechanical shutter so as of right now I have the

flicker reduction on/off but if I do go into any type of settings with indoor

artificial lighting sometimes I will turn this on so for the ISO Auto setting

I'm going to set up the first one and I like to have this at 160 with a top ISO

of 6400 and I like to have my minimum shutter speed at 1 over one sixtieth for

the second one I'm going to do the same thing except I'm going to have this with

a higher ISO limit at one over one sixtieth and this last auto ISO setting

I'm going to set it for something when I need maximum low-light capability and

that's gonna be one over a thirtieth of a second to do the one over focal length

rule so I don't have the convergence lens so that's going to be on off and

the ND filter I currently have on off and then we're gonna move over to the

next thing which is the flash so currently I have the flash on off for

now and the TTL mode is on last flash they have the built-in flash on on just

in case I need to use it alright so onto the movie mode my

default movie setting is at 4 K 16 by 9 and I like to have this at twenty three

point nine eight and leave it that at 100 megabit per second alright now that

way you got that setup I like to set this also to classic Chrome as well as

it is very nice for minimal color grading

and how the white balance set to auto but I do manually set this if I'm doing

any type of studio shooting so the dynamic range I leave at a hundred

percent and then for the highlights and shadows I leave these at negative two

highlights and negative two shadows to have an ultra flat profile for color

grading in post and here I also have the color set to negative four and the

reason why I leave these things very flat and desaturate it is because video

actually bakes in the color and tones into the video so I like to be able to

add contrast and saturation in post rather than having to subtract it in

post so I leave sharpness at zero and noise

reduction at zero I have the interframe noise reduction on zero and f log

recording is also at zero so the focus area is how you pick the focus point and

I like to leave this on area as I like to manually select where I'm going to do

focusing as far as the auto focus custom settings go I leave this at the default

at +2 sensitivity and AF speed at zero and the face and eye detection again if

I do use it it's gonna be on auto so for the manual focus assist again leave this

on red hi and I leave focus check on on this is basically when you enable manual

focus it's gonna punch in a little bit and the HDMI output info display really

depends on what I'm doing if I'm capturing my EVF I will leave that on on

if I'm using a out of most recorder or anything like that I'm going to use it

on off if it's for creative footage and here I leave this at the default as well

as the HD output as also on default and the 4k HDMI standby quality is at 4k I

leave the HDMI record control on on as well so for zebra settings I like to

leave this on and it really doesn't matter if you choose right or left and I

like to leave this at 95%

and on the audio settings I only have the mic level limiter and I turn

everything else off and for the mic remote release I leave this at

microphone because I don't typically use a remote release in the microphone port

timecode settings I don't change and the tally light I have just on the solid

rear light on and I leave the movie silent control on on because I like to

have the exposure settings for movie mode decoupled from the still shooting

settings all right on to the user settings we're gonna set the date here

as twenty twenty three twenty nine eleven forty alright and the time

difference I like to leave this on home as I when I go traveling I don't want

the photos to be out of order language is that English and then the my menu

setting I'm gonna add these items later

so for this sound in the flash we're going to leave this on on this basically

lets the flash be able to turn on we're gonna change the sound in a different

area now we're going to go over to the sound settings and I'm gonna first thing

gonna do is turn off the shutter volume to off this makes it a lot more silent

than the previous that I had alright so now we're going to go in the sound some

things we're gonna finish that right there and now we're gonna go into the

EVF settings so for the View mode I'm gonna have the both the shooting and the

playback on the I sensor and I have the EVF brightness at negative one and the

EVF color I also like to leave at zero color adjustment is at zero and LCD

brightness I like to have that at negative one the reason why I do this is

because I find that negative one gives the closest brightness level to a mobile

phone or an iPhone set at 75 percent brightness which is typically what I

have my screen at so LCD colors at zero LCD image adjustments at zero image

display I like to have that 0.5 seconds I have auto rotate display on on and

preview exposure in mana mode I like to have that

as well natural light view I leave that on/off and flaming guideline I like to

have this at grid 24 as this is the only grid that has a center both horizontal

and vertical line right so I have auto rotate playback on/off as I like to see

the vertical photos in full-screen still I have the focus scale units on feet and

then I have the OVF image display on full so as far as they display custom

settings go for the EVF I pretty much have everything checked except for the

framing guideline the auto focus distance indicator and the exposure

compensation digit everything else I like to have on all right and then for

the EVF LCD I have the framing guideline on electronic level on I leave the AF

distance indicator on/off I have the histogram on and the live view highlight

alert on these are very important for getting accurate exposures and then I

just leave the exposure compensation digit off I like to have the framing

outline on as well

and just to show you basically what the highlight warning looks like that will

show you when your highlights are blown out or not alright so back to these

settings I usually leave the large indicators on/off on both things they

don't really turn that on in general and then I have the information contrast

adjustments to standard so now on to the button and dial settings which is really

the fun stuff so I have the focus lever or setting on on and I have the Edit

quick menu setting to 16 and here are my 16 slots that I use this basically

custom setting out of the focus mode dynamic range white balance and then

here I like to set this to the ND filter image size image quality film simulation

highlight shadow colour sharpness timer face detection I have the flash here and

the brightness and I have the Q menu set to the black background it's a next up

we're gonna do the function button settings which is basically the way that

you can personally customize your camera to be how you want it so I personally

have the function 1 set 2 previews your white balance in mana mode on on and

this is the top one right here and I have the function button in the front of

the lever to be face and eye detection I like to use the swipe touch settings

because I don't have the d-pad anymore so I have the top one set to performance

swipe left set to white balance and I have the right one set to custom

settings and the swipe down set to electronic level and then for the auto

exposure lock and auto focus lock I set that to histogram this gives you a

bigger histogram to look at which is displayed right there

picking this back up and then I have the rear dial set to focus check and the

selector set to ND and the Cuban set to Q so the command dial settings I have

this set to f-stop ISO and none and I have the rear one set to shutter speed

the cool thing is if you set the ISO dial to C and the shutter speed dial to

T you can control the shutter speed with the rear wheel all the way and the ISO

with the front wheel all the way so coming back here we're gonna go to the

shutter AF is on on on both AFS and AF C and the shutter IE is also an on for

both shoot without card I like to leave that on off so that my camera doesn't

shoot without an SD card on it in focus ring is set to clockwise and the focus

ring operation is on non linear and for the control ring setting I set that to

the digital teleconverter the auto white balance and the AEA F locks I set to

switch which is a toggle on and off and the aperture ring setting I have a two

auto as far as the touch screen settings go I leave the touch screen setting on

on double tap is on/off and I have the swipe touch functions on on as again I

do miss the d-pad so I have the touch screen setting for playback on on and

for the EVF OVF touch screen area I have this on right side only that way if I

put my nose the camera right here it doesn't enable the touch screen so now

going to the power management we have the two-minute default with the

performance at to boost and the EVF performance set to brightness priority

and here you can change the save data settings however you like and change the

copyright and author information however for your name and now we go on to the

Bluetooth settings which I have paired to my phone I have the Bluetooth on and

the auto image trance are off as well as the smart phone sync settings off as I

don't like it changing the cameras time based on my phone

and the PC connection mode I set to the USB rock converters slash backup restore

settings and the USB power supply set to on and for the general settings I like

to leave the basically the resize for three megabytes to off as I like to

dictate the file size of anything transferred my phone to the JPEG

settings which I have two JPEGs small and now that pretty much completes my

set up for my fujifilm x100t if this video was helpful be sure to give it a

like and let me know down in the comments below if you have any questions

about a particular setting or my overall setup in general and if you want to save

some time I've uploaded my configuration file for all the settings shown in this

video if you like to use Fuji films X acquire software's restore camera

settings feature to duplicate my setup all you got to do is click the link

below fill out the form and you'll get an email with a link to download the

setting configuration file as always please be sure to subscribe if you

haven't already as I make a new Fuji film or photography video every week and

if that's too long for you go ahead and follow me on instagram at a try giri

photo for new tips tricks and tutorials throughout the week all right that's it

for me remember to get out go shoot and I'll catch you guys in the next one