TAHAPAN PEMBUATAN BATIK TULIS SEBAGAI WARISAN BUDAYA INDONESIA
Summary
TLDRThe script outlines the intricate process of creating traditional Indonesian batik, a cultural art form. It involves 12 stages: Nyungging (designing), Njaplak (transferring design to fabric), Nglowong (applying wax with a 'canting'), Ngiseni (filling in motifs), Nyolet (coloring), Mopok (covering with wax), Ngelir (thorough coloring), Nglorod (first wax removal), Ngrentesi (detailing with wax), Nyumri (re-waxing), Nyoja (dipping in traditional colors), and final Nglorod (final wax removal). This craft is typically a cottage industry, reflecting the community's significant role in preserving this heritage.
Takeaways
- 🖌️ Written batik is created using a canting, a tool resembling a pen, for drawing and writing on the fabric.
- 🕯️ Canting is dipped into wax, which serves as ink for creating designs on the fabric.
- 🏠 Written batik production often involves 4-5 artisans and is usually done in cottage industries rather than factories.
- 🎨 The first stage, Nyungging, involves drawing the batik motif, which requires specialized skills.
- 📄 The second stage, Njaplak or Jiplak, is transferring the motif design from paper onto the fabric.
- 🖋️ Nglowong, the third stage, involves applying wax onto the fabric using canting to reveal the batik motif.
- 🌀 In the fourth stage, Ngiseni, the artisans fill in the motif details on the fabric using canting.
- 🌸 The fifth stage, Nyolet, focuses on coloring visible motif areas, such as flowers.
- 🧵 Mopok, the sixth stage, involves covering certain parts of the motif with wax to prevent coloring in those areas.
- 🌈 The seventh stage, Ngelir, is the process of dyeing the fabric in one color.
Q & A
What is written batik and how is it made?
-Written batik is a form of batik where canting, a tool resembling a pen, is used to draw patterns on fabric. The tip of the canting is dipped into wax, which is then applied to the fabric to create intricate designs.
What materials are used to make the canting?
-The canting typically has a wooden tip and a handle made of brass or zinc. It is used to apply hot wax to the fabric in the batik-making process.
Is written batik typically produced in factories?
-No, written batik is usually produced in cottage industries rather than large factories, and it often involves multiple artisans working together.
What is the Nyungging stage in the batik-making process?
-Nyungging is the first stage of making written batik, where an artist skilled in drawing batik motifs creates the initial design.
What happens in the Njaplak (Jiplak) stage?
-In the Njaplak stage, the batik design is transferred from paper to the fabric that will be used to make the batik.
What role does the canting play in the Nglowong stage?
-In the Nglowong stage, the canting is used to apply wax to the fabric, which allows the batik motif to start becoming visible on the cloth.
What is the purpose of the Ngiseni stage?
-Ngiseni is the stage where the artist fills in the motifs on the fabric according to the original design, using canting to apply wax in detailed areas.
How is color added to the batik during the Nyolet stage?
-In the Nyolet stage, the artist adds color to certain parts of the design, such as flowers, using dyes to highlight specific motifs.
What is the Nglorod stage in the batik-making process?
-Nglorod is the stage where the wax applied earlier is removed by soaking the fabric in boiling water, revealing the batik pattern underneath.
What happens in the final stages, Nyoja and Nglorod?
-In Nyoja, the fabric is dipped into a sogan or brown dye, a traditional color for batik from Jogja or Solo. In the final Nglorod stage, any remaining wax is removed using boiling water, completing the batik design.
Outlines
🎨 Stages of Making Written Batik
This paragraph outlines the traditional stages involved in creating written batik, a form of Indonesian cultural heritage. The process begins with 'Nyungging', where skilled artisans draw batik motifs. 'Njaplak' or 'Jiplak' involves transferring these designs onto fabric. 'Nglowong' is the application of wax using a 'canting' tool. 'Ngiseni' is the filling in of the waxed motifs. 'Nyolet' is the coloring of the visible parts of the design, often floral. 'Mopok' covers the scribbled parts with wax. 'Ngelir' is the thorough coloring process. 'Nglodor' is the first step in removing the wax by boiling. The paragraph also mentions the importance of cottage industries and the collective effort in batik production.
🖌️ Final Stages of Batik Production
The second paragraph continues to describe the latter stages of batik making. 'Ngrentesi' is the stage where the main ornament lines are accentuated with fine dots using a small canting. 'Nyumri' involves reapplying wax to certain parts. 'Nyoja' is the process of dyeing the cloth in 'sogan' or brown, a traditional base color. 'Nglodor' is repeated to completely remove the wax. The paragraph concludes by summarizing the 12 stages of batik production, emphasizing the cultural significance and the collective craftsmanship involved in creating batik tulis.
Mindmap
Keywords
💡Written Batik
💡Canting
💡Nyungging
💡Njaplak
💡Nglowong
💡Nyolet
💡Mopok
💡Ngelir
💡Nglorod
💡Nyoja
Highlights
Written batik is a traditional Indonesian art form where canting, a tool with a wooden handle and brass tip, is used to apply wax as 'ink' to fabric.
Batik production is a collaborative effort, often done by 4 to 5 people in a cottage industry setting, not in a factory.
Nyungging is the first stage in batik-making, where a skilled artist draws the batik motifs on paper.
Njaplak, the second stage, involves transferring the drawn motif from paper to fabric, which serves as the base for the batik design.
Nglowong, the third stage, is where wax is applied to the fabric using a canting, and the batik motif starts to become visible.
Ngiseni is the fourth stage, where the artist fills in the motif on the fabric using the canting tool.
Nyolet, the fifth stage, is the process of adding color to parts of the motif, such as flowers.
Mopok, the sixth stage, involves covering the parts of the fabric that should not be colored with wax.
Ngelir, the seventh stage, is the process of coloring the entire cloth, giving it a vibrant background.
Nglorod, the eighth stage, is the removal of wax from the fabric by boiling it, revealing the design.
Ngrentesi, the ninth stage, adds fine details by placing dots on the main ornament lines using a small canting tool.
Nyumri, the tenth stage, involves reapplying wax to protect certain parts of the fabric before more coloring.
Nyoja, the eleventh stage, is when the fabric is dipped into sogan, a brown dye, which is a traditional color from regions like Jogja or Solo.
Nglorod is repeated as the twelfth and final stage, where wax is removed again using boiling water to complete the batik cloth.
The batik-making process involves intricate craftsmanship and follows a structured sequence of stages that highlight the depth of Indonesian cultural heritage.
Transcripts
In making written batik there are several
stages that must be known. Here are the stages
make written batik that has been summarized
Indonesian culture. Written batik is batik
which is made where canting is used as
pen for writing or drawing. Canting
The tip is usually made of wood
the handle is made of brass or plate
zinc and tapered. Canting is usually included
into the pan containing the wax candles
which was later used as ink for
draw. Each piece of batik cloth is written
which is produced not only produced by
a woman sitting while squirming
only. There are usually 4 to 5 services
people in doing it, most of which are not
done in a factory but a cottage industry
who played a major role in doing
this batik process. The following is
the stages of making successful batik tul
summarized for friends of Indonesian culture. The first stage
called Nyungging. Because not everyone
can draw batik motifs so that skills are needed
someone special in doing it. Second stage
is Njaplak or Jiplak. Is an activity to move
a picture from the paper into the fabric
which will be used as material for
batik. The third stage is called Nglowong. Is
the process of sticking the wax on the fabric
with canting media where on
this process the batik motif will start
seen. The fourth stage is Ngiseni. Is
process for filling or filling
or the popular one by filling in a motif
on the fabric according to the image of the motif
already described in the first stage. Stages
this also uses canting media. Level
fifth is called Nyolet. Is a coloring process
on parts of the visible motif image
often like flowers and others.
The sixth stage is called Mopok. Is the stage with
cover the scribbled part with wax
a night accompanied by the walling process
or covering the base of the cloth that is not
colored. The seventh stage is Ngelir. Or
the stage at which the coloring process is done thoroughly
on the cloth. The eighth stage is called Nglorod. Is
the first step in reducing the color of the wax
night into boiling water.
The ninth stage is Ngrentesi. Is a stage of giving
point on the main ornament lines with
he used small and fine canting until
the resulting dots look neat.
The tenth stage is called Nyumri. Is a process
close back some parts with wax
night. Eleventh level is Nyoja. It is a process
dipping the cloth in the color of sogan or
brown which is a typical color of the original base
Jogja or Solo The twelfth stage is Nglorod.
This is the last process in shedding wax
night using boiling water.
Thus earlier friends of Indonesian culture, we have discussed together
about 12 stages in making batik tulis
what we often encounter on
pasaran. Transcribed by Gglot.c
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