Edward Said On Orientalism
Summary
TLDRThe script delves into the significant impact of Professor Edward Said's work, particularly his 1978 book 'Orientalism.' Said's analysis revolutionized Middle Eastern studies and post-colonial theory, highlighting how Western perceptions of the Middle East are shaped by historical and ideological biases. The discussion explores the origins and implications of these perceptions, the role of imperialism, and the contemporary portrayal of the Middle East in media. The narrative also connects Said's intellectual contributions to his political activism for Palestinian rights, emphasizing the need for understanding and coexistence amid cultural and political conflicts.
Takeaways
- š The work of Professor Edward Said, particularly his 1978 book 'Orientalism', is profoundly significant in intellectual history.
- š 'Orientalism' revolutionized the study of the Middle East and contributed to the creation of fields like post-colonial theory.
- š Said argues that the West views the Middle East through a distorting lens he calls 'Orientalism', which presents the region as static and threatening.
- š° Orientalism is not innocent or objective but highly motivated, reflecting specific interests and power dynamics.
- šØ Said highlights how Western literature and art often misrepresent the Middle East, relying on stereotypes and exoticism.
- āļø The historical context of imperial conquest, particularly by Britain and France, plays a significant role in shaping Orientalist views.
- šŗšø American Orientalism is distinct, influenced by political factors like the U.S. alliance with Israel and indirect experiences with the Middle East.
- š Said emphasizes the persistence of anti-Arab racism and the portrayal of Muslims as terrorists in Western media and popular culture.
- š„ The media's negative focus on Islam contributes to widespread misconceptions and generalizations about the Islamic world.
- š¤ Said advocates for understanding and coexistence, urging a move beyond stereotypes to recognize the humanity and diversity of people in the Middle East.
Q & A
Who is Professor Edward Said?
-Professor Edward Said was a prominent literary theorist and a professor at Columbia University, known for his influential work in post-colonial studies and his book 'Orientalism'.
What is the main argument of Edward Said's book 'Orientalism'?
-'Orientalism' argues that the Western understanding of the Middle East is shaped by a biased framework that distorts reality and is influenced by imperialistic interests.
How did 'Orientalism' impact the study of the Middle East?
-'Orientalism' revolutionized the study of the Middle East by challenging traditional Western perspectives and contributing to the development of post-colonial theory.
What historical event partly inspired Edward Said to write 'Orientalism'?
-The Arab-Israeli war of 1973, which contradicted Western stereotypes of Arabs, was one of the immediate inspirations for Said to write 'Orientalism'.
What does Edward Said mean by the term 'Orientalism'?
-Said uses 'Orientalism' to describe the Western approach to understanding the East, which creates a distorted, stereotyped image of the Middle East and its people.
How does Said link 'Orientalism' to imperial conquest?
-Said argues that 'Orientalism' emerged from the historical context of imperial conquest, where Western powers used biased knowledge to justify their dominance over Eastern regions.
What example does Said give of early 'Orientalist' work?
-Said cites Napoleon's conquest of Egypt in 1798, which included a scientific survey of Egypt meant for European audiences, as a key example of early 'Orientalist' work.
How does American 'Orientalism' differ from British and French 'Orientalism'?
-American 'Orientalism' is more indirect and abstract, heavily influenced by the political alliance with Israel, unlike the more direct colonial experiences of Britain and France.
What is Said's critique of media representation of Islam?
-Said criticizes the media for presenting a negative, monolithic image of Islam that emphasizes terrorism and ignores the diverse, humane lives of ordinary Muslims.
What connection does Said draw between his intellectual work and his political activism?
-Said connects his intellectual work on 'Orientalism' and 'Covering Islam' with his activism for Palestinian rights, highlighting the need to overcome racist legacies to achieve peace and justice.
Outlines
š The Impact of Edward Said's 'Orientalism'
This paragraph highlights the significant influence of Edward Said's book 'Orientalism' on the study of the Middle East and various academic disciplines. It discusses how the book has been translated into multiple languages, required reading in many educational institutions, and has sparked intense debate over the past three decades. The central argument of 'Orientalism' is that Western knowledge of the Middle East is not objective but motivated by certain interests, creating a distorted lens through which the region is viewed.
š Misrepresentations in Oriental Literature
This paragraph examines the persistent stereotypes and misrepresentations of the Orient in Western literature and art. Edward Said argues that Western depictions of the Orient have little to do with the reality of these regions and are instead based on a repertoire of images that present the East as mysterious and static. These representations have been consistent over time, influencing even scholarly descriptions of the East and contributing to a distorted and timeless image of the Orient.
šļø The Role of Imperialism in Orientalism
This paragraph discusses how Orientalism is tied to the history of imperial conquest, particularly by the British and French. Said argues that Orientalism served to justify imperial dominance by creating a framework that allowed Western powers to categorize and subdue the native populations. The example of Napoleon's scientific expedition to Egypt is highlighted as a key moment in the development of Orientalism, showcasing the power dynamics and the creation of knowledge designed for European consumption rather than for the natives.
š„ The Politicization of American Orientalism
This paragraph explores the differences between European and American Orientalism, with a focus on the latter's indirect and abstract nature. It also highlights how American Orientalism is heavily influenced by political factors, particularly the relationship with Israel. Said critiques the American media for perpetuating negative stereotypes about Arabs and Muslims, often portraying them as terrorists and extremists, which he argues distorts the true nature of the region and its people.
š° Media and the Demonization of Islam
This paragraph examines how the Western media portrays Islam and the Middle East, often focusing on negative aspects like terrorism. Said argues that this narrow focus leads to a generalized and paranoid view of the entire region, stripping away the humanity and diversity of its people. He also discusses his book 'Covering Islam,' which analyzes the media's role in perpetuating these stereotypes, and how these representations have only worsened over time.
š¬ Hollywood's Role in Shaping Perceptions
This paragraph delves into the role of Hollywood and popular media in shaping Western perceptions of the Arab and Islamic worlds. It highlights how films and TV shows often depict Muslims as villains or fanatics, reinforcing Orientalist stereotypes. Said criticizes these portrayals for contributing to a simplistic and violent image of Islam, which in turn justifies aggressive policies and military actions against Muslim countries.
šµļøāāļø The Persistence of Orientalist Stereotypes
This paragraph discusses the enduring nature of Orientalist stereotypes, exemplified by the immediate suspicion of Middle Eastern involvement in the Oklahoma City bombing, despite it being carried out by a domestic terrorist. Said criticizes the media and public's readiness to link any act of terrorism to the Middle East, reflecting deep-seated prejudices and the pervasive influence of Orientalist discourse.
š The Personal and Political Dimensions of Said's Work
This paragraph provides insight into Edward Said's personal background and his motivation for his work on Orientalism. Growing up in Palestine and experiencing displacement, Said's intellectual pursuits are deeply intertwined with his political activism for Palestinian rights. He believes that overcoming the legacy of Orientalism is crucial for achieving peace and justice in the Middle East, and he draws on the work of Antonio Gramsci to argue for a more inclusive and understanding approach to history and identity.
Mindmap
Keywords
š”Orientalism
š”Post-colonial theory
š”Stereotyping
š”Imperial conquest
š”Cultural representation
š”Napoleon's conquest of Egypt
š”Media portrayal
š”Islamophobia
š”Palestinian struggle
š”Coexistence
Highlights
Edward Said's work, particularly his 1978 book 'Orientalism,' revolutionized the study of the Middle East and shaped new fields such as post-colonial theory.
'Orientalism' has been translated into 26 languages and is required reading at many universities and colleges.
The central argument of 'Orientalism' is that Western knowledge about the East is not objective but is highly motivated and distorts the reality of Eastern people and places.
Said argues that Western views of the Middle East are constructed through a lens he calls 'Orientalism,' which portrays the East as different and threatening.
The book explores how stereotypes about the Middle East are created and perpetuated through literature, art, and scholarship.
Said's interest in Orientalism was sparked by the Arab-Israeli war of 1973 and his own experiences as an Arab.
Orientalism presents the East as a timeless, unchanging place, which is contrary to historical realities.
Said locates the construction of Orientalism within the history of Imperial conquest, particularly the British and French empires.
Napoleon's conquest of Egypt in 1798 is seen as a turning point that marked a new kind of Imperial conquest involving scientific and cultural documentation.
Said discusses how American Orientalism differs from British and French Orientalism due to the lack of direct colonial experience and the influence of political factors, particularly the U.S. alliance with Israel.
The media's portrayal of Muslims as violent and irrational contributes to anti-Arab racism in the United States.
Said's book 'Covering Islam' explores how the media's focus on negative aspects of Islam shapes public perception.
Said emphasizes the need for understanding and coexistence, drawing on the work of Italian philosopher Antonio Gramsci.
Said calls for a move beyond stereotypical representations to a more nuanced understanding of different cultures.
Said argues that the situation in Palestine and Israel is a critical test case for whether humanity can live together in peace despite differences.
Transcripts
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when future scholars take a look back at theĀ intellectual history of the last quarter ofĀ Ā
the 20th century the work of Professor EdwardĀ Sayid of Columbia University will be identifiedĀ Ā
as very important and influential in particularĀ Sayid 1978 book Orientalism will be regarded asĀ Ā
profoundly significant Orientalism revolutionizedĀ the study of the Middle East and helped to createĀ Ā
and shape entire new fields of study such asĀ post-colonial theory as well as influencingĀ Ā
disciplines as diverse as English historyĀ anthropology political science and culturalĀ Ā
studies the book has now been translated intoĀ 26 languages and is required reading at manyĀ Ā
universities and colleges it is also one of theĀ most controversial scholarly books of the lastĀ Ā
30 years sparking intense debate and disagreementĀ Orientalism tries to answer the question of whyĀ Ā
when we think of the Middle East for example weĀ have a preconceived notion of what kind of peopleĀ Ā
live there what they believe how they act evenĀ though we may never have been there or indeed evenĀ Ā
met anyone from there more generally OrientalismĀ asks how do we come to understand people strangersĀ Ā
who look different to us by virtue of the colorĀ of their skin the central argument of OrientalismĀ Ā
is that the way we acquire this knowledge is notĀ innocent their objective but the end result of aĀ Ā
process that reflects certain interests thatĀ is it is highly motivated specifically SayidĀ Ā
argues that the way the West Europe in the u.s.Ā looks at the countries and peoples of the MiddleĀ Ā
East is through a lens that distorts the actualĀ reality of those places and those people he callsĀ Ā
this lens through which we viewed that part ofĀ the world Orientalism a framework that we useĀ Ā
to understand the unfamiliar and strange to makeĀ the peoples of the Middle East appear differentĀ Ā
and threatening professor Syed's contribution toĀ how we understand this general process of whatĀ Ā
we could call stereotyping has been immense theĀ aim of this program is to explore these issuesĀ Ā
through an interview with him by discussing theĀ context within which he conceived Orientalism wellĀ Ā
my interest in Orientalism began trip for twoĀ reasons one was an immediate thing that is toĀ Ā
say the arab-israeli war of 1973 which had beenĀ preceded by a lot of images and discussions andĀ Ā
the media and the popular press you know about howĀ the Arabs are cowardly and they don't know how toĀ Ā
fight in there you know always going to be beatenĀ because they're not modern and then everybody wasĀ Ā
very surprised when the Egyptian army crossed theĀ canal in early October of 1973 and demonstratedĀ Ā
that you know like anybody else they could fightĀ so that was one immediate impulse and the secondĀ Ā
one which has a much longer history in my ownĀ life was was the constant sort of disparity IĀ Ā
felt between what my experience of being an ArabĀ was and the representations of that that one sawĀ Ā
in art I mean I'm not talking about very greatĀ artists you know like did a claw and anger andĀ Ā
[ __ ] home and people like that novelists whoĀ wrote about the Orient you know like code IsraeliĀ Ā
or flow Barre and you know the fact that thoseĀ representations of the Orient had very littleĀ Ā
to do with what I knew what my own background inĀ life so I decided to write the history of that
if somebody let's say in the 1850s or 60s inĀ Paris or London wished to talk about or readĀ Ā
about India or Egypt or Syria there would be veryĀ little chance for that person to simply addressĀ Ā
the subject as we like to think in a kind of freeĀ and creative way a great deal of writing had goneĀ Ā
before and this writing was an organized form ofĀ writing like an organized science you know whatĀ Ā
what I've called Orientalism and it seemed to meĀ that there was a kind of repertory of images thatĀ Ā
kept coming up you know the sensual woman who'sĀ there to be sort of used by the man the East isĀ Ā
a kind of mysterious place full of secrets andĀ monsters you know the marvels of the East wasĀ Ā
a phrase that was used and the more I looked theĀ more I saw that this was really quite consistentĀ Ā
with itself you know it had very little toĀ do with people who actually been there andĀ Ā
even if they had been there there wasn't muchĀ modification other words you didn't get whatĀ Ā
you could call realistic representations of theĀ Orient either in literature and painting or musicĀ Ā
or any of the arts and this extended even furtherĀ into descriptions of the Arabs by experts youĀ Ā
know people who had studied them and I noticedĀ that even in the 20th century some of the sameĀ Ā
images that you found in me not on 19th centuryĀ amongst scholars like Edward William Lane wroteĀ Ā
his book on the modern Egyptians in 18th in theĀ early 1830s and then you read somebody in in theĀ Ā
1920s and they're more or less saying the sameĀ thing what one great example that I always giveĀ Ā
is that the wonderful French poet gardener ValĀ who went on a voyage to the Orient as he calledĀ Ā
it and I was reading this book of his travels inĀ Syria and it was something very familiar aboutĀ Ā
it you know it sounded like something else thatĀ I'd read and then I realized that what he wasĀ Ā
doing almost unconsciously was quoting lane onĀ the Egyptians on the theory that the OrientalsĀ Ā
are all the same no matter whether where youĀ find them I mean it's in India or in SyriaĀ Ā
or in Egypt it's basically the same essence soĀ there develops a kind of image of the timelessĀ Ā
orient as if the Orient unlike the West doesn'tĀ develop it stays the same and that's one of theĀ Ā
problems with Orientalism is it is it createsĀ an image outside of history of something thatĀ Ā
is placid and still and you know eternal which isĀ simply contradicted by the fact of history see soĀ Ā
that's in that one sense it's a it's a creationĀ of of you might say an ideal other for Europe
professor Syed's analysis of OrientalismĀ isn't just a description of its contentĀ Ā
but a sustained argument for why it looks theĀ way it does it's an examination of the quiteĀ Ā
concrete historical and institutional contextĀ that creates it specifically Sayid locates theĀ Ā
construction of Orientalism within the historyĀ of Imperial conquest as Empire spread acrossĀ Ā
the globe historically the British and the FrenchĀ have been the most important in terms of the EastĀ Ā
they conquer not only militarily but also what weĀ could call ideologically the question for theseĀ Ā
empires is how do we understand the nativesĀ that we are encountering so we can conquerĀ Ā
and subdue them easier this process of usingĀ large abstract categories to explain peopleĀ Ā
who look different whose skin is a differentĀ color has been going on for a long time as farĀ Ā
back as there has been contact between differentĀ cultures and peoples but Orientalism makes thisĀ Ā
general process more formal in that it presentsĀ itself as objective knowledge Sayid identifiesĀ Ā
Napoleon's conquest of Egypt in 1798 as markingĀ a new kind of Imperial and colonial conquest thatĀ Ā
inaugurates the projects of Orientalism it was aĀ kind of break that occurred after Napoleon cameĀ Ā
to Egypt at 1798 I think it's the first reallyĀ important Imperial modern Imperial expedition soĀ Ā
he invades the place but he doesn't invade it theĀ way the Spaniards invaded the new world lookingĀ Ā
for loot he comes instead with an enormous army ofĀ soldiers but also scientists botanist architectsĀ Ā
philologists biologists historians whose jobĀ it was to record Egypt in every conceivable wayĀ Ā
and produce a kind of scientific survey of EgyptĀ which was designed not for the Egyptian but forĀ Ā
the European and of course what strikes you firstĀ of all about the volumes that they produced or isĀ Ā
their enormous size they're a metre squareĀ and all across them is written the power andĀ Ā
prestige of a modern European country that can doĀ to the Egyptians what the Egyptians cannot do toĀ Ā
the franchising there's no comparable EgyptianĀ survey of France to produce knowledge you haveĀ Ā
to have a power to be there and to see in expertĀ ways things that the natives themselves can't see
the differences between different kinds ofĀ Orientalism z' are in fact the differences betweenĀ Ā
different experiences of what is called the OrientĀ I mean the difference between Britain and FranceĀ Ā
on the one hand and the United States on theĀ other is that Britain and France had coloniesĀ Ā
in the Orient I mean they had a long-standingĀ relationship and imperial role in a place likeĀ Ā
India you know so that there's a kind of a there'sĀ a kind of a archive of actual experiences of beingĀ Ā
in India of ruling the country for several hundredĀ years right and the same with the French in NorthĀ Ā
Africa let's say Algeria or Indochina directĀ colonial experience in the case of the AmericansĀ Ā
the experience is much less direct it has neverĀ been an American occupation of the Near East so IĀ Ā
would say the difference we British and FrenchĀ Orientalism on the one hand and the AmericanĀ Ā
experience of the Orient on the other is that theĀ American one is much more indirect it's much moreĀ Ā
based on abstractions the second big thing I thinkĀ the difference in the American experience from theĀ Ā
British and the French of Orientalism is thatĀ American Orientalism is very politicized by theĀ Ā
presence of Israel for which America is the mainĀ ally President Clinton and I are proud as are allĀ Ā
Americans that the United States was the firstĀ nation to recognize the State of Israel elevenĀ Ā
minutes after you broke your independence and whatĀ you have in effect is the creation of Jewish stateĀ Ā
in the middle of the Islamic oriental worldĀ and the sense that positon it's a Jewish stateĀ Ā
and a Western State self-declared there is aĀ greater coincidence between American interestsĀ Ā
there than there is between American interestsĀ let's say in places like Iran and Saudi ArabiaĀ Ā
which are important because of oil I think theĀ presence of of this other factor which is veryĀ Ā
anti Islamic where Israel regards the whole ArabĀ world as its enemy is imported into into AmericanĀ Ā
Orientalism I mean the idea for example that HamasĀ terrorists on the West Bank are just interested inĀ Ā
killing Jewish children is what you derive fromĀ looking at this stuff and very little attentionĀ Ā
is paid to the fact that the Israeli occupationĀ of the West Bank and Gaza has been going on forĀ Ā
thirty it's a lot thirty years it's the longestĀ military occupation in this century and so youĀ Ā
get the impression that the only problem is thatĀ you know Israeli security threatened by Hamas andĀ Ā
suicide bombs and all the rest of it and nothingĀ said about the hundreds of thousands millionsĀ Ā
of Palestinians who are dispossessed and livingĀ miserable life is the direct result of what IsraelĀ Ā
has done and is doing so there's a sense in whichĀ the Arab struggle for national independence andĀ Ā
in the case of the Palestinians for nationalĀ self-determination is looked at with greatĀ Ā
hostility as upsetting the stabilities of theĀ status quo and that makes it virtually impossibleĀ Ā
it's a tragedy virtually impossible for anĀ American to see on television to read books to seeĀ Ā
films about the Middle East that are not coloredĀ politically by this by this conflict in which theĀ Ā
arms are almost always play the role of terroristsĀ and violent people and irrational and so forth
because that's another thing that America reallyĀ needs to think about is our racism racism thatĀ Ā
counts in the United States towards MuslimĀ people and towards Arabic people and that'sĀ Ā
something that has to stop and the UnitedĀ States has to start respecting people fromĀ Ā
the Middle East in order to find a solution toĀ the problem that's been building up over manyĀ Ā
years so I thank everyone for for your patienceĀ and letting me speak my mana many people believeĀ Ā
the way that Americans understand the MuslimĀ world is very problematic indeed anti-arabĀ Ā
racism seems to be almost officially sanctionedĀ you can make generalized and racist statementsĀ Ā
about arab peoples that would not be toleratedĀ for any other group at the heart of how this newĀ Ā
american Orientalism operates is a threatening andĀ demonized figure of the Islamic terrorists that isĀ Ā
emphasized by journalists and Hollywood now SyedĀ recognizes that terrorism exists as a result ofĀ Ā
the violent political situation Middle East butĀ he argues that there was a lot more going on thereĀ Ā
that is misunderstood or not seen by the peoplesĀ of the West the result of the media's focus on oneĀ Ā
negative aspect alone means that all the peoplesĀ of Islamic world come to be understood in the sameĀ Ā
negative and paranoid way that is as a threat soĀ the one we think of people who look like that andĀ Ā
come from that part of the world we think fanaticĀ extreme violent Syed argues that understanding aĀ Ā
vast and complex region like the Middle East inĀ this narrow way takes away from the humanity andĀ Ā
diversity of millions of ordinary people livingĀ decent and humane lives there we asked when heĀ Ā
plant a bomb to blow up the Americans if theĀ Islamic Underground asked him to the answerĀ Ā
was yes after I've written or Orientalism andĀ a book called a question of Palestine in theĀ Ā
early 80s in the late 70s rather and beginningĀ of the eighties I wrote a third book which isĀ Ā
called covering Islam and I thought of them as aĀ kind of trilogy and covering Islam was an accountĀ Ā
of the coverage of Islam in the popular mediaĀ immediately occasioned by by the Iranian whichĀ Ā
described yourself as you recall as an IslamicĀ Revolution and you know what I discovered wasĀ Ā
a huge arsenal of images employed by the mediaĀ large masses of people waving their fists blackĀ Ā
banners you know the stern faced on a knee all ofĀ them giving an impression of the utmost negativeĀ Ā
sort of evil emanation so the impression youĀ got of Islam was that it was a frighteningĀ Ā
mysterious above all threatening is if the mainĀ business of Muslims was to threaten and try toĀ Ā
kill Americans as recently as last year in 1996Ā let us say almost 16 or 17 years after I wroteĀ Ā
covering Islam I did a update of the book and IĀ wrote a new introduction and I found quite to myĀ Ā
horror on surprise the during of 16 to 17 yearsĀ with the large number of events in the IslamicĀ Ā
world taking place which you would think wouldĀ allow for more familiarity with a more refinedĀ Ā
sense of what was taking place on let's say asĀ reflected in television and print journalism inĀ Ā
fact was the opposite I think the situation gotĀ worse and that what you had instead now is a muchĀ Ā
more threatening picture of Islam represented forĀ example by television film called jihad in AmericaĀ Ā
based on the bombing of the World Trade CenterĀ I reported an international terrorism for theĀ Ā
past ten years and since the World Trade CenterĀ bombing I've been investigating the networks ofĀ Ā
Islamic extremists committed to jihad in AmericaĀ for these militants jihad is a holy war an armedĀ Ā
struggle to defeat non-believers or infidels andĀ their ultimate goal is to establish an IslamicĀ Ā
empire but this gathering did not take placeĀ in the Middle East it happened in the heartlandĀ Ā
of America Kansas City Missouri combating theseĀ groups within the boundaries of the ConstitutionĀ Ā
we'll be the greatest challenge to law enforcementĀ since the war on organized crime but never theĀ Ā
same generalizations were made let's say about theĀ Oklahoma City bombing that this was a ChristianĀ Ā
fundamentalist etcetera etc but the Islamic sheĀ had had come to America and you had these scenesĀ Ā
of the most irresponsible journalism where you'dĀ see people talking in Arabic and then a voice overĀ Ā
saying and they are discussing the destructionĀ of America whereas if you picked up a little ofĀ Ā
what was being said if you knew the language hadĀ nothing to do with that and that Islam and theĀ Ā
teachers of teachings of Islam became synonymousĀ with terror and the demonization of Islam allowedĀ Ā
for very little distinction between piety let'sĀ say and violence the so called independent mediaĀ Ā
in a liberal society like this in a factor so lazyĀ in a controlled by interests that are commercialĀ Ā
and political at the same time that there thereĀ is no investigative reporting it's just basicallyĀ Ā
repeating the line of the government only daysĀ ago I concluded a broadcast on the World TradeĀ Ā
Center bombing by telling you what senior US lawĀ enforcement officials were telling us that theĀ Ā
threat of Muslim extremists operating within theĀ United States is an ongoing danger something we'llĀ Ā
have to live with from now on and repeating theĀ lines of the people who have the most influenceĀ Ā
for whom Islam as a useful foreign demon to turnĀ attention away from the inequities and problems inĀ Ā
our own society so as a result the human side ofĀ the Islamic and expecially Arabic world are rarelyĀ Ā
to be found and and the net result is this vacancyĀ on the one hand and these easy almost automaticĀ Ā
images of terror violence there is a handy setĀ of images and cliches you know not just fromĀ Ā
the newspapers and the television but for moviesĀ I come from a land from a faraway place with aĀ Ā
caravan camels roam where it's flat and immenseĀ and they need it in tents it's barbaric but heyĀ Ā
it's home when the wind and the sun's from theĀ west and the sand and that less is right ArmonĀ Ā
down stop on by of a carpet and fly to anotherĀ baby and you know I mean I myself growing up inĀ Ā
the Middle East in Palestine and Carrie used toĀ delight in films on the Arabian Nights you knowĀ Ā
done by Hollywood producers you know with JohnĀ Hall and Maria Montez and Sabu I mean they wereĀ Ā
talking about a part of the world that I livedĀ in but it had this kind of exotic magical qualityĀ Ā
which was what we call today Hollywood so thereĀ was that whole repertory of the sheiks and theĀ Ā
desert and galloping around and the scimitarsĀ and the dancing girls and all that that wasĀ Ā
that's really the material the situation and theĀ popular media is is basically that Muslims areĀ Ā
really two things one they're villains of oneĀ sort villains and fanatics I wouldn't dispatchĀ Ā
the American people to the hell they deserve andĀ be many films end up with huge numbers of bodiesĀ Ā
Muslim bodies strewn all of the place the resultĀ of Arnold Schwarzenegger or Demi Moore ChuckĀ Ā
Norris lots of films about gorillas going in toĀ kill Muslim terrorists serve so the idea of IslamĀ Ā
is something that to be stamped out the wholeĀ history of these Orientalist representations whichĀ Ā
which portrayed the Muslim and the oriental is inĀ effect a lesser breed in other words they've beenĀ Ā
the only thing they understand is the languageĀ of force this is it this is the principle hereĀ Ā
that unless you give them a bloody nose theyĀ won't understand we can't talk reason with them
is the art world full of terrorists well IĀ mean all you have to do is we'll break downĀ Ā
the question into into common sense and say thereĀ are terrorists is there everywhere but you knowĀ Ā
there's a lot more going on there I mean we'reĀ talking about 250 300 million people and one ofĀ Ā
the great problems with Orientalism to begin withĀ is these vast generalizations about Islam and theĀ Ā
nature of Islamic is very little in common thatĀ you can talk about as Islam let's say betweenĀ Ā
Indonesia and Saudi Arabia they're quite meĀ they're both Muslim countries but you knowĀ Ā
the difference is in history and language andĀ traditions and so on are so vast that the wordĀ Ā
Islam has at best a tenuous meaning um the sameĀ is true with in the Arab world I mean MoroccoĀ Ā
is very different from Saudi Arabia Algeria isĀ very different from Egypt and I would argue inĀ Ā
fact have argued that the predominant mood of theĀ Arab world is very secular ah you know it's easyĀ Ā
to attract attention and certainly the media'sĀ attention for some of the political reasons thatĀ Ā
are obvious I mean to discredit the Arabs to makeĀ them seem like a threat to the West to keep theĀ Ā
idea around at the end of the Cold War that youĀ know there are foreign Devils in otherwise whatĀ Ā
are we doing with this gigantic military youĀ know this huge military budget that is twiceĀ Ā
as much as an entire world's military budgetĀ combined so you have to have threat and theĀ Ā
result is it's very hard to find works that areĀ sympathetic to the Arabs in Islam Islam as seen asĀ Ā
the enemy of Christianity and United States seesĀ itself as a Christian or judeo-christian countryĀ Ā
in affiliation with Israel and that Islam is theĀ great enemy the the competitor there's a historyĀ Ā
of that and I give the example of Dodi Fayed youĀ know the erstwhile suitor of Princess Diana wellĀ Ā
a few days before he died I read through theĀ the English press and it was full of the racistĀ Ā
cliches of Orientalist discourse I mean that thisĀ is what the Sunday Times but one of the leadingĀ Ā
newspapers in England had a headline to a 15,000Ā word story entitled a match made in Mecca and theĀ Ā
idea of Muslim conspiracies trying to infectĀ you know taking over this white woman by theseĀ Ā
dark people with Muhammad the Prophet MuhammadĀ whose historical personage of the 7th centuryĀ Ā
somehow stage-managing the whole thing that's theĀ power of the discourse you see if you're thinkingĀ Ā
about people and Islam and about that part ofĀ oh those are the words you constantly have toĀ Ā
use and you won't get what I give you my word noĀ where you go so this course is a regulated systemĀ Ā
of producing knowledge within certain constraintsĀ whereby certain rules have to be observed ok LibyaĀ Ā
exports yes sir you American Pig nice Dutch toĀ think past it to go beyond it not to use it it'sĀ Ā
virtually impossible because there's no knowledgeĀ that isn't codified in this way about that partĀ Ā
of the world may I help you oh hi advantage teamĀ mabushii Nia listen to her sound cheese's Oh Todd
and there's a certain sense in which in notĀ really mounting a serious critique of it theĀ Ā
ABS have participated and have and continued toĀ allow themselves to be represented as OrientalsĀ Ā
in this orientalist way there is no for exampleĀ information policy of the twenty Arab countries 22Ā Ā
Arab countries to try to give a different pictureĀ of what their worlds are like because most of themĀ Ā
are dictatorships all of them are dictatorshipsĀ without democracy who are in desperate need ofĀ Ā
us patronage government patronage to support themĀ and so they're not about to criticize the UnitedĀ Ā
States not about to engage in a real dialogueĀ and and in that respect I think the Arabs keepĀ Ā
themselves collectively in a way that is thatĀ is subordinate to and inferior to the West andĀ Ā
in fact fulfills the kinds of representations thatĀ most Westerners have in their minds about the arms
the attack came without warning and accordingĀ to a US government source told CBS news that itĀ Ā
has middle-east terrorism written all over itĀ the attack in Oklahoma City appears to have aĀ Ā
familiar mark this was done with the attempt toĀ inflict as many casualties as possible that is aĀ Ā
Middle Eastern trait the fact that it was suchĀ a powerful bomb in Oklahoma City immediatelyĀ Ā
drew investigators to consider deadly parallelsĀ that all have roots in the Middle East ABC NewsĀ Ā
has learned that the FBI has asked the u.s.Ā military to provide up to 10 Arabic speakersĀ Ā
to help in the investigation well one of theĀ interesting things about about the persistenceĀ Ā
of Orientalism um I mean almost when you thinkĀ about it almost astonishing persistence of itĀ Ā
is was the Oklahoma City bombing 90 in April ofĀ 1995 I can give you a personal example I was inĀ Ā
Canada giving some lectures at the actual timeĀ of the bombing and maybe half an hour after theĀ Ā
event had occurred in the afternoon my office wasĀ inundated with phone calls from the media and IĀ Ā
rang my office from Canada as I frequently do toĀ find out you know if there was any message for meĀ Ā
that needed attention and so on and she said everyĀ 25 calls had come in from the major networks fromĀ Ā
the cable channels from the major newspapers newsĀ magazines and so forth all of them wanting to talkĀ Ā
to you and I said what about about this event inĀ Oklahoma City I said well what does that have toĀ Ā
do with anything well apparently somebody hadĀ volunteered one of these instant commentatorsĀ Ā
that the notion that this seemed like a MiddleĀ East style bombing and that there were a coupleĀ Ā
of swarthy people around right after the bombingĀ or seen after the bombing within hours of theĀ Ā
explosion local police and the FBI had issued theĀ all-points bulletin looking for three men believedĀ Ā
to be of middle-eastern origin and sources tellĀ CBS News that unofficially the FBI is treatingĀ Ā
this as a middle-eastern related incident OklahomaĀ City can tell you is probably considered one ofĀ Ā
the largest centers of Islamic radical activityĀ outside the Middle East and so this got them toĀ Ā
think that they should talk to me not because IĀ had anything to do with it but because by virtueĀ Ā
of being from the Middle East I would have anĀ inside insight into this you know and of courseĀ Ā
the proposition is so preposterous and so racistĀ just if you're from the area you would understandĀ Ā
who and why this is being done never thinking forĀ a moment that it was a local homegrown boy calledĀ Ā
McVeigh who was you know totally AmericanĀ in his Outlook that was doing it out of theĀ Ā
best principles of American exterminationĀ and a hub like anger you know at the world
professor Saeed is not only a literary theorist heĀ is also a very prominent and active representativeĀ Ā
of the Palestinian people Saeed grew up in whatĀ was then called Palestine and is now called IsraelĀ Ā
and the occupied territories when the StateĀ of Israel was founded in 1948 like millionsĀ Ā
of other Palestinians Saeed and his family wereĀ made homeless as well as stateless these exiledĀ Ā
Palestinians now mostly live either in theĀ territories under the control of Israel orĀ Ā
in refugee camps in the surrounding countries oneĀ of the things that drives Saeed is the quest forĀ Ā
justice and a homeland for the Palestinian peopleĀ and there's a close connection between Syed'sĀ Ā
intellectual work and his political activism asĀ he himself remarks he wrote three books that heĀ Ā
thinks of as a trilogy and that in his mindĀ are closely connected together OrientalismĀ Ā
covering Islam and the question of Palestine heĀ believes that finding a peaceful humane and justĀ Ā
solution to the conflicts in the Middle East thatĀ is finding an answer to the question of PalestineĀ Ā
will require overcoming the racist legacy ofĀ Orientalism that stresses the separation of peopleĀ Ā
from each other that regards difference as aĀ threat that must be contained or destroyed becauseĀ Ā
of the complex and bloody history of the MiddleĀ East Sayid regards the situation in Palestine andĀ Ā
Israel as the ultimate test case facing the 21stĀ century of whether we live together in peace andĀ Ā
reconciliation with our differences or whetherĀ we live apart in fear and loathing of each otherĀ Ā
constantly under threat constantly at war inĀ seeking a way out of this legacy of mistrustĀ Ā
and conflict Sayid draws upon the work of ItalianĀ philosopher Antonio Gramsci who gives us the toolsĀ Ā
to think about these difficult issues in moreĀ productive and humane ways well Graham sheet inĀ Ā
the prison notebooks says something that is alwaysĀ tremendously appealed to me that history depositsĀ Ā
in in us our own history our family's history ourĀ nation's history our traditions history which hasĀ Ā
left in us infinity of traces all kinds of marksĀ you know through heredity through collectiveĀ Ā
experience of individual experience of familyĀ experience the relations between one individualĀ Ā
and another a whole book if you like series ofĀ an infinity of traces but there's no inventoryĀ Ā
there's no there's no orderly guide to it youĀ know so Graham she says therefore the task at theĀ Ā
outset is to try to compile an inventory in otherĀ words to try and make sense of it and this seemsĀ Ā
to me to me at any rate to be the most interestingĀ sort of human task it's the task of interpretationĀ Ā
it's a task of giving history some shape and senseĀ for a particular reason not just that you know toĀ Ā
show that my history is better than yours or myĀ history's worse than yours I'm the victim andĀ Ā
you're somebody who's oppressed people at songĀ but rather to understand my history in termsĀ Ā
of other people's history in other words to try toĀ understand to general to move beyond to generalizeĀ Ā
one's own individual experience of the experienceĀ of others and I think I think the great goal isĀ Ā
in fact to become someone else to transformĀ itself from a unitary identity to an identityĀ Ā
that includes the other without suppressing theĀ difference that he says is the great go and andĀ Ā
and and for me I think I think that that would beĀ the case you know and that would be the notion ofĀ Ā
writing an inventory historical inventory whichĀ not only understand oneself would understandĀ Ā
oneself in relation to others and to understandĀ others as if you would understand yourselfĀ Ā
Palestine is so important in this respect becauseĀ of its local complexities that say Arabs and JewsĀ Ā
are Muslims and our of Christians and Israeli JewsĀ of themselves very mixed background I mean we'reĀ Ā
talking about Polish Jews Russian Jews AmericanĀ Jews Yemeni Jews Iraqi Jews Indian Jews it's aĀ Ā
it's a fairly complex mosaic somehow finding aĀ way to live together on land that is drenchedĀ Ā
saturated with significance on a world scaleĀ unlike any other country in the world I mean it'sĀ Ā
wholly 2/3 of the major religions and every inchĀ of it has been combed over and fought over for theĀ Ā
last several thousand years and the pattern so farĀ has been the zionist pattern which is to say thatĀ Ā
you know is promised to us we're the chosen peopleĀ everybody else is sort of second-rate throw themĀ Ā
out or treat him as second-class citizens and inĀ contrast to that some of us not everybody but manyĀ Ā
Palestinians have said well we realized that weĀ are being asked to pay the price for what happenedĀ Ā
to the Jews in Europe under the Holocaust it wasĀ an entirely Christian and European catastropheĀ Ā
in which the Arabs played no part and we are beingĀ dispossessed displaced by our by the victims we'veĀ Ā
become the victims of the victims but as I sayĀ not all of us say well they should be thrown outĀ Ā
because we have been thrown out and so we haveĀ another vision which is a vision of coexistenceĀ Ā
in which Jew and Arab Muslim Christian and andĀ you can live together in some polity which IĀ Ā
think it requires a kind of creativity andĀ invention that is possible vision that wouldĀ Ā
replace the authoritarian hierarchical modelĀ but this idea that somewhere we should protectĀ Ā
ourselves against the infiltrations the infectionsĀ of the other is I think the most dangerous idea atĀ Ā
the end of the 2028 century and unless we findĀ ways to do it and there are no there aren't ourĀ Ā
shortcuts to it unless we find ways to do this IĀ you know there's going to be wholesale violenceĀ Ā
of the sort represented by the Gulf War by theĀ killings in Bosnia the ruined and massacres andĀ Ā
so on I mean those are the pattern of emergingĀ conflict that is extremely dangerous and needsĀ Ā
to be counteracted and I think therefore it'sĀ correct to say that the challenge now is is theĀ Ā
challenge I call it anything other than coexistentĀ how does one coexist with people whose religionsĀ Ā
are different whose traditions and languagesĀ are different but who are who form part of theĀ Ā
same community or polity in the national senseĀ how do we accept difference without violenceĀ Ā
and hostility I've been interested in a fieldĀ called comparative literature most all of myĀ Ā
adult life and commit the ideal of comparativeĀ literature is not to show how English literatureĀ Ā
is really a secondary phenomenon and FrenchĀ literature or Arabic literature is you knowĀ Ā
kind of poor cousin to Persian literature orĀ any of those silly things but to show themĀ Ā
existing you might say as contrapuntal linesĀ in a great composition by which difference isĀ Ā
respected understood without without coercionĀ and it's that attitude I think that we need
you
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