QoA Gimlet - One Part QoA, One Part Hi Fri and Pour over your Favorite Tracks

Summary

В видео обсуждается наушники Gimlet, созданные в сотрудничестве с компанией Queen of Audio и настройщиком аудио High Fidelity (Hi-Fi) High Fry. Автор подробно изучает дизайн, вес и материалы корпуса, акустические характеристики и акустический профиль Gimlet, сравнивая их с другими моделями. Особое внимание уделяется отклонению Gimlet от традиционного стиля Harman и его влиянии на звучание на разных треках. Автор делится своими впечатлениями о балансе баса, мелодий и верхних частот, а также о том, как изменение характеристик Gimlet влияет на восприятие музыки и качество звука в целом.

Takeaways

• 🎧 Значимость корпуса Gimlet заключается в его весе и прочный ощущении, а не только в внешнем виде или деталях, таких как логотипная пластина из латуни и щель для двухконтактного соединения.
• 🔨 Материал корпуса Gimlet неопределен, но он достаточно тяжелый и прочный, но при этом осторожно обращаться с ним, чтобы не повредить эмаль.
• 👂 Наушники Gimlet могут быть тяжелыми для некоторых пользователей, которые предпочитают легкие аксессуары для ушей.
• 🌟 Корпус Gimlet имеет более качественное покрытие эмалью по сравнению с типичными бюджетными моделями.
• 🔌 Кабель Gimlet состоит из двух сплетенных четырехпроводных элементов с хорошим золотым аппаратным обеспечением.
• 📦 В комплекте с Gimlet идет чехол с логотипом Q of A, два комплекта наушников разных размеров и коробка с информацией о динамическом драйвере LCP на 10 миллиметров.
• 👤 Gimlet был настроен сообщественным членом High Fidelity (Hi-Fi) под названием Harman, что делает его особенным и заслуживающим внимания.
• 📊 На упаковке Gimlet присутствует график частотной характеристики, который позже подробно обсуждается в видео.
• 🎵 Gimlet имеет отличную поддержку баса и средних частот, но некоторые треки могут звучать слишком резко или безжизненно из-за настройки верхних и средних частот.
• 👂🔉 Звуковая характеристика Gimlet может быть чувствительной к музыкальным трекам, что может привести к различным отзывам о продукте.
• 🎶 Испытание Gimlet на различных треках показывает, что настройка звука может быть как привлекательной, так и непривлекательной в зависимости от музыкального вкуса пользователя.

Q & A

Что делает Gimlet уникальным среди аудиоустройств?

Gimlet отличается не только внешним видом и дизайном, но и весом и твёрдым ощущением от обработки. Оболочка Gimlet выполнена из эмальной обложки на металлической основе, что придаёт ему значительный вес и твёрдость.

Каковы особенности дизайна оболочки Gimlet?

Оболочка Gimlet имеет красивые детали, такие как логотип из латуни, двухkontaktный рецессивный соединитель из брасса и турбинный стиль крышки. Однако, главная особенность - это вес и твёрдое ощущение от обработки.

Какой тип кабеля используется у Gimlet и какие особенности его конструкции?

У Gimlet используется кабель с двумя сплетёнными 4-ядерными проводами с хорошим золотым аппаратным уходом.

Каковы характеристики динамического драйвера Gimlet?

Gimlet оснащён 10-миллиметровым LCP динамическим драйвером.

Какой вклад в проект Gimlet внёс пользователь High Fidelity?

Пользователь High Fidelity, настоящее имя Джефф, настраивал звук Gimlet, что является важным вкладом сообщества в продукт Queen of Audio.

Почему Gimlet не получил достаточно внимания в свое время?

Gimlet вышло примерно за три месяца до того, как начался тренд на однодинамичные гармонические наушники, и, возможно, потерялось среди множества аналогичных устройств.

Как Gimlet отличается в настройке звука от других устройств?

Gimlet имеет отличную настройку звука, которая отклоняется от общепринятых гармонических настроек, что может быть как положительной, так и отрицательной характеристикой в зависимости от музыкального вкуса пользователя.

Как Gimlet подходит для различных музыкальных жанров?

Gimlet может быть чувствителен к выбранным трекам и музыкальным жанрам. Он может звучать отличным для некоторых пользователей, в то время как для других может быть менее подходящим из-за своей уникальной настройки.

Какие характеристики баса у Gimlet?

Gimlet имеет более компактный и быстрый бас с откатом в нижних басовых частотах, что может привлечь тех, кто предпочитает более "ударный" стиль баса.

Как Gimlet обрабатывает верхние и средние частоты?

Gimlet поднимает верхние средние частоты для компенсации баса, что может сделать вокальные партии более яркими, но также может привести к некоторой потере естественности звучания.

Какова общая оценка Gimlet от автора скрипта?

Автор скрипта считает Gimlet смешанным пакетом, который иногда может звучать отлично, но иногда может быть менее предпочтительным в сравнении с другими наушниками из-за его уникальной настройки.

Outlines

00:00

👑 Обзор наушников Queen of Audio Gimlet

В этом разделе обсуждается внешний вид и конструкция наушников Queen of Audio Gimlet, включая их металлический корпус, вес и особенности дизайна, такие как латунные вставки и насадки. Отмечено, что наушники имеют солидный вес, что может быть как плюсом, так и минусом для пользователей, чувствительных к весу. Также упоминаются комплектующие, такие как кабель и упаковка, а также краткое упоминание о динамическом драйвере и частотной характеристике.

05:03

📅 Время обзора и история модели

Обсуждается время выхода наушников на рынок и недостаток отзывов о них на момент выпуска. Отмечается, что наушники вышли примерно три месяца назад и потерялись на фоне других популярных моделей с одной динамической головкой, которые были представлены в то время. Особое внимание уделяется тому, что настройки наушников были выполнены известным в аудиосообществе специалистом, что добавляет значимости этому продукту.

10:03

🎧 Различия в настройке звука и их влияние

Рассматриваются звуковые особенности наушников Gimlet, включая разницу в настройке низких и средних частот по сравнению с другими популярными моделями, такими как Moondrop Aria. Описываются предпочтения пользователей в отношении различных звуковых характеристик, таких как более насыщенные средние частоты и безопасный верхний диапазон, а также влияние этих настроек на восприятие различных музыкальных треков.

15:04

🔊 Особенности и нюансы звучания

Углубленное обсуждение звуковых характеристик наушников, включая акцент на нижние и верхние частоты, и как они влияют на восприятие музыки. Отмечаются преимущества и недостатки такой настройки, а также ее влияние на детализацию и пространственное восприятие звука. Рассматриваются предпочтения различных пользователей и то, как эти настройки могут подходить или не подходить для определенных плейлистов.

Keywords

💡оболочка

Оболочка наушников - это внешний корпус устройства. В видео говорится, что особенность оболочки Queen of Audio Gimlet заключается не столько в ее внешнем виде, сколько в весе и твердости. Пример из скрипта: 'что действительно особенного в оболочке, так это вес и ощущение прочности.'

💡эмаль

Эмаль - это покрытие, которое придает металлу блеск и защиту. В видео упоминается, что оболочка наушников покрыта эмалью, что придает ей прочность и вес. Пример из скрипта: 'это своего рода эмалированное металлическое покрытие'.

💡частотная характеристика

Частотная характеристика - это график, показывающий, как устройство воспроизводит звуковые частоты. В видео упоминается, что график частотной характеристики находится на задней стороне коробки наушников. Пример из скрипта: 'на задней стороне коробки вы получите график частотной характеристики.'

💡динамический драйвер

Динамический драйвер - это тип преобразователя звука в наушниках, который отвечает за воспроизведение звука. В видео говорится, что в наушниках Queen of Audio Gimlet используется 10-миллиметровый LCP динамический драйвер. Пример из скрипта: 'в коробке написано Gimlet 10-миллиметровый LCP динамический драйвер'.

💡гармоническая настройка

Гармоническая настройка - это способ настройки звука наушников для достижения определенного звукового профиля. В видео обсуждается, что Queen of Audio Gimlet использует уникальный подход к гармонической настройке, что делает их звучание особенным. Пример из скрипта: 'различный подход к гармонической настройке'.

💡саб-бас

Саб-бас - это низкочастотный диапазон звуков, обычно ниже 60 Гц. В видео упоминается, что у Queen of Audio Gimlet саб-бас немного приглушен по сравнению с другими наушниками. Пример из скрипта: 'Gimlet немного приглушает саб-бас'.

💡вокалы

Вокалы - это звуки человеческого голоса, воспроизводимые наушниками. В видео говорится, что у наушников Queen of Audio Gimlet вокалы звучат четче благодаря усилению верхних средних частот. Пример из скрипта: 'усиление верхних средних частот сохраняет вокалы более четкими'.

💡сценическая ширина

Сценическая ширина - это ощущение пространственной ширины звукового изображения, создаваемого наушниками. В видео упоминается, что у наушников Queen of Audio Gimlet сцена больше находится 'между ушами', что влияет на качество звука. Пример из скрипта: 'основная сцена находится между ушами'.

💡средние частоты

Средние частоты - это звуковые частоты, находящиеся между низкими и высокими частотами. В видео говорится, что у Queen of Audio Gimlet средние частоты имеют заметное усиление, что может не понравиться всем слушателям. Пример из скрипта: 'усиление средних частот может показаться слишком сильным'.

💡верхние частоты

Верхние частоты - это высокочастотный диапазон звуков, обычно выше 2000 Гц. В видео обсуждается, что у Queen of Audio Gimlet верхние частоты звучат безопасно и могут показаться темными в сравнении с другими частями звукового диапазона. Пример из скрипта: 'верхние частоты звучат безопасно'.

Highlights

The Q of a queen of audio gimlet has a special shell with a solid feel and significant weight.

The gimlet features an enamel covered metal construction, which is sturdy but requires care to avoid damage.

The gimlet's cable is a high-quality, twisted four-core design with gold hardware.

The gimlet comes with a branded case and two pairs of tips in white and blue versions.

The box indicates a 10 millimeter LCP Dynamic driver and includes a frequency response graph.

The gimlet was tuned by Hi-Fi, a community member, which is a notable collaboration with the company.

The gimlet's tuning offers a different take on the popular Harman style, with a more sensitive approach.

The sub-bass is slightly rolled off, resulting in a punchier and faster mid-bass.

The upper mids are slightly boosted to maintain vocal clarity against the mid-bass.

The treble is safe and does not rise as expected, leading to a somewhat dark sound.

The gimlet's sound signature is sensitive to the type of music being played, affecting the perceived shape of the sound.

The LCP driver provides good bass, especially with the rolled-off sub-bass, offering a punchy sound.

The upper midrange bump can lead to clear vocals but may come at the cost of a more compressed soundstage.

The treble is smooth and energetic for tracks with lower treble, but lacks energy in the mid-upper range.

The soundstage mostly lies between the ears, which can negatively impact clarity, separation, and imaging.

The gimlet's tuning is quite safe, which may not meet the expectations of those looking for a more dynamic sound.

The gimlet's performance is mixed, with some tracks benefiting from its tuning while others may not.

Transcripts

welcome back today we are going to talk

about the Q of a queen of audio gimlet

so here's what it looks like up close

and uh you know what's actually special

about the shell isn't so much what it

looks like or the nice brass inset with

the logo plate that they did and the

little two pin recessed connector brass

nozzle turbine style nozzle cover you

know all those aren't are fancy and nice

looking but what's actually special

about the shell is the weight of it and

the solid feel to it this is a kind of

an enamel covered metal I'm not sure

what kind of metal it is but it has a

quite a heft to it it feels very solid

and I would be a little careful about

dropping it onto a hard surface as the

enamel is probably going to take a Nick

or two if you drop it too far so but as

far as what a typical budget set feels

like yeah this one is sort of a Next

Level build on solid and and how much it

weighs and and perhaps that's a negative

as well because it doesn't way a little

bit and for those of you who are

sensitive to things hanging in your ears

it does weigh a little bit cable is a

kind of a nice version of a two Twisted

four core a nice Gold Hardware you also

get this case which says Q of a on top

of it you get two packs of tips which

are kind of reasonably close and bore

size so this is the White Version this

is the Blue version which I use so nice

set two pairs of tips this is the box it

says gimlet 10 millimeter LCP Dynamic

driver and you get a frequency response

graph which we'll get to later on the

back of the box so

there we go so we'll kind of jump into

it and we'll go through this one quickly

and I did want to sort of

reached out and I wanted to review this

one even though it came out about three

months ago and I think it should have

been reviewed more about three months

ago

before we got into that whole one

Dynamic driver Harman style craze that

started out with all the 10 HiFi sets

this one came out I think a little bit

before that and it kind of got lost in

the shuffle of so many sets and so

little time so I do wish that this one

was talked about a little bit more three

months ago but uh you know I do have a

chance to talk about it now and and

really it came down to number one why

doesn't this one say hi Fry on the box

right those of you who are on Facebook

audio groups you're probably familiar

with high fry he is the one who actually

tuned the set for queen of audio so I do

wish that uh more people had reviewed it

simply because of that reason you know

we should be very much supportive of

companies queen of audio or canara who

reach out to community members like high

fry Jeff however you know him but uh you

know that is a very special thing to be

able to work with a company like canara

and put a tuning out in a product and

deliver it and you know it's really cool

so

you know I think it for me I'm just kind

of an idiot on video and it's always is

easier for me to criticize than to

create something so very much props and

thanks to Jeff for putting in a lot of

hard work to put out a set and

regardless of what I say it's sort of a

special privilege to hear a set that he

tuned that was put out you know by a

company like canara and queen of audio

so kind of thanks to both of those

companies for again committing to

working with the community to put out

products like this

so second and this is probably the most

important bit on the whole page and why

there's been some varied reviews on this

set lots of people like it a lot some

people didn't like it as much I'm

probably in a lighter set I I think

the difference here his different take

on on Harmony tuning or on a popular

tuning

is just a little bit too sensitive for

me on certain track two certain tracks

than other sets I think there's a reason

why those Harman sets are actually very

popular because they work across genres

very very well they cover lots and lots

of playlists and it sounds very

consistent across them and perhaps you

get annoyed because somebody said sound

familiar sounds so similar to each other

but on the other hand they they sound

you know similar in a good way and I

think they're just a bonus to having

that style but

uh gimlet takes kind of a a different

turn a Different Twist on it and we'll

take let's take a quick look at the

graph up close so we'll start here sub

base so Moon drop Aria kind of this very

popular style tuning that really almost

began with our area but probably not

quite

but so it actually left the sub bass a

little bit lifted a little bit boosted

and it has this almost 40 45 degree mid

bait sub bass mid bass you know a nice

ratio between the two so gimlet rolls

off the sub bass a little bit so you end

up with this punchier tighter faster mid

bassier version of bass so it's not

quite the same as Arya kind of carries a

little more

um of the V shape into the mids and then

it lifts the upper mids just a little

bit over where Ari is to really

compensate for this so boost this a

little bit boost this a little bit this

keeps your vocals a bit clearer

and the actual the upper treble is

actually a little bit a little safer and

it doesn't quite come across on the

graph as much but we'll talk about in a

second so

I think these specific areas and how

they land on your tracks is really the

difference between

enjoying gimlet and thinking that it's

you know not quite for you and for me

it's kind of a mixed bag of of where it

landed on certain tracks I think it does

work good and quite well on its own but

not as much as the other one so I'll

call this the gimlet triage and it's how

I think of the pros and cons on each one

of those changes and I think starting

out with the mid bass bum either you

really like that much and if we go back

and look at that real quickly so when

you look at about 200 you know that's

probably two or three decibels over Arya

some people said Arya had enough mid

base already so to really bump it up to

that's probably about the 5 DB level I

do think that is a noticeable bump there

and that's going to appeal to some

people some people like that you know

dirtier heavier style mid bass other

people are just going to say clouds the

clarity and the air and the detail it's

it's a big masking agent if you're

really sensitive to you know two or

three decibels in mid-base you'll sort

of notice it really being a little bit

more persistent right in your mids and

you know you can say the mids are a

little bit recess but you also get this

little bit of mid bass bleeding through

and it tends to affect the clarity and

then in the upper treble where the level

is just a little bit low or a bit too

safe again it kind of masks that error

that you would typically hear with lower

mid bass levels and the detail in the

mid is the same thing just a little bit

more persistent mid bass tends to mask

out detail right in your mids

so that upper mid bump you know so again

this whole area from about two to four K

just lifted right above where Ari is

again some people said Arya was a bit

little

I don't know a little bit sharp right

there so I think gimlet goes a little

bit sharper and again either you prefer

these more forward close in vocals that

works for you or for me it kind of

throws off the balance on the stage it

becomes a little bit too close it takes

up too much emphasis and it tends to

again mask other things like the upper

treble

so I sort of understand why that was

done just to get over the mid bass bit

but

um for me it just takes it off Natural

just a little bit

and then the trouble like I said it's

it's quite safe and it can sound dark

against that mid bass in the upper mid

so you're sort of expecting a little

bump out there and there isn't one so

when you hear kind of a a bumpier a

punchier mid bass and then a kind of

strong forward lower mid or upper mid

you know you're sort of waiting to hear

those treble mid treble upper trebles

really rise and soar a little bit and

they actually don't it's just a very

safe version of treble so

yeah I think

on one Dynamic drivers I think that the

trouble is sort of a make or break I

think

um sets that tend to be more consistent

tend to do a little bit better and I

think this one is just going to work for

certain playlists and some people will

never even notice it some people will

notice it right off the bat

so the knot is good and again I think

this goes back to this little change

from Arya I think sometimes changing

that recipe I think a lot of sets

followed arya's recipe sometimes when

you change it a little bit it's just not

quite as good as just following the

recipe

and depending on how your tracks land on

gimlet I think that's that is true in a

bit I think for me the stage in the

Imaging detract from The Experience if

you Abate with Arya

so you know Small Change really kind of

ripples through the whole sound and the

whole experience and I think that's sort

of where I got lost on gimlet compared

to something like Arya

so the sound that's euv depending on

your music again it's this this mid bass

bit

the more bid bass you have in your

tracks the more it sounds v-shaped if

you don't have any real mid bass in your

in your track it tends to sound very

u-shaped because this is rolled off a

little bit so you don't have that sub

bass Rumble it doesn't go really deep

you don't have any any part of your

track here so this whole thing sounds

very u-shaped so I very much understand

why people are saying it's u-shape but

from the graph it's it's probably closer

to a a buche

so the bass again this LCP driver

um quite nice in isolation you know I

think the bass actually sounds pretty

good especially with that rolled off sub

bass I think some people will are

attracted to that because it always

sounds a little punchier a little faster

um you know it's just a thing that

happens when you roll it off it's that

is a a sound that people like but the

upper mid is bumped to really right on

top of it so you really have to have a

track that has enough mid bass to really

have that upper mid compensation so it

all sounds in Balance if one of those

two things is off you end up with either

a lot of mid bass or a lot of upper mid

and the upper mid tends to take the

vocals away so yeah you gotta be like I

said this thing is super sensitive to

track so

yeah you get you can sort of end up with

brighter mids over a slightly thick mid

base is how I would call it

sounds crisper and cleaner with that sub

bass roll off like I said I think that

does work and I think that is good and

but it can sound a little punchier a

little lighter in weight and a kind of a

lack of depth to it but again I think

people like that sound so it's kind of a

nitpick bit

less mid bass in the track will sound a

little more u-shaped like I said less

warmth into the mids and Linkin Parks

leave out the rest I think that was a

track that sort of weaves in and out of

the UV shape it can sound quite Lean

Like A Very a very u-shaped set and then

as you hear more mid bass it sounds a

little more v-shaped but it's kind of

interesting to hear that chat that track

move in and out of the UV shape

so the mids again this is very very

subjective and just my opinion on on

what it sounds like with my playlists

and my tracks

and like I said it's going to depend on

on how it really covers the mid base and

the upper mid

the resolution the LCP is it's okay and

I think you do it does get a Little Help

from that two to four K bump I think

that does its job but bringing those

mids forward is really a trade-off for

people who just prefer forward vocals I

think it does that against the mid bass

and you end up with clear vocals and I

think that's kind of a win right there I

think certain people will just stop

there and say great I love forward

vocals that's what I want sounds perfect

to me

for me it kind of goes a little slightly

brighter if you're familiar with Jeff's

tuning Styles and what he prefers being

slightly brighter is is no big surprise

but for me it's slightly brighter upper

mid and it sounds a little less less

natural on voices especially if you're

used to those husky chesty vocals

the whole thing sounds a bit compressed

and loses that separation needed over

the mid base and smaller stage because

it's

you sort of

bumping up the vocals slightly brighter

and you lose the back end the lower bit

of them so you're only hearing

part of the range and everything gets

shifted into that part of the range and

the whole thing just sounds a little bit

more compressed than having a full range

that has this lower bit and you sort of

notice it more on those even those male

vocals that go deeper that part is sort

of smoothed over and really missing and

the whole thing is shifted up and it's

just a style that it it's not it's not

in particular to gimlet it happens on

quite a few sets and it tends to happen

very often when you bump this above 10

DB when you hit that 11 12 13 DB in the

pentagain area you're pretty much going

to end up with the style sound this part

tends to dominate and it becomes very

difficult to hear this bit and it

becomes difficult to hear that bit as

well so that's kind of what happens here

on gimlet as well so treble nice smooth

treble tracks with lower treble sound

energetic like I said that part that two

to four is actually bumped up a couple

DB which is kind of nice

but you know into that mid upper treble

I think it does lose a little bit of

energy and it never really Rises or

soars it's it's basically inconsistent

it's a really big nitpick I know but

I think there are certain tracks that

people have played that they're

expecting the trouble to have more

presence and to be a little higher to

really match the lower treble and it it

tends to nod it's just a quite safe

tuning in that bit but what I would also

say is like that whole bit that lack of

height in the stage is just one

indication that it was probably just a

little bit too safe that level doesn't

really work especially in the upper

travel whether it's mass by the mid base

or the lower treble or you know whatever

is really happening I do think the less

the lack of height in the stage probably

points to something going on there

and like I said the stage mostly between

the ears which really kind of negatively

impacts the clarity and separation and

imaging

and look at I've talked about this quite

a few times this whole concept of

soundstage can be a

multiplier it can make things sound

better makes cheaper sets sound better

but when it goes wrong and the whole

sound becomes in your head and Things

become

kind of overly layered and on top of

each other and hard to differentiate and

now the mids are a little bit more

compressed because of that little bump

in two to four

yeah I think the Imaging really hurts

when it gets slightly busy and again I

think

rethinking the upper treble and the size

of the stage and just creating a little

more space would have

turned this into a negative impact into

a positive impact and it probably would

have done we probably would have been

talking about it more three months later

than we are now but is what it is but

not much height which is really

noticeable if you a b with res so again

I think

changing this recipe just a little bit I

think affected some things that I am

more sensitive to

and if you and I'm kind of an area fan

as well so just a being with Arya I

think there are some things that

you can change on Arya but the stage

size was was probably not one of them

that you wanted to change so

that's what I got on gimlet so again

thank you guys for tuning in and I'll

see you next time