The Hobbit: The Desolation of Smaug, Production Diary 14

Summary

In a behind-the-scenes look at the scoring of 'The Hobbit: The Desolation of Smaug,' composer Howard Shore discusses the creative process at his New York studio and during recording sessions in Wellington. He highlights the introduction of new thematic material, emphasizing the film's dark and mysterious musical landscape. Shore reflects on the collaboration with orchestrators and the role of the conductor in bringing the score to life. With around 16 new themes representing key characters and cultural influences, Shore expresses gratitude to the musicians and excitement for continuing the journey in the third film.

Takeaways

• 🎶 Doug Adams discusses the new score for 'The Desolation of Smaug,' highlighting its rich thematic material and darker tone.
• 🎼 The recording takes place at Wellington Town Hall, where previous music for 'The Fellowship of the Ring' was also recorded.
• 🎤 The music emphasizes beauty and emotional depth, aligning closely with the film's narrative and characters.
• 🎻 Collaboration between Doug Adams and Peter Jackson is essential for establishing the film's musical perspective.
• 🪕 The scoring process involves sketching compositions before moving to orchestration and recording.
• 🎺 The conductor, Conrad Pope, brings a lively atmosphere, encouraging creativity and humor during the sessions.
• 🎵 There are approximately 16 new themes, including notable ones for characters like Thranduil and Smaug, reflecting their unique traits.
• 🌊 New thematic elements are introduced to represent Lake-town and its history, adding depth to the narrative.
• 🔍 Experimental percussion techniques and instrumentation, including gamelan, enrich the score's texture.
• 🎉 The enthusiasm and camaraderie among the musicians are evident, contributing to an enjoyable recording experience.

Q & A

Who is Doug Adams and what is his role in the production of The Hobbit: The Desolation of Smaug?

Doug Adams is the author of the music for The Lord of the Rings films and has contributed to the score for The Hobbit: The Desolation of Smaug.

What does Doug Adams say about the thematic material in The Hobbit: The Desolation of Smaug?

Adams mentions that this film contains the most new thematic material, creating an expansive and dark atmosphere similar to The Two Towers.

How does Doug Adams approach the composition process for the film's score?

He first composes pieces in sketch form, which then proceed to orchestration and production for recording.

Where was the music for The Hobbit: The Desolation of Smaug recorded?

The recording took place at the Wellington Town Hall in New Zealand.

Why is the Wellington Town Hall significant to Doug Adams?

Adams has a personal connection to the venue because The Beatles performed there in 1964, and his cousin attended that concert.

What is one of the new themes introduced in The Hobbit: The Desolation of Smaug?

One new theme is for the character Tauriel, a bold new warrior who fights against the Orcs.

What role does conductor Conrad Pope play in the recording process?

Conrad Pope is responsible for leading the orchestra, bringing personality and professionalism to the recording sessions.

How many new themes are introduced in the film, according to Doug Adams?

Adams states that there are approximately 16 new themes introduced in The Hobbit: The Desolation of Smaug.

What is the significance of the theme for Smaug in the film's score?

The theme for Smaug carries a sinister quality and is designed to reflect his psychological depth as a character.

What did Doug Adams express at the end of the video regarding the musicians' contributions?

He expressed gratitude for the musicians' hard work, noting that their efforts greatly enhance the film's sound and overall experience.