Classic Synths for FREE???
Summary
TLDRThis video explores the accessibility of classic synthesizers through emulation, focusing on the authenticity and legality of such recreations. It discusses the Motorola DSP 56300 series, the technology behind iconic virtual analog synths, and how recent advancements have made these emulations viable for professional use. The video also delves into the technical and legal aspects of obtaining and using copyrighted firmware for these synthesizers, and compares the emulations to original hardware, highlighting the potential for both preservation and innovation in music production.
Takeaways
- 🎹 Access to classic synthesizers like Access Virus and Waldorf Micro Q has become easier due to authentic recreations available for free.
- 🔍 These recreations are not imitations but almost 100% authentic, designed to be used within a Digital Audio Workstation (DAW).
- 🤔 The video explores the authenticity of these claims and compares them to original instruments, questioning potential legal issues.
- 📚 '90s kids might have wished for industry-standard VA synths like Nord Lead, Waldorf Q, and Access Virus, which were limited by budget.
- 💾 The synthesizers are based on the Motorola DSP 56300 series, and emulations have reached a level of maturity for professional use.
- 🌐 The most comprehensive source for these emulators is DSP 56300 WordPress, offering information and downloads for various platforms.
- 🚫 Technically and legally tricky to obtain the copyrighted firmware of the instruments, some of which are available on manufacturer websites.
- 🛠️ Installing the emulation plugin is easy, but Apple users may need to do some terminal hacking to get it running.
- 🎵 The emulation's sound quality is comparable to the hardware original, with some minor differences due to hardware components.
- 💻 The video discusses the performance of the emulation in a DAW environment, noting CPU consumption and polyphony capabilities.
- 🤝 The video concludes with a call for a solution that benefits synth enthusiasts, manufacturers, and emulator developers alike.
Q & A
What is the main topic of the video?
-The video discusses the ease of access to classic synthesizers, such as the Access Virus range and Waldorf Micro Q, through emulations that are almost 100% authentic recreations available for free use within a DAW.
What is the significance of the Motorola DSP 56300 series in the context of the video?
-The Motorola DSP 56300 series is significant because it is the microprocessor technology upon which the emulated synthesizers are based. These synthesizers, despite being different, share this common technology for their sound generation.
What are the two things required to emulate vintage gaming consoles in the context of synthesizers?
-To emulate vintage gaming consoles for synthesizers, one needs a 100% legal emulator that replaces the DSP and includes a tailored UI for the specific synthesizer, and the original copyrighted firmware of the instrument.
Why might obtaining the firmware for the synthesizers be legally tricky?
-Obtaining the firmware for the synthesizers can be legally tricky because it involves copyrighted material. While some ROMs are publicly available, others might require finding unpack apps or accessing them through unofficial means, which could potentially infringe on copyright laws.
How does the video guide users to install the emulation plugin?
-The video guides users to install the emulation plugin by placing the synth firmware (usually a .bin or .mid file) in the same folder as the plugin, with the location of these folders depending on the operating system and plugin standard.
What is the role of the digital SPD connectivity in the comparison between the software and hardware synthesizers?
-Digital SPD connectivity is used to ensure a fair comparison between the software and hardware synthesizers by eliminating variables like digital-to-analog conversion from the equation.
How does the video address the performance of the emulated synthesizer in a DAW environment?
-The video addresses the performance by comparing the emulated synthesizer to the hardware original, noting that the sounds are not identical but very close, and discussing CPU consumption and polyphony limitations.
What is the stance of the video on the legality and ethics of using these emulations?
-The video is cautious about the legality and ethics of using these emulations, acknowledging the potential copyright issues and the need for a solution that satisfies all parties involved, including synth enthusiasts, original manufacturers, and emulator developers.
What is the video's opinion on the broader implications of these emulations for the music industry?
-The video suggests that these emulations make legendary tones available to a broader public and could be beneficial for preserving these sounds for future generations, similar to the discussion around old game console ROMs.
How does the video conclude its discussion on the emulations of classic synthesizers?
-The video concludes by expressing a desire for a solution that allows access to these great-sounding engines while minimizing economic downsides for manufacturers and supporting innovation in emulation technology.
Outlines
🎹 Access to Classic Synthesizers: A New Era
This video explores the ease of accessing classic synthesizers like the Access Virus range and Valo Micro Q. These are not mere imitations but almost 100% authentic recreations available for free use within your Digital Audio Workstation (DAW). The video aims to verify these claims, compare them to newer instruments, and discuss potential legal issues. It reminisces about the '90s when industry-standard virtual analog synths were financially inaccessible. The video discusses how these synths, despite their differences, share the same microprocessor technology, the Motorola DSP 56300 series. The DSP emulations have matured to a point where they are usable in professional music production. The video guides viewers on how to obtain legal emulators and firmware, and how to install and use these plugins, with a cautionary note on the legalities of firmware acquisition. It concludes with a sound demonstration and a comparison of the emulation to the original hardware, highlighting the emulation's capabilities and limitations.
🔍 Emulation vs. Hardware: A Comprehensive Comparison
The second paragraph delves into the technical aspects and performance of the emulated synthesizers compared to their hardware counterparts. It acknowledges the role of converter technology and analog output stages in the quality of sound, especially for synthesizers based on the 56300 series. The video discusses the use of overclocking techniques in the design of the emulated Access Virus TI, allowing for higher sample rates than the original hardware. The polyphony of the hardware instrument is contrasted with the dynamic polyphony of the emulation, which can reach over 100 voices depending on settings. The video also addresses the challenges in performance comparison due to CPU consumption spikes when the plugin is idle. It expresses a conflicted view on the emulation of discontinued hardware, appreciating the availability of legendary tones to a broader audience while also considering the economic implications for manufacturers. The video concludes by suggesting a solution that could satisfy synth enthusiasts, manufacturers, and emulator developers, though it acknowledges the complexity of such a resolution.
Mindmap
Keywords
💡Classic synthesizers
💡Virtual Analog Sims
💡DSP 56300
💡Emulator
💡Firmware
💡Polyphony
💡CPU consumption
💡Overclocking
💡Digital to Analog Conversion
💡Preservation
💡Economic downsides
Highlights
Access to classic synthesizers has become easier with authentic recreations available for free.
These synthesizers are not imitations but almost 100% authentic recreations.
The recreations can be run inside your Digital Audio Workstation (DAW).
Comparisons will be made with recent original instruments to verify claims.
The video discusses the legality of using these recreations.
Many '90s industry standard VA synthesizers were based on the Motorola DSP 56300 series.
Emulations of these DSPs have reached a level of maturity suitable for professional music production.
DSP 56300 wordpress.com is a comprehensive source for information and applications.
Two things are needed for emulations: a legal emulator and the copyrighted firmware of the instrument.
Some ROMs are publicly available, but it's not legally advisable to provide detailed information on how to find them.
Installing the emulation plugin is easy, but Apple users may need to do some hacking.
The plugin itself won't make sound until the synth firmware is placed in the same folder.
The emulation's sound quality is at least on par with many contemporary software instruments.
A comparison between the software and hardware versions shows very similar sound quality.
The emulation can be played at higher sample rates not available on the original hardware.
Polyphony on the hardware instrument is dynamic, with the software version showing modest CPU consumption.
The video explores the ethical and legal implications of recreating hardware instruments.
The discussion includes the potential for preserving these instruments for future generations.
The video concludes with a call for a solution that satisfies synth enthusiasts, manufacturers, and emulator developers.
Transcripts
hey everybody in this video we are going
to talk about how easy it has become to
get access to Classic synthesizers like
the entire wirus range or valo micro Q
keep in mind that these are not some
half-baked imitations of the iconic
virtual analog Sims but almost 100%
authentic Recreations that are available
free of charge to be run inside your Daw
we will take a look at whether all these
claims are true compare it to one of the
more recent original instruments and try
to find out if all this might even be
illegal if you are like me a '90s kid
chances are that you had a wish list of
Industry standard VA Sims that were off
limits budget wise Nord leads and
modulus valof q and microwave all
viruses cor ms2000 and Novation novas
you might be surprised to hear that
these profoundly different instruments
are code and physical UI designed based
on the same microprocessor technology
the Motorola DSP
56300 series while computer emulations
of these dsps have been around for a
while now they have just recently
reached a level of maturity that makes
them conveniently usable in a
professional music production
environment the most comprehensive
source of information and ready to use
applications is DSP
56300 wordpress.com where you can find
in-depth information and downloads for
all major platforms and standards quite
similar to emulations of wintage gaming
consoles you need two things the 100%
legal emulator which not only replaces
the DSP but also comes with a tailor
made UI for the specific synthesizer and
and this is where it might get a bit
tricky both technically and legally the
original and of course copyrighted
firmware of the instrument some of these
ROMs are publicly available on the
manufacturer's website in the case of
this beautiful wirus TI It is part of a
larger software download that requires
you to a register one of their products
and B find an unpack app that does the
trick it is not legally advisable to
give more information on how to find
these firmwares but the aforementioned
9s kids among you will find a way
installing the ulation plug-in itself is
super easy barely an inconvenience but
Apple users will have to do some well
documented low-level hacking in the
terminal as you might have already
figured out the plugin itself will not
make any sound the synth firmware which
is usually a bin or mid file needs to be
placed in the same folder as the plugin
location of these folders depend on your
operating system and the plug-in
standard you are using rescan your
plug-in folder except the usual terms
and agreements when opening the plugin
for the first time locate the preset
folder if necessary and you're good to
go
[Music]
[Music]
nice these were just a few of the sounds
many musicians and producers get VA
Classics like a virus 4 especially in
the case of the ti here the versatility
and sound quality of the engine is at
least on par with many contemporary
software instruments let's do a quick
comparison with the hardware original
have a look at how the emulation
performs in a Daw environment and try to
find out if there are any quirks and
limitations you should know about in
order to make the comparison between the
software and Hardware wirus as accurate
as possible I was using the digital SPD
connectivity of the
[Music]
ti this not only allows us to take
variables like digital analog conversion
out of of the equation I also opted for
the hardware synth as a clock
[Music]
source as expected the sounds are not pH
identical presumably because of the free
floating vcos and lfos but I would be
hard pressed to tell them apart start in
a blind
[Music]
test be aware of the fact that converter
technology and the analog side of the
output stage might play a bigger role
when it comes to other 56 300 based
synthesizers though AIS made use of
overclocking techniques when designing
the ti you can activate this in the
emulation too and super interesting play
it at higher sample rates not available
on the original polyphony on the
hardware instrument is dynamic with a
maximum voice count of over 100
depending on factors like Unison
settings and FX configurations so a
direct performance comparison isn't easy
I was able to play five instances of a
classic wirus pad with 12 voices each on
a humble Mech mini M1 amounting to a
total polyphony count of 60
but was running into issues when adding
more as it seems CPU consumption is
rather modest during midi playback but
massive spikes tends to occur when the
plug-in is Idle feel free to leave a
comment about how it performs on your
system especially in a Windows or Linux
environment I am torn when it comes to
projects like this I like the idea of
being able to easily Rec create the
actual Hardware of an instrument not
only because it makes legendary tones
available to a broader public but quite
similar to the current discussion about
the availability of old game console
ROMs also for preserving them for future
Generations it is easy to make an
argument for this in the case of the
access virus range as all these sins
have been discontinued and the
manufacturers Focus lies on completely
different products at the moment I
reached out to them for an official
statement but haven't received an answer
yet however a manufacturer like Valor is
still a strong player in the synth game
and just recently dropped a plug-in
version of one of their Classics it
would be great to find a solution that
satisfies all parties involved granting
synth enthusiasts access to these great
sounding engines limiting the economic
downsides for the original manufacturers
and helping the people behind the
emulators to push forward innovation in
that field but that's maybe a bit too
much to ask from a simple meme video
thanks for watching and see you next
time hey guys I hope you enjoyed the
video feel free to like subscribe become
a patreon and use one of the links down
below that support the channel
regardless of what your guests command
you to
[Music]
buy thanks to all my patrons for
supporting the channel and welcome to
the monthly vood shout outs Spectra
walks might be the best Mo for citr but
it's certainly not my favorite Voda
fortunately there's subtitles tier four
[Music]
[Music]
Happ
[Applause]
[Music]
[Music]
well it's analog and 700 bucks so it
must be good tier
six again thank you so much for
supporting the channel see you next
month
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