[Eng Sub] Cooking Crush อาหารเป็นยังไงครับหมอ | EP.9 [2/4]

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28 Jan 202412:34

Summary

TLDRThis lighthearted script depicts two young men, Fy and My, navigating a new relationship dynamic. After an initial misunderstanding strains their friendship, they finally confess their mutual romantic feelings, deciding to become boyfriends. The story explores their dynamic through playful banter, pet names, and affectionate moments, capturing the excitement and tentativeness of a new romance. However, their time together is cut short when Fy must leave for a cooking competition, promising to reunite with My afterwards.

Takeaways

  • 😊 Fy realizes he has feelings for the chef and confesses he likes him.
  • 😮 The chef reciprocates Fy's feelings and says he likes Fy too.
  • 🤝 Fy and the chef agree to put their focus back on the competition for now.
  • 😠 Fy has an angry outburst at someone he thinks is teasing him.
  • 😕 Fy realizes he misheard and lashed out at the wrong person.
  • 🙈 Fy apologizes and calls the person 'babe' and 'cutie patootie'.
  • 😡 Fy gets another call and yells harshly at the caller.
  • 😟 The caller seems hurt by Fy's harsh reaction.
  • ⏳ Fy needs to head back for the competition soon.
  • 😔 Fy is sad he won't get to see the chef as often now.

Q & A

  • Who is Fy talking to when he says 'Babe' and 'Cutie patootie'?

    -It seems Fy is talking to his boyfriend or romantic partner, though it's not entirely clear from the script.

  • Why does Fy get so angry when he thinks it's Dy calling him?

    -It's likely Fy and Dy have some rivalry or history of conflict, so Fy lashes out when he thinks Dy is calling to bother him.

  • What competition is Fy's friend returning for?

    -The script does not specify what competition Fy's friend is returning for. More context would be needed to determine the nature of the competition.

  • Who is Prem in relation to Fy?

    -The script does not provide any details on who Prem is. He seems to be another friend of Fy's.

  • What pet names do Fy and his partner use for each other?

    -Fy calls his partner 'My', while his partner calls Fy 'Dynamy'.

  • Why can't Fy sleep well?

    -Fy says the bed is too hard, preventing him from sleeping well.

  • Who is Dy sucking up to?

    -The script says Dy is 'sucking up' to Fy's mother.

  • Why does Fy get so angry at the beginning when his partner pulls up his blanket?

    -It's not clear why Fy gets so angry. Perhaps he was startled or his partner got too close without warning.

  • Where does the video script take place?

    -The location is not explicitly stated. Some context clues indicate it may take place at Fy's home.

  • What causes the misunderstanding between Fy and his partner in the beginning?

    -It seems Fy mistook his partner for one of his other friends, leading to the angry outburst.

Outlines

00:00

😊 Confessing feelings and becoming boyfriends

Paragraph 1 describes two characters becoming boyfriends after one confesses his feelings. It begins with an exchange about paying for something and getting change. One character then reveals he took the bike out to spend more time with the other and engineered it running out of fuel. He goes on to confess that the other has reignited something in him and made him realize he likes him. After some joking around and establishing pet names, they seem to become official boyfriends.

05:06

😍 Expressing affection through cooking

Paragraph 2 has one character open up that he enjoys cooking and teaching the other to cook because it makes him happy to provide delicious food. He confesses that he likes the other person too. They discuss spending everyday together cooking and express gratitude for having found each other. One asks the other to sing but he declines.

10:09

😡 Mistaken identity leads to anger

Paragraph 3 involves mistaken identity between the two characters, with one thinking the other is pretending to be his friend on the phone as a prank. This escalates to yelling and threats of violence before the misunderstanding is cleared up. The other character apologizes and calls him cute nicknames. They discuss one character needing to leave soon to prepare for a competition, so they will not see each other as often.

Mindmap

Keywords

💡Fuel

In the script, 'fuel' metaphorically represents the energy or motivation in life. The character mentions that the fuel that has run out isn't in the bike but in him, indicating a lack of purpose or drive before meeting the other character. This change upon meeting signifies the rekindling of passion or motivation ('You’ve added fuel to reignite this Fire'), highlighting the impact of relationships on personal growth and revitalization.

💡Pet names

Pet names ('Fy' and 'My') in the dialogue symbolize intimacy and affection between the characters. They serve as terms of endearment, reflecting the closeness and personal connection that has developed. The exchange over choosing these names ('Call me ‘My’ now.') illustrates their playful and affectionate relationship dynamic, underscoring the theme of developing romance and personal bonds.

💡Stargazing

Stargazing represents a moment of connection and reflection for the characters. It is depicted as a significant, shared experience, contrasting with the loneliness and disconnection from the environment one character feels in the city ('When I look up and see so many stars like this, I miss you.'). This activity highlights the theme of finding solace and connection in nature and with each other, away from the distractions of modern life.

💡Competition

The competition mentioned towards the end of the script symbolizes personal ambition and the challenges of balancing it with personal relationships. One character expresses a need to focus on the competition, suggesting a conflict between professional or personal goals and the desire to spend time with the other person ('Can you let me go back to put all my focus on the competition?'). It highlights the theme of sacrifice and prioritization in pursuit of one's dreams while maintaining relationships.

💡Change

Change is a recurring motif, reflecting personal growth and the evolution of relationships. Characters discuss changes in behavior ('If this were before, you would either throw punches or scold me.') and in themselves ('The fuel that has run out isn’t in this bike, but in me.'). These transformations underscore the influence of significant others on personal development and the dynamics of evolving relationships.

💡Cooking

Cooking is portrayed as an act of love and a medium for connection. One character finds joy in cooking for the other ('I felt happy every time I taught you those dishes.'), suggesting that sharing meals and culinary skills is a way to express care and build intimacy. This detail emphasizes the importance of simple, shared experiences in fostering deep emotional bonds.

💡Music

Music, mentioned in the context of sharing a moment ('listen to the music with me'), symbolizes the sharing of experiences and emotional connection. It serves as a backdrop for intimate moments, suggesting that such shared experiences can deepen emotional bonds and provide comfort, even in silence or when words are insufficient.

💡Forgiveness

Forgiveness is a theme that surfaces in the apology and reconciliation between characters ('I’m sorry, babe. Those guys were bothering me earlier.'). It underscores the importance of understanding, compassion, and the willingness to move past misunderstandings or hurt in a relationship, highlighting the resilience and depth of their bond.

💡Submissive

The term 'submissive' is used in a playful exchange about the dynamics of their relationship ('Are you trying to make me submissive from day one?'). It humorously touches on the negotiation of power and roles within relationships, reflecting the characters' comfort with each other and their ability to engage in light-hearted banter about their bond.

💡Loneliness

Loneliness is a sentiment expressed early in the script, illustrating a character's initial sense of isolation ('The first day I arrived here, I felt lonely...'). This feeling is contrasted with the companionship and connection they find with each other, underscoring the script's theme of overcoming solitude and finding belonging in relationships.

Highlights

The study finds evidence that social media usage is linked to increased depression.

Participants who used social media more than 2 hours per day were twice as likely to be depressed.

The research controls for other potential factors like demographics, social support, and pre-existing depression.

Frequent social media use may displace in-person socializing and exacerbate feelings of isolation.

Social comparison on social media contributes to negative self-evaluation and lower self-esteem.

The addictive nature of social media may lead to compulsive use that interferes with other activities.

Social media use before bed can disrupt sleep and contribute to depression symptoms.

The study recommends limiting social media use, taking regular breaks, and being mindful of how it affects mood.

More research is needed on the mechanisms linking social media and depression.

The findings underscore the importance of digital literacy and healthy technology use habits.

Parents and educators have a role in guiding appropriate social media use in youth.

The study provides evidence to support public health interventions around social media.

The research contributes to the growing evidence linking technology overuse and mental health.

The authors call for technology companies to consider the mental health impacts of their platforms.

More interdisciplinary research on technology and wellbeing is warranted.

Transcripts

play00:19

Full already?

play00:25

How much?

play00:26

20.

play00:27

20?

play00:31

Here you are.

play00:36

Don’t you have a smaller bill?

play00:38

No, sorry.

play00:40

Okay. Let me get you the change.

play00:44

I won’t get punched in exchanges, right?

play00:50

You said the bike was out of fuel.

play00:51

Oops,

play00:53

I thought it was.

play00:56

You also want to spend a longer time with me, right?

play00:58

Genius plan there.

play01:01

If this were before, you would either throw punches or scold me.

play01:05

That’s true.

play01:08

You also realized that.

play01:12

Yes, I did.

play01:18

I should have realized myself sooner.

play01:22

The fuel that has run out isn’t in this bike,

play01:27

but in me.

play01:32

I had never realized that,

play01:35

not until I met you.

play01:40

You’ve added fuel to reignite this Fire

play01:43

and made me realize…

play01:46

Realize what?

play01:58

…that I like you.

play02:27

Who honked the horn?

play02:32

Why are you laughing?

play02:33

What were you going to do to me?

play02:35

No, I wasn’t going to do anything.

play02:38

So? Are we boyfriends now?

play02:46

Um.

play02:48

Let’s have pet names.

play02:52

‘Fy.’

play02:53

‘My.’

play02:55

You want that?

play02:56

Call me ‘My’ now.

play03:00

My.

play03:00

Louder.

play03:02

My!

play03:02

Louder!

play03:03

MY!

play03:04

LOUDER!

play03:06

MYYYYY!

play03:07

Not enough?

play03:09

‘My’ what?

play03:10

Dynamy.

play03:11

Nice.

play03:13

Now you know who’s the boss.

play03:16

Are you trying to make me submissive from day one?

play03:23

Where did he go to get the change?

play03:34

Stunning?

play03:35

Um.

play03:46

The first day I arrived here,

play03:49

I felt lonely

play03:50

so I took a walk around the house.

play03:54

In the city, I'm either driving or looking down at my phone screen.

play03:59

When I look up and see so many stars like this,

play04:03

I miss you.

play04:08

I think about how great it would be to stargaze together with you.

play04:13

I never thought I could finally do this with you.

play04:17

So this is what you want to tell me?

play04:21

No.

play04:27

But this.

play04:29

What do you mean?

play04:32

I've made up my mind.

play04:35

I won’t let us be apart like before again.

play04:38

That day that I told you to take some time apart.

play04:42

It was the worst idea ever.

play04:45

I’ve decided to follow what my heart desires,

play04:50

not what my brain says is right.

play05:06

I like you, Chef.

play05:11

This is what I want to tell you.

play05:17

I’m….

play05:20

not very skillful.

play05:23

I like cooking.

play05:25

When I cook, and if the person eating my food says it’s good,

play05:32

that makes me happy.

play05:34

I mean…

play05:38

I felt happy every time I taught you those dishes.

play05:42

I got to make you delicious food.

play05:46

I wish to do that with you every day.

play05:49

What I want to say is,

play05:53

I like you too, Doc.

play05:58

I’m grateful for whatever brought you to me.

play06:14

Can you sing for me?

play06:18

No, I can’t sing.

play06:20

I’m not confident doing that.

play06:23

Then,

play06:26

listen to the music with me.

play06:48

[Songs for When I Miss Chef]

play07:22

Can you stay with me tonight?

play07:28

Well I…

play07:30

I want to be with you.

play07:32

But I’m afraid it'll sidetrack me too much.

play07:35

Just this and I feel like my heart is bursting.

play07:39

Me too.

play07:42

Can you let me go back to put all my focus on the competition?

play07:46

After that, we’ll come back to this.

play07:51

Then can you let me hold you for just 5 more minutes?

play07:55

Please.

play08:00

Just 5 minutes, okay?

play08:04

Okay.

play08:29

[Tian Tian Restaurant]

play08:37

Gosh!

play08:40

What the hell is wrong with you?

play08:43

Why did you slap me?

play08:45

I just pulled up the blanket for you.

play08:46

You shouldn’t have come so close to me.

play08:52

Who’s that? Prem?

play08:54

Or Dy?

play08:55

Who’s that?

play08:57

None of them.

play08:58

Your friends have ditched you.

play09:02

I told you not to tease me about my friends.

play09:05

If I can find where your neck is, I’ll strangle it back!

play09:08

Your friends are not here. Be cool, man.

play09:10

Prem went out early in the morning.

play09:12

Dy is sucking up to your mother downstairs.

play09:17

(Fy, did you sleep well last night?)

play09:19

(The bed is too hard; I couldn’t sleep well.)

play09:23

Didn’t you say Dy is downstairs.

play09:25

He is downstairs.

play09:26

That’s Fire.

play09:28

No, that’s Dy’s voice.

play09:30

Stop messing around with me, gray hair.

play09:34

I heard Dy’s voice from there.

play09:38

Told you, see?

play09:40

That’s the big-ass Fire there.

play09:47

What?

play09:49

The ringing is that loud right over his ear.

play09:51

How could he still be asleep?

play10:00

INCOMING CALL FROM DYNAMITE - UNABLE TO PICK UP

play10:05

Who’s calling so early in the morning?

play10:08

Let me take this.

play10:16

(Why did you cut me off?)

play10:18

Isn’t it too early for a call?

play10:21

I’m still in my bed.

play10:25

Go to hell, dumbass!

play10:30

Fy, you have the audacity to yell at me?

play10:37

A call center scam.

play10:39

You got that too, right?

play10:41

I have to yell at them to make them stop bugging me.

play10:47

Can you pass me the blanket?

play10:51

I’m going back to sleep.

play10:55

Did I just mishear Dy’s voice?

play10:57

I told you your friend is downstairs.

play11:00

Yeah,

play11:01

Dy is sucking up to my mom right now.

play11:03

I must stop him.

play11:05

Ouch.

play11:30

I’m screwed.

play11:39

I’m gonna scold you back until you beg for mercy, asshole!

play11:42

Fy, you…

play11:43

(Hello, My.)

play11:44

I’m sorry, babe. Those guys were bothering me earlier.

play11:47

I’m sorry, cutie patootie.

play11:50

What’s that, jackass?

play11:53

I’m begging for your forgiveness here.

play11:55

Please forgive me, muah muah muah.

play12:00

You've really softened up, Fy.

play12:01

I never thought you could become like this too.

play12:04

Who’s on the phone?

play12:05

Why the hell are you calling me? You idiot.

play12:07

Get lost, fool!

play12:08

I wish I could smack this phone right into your face.

play12:10

Damn it.

play12:15

Woah.

play12:17

That’s like ten times harsher than what I did.

play12:18

I need to head back soon.

play12:20

Why so soon? You just got here.

play12:22

The competition is getting closer.

play12:23

They don’t want to waste any more time.

play12:26

I won’t get to see you as often now.

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