Queer Salsa: How One Nonbinary Couple Leads and Follows | If Cities Could Dance
Summary
TLDRAngie Egea and Audrey Guerrero are dancers in Austin, Texas, aiming to make the salsa community more inclusive. They challenge traditional gender roles in dance by embracing non-binary 'lead and follow' dynamics. The video showcases their passion for salsa, its rich history, and the influence of various cultures. They inspire others to express themselves authentically on the dance floor, promoting a sense of belonging and respect through movement.
Takeaways
- 💃 Angie Egea and Audrey Guerrero are working to create an inclusive salsa community in Austin, Texas.
- 🕺 Angie was inspired to start leading in salsa after seeing women leading for the first time, challenging traditional gender roles.
- 🌈 Their mission is to promote a queer dance community and break the binary system of 'male lead and female follow' in salsa.
- 🎨 Audrey and Angie emphasize expression and connection in dance, encouraging people to embrace their own identity and energy.
- 🇨🇴 Angie is from Colombia, and Audrey is from the Dominican Republic. Both bring their cultural backgrounds into their dancing.
- 🇵🇷 Austin has a vibrant Latin American and Puerto Rican community, making it a diverse and welcoming place for salsa.
- 👩❤️👩 Audrey credits salsa and her relationship with Angie as pivotal in helping her come out and be open about her identity.
- 🎶 Salsa has roots in Cuban and African rhythms, with key figures like Celia Cruz contributing to its evolution.
- 👯♀️ Audrey and Angie are making dance spaces in Austin more inclusive, allowing participants to choose their roles in dance based on preference, not gender.
- 💪 Their art and classes have helped them gain respect in the salsa community, reinforcing the importance of being yourself on the dance floor.
Q & A
What is Angie Egea's initial experience with salsa dancing?
-Angie Egea initially experienced salsa dancing as a traditionally male-led activity, where she never saw a woman leading.
What was Angie Egea's reaction to seeing a woman lead in salsa?
-Angie Egea was obsessed with the idea of leading salsa after seeing a woman do it and wanted the choice to either lead or follow.
How did Angie Egea and Audrey Guerrero meet?
-The script does not explicitly detail how Angie Egea and Audrey Guerrero met, but it mentions that Angie fell in love with Audrey and became more open about leading in dance.
What is the mission of Angie Egea and Audrey Guerrero in the salsa community?
-Their mission is to create a queer dance community that promotes a non-binary idea of 'lead and follow' rather than 'female and male', focusing on expression and connection.
Why is Austin, Texas significant in the context of salsa dancing according to the script?
-Austin is significant because it is a diverse scene with vibrant Puerto Rican and Latin American communities, and it is described as a very accepting and colorful city.
What is Audrey Guerrero's background and how did she come to the United States?
-Audrey Guerrero is originally from the Dominican Republic and came to the United States with her mom when she was about ten years old.
How did salsa help Audrey Guerrero in her personal journey?
-Salsa helped Audrey Guerrero to come out and meet her wife, Angie Egea, which was a significant part of her personal journey.
What is the historical origin of salsa mentioned in the script?
-Salsa originated from the Caribbean due to political issues between the U.S. and Cuba, and it has African roots with influences from Cuban immigrants in the '50s and '60s.
Who is Celia Cruz and why is she significant in the context of salsa?
-Celia Cruz is known as the queen of salsa because she was a pioneer who brought Afro-Cuban rhythms and was a Black woman from Cuba, always bringing that heritage back into her music.
How did different dance styles influence the development of salsa?
-Salsa was influenced by various dance styles like hustle, jive, and swing, which were incorporated into it, changing its structure. It also has influences from dances from Colombia and Mexico.
What is Rey Arteaga's view on the integration of the dance community in Austin?
-Rey Arteaga views the integration of the dance community in Austin as critical, valuable, and welcomed. He is excited about the community's inclusivity.
What is the traditional portrayal of salsa according to the script?
-Traditionally, salsa has been portrayed as binary, with a clear distinction between male and female roles in the dance.
How does Angie Egea feel about the power of creating art with Audrey Guerrero?
-Angie Egea feels that creating art with Audrey Guerrero has given them respect and strength in the dance scene, allowing them to step into their true identities.
What message do Angie Egea and Audrey Guerrero want to spread through their dancing?
-Angie Egea and Audrey Guerrero want to spread the idea that individuals should be free to express themselves on the dance floor, regardless of gender, and that they can be respected through their movement.
Outlines
💃 Breaking Gender Roles in Salsa
Angie Egea shares her journey in salsa, expressing her passion for leading dances and breaking traditional gender roles. After meeting Audrey Guerrero, they fell in love and started advocating for a more inclusive dance community. Their mission focuses on non-binary dance partnerships where roles are defined by lead and follow, not by gender. They are working to spread this inclusive approach, starting in Austin, Texas, and extending to the broader salsa community.
🌈 Diversity in Austin’s Dance Scene
Rey Arteaga and Audrey Guerrero reflect on Austin’s vibrant and diverse community, particularly its Latin American influence. Audrey shares her personal story, emigrating from the Dominican Republic, and how salsa helped her embrace her identity and come out. Both Audrey and Angie celebrate the cultural melting pot that shaped salsa, highlighting its roots in Afro-Cuban rhythms and the contributions of icons like Celia Cruz. Their shared goal is to create a more inclusive and non-binary space in the salsa community.
🎨 Empowering Through Dance and Art
Monica Caivano and Robbie Sky express their support for Audrey and Angie’s workshops in East Austin, which promote inclusivity in dance. These workshops allow participants to choose their roles in dance and life, challenging traditional gender norms. Angie explains how their creative partnership gained respect in the dance scene and empowered them to continue advocating for self-expression, whether through masculine, feminine, or non-binary energies.
🕺 Salsa as a Form of Resistance
Audrey emphasizes that dance, especially salsa, can be a powerful form of resistance in an exclusive world where only certain voices are heard. Through movement, people can find themselves and gain respect. Audrey and Angie conclude the episode by encouraging viewers to continue dancing and being themselves, regardless of societal constraints. They invite viewers to explore more episodes of 'If Cities Could Dance' and leave with a message of empowerment and inclusivity.
Mindmap
Keywords
💡Salsa
💡Lead and Follow
💡Queer Dance Community
💡Non-Binary
💡Celia Cruz
💡Palladium Era
💡Diversity
💡Expression
💡Inclusivity
💡Gender Roles
💡Resistance
Highlights
Angie Egea's initial fascination with leading in salsa dancing.
Angie's desire for the choice to lead or follow in dance.
The couple's mission to create a queer dance community and spread non-binary ideas.
Angie and Audrey's work to make the salsa community more inclusive in Austin, Texas.
The diversity and vibrancy of Austin's Puerto Rican and Latin American communities.
Audrey Guerrero's personal journey from the Dominican Republic to the U.S. and her coming out through salsa.
The connection and duality of feminine and masculine in Audrey's dance style.
Angie Egea's Colombian background and her pursuit of a dance career in the U.S.
The historical roots of salsa in Caribbean political issues and Afro-Cuban rhythms.
The influence of Cuban immigrants and Latin jazz on the development of salsa.
The integration of different dance movements into salsa during the Palladium Era in New York.
The traditional binary portrayal of salsa and Angie's reaction to seeing women leading.
Audrey and Angie's mission to amplify the queer dance community in Austin.
The importance of creating art and being respected as a dance couple.
The idea of expressing oneself on the dance floor without gender constraints.
The resistance to exclusivity through dance and the power of movement to find oneself.
The encouragement for viewers to keep dancing and explore more episodes of 'If Cities Could Dance'.
Transcripts
♪ mambo and Latin-influenced hip-hop ♪
(Angie Egea) When I started salsa, like professionally,
I would never see a woman leading.
So when I first saw it,
I was obsessed with wanting to lead.
I wanted to have the choice to say,
"I want to lead this dance,"
or "I want to follow this dance."
When I met Audrey,
and I completely fell in love with her,
I decided to be more open about it.
Unfortunately, you get put in that box--
like this is who you are and this is who you dance with.
Our mission is creating the queer dance community
and spread the non-binary idea
that is "lead and follow"
rather than "female and male,"
but everything about expression and connection.
Hello, everyone. My name is Angie Egea.
And I'm Audrey Guerrero,
and we're here in Austin, Texas,
with "If Cities Could Dance"
to show you how we're making the salsa community
more inclusive.
♪ mambo continues ♪
♪ blues and country-influenced rock ♪
(Rey Arteaga) Austin is special because
it is a scene of diversity.
The Puerto Rican community is very vibrant.
The South American, Latin American community is vibrant.
(Audrey Guerrero) I think Austin
is such a beautiful city.
It's very accepting.
It's full of color, full of artists,
and you just want to be part of the color rainbow.
♪ upbeat Caribbean salsa ♪
(Audrey Guerrero) I am originally from the Dominican Republic.
I came to the United States
when I was about ten years old with my mom.
Salsa is what opened me up to coming out
because if I hadn't met my wife,
I probably wouldn't have come out.
♪ Caribbean salsa continues ♪
I love the way Angie moves.
She expresses so much
with so much love in the way that she moves.
(Angie Egea) I am from Colombia.
I ended up in the U.S.
because I wanted to pursue my career as a dancer.
♪ Caribbean salsa continues ♪
The way that Audrey dances,
she completely embodies
the connection and duality
of feminine and masculine.
I see her entire personality come through that.
I think that's the most beautiful thing
for any artist to do.
♪ percussive salsa beat with vibrant piano and brass section ♪
(Audrey Guerrero) Salsa is something
that's very intricate.
(Angie Egea) Salsa came from the Caribbean
because of the political issues between the U.S. and Cuba.
♪ salsa beat continues ♪
(Audrey Guerrero) You have the influence of all the immigrant Cubans
coming in in the '60s and the '50s.
♪ salsa beat continues ♪
(Angie Egea) This is early footage of Celia Cruz,
known as the queen of salsa,
because she was a pioneer.
Not only did she bring the Afro-Cuban rhythms
that were ripped out,
but also she was a Black woman from Cuba.
Salsa is Cuban with African roots.
And Celia always brought that back.
(Audrey Guerrero) So you have Puerto Rican young musicians
who were playing Latin jazz.
A specific night gets assigned
for a Latin night in New York,
which was called Palladium Era.
All people of color came together into that one night,
and then other dancers brought in...
(Angie Egea) ...movement like hustle,
jive, and swing into it,
which changed the structure of it.
♪ joyous swinging Latin cue with punchy percussion ♪
And then it has influences from dances from Colombia,
from Mexico.
(Audrey Guerrero) And so all of those things
kind of came together to create what we call salsa.
♪ relaxed mambo track with acoustic guitar ♪
♪ Latin-influenced percussion ♪
(Rey Arteaga) I've been playing professionally
in the Austin music scene for 31 years.
♪ energetic Cuban-influenced salsa with bright brass section ♪
I came from an upbringing when you went to the dances
and it was very heterosexual,
the way you would partner up.
♪ salsa continues ♪
What I think Audrey and Angie are doing is critical.
It's valuable, and it's so welcomed.
So I'm excited that the dance community is integrating
because it's a beautiful thing to get to dance in this town.
♪ salsa continues ♪
(Audrey Guerrero) Traditionally, salsa has been portrayed as binary
for hundreds and hundreds of years.
(Angie Egea) And I would never see a woman leading,
and I never thought that was even an idea.
So when I first saw it,
I was like, "That is the hottest thing ever."
♪ salsa continues ♪
Our mission is creating the queer dance community
and work to amplify the community here
for us, but everybody who keeps being like,
"So where do we go dancing?" [laughs]
♪ salsa fades out ♪
♪ relaxed mambo track with acoustic guitar ♪
(Monica Caivano) I feel Austin is a city where you can grow
if you have an idea like we did.
I ran a non-profit in East Austin
that we established in 2006.
Audrey and Angie actually been
doing some workshops for us.
Dancing is for everybody, so we support them.
We want to make it accessible and a safe space for all.
♪ mambo continues ♪
(Robbie Sky) I love the classes
that they're teaching.
I think it's really important to have classes
where people are making choices
on the role they want to have,
not only in dance but in their life,
and taking gender out of the equation.
♪ mambo continues ♪
(Angie Egea) Once Audrey and I actually started to create art together,
that's when we started to be respected a lot more
in the scene and just as a dance couple.
I think that creating art gave us that power
and that strength to really step into who we are.
And we are inspired, and we want to continue to spread the idea
that you just have to be yourself on the dance floor,
and that you can express yourself
in whatever energy that is,
if it's masculine, if it's feminine,
if it's both, if it's everything in between.
♪ mambo continues ♪
(Audrey Guerrero) In a world that's so exclusive
to, like, who can speak
and who can have power behind that--
it's a way to resist to that,
that it's a way for people to find themselves,
that they can be respected through movement.
♪ bright Latin track with salsa beat and elated piano ♪
(Audrey Guerrero) Thanks so much for watching!
(Angie Egea) We hope that you enjoyed hanging out with us
here in Austin, Texas.
Be sure to check out more episodes
of "If Cities Could Dance."
Well, keep dancing.
(Both) And honey wishes.
♪ bright Latin track with salsa beat, elated piano and singing in Spanish ♪
Accessibility provided by the U.S. Department of Education.
♪ KQED sonic ID ♪
浏览更多相关视频
Ballroom dance that breaks gender roles | Trevor Copp and Jeff Fox
GELAGAT 4 SEKAWAN MENARI !!! RIUH SATU OFIS GELAKKAN KAMI?! NAZRUL BUKA KELAS MENARI...
Types Of Ballroom Dance Styles - 23+ Ballroom Dances
Common Good Video Series: Rebirth in the Dominican Republic
Freelancers are the Best!
Isadora Duncan | History of modern dance
5.0 / 5 (0 votes)