ライカ SL3発表の前にQ3がほしくなってきました – Qシリーズの欠点と素晴らしさについて

monocreamu

27 Feb 202413:34

Summary

TLDRThe speaker discusses their interest in the Leica Q3 camera, which they've been considering despite owning other models like the Q2 and SL2S. They mention the Q3's ability to record in 8K with LOG, its compact size similar to the M series, and the versatility of its 28mm lens, which can be cropped to other focal lengths. However, they express concerns about the lack of an external microphone input and initial audio capture issues. They also touch on the camera's high price and the diminishing benefits of buying overseas due to the current exchange rate. The speaker is torn between waiting for the rumored SL3 or purchasing the Q3 for its impressive still and video capabilities.

Takeaways

😀 The speaker is discussing the Leica Q3 camera and their interest in it, despite having previously overlooked it.
📷 The speaker mentions that their Leica 2S is currently faulty and not returned yet, which might have influenced their consideration of the Q3.
🛍️ They have purchased a Leica R lens, which is quite old, and are enjoying using it with their current camera setup.
🔧 The speaker finds the rig setup for their camera to be quite large and somewhat cumbersome to handle.
🎥 The Leica Q3 is noted for its impressive capabilities, including 8K video recording and log recording in MOV format.
📱 The speaker compares the compactness of the Leica Q3 to the M series, highlighting its portability.
📚 They mention having previously owned a Leica Q2 but switched to the SL2S due to the Q2's limitations in dynamic range and grading capabilities.
🔊 A significant drawback mentioned is the audio issue with the Leica cameras, where the initial 0.5 to 1 second of audio is often not captured.
🔄 The speaker has found a solution to the audio issue by using DaVinci Resolve to trim clips at the beginning and end, making it less of a disadvantage.
🚫 The Leica Q3 lacks a 3.5mm microphone jack, which is a limitation for those needing to connect external microphones.
🌐 The HDMI port on the Q3 is a surprise, but it's a smaller type, which might limit its compatibility with some monitors and microphones.
💰 The speaker contemplates the high price of the Leica Q3 and whether it's worth the investment, especially considering the potential for the upcoming SL3.

Q & A

What is the main topic of discussion in the video script?
-The main topic of discussion is the Leica Q3 camera, its features, and the user's thoughts on it compared to other cameras they have used.
What issue does the user mention about the Leica 2S camera?
-The user mentions that the Leica 2S camera is currently faulty and has not been returned yet.
What is the user's experience with the BMPCC6K camera?
-The user has purchased the BMPCC6K and is enjoying using it, but notes that it is quite large and the rigs have become quite bulky.
What is the user's concern about the Leica Q3 in terms of video recording?
-The user is concerned about the lack of log recording capability in MP4 format on the Leica Q3, which can result in a narrow dynamic range and potential overexposure issues.
What is the user's opinion on the size and portability of the Leica Q2?
-The user finds the Leica Q2 to be very compact, similar in size to the M type, and appreciates its portability.
Why did the user decide to switch from the Leica Q2 to the SL2S?
-The user switched because the SL2S offers log recording in MOV format, which provides a much better dynamic range and color grading capabilities compared to the Q2.
What is the user's view on the 8K video recording feature of the Leica Q3?
-While the user acknowledges the impressive 8K video recording feature, they do not necessarily feel the need for it, suggesting that 6K or even 4K would be sufficient for their needs.
What audio recording issue does the user mention about the Leica SL and SL2 cameras?
-The user mentions an issue where the initial 0.5 to 1 second of audio is not recorded, and there is a click sound that gets recorded when the video is stopped, which can be inconvenient for editing.
How does the user plan to address the audio recording issue mentioned?
-The user discovered a method in DaVinci Resolve to trim the beginning and end of clips to remove the silent parts and the click sound, which resolves the issue for them.
What is the user's concern regarding the external microphone connectivity on the Leica Q3?
-The user is concerned that the Leica Q3 does not have a 3.5mm jack for external microphones, limiting audio recording options to the built-in microphone or wireless microphones.
What is the user's current camera setup with the Leica SL2S?
-The user is using the Leica SL2S with a 28mm f/1.7 lens, which they find to be versatile for their needs, and they are considering the benefits of the Leica Q3 for both stills and video.

Outlines

00:00

📷 Leica Q3 Anticipation and Comparison with Previous Models

The speaker expresses anticipation for the Leica Q3, discussing its features in comparison to the Q2 and SL2S models. They mention the Q3's ability to record in 8K with log profiles, which is impressive but not necessarily a requirement for them. The Q2 was let go due to its inability to record in log, leading to limited dynamic range and difficulty in grading. The SL2S, on the other hand, offers log recording in MOV format, which is highly beneficial. The speaker also touches on the audio recording issues with the Leica cameras, where the initial 0.5 to 1 second of audio is often not captured, causing inconvenience in editing. However, they discovered a solution using DaVinci Resolve to trim clips, which alleviates this issue.

05:00

🎥 Leica Q3's Audio and HDMI Limitations

The speaker continues to discuss the Leica Q3, focusing on its limitations regarding audio input, as it lacks a 3.5mm jack and cannot connect an external microphone directly. They consider using Bluetooth microphones or clip-on microphones as alternatives. Additionally, they express surprise at the inclusion of an HDMI port but note that it's a smaller type, which could still be useful for certain monitors. The speaker also comments on the camera's audio quality, which they find to be quite good, and mentions the convenience of using the built-in microphone for most situations.

10:01

🌟 Leica Q3's Versatility and Anticipated Market Release

The speaker talks about the versatility of the Leica Q3, highlighting its 28mm f1.7 lens and the ability to crop to different focal lengths, making it a highly desirable camera. They discuss the challenges of using the camera for video due to the crop frame not filling the entire monitor screen, but acknowledge that it's a matter of getting used to. The speaker also speculates on the high price of the Q3, considering the possibility of it being more expensive than the current models and the lack of benefits in purchasing it from overseas due to the current exchange rates and taxes.

Mindmap

Keywords

💡Leica Q3

The Leica Q3 is a high-end digital camera mentioned in the script as a topic of discussion. It's part of Leica's Q series, known for its compact size and excellent image quality. In the video, the creator expresses a growing desire to own this camera, highlighting its features such as 8K video recording capability and the ability to shoot in LOG format, which is significant for professional video work due to its flexibility in post-production.

💡Blackmagic Pocket Cinema Camera 6K (BMPCC 6K)

The BMPCC 6K is a professional digital film camera that the speaker has recently acquired. It's noted for its 6K resolution and is used by the speaker alongside Leica lenses, indicating a high level of interest in professional-grade video equipment. The mention of this camera in the script reflects the speaker's exploration of different camera systems and their quest for the best image quality.

💡Lens

In the context of the video, a lens refers to the optical device used in cameras to focus light and produce clear images. The speaker mentions purchasing 'Leica's R-mount lenses,' which are known for their quality and are used with the BMPCC 6K. The discussion about lenses is integral to the video's theme, as it relates to the pursuit of better image quality and the compatibility of different camera systems.

💡Rig

A rig in the video script refers to a support structure used to hold a camera and additional equipment for stabilization and ease of operation. The speaker mentions that the rig has become quite large, indicating the complexity of their setup and the challenges of managing a growing collection of camera gear.

💡Dynamic Range

Dynamic range in the video script is discussed in the context of video recording quality. It refers to the ratio between the brightest and darkest elements that can be captured in an image or video. The speaker mentions that the Leica Q2 had limitations in dynamic range when recording in MP4 format, which led to issues like 'white clipping,' where the brightest parts of the image lose detail.

💡Contrast

Contrast is the difference in brightness between the darkest and lightest areas of an image. The script mentions that the Leica Q2 has strong contrast and rich colors, which are desirable characteristics for producing visually striking images. However, the speaker also notes that this made grading difficult, as the strong contrast limited the flexibility in post-production.

💡Log Recording

Log recording is a method of capturing footage with a flat, low-contrast image that maximizes the dynamic range. This allows for greater flexibility in color grading and post-production. The speaker expresses interest in the Leica Q3's ability to record in LOG format, which is a significant feature for professional video work.

💡8K Resolution

8K resolution refers to a video or image with a resolution of approximately 8,000 pixels along the horizontal axis. In the script, the speaker contemplates the Leica Q3's 8K recording capability, suggesting that while it may not be necessary for their current needs, it represents a future-proof option as technology advances.

💡Audio Recording

Audio recording is a critical aspect of video production. The speaker discusses issues with the Leica SL's audio recording, such as the initial lack of sound for the first 0.5 to 1 second of a clip and the abrupt sound capture upon pressing the record button. This is relevant to the video's theme as it highlights the importance of audio quality in addition to visual image quality.

💡Tilt-Shift Lens

A tilt-shift lens is a special type of lens that allows the user to adjust the angle of the lens relative to the image sensor, creating unique depth-of-field effects. The script mentions the use of a tilt-shift lens with the Leica Q3, indicating the speaker's interest in creative control over their imagery.

💡Crop Factor

The crop factor is a term used to describe the field of view difference between a full-frame camera and a camera with a smaller sensor. The speaker mentions the Leica Q3's ability to simulate different focal lengths through cropping, which is an important feature for those who want versatility in their camera without changing lenses.

💡External Microphone

An external microphone is a device used to improve the audio quality of video recordings. The script notes that the Leica Q3 does not have a 3.5mm jack for external microphones, which is a limitation for those who require high-quality audio capture, as the speaker would need to rely on the built-in microphone or use wireless solutions.

💡HDMI

HDMI stands for High-Definition Multimedia Interface, a standard for transmitting high-quality video and audio data. The speaker expresses surprise at the inclusion of an HDMI port on the Leica Q3, noting that it is a smaller type, which is still beneficial for connecting to certain monitors and audio interfaces.

Highlights

Discussion about the Leica Q3 camera and its features.

Mention of the Leica 2S camera being faulty and not yet returned.

Acquisition of the BMPCC 6K camera and the enjoyment of using vintage lenses.

The size and weight of the camera rig and its impact on portability.

Comparison between the compactness of the Leica Q2 and the Q3.

The Leica SL2 S's capability to record in LOG format and its high dynamic range.

The limitations of the Leica Q2 in terms of dynamic range and grading due to MP4 format.

The Q3's ability to record in 8K and the potential of 6K or 4K for practical use.

Concerns about the initial audio capture issues with the Leica SL and Q3 cameras.

The discovery of a method to trim the start and end of clips in DaVinci Resolve.

The Q3's limitation of not having a 3.5mm microphone jack.

The HDMI feature on the Q3 and its implications for external monitor use.

The quality of the built-in microphone and the consideration of using it exclusively.

The versatility of the Leica 28mm Summilux F1.7 lens for various crop factors.

The challenge of framing with the bright frame crop instead of a full-screen view.

The anticipation of the Leica SL3 announcement and its potential features.

Consideration of the price point for the Leica SL3 and its comparison to the Q3.

The impact of currency exchange rates on the cost of purchasing cameras overseas.

The decision-making process regarding the purchase of the Leica Q3 and potential resale of other cameras.

Reflections on the practicality of the Q3 for professional video work and its features.

Final thoughts on the Leica Q3's appeal and the speaker's personal interest in acquiring it.