How to: Gorgon City “Voodoo” Bass in Serum #samsmyers #sounddesign #shorts

Sam Smyers
25 Apr 202300:45

Summary

TLDRThis video script provides a detailed tutorial on creating a base 2 Voodoo sound by Gorgon, City. It starts with adding a Kickstart 2 for a pumping effect and sets the voice to mono. The tutorial continues with ASG analog settings, envelope adjustments, and the addition of an MG Low 24 filter. It emphasizes modulation, resonance, and drive settings, along with automation techniques for the cutoff filter using a smackernop. The final touches include a chorus effect with rate, delay, depth, and low pass filter adjustments to achieve the desired sound mix.

Takeaways

  • 🎶 Start by adding a Kickstart 2 for a pumping effect to the base 2 Voodoo by Gorgon, City.
  • 🔊 Set the voice to mono for a focused sound output outside of the ASG analog.
  • 🔧 Adjust the envelope 1 for the initial sound setting.
  • 🌐 Add an MG Low 24 filter for sound modulation and connect it to envelope 2.
  • 📉 Lower the resonance and increase the drive to about 10 percent for a specific sound texture.
  • 🔄 Automate the cutoff filter for dynamic sound changes by connecting the smackernop to the AUX Source.
  • 📊 Set the initial cutoff to about 58 percent for a balanced sound.
  • 🎵 Automate the highest note's cutoff filter in the chord progression for variation.
  • 🔁 Add a chorus effect and adjust the rate, delays, and depth for a richer sound.
  • 📍 Raise the low pass filter to refine the sound and adjust the mix for the final touch.
  • 🔧 The process involves meticulous sound engineering to achieve the desired sound effect.

Q & A

  • What is the main purpose of adding a Kickstart 2 to the Voodoo by Gorgon, City synthesizer?

    -The Kickstart 2 is added to create a pumping effect, enhancing the dynamics of the sound.

  • Why is the voicing set to mono in the script?

    -Setting the voicing to mono ensures that the sound is consistent across both left and right channels, which is important for the pumping effect.

  • What does 'ASG' stand for in the context of the script?

    -ASG likely refers to 'Amplitude Synthesis Generator,' which is a tool used to add randomness and variation to the sound.

  • How does adjusting the envelope 1 affect the sound in the script?

    -Adjusting envelope 1 modifies the attack, sustain, and release of the sound, allowing for more control over the sound's evolution over time.

  • What is the role of the MG Low 24 filter in the script?

    -The MG Low 24 filter is used to add a low-pass effect to the sound, and its cutoff is modulated by envelope 2 for dynamic filtering.

  • Why is the resonance lowered and the drive increased to about 10 percent in the script?

    -Lowering the resonance helps to reduce the emphasis on certain frequencies, while increasing the drive to 10 percent adds warmth and distortion to the sound.

  • What is the purpose of automating the cutoff filter in the script?

    -Automating the cutoff filter allows the sound to change dynamically over time, responding to different notes or chord progressions in the music.

  • What is the function of the Smackernop in the script, and how is it used?

    -The Smackernop is used to automate the cutoff of the filter. It is assigned to the AUX Source, allowing for precise control of the filter movement.

  • How does setting the cutoff to about 58 percent affect the sound?

    -Setting the cutoff to 58 percent determines the point at which frequencies are allowed to pass through the filter, affecting the brightness and character of the sound.

  • What adjustments are made to the chorus effect in the script?

    -The rate, delays, depth, and low pass filter of the chorus effect are adjusted to create a rich, modulated sound that adds depth and width to the synth.

  • How does adjusting the mix of the chorus effect impact the final sound?

    -Adjusting the mix of the chorus effect determines the balance between the dry (unaffected) and wet (effected) signals, influencing the overall presence and character of the chorus in the mix.

Outlines

00:00

🎛️ Mixing Techniques for Voodoo by Gorgon,City

This paragraph describes the process of creating a base mix for the song 'Voodoo' by Gorgon,City. The speaker begins by adding a Kickstart 2 to achieve a pumping effect, then switches the voicing to mono and uses the ASG analog basic mini to introduce randomness. The envelope settings are adjusted, and a low-pass filter from the MG 24 is added with the envelope 2 controlling the cutoff. The resonance is lowered, and the drive is set to 10 percent. Automation of the cutoff filter is discussed, with the Smackernop being used to automate the AUX Source. The cutoff is set to 58 percent, and for the highest note in the chord progression, the cutoff is further automated. Finally, a chorus effect is added with adjustments to the rate, delays, depth, and low-pass filter mix.

Mindmap

Keywords

💡Kickstart 2

Kickstart 2 is a popular plugin used for sidechain compression to create a pumping effect in music production. In the video, it is applied to the base track 'Voodoo' by Gorgon City to give it a rhythmic, pulsing quality, which is crucial for the energetic feel of the track.

💡Mono

Mono, short for monophonic, means that only one note can be played at a time. Turning the voicing onto mono ensures that the base track has a focused, singular sound without overlapping notes, which is essential for clarity in electronic music production.

💡ASG Analog Basic Mini

The ASG Analog Basic Mini is likely a synthesizer or a specific setting within a synthesizer. In the video, this setting is used to create a foundational analog sound for the base track, which is then manipulated to add complexity and depth.

💡Envelope 1 and Envelope 2

Envelopes in synthesis control how a sound evolves over time, typically affecting parameters like volume, pitch, or filter cutoff. Envelope 1 and Envelope 2 are adjusted to shape the attack, decay, sustain, and release (ADSR) of the sound, contributing to the dynamic quality of the base track.

💡MG Low 24 Filter

The MG Low 24 Filter is a type of low-pass filter that removes high frequencies from the sound, allowing only frequencies below a certain point to pass through. Assigning Envelope 2 to this filter's cutoff frequency modulates the sound, adding movement and texture to the base track.

💡Resonance

Resonance boosts frequencies at the cutoff point of a filter, adding emphasis and character to the sound. In the video, the resonance is lowered to avoid excessive peaks, ensuring the base remains smooth and not overly harsh.

💡Drive

Drive increases the gain or intensity of the signal, often adding warmth or distortion. Raising the drive to about 10 percent enhances the base track, giving it a more aggressive and prominent presence in the mix.

💡Automation

Automation refers to the process of recording parameter changes over time within a digital audio workstation (DAW). Automating the cutoff filter in the video allows for dynamic changes in the sound, making the track more engaging and evolving.

💡Chorus

Chorus is an audio effect that duplicates the sound and slightly detunes the copies, creating a fuller, richer sound. Adding and adjusting the chorus in the video enhances the width and depth of the base track, making it sound more expansive.

💡Low Pass Filter

A low pass filter allows frequencies below a certain cutoff point to pass through while attenuating higher frequencies. In the video, raising the low pass filter's cutoff frequency and adjusting its mix helps to blend the processed sound with the original, creating a balanced and polished final output.

Highlights

Creating the base 2 Voodoo by Gorgon, City sound with a Kickstart 2 for a pumping effect.

Setting the voicing to mono for a unified sound output.

Utilizing ASG analog basic mini for generating randomness in the sound.

Adjusting the envelope one for sound shaping.

Adding an mg low 24 filter to the sound design.

Modulating envelope 2 to the cutoff for dynamic sound variations.

Reducing resonance and increasing drive to achieve desired sound characteristics.

Automating the cutoff filter for evolving sound textures.

Using smackernop to automate the AUX Source for dynamic control.

Setting the cutoff to 58 percent for a specific tonal balance.

Automating the cutoff filter for the highest note in the chord progression.

Incorporating a chorus effect to enrich the sound with rate, delay, and depth adjustments.

Raising the low pass filter to further shape the chorus effect.

Adjusting the mix to balance the chorus effect within the overall sound.

The innovative approach to sound design using a combination of effects and automation.

The practical application of sound design techniques for creating a unique sonic signature.

The importance of envelope and filter modulation in achieving a dynamic and expressive sound.

The use of automation to create movement and interest in the sound over time.

The strategic use of drive and resonance to add character to the sound.

The integration of multiple effects for a layered and complex sound design.

Transcripts

play00:00

let's make the base 2 Voodoo by Gorgon

play00:01

City first I'll add on a Kickstart 2 for

play00:03

that pumping effect

play00:05

turn your voicing onto mono outside of

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ASG analog basic mini blow this

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Randomness and raise at that level

play00:10

adjust your envelope one adjust your

play00:12

envelope 2 add on an mg low 24 filter

play00:15

sign your envelope 2 to that cutoff

play00:16

adjust that modulation lower your

play00:18

resonance and raise up your drive to

play00:19

about 10 percent

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and I want to automate that cutoff

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filter so I'm going to sign the

play00:23

smackernop to the AUX Source label this

play00:25

cutoff set to about 58 percent

play00:27

and then for the highest note in that

play00:28

chord progression I'm going to automate

play00:30

that cutoff filter

play00:32

and then I'll add on a chorus adjust

play00:34

your rate adjust your delays and your

play00:35

depth raise up that low pass filter and

play00:37

adjust that mix

play00:39

foreign

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Related Tags
Sound EngineeringVoodoo BassKickstart 2ASG AnalogFilter ModulationEnvelope ControlSmackernop AutomationCutoff AdjustmentChorus EffectAudio Mixing