THE BEATLES' Songwriting Secret Lost To Popular Music Today

Summary

This video script delves into the unique songwriting techniques of The Beatles, attributing their global success to more than just hype. It argues that their mastery of chord progressions, including the use of non-diatonic chords and subliminal key changes, set them apart. The script simplifies music theory, illustrating how Lennon and McCartney's focus on intricate song structures, rather than reliance on technology or showmanship, created a timeless appeal that continues to captivate listeners.

Takeaways

• 🎶 The Beatles' success was not solely due to their music, but their songwriting technique set them apart, especially the use of 'subliminal key changes'.
• 👂 The script emphasizes the immediate impact of the Beatles' music on listeners, highlighting the power of their songwriting over other factors like hype or promotion.
• 📈 The Beatles' chord progressions were more complex than today's pop music, which often sticks to basic seven-chord structures.
• 🔑 The script introduces the concept of 'subliminal key changes' as a key technique used by the Beatles to enhance their songwriting, making it more engaging.
• 🎸 John Lennon and Paul McCartney were deeply interested in mastering chords, which was central to their songwriting process.
• 🛤️ The Beatles' early songs, even before meeting George Martin, were more advanced than many current top-charting songs, utilizing extended and non-diatonic chords.
• 🔄 The script explains various techniques of key changes, including abrupt changes, major-minor switches, and the '25 turnaround' method.
• 🎼 The '25 turnaround' is a specific technique where chords two and five from a new key are introduced to subtly shift the song's key without the listener noticing.
• 📚 The importance of learning music theory and being open to studying it is underscored, as it was part of McCartney's early development.
• 🌟 The Beatles' music was raw and simple, focusing on song quality over production techniques, which is a lesson for aspiring musicians to focus on songwriting.
• 🚀 For aspiring musicians, incorporating complex songwriting techniques like those used by the Beatles can help stand out in today's music scene.

Q & A

What was the main argument presented in the video about the Beatles' success?

The video argues that while the Beatles' music alone was not enough to account for their success, their unique songwriting techniques, especially the use of subliminal key changes, played a significant role in their global appeal.

What does the video claim about the current state of pop music in comparison to the Beatles' era?

The video claims that pop music has become more simplistic and less innovative over the past 20 years, lacking the complexity and sophistication found in the Beatles' songwriting.

What is the '25 turnaround' technique mentioned in the video?

The '25 turnaround' is a songwriting technique where chords two and five from the new key are introduced into the song, tricking the listener's ear into subconsciously transitioning to the new key.

How did the Beatles' songwriting evolve from their early days to later albums?

The Beatles' songwriting evolved from using basic chords and extended chords to incorporating non-diatonic chords, genre swapping, and eventually mastering subliminal key changes.

What is the significance of the song 'Drive My Car' in the video's narrative?

The song 'Drive My Car' is used as an example of the video creator's initial negative reaction to a Beatles song without knowing who was singing, highlighting the power of their songwriting once the creator recognized the song's brilliance.

What role did George Martin play in the Beatles' songwriting journey?

George Martin, a producer, provided the Beatles with access to advanced recording techniques and musical knowledge, which helped them further develop and refine their songwriting skills.

What is the 'seamless key change' technique the Beatles were known for?

The 'seamless key change' technique refers to the Beatles' ability to change keys within a song so smoothly that the average listener might not even notice the transition.

How does the video suggest aspiring songwriters can emulate the Beatles' success?

The video suggests that aspiring songwriters should become obsessed with chords and melody, learn from everyone they can, and not be too proud to study music theory to incorporate advanced techniques into their songs.

What is the 'major minor switch' technique discussed in the video?

The 'major minor switch' technique involves abruptly switching between major and minor chords, often used to transition between different sections of a song, such as from verses to choruses.

What examples of Beatles songs demonstrate the use of key changes?

Songs like 'From Me to You,' 'I Want to Hold Your Hand,' 'Norwegian Wood,' 'While My Guitar Gently Weeps,' and 'Fool on the Hill' are examples where the Beatles used key changes to enhance their songwriting.

How does the video describe the Beatles' approach to songwriting compared to modern pop music?

The video describes the Beatles' approach as more sophisticated and innovative, using a variety of songwriting techniques, compared to modern pop music, which is described as having become more simplistic and formulaic.

Outlines

00:00

🎶 The Beatles' Unique Songwriting Appeal 🎶

The video script discusses the Beatles' extraordinary success and challenges the notion that their music alone was responsible. It mentions a previous video where the speaker felt the Beatles' hype and promotion played a significant role. However, many disagreed, citing the power of their music as the key factor. The speaker recounts personal experiences with Beatles songs, like 'Hey Jude' and 'Yesterday,' that had a profound impact despite not knowing the band's identity initially. The script hints at a specific songwriting technique prevalent in the Beatles' music, which contrasts with the simplistic songwriting of today's pop music, and promises to explain this technique in a simplified, jargon-free manner.

05:01

🎸 The Evolution of Songwriting Complexity 🎸

This paragraph delves into the basics of songwriting, using the G Major scale as an example, and explains how chords are built from scale notes. It criticizes modern pop music for its lack of complexity, often limited to the basic seven chords of a scale. The script contrasts this with the more intricate chord progressions used by the Beatles and other artists from previous decades, suggesting a regression in the sophistication of popular music. The Beatles' focus on song quality over production or technological advancements is highlighted, emphasizing the importance of strong songwriting as the foundation of their success.

10:02

🛤️ The Beatles' Mastery of Songwriting Crafts 🛤️

The script describes how Lennon and McCartney's dedication to learning and mastering chords contributed to their songwriting prowess. It shares anecdotes of their eagerness to learn new chords, which later influenced their songwriting after meeting producer George Martin. The paragraph outlines the progression of their songwriting skills, from basic chords to more advanced techniques like using extended and non-diatonic chords, and 'genre swapping' between major and minor chords. It emphasizes that every original song on their first album, 'Please Please Me,' utilized at least one of these advanced techniques, setting them apart from contemporary music.

15:08

🔑 The Art of Subliminal Key Changes 🔑

This section introduces the concept of 'subliminal key changes' as a significant element of the Beatles' songwriting that made their music captivating. It explains that while the Beatles initially used abrupt key changes, they soon developed more sophisticated techniques, such as the '25 turnaround,' which involves inserting chords from the new key into the song seamlessly. The script provides examples of how this technique can be used in practice and encourages aspiring songwriters to learn and incorporate such skills to create music that stands out.

20:11

🎵 Mastering Key Changes in Songwriting 🎵

The final paragraph demonstrates the Beatles' advanced use of key changes in their songs, using 'Here, There and Everywhere' as an example to illustrate how multiple key changes can occur within a single line of lyrics. It discusses the '25 turnaround' technique in more detail, showing how it can be used to transition into different keys effortlessly. The script concludes by emphasizing the importance of becoming proficient in chords and melody, suggesting that studying music theory and being open to learning are crucial for songwriters who aim to create impactful music like the Beatles.

Keywords

💡Songwriting

Songwriting is the process of creating a song, which involves composing the lyrics, melodies, and harmonies. In the video, the main theme revolves around the unique songwriting techniques of The Beatles, which contributed to their global success. The script discusses how Lennon and McCartney mastered various aspects of songwriting, from simple chord progressions to complex key changes.

💡Chord Progressions

Chord progressions are a series of chords played in sequence that form the harmonic foundation of a song. The script points out that modern pop music often relies on basic chord progressions, whereas The Beatles used more complex and varied progressions, setting them apart from contemporary music.

💡Key Changes

Key changes involve shifting from one musical key to another within a song, often used to create a dynamic and emotional effect. The video emphasizes that The Beatles were adept at using subtle key changes, or 'subliminal key changes,' which were woven into their songs, enhancing their musical depth and complexity.

💡Major Scale

A major scale is a sequence of musical notes with specific intervals that form the basis of Western music harmony. The script explains the major scale as the 'skeleton' of simple songwriting, with The Beatles using it as a foundation to build more complex musical structures.

💡Chords

Chords are groups of notes played together, creating a harmony. The video script describes how The Beatles expanded beyond basic chords to include extended chords and non-diatonic chords, adding color and depth to their music, which is a contrast to the more simplistic approach of much of today's pop music.

💡Non-Diatonic Chord

A non-diatonic chord is a chord that does not belong to the diatonic scale of a particular key. The script uses the example of a C chord in the key of E to illustrate how The Beatles used non-diatonic chords to add unexpected elements to their songs, contributing to their unique sound.

💡Genre Swapping

Genre swapping is the technique of changing a chord from its major or minor form to the opposite within the same key. The Beatles used this technique to add variety and interest to their chord progressions, as illustrated in the song 'Ask Me Why' from their album 'Please Please Me'.

💡25 Turnaround

The '25 turnaround' is a specific songwriting technique mentioned in the script, where chords two and five from the new key are used to transition into that key. This technique was used by The Beatles to create smooth and often unnoticed key changes within their songs, contributing to their sophisticated song structures.

💡Seamless Key Change

A seamless key change is a transition between keys that is executed so smoothly that the listener may not consciously recognize it. The script describes how The Beatles mastered this technique, using it to create a sense of movement and development within their songs without disrupting the flow of the music.

💡Music Theory

Music theory is the study of the practices and possibilities of music, including the physical, psychological, and social aspects. The video suggests that while The Beatles were not necessarily deeply trained in music theory, they had a strong intuitive understanding of it, which they used to their advantage in their songwriting.

💡Pop Music

Pop music is a genre of popular music that is characterized by its catchy melodies and simple structures. The script contrasts the often basic and repetitive nature of modern pop music with the more complex and innovative songwriting of The Beatles, highlighting the decline in the sophistication of popular music over the years.

Highlights

The Beatles' music was argued not to be solely responsible for their success, but many disagreed, attributing their global success to the quality of their music alone.

The speaker shares personal experiences of being impressed by Beatles songs without knowing the band, highlighting the power of their songwriting.

A specific songwriting technique used by the Beatles is suggested to be a significant factor in their appeal, which has mostly disappeared from today's popular music.

The basics of songwriting are explained, focusing on the importance of the major scale and its corresponding chords.

Modern pop music is criticized for its simplicity and lack of progression beyond the basic seven chords, in contrast to the Beatles' more complex compositions.

The Beatles' early songwriting advanced beyond standard chords, incorporating extended and non-diatonic chords, setting them apart from contemporary music.

John Lennon and Paul McCartney's obsession with learning new chords is highlighted as a key to their songwriting mastery.

The Beatles' songwriting evolved to include genre swapping and key changes, adding complexity and depth to their music.

Subtle key changes, or 'subliminal key changes,' are identified as a unique technique used by the Beatles to enhance their songwriting.

The '25 turnaround' technique is introduced as a method for seamless key changes in songwriting, which was frequently used by the Beatles.

Examples of the Beatles' key changes are demonstrated using simplified chords, showing how they could shift keys without listeners noticing.

The importance of practicing and training one's ear to recognize and create key changes in songwriting is emphasized.

The song 'Here There and Everywhere' is used to illustrate the Beatles' mastery of key changes within a single line of lyrics.

The video concludes with encouragement for aspiring songwriters to study chords and melody deeply, as the Beatles did, to create impactful music.

A call to action for musicians to move beyond basic songwriting techniques and explore more complex structures to stand out in the music industry.

The video provides an educational and inspirational look into the songwriting techniques of the Beatles, offering practical advice for modern musicians.

Transcripts

in a recent video called bigger than the

Beatles I discussed how I felt that

their music Alone was not enough to

account for their stratospheric success

in the comment section however there

were many many comments where people

talked about their experience of hearing

the Beatles for the first time not

knowing who they were and immediately

being hooked by the simple power of the

music loads of people actually disagreed

with me and said that for them the

quality of The Beatles music Alone was

enough to justify their unbelievable

Global success so while that video

focused on the hype and promotion side

of things today I want to ask that exact

same question but focused on the music

what did the Beatles have in their

songwriting that was unique and set them

apart in that previous video I talked

about the first time I heard drive my

car by The Beatles and my incredibly

negative reaction to it before I knew

who was actually singing it but in that

video I didn't actually mention the flip

side of that coin because there were

actually multiple Beatle songs that I

heard for the first time as a young man

with no idea who was singing them and

was absolutely Blown Away by the quality

and power of the songwriting those Tunes

include Hey Jude I'm Only Sleeping if I

fell yesterday Fool on the Hill and many

more each one of those I heard and loved

before I knew anything about the authors

and here's the real really interesting

thing about that as an adult musician I

can look back over that selection of

songs I just mentioned and immediately

notice they all actually have something

in common every single one of those

songs was written using a specific

songwriting technique that has all but

disappeared from popular music today so

in this video I want to explain that

songwriting technique because it was at

least part of what made their music so

magical to so many people worldwide on a

first listen

but I do want to explain it in the most

simplified jargon-free way I can

possibly manage if you're trained in

music theory you'll know all the

technical terms for the various things

I'm about to describe but I'm

intentionally not getting into any

academic language if I can avoid it

because I want this video to make sense

to Young songwriters with no music

theory training but first of all for the

Beatles lost songwriting technique to

make sense I first have to explain the

very basics of songwriting so let's

start right at the beginning if the

guitar has a key it's probably

[Music]

G this is the G Major

[Music]

scale there's seven notes in it 1 2 3 4

5 6 7 and then we're back to one again

and that major scale shape I've just

shown you there is basically the

skeleton around which all the most

simple songwriting is built each of

those seven notes I just showed you g a

b c d e f sharp and then back to G again

each of those has a chord that goes with

it so G it's a regular g a it's a

minor then B minor C

D E

minor and the one that goes with chord

seven is very rarely used it's a

diminished chord and because it's so

rarely used I'm just going to leave it

out of this video to keep things simple

so if we wanted to write a very simple

beginner song in the key of G we would

have those six or seven chords to play

with in pop music today however this is

already the full extent of how pretty

much every song is written it literally

never gets more complicated than what I

just showed you and just a double check

today I actually listened through the UK

Top 10 and not one single song moved

beyond the basic seven chords okay the

songs were in different keys but in

practice all that means is you just use

the same seven chords and just put a

cppo somewhere on the neck and you can

play every single song in the whole of

the UK Top 10 from start to finish I

think it's fair to say that pop music

has become utterly infantile in the past

20 years or so and I also think that's

part of why everyone seems to think that

music today is is just absolutely

but it wasn't always this way compare

that to the cord sequences that the

Beatles And The Kinks were putting

together in the 60s compare it to the

chord sequences that Noel Gallagher and

James Dean Bradfield were making in the

'90s just listen to the chords to

Suicide drive on the seahorse's debut

album and compare it to the charts now

and you can hear how badly and how far

we have regressed the British music

scene has fallen a very very long way no

amount of technological PIR Technics can

make up for the song itself simply not

being good enough and that's the

fascinating thing about listening to The

Beatles they didn't have any of today's

technological Wizardry they didn't even

record using a click for the first half

of their careers their music was

incredibly raw and simple very sparse

arrangements and often many mistakes

just left in the mix and yet they were

still the biggest band that ever lived

that's because they knew what the main

thing was and what just the decoration

was the arrangements and musicianship

are just the icing they are not the cake

the main bulk the important part is the

quality of the song So now let's take a

closer look at John Lennon and Paul

McCartney how they learned their

songwriting craft and what they chose to

focus on and become Masters at when

Lennon and McCartney were young they

weren't obsessed with smartphones the

internet or video games none of those

things existed yet they were obsessed

with their guitars with singing and

songwriting today when someone gets

really into guitar it's quite often

actually because they want to learn

something really flashy and wild like

Cliffs of DOA Crossroads or Highway Star

it's often about lead guitar in the

Beatles teenage years however they seem

to have been much more interested and

kind of fascinated with chords to the

point that they literally traveled all

the way across Liverpool on the bus with

their guitars because they had heard

that a bloke on the other side of the

city knew how to play a cord they didn't

know

B7 in fact you know sometimes we travel

the whole of Liverpool just to go to

someone who knew a cord we didn't know

um remember once hearing about a bloke

who knew

B7 now we knew e and we knew a those

were quite easy but we didn't knew B we

didn't know B7 that was kind of the

missing part of the link the other cord

the L cord so on we got on the bus

trooped across Liverpool changed a

couple of buses found this fell and he

showed

us B7 we learned it off him got back on

the bus went home to our mates and went

Jing got

it after they were signed the scramble

to the top song writing wise continued

and the boys who traveled all the way

across Liverpool to just learn one new

chord now had access to this man George

Martin and you start to see the impact

of that happy meeting on their songr

writing very shortly after they first

met their earliest official songs were

written before meeting George Martin and

those appeared on their first album

Please Please Me On which Lennon and

McCartney wrote eight of the 14 songs

and those eight songs were already far

more advanced than anything in the UK

Top 10 today even in the ultra

simplistic Love Me Do we see something

outside of the boring usual cords they

were using extended chords meaning for

example using an

E7 instead of just a regular

[Music]

e and that is the second rung of the

songwriting ladder incorporating chords

with a number after their name for a

little more color and depth but that's

not all by please please me they were

also doing what I consider the third

rung of the ladder and that is including

chords outside of the usual seven let's

look at I saw standing there as an

example this song is in

E so the seven chords in that key are E

F minor G Shar Minor A B C Shar minor

and that seventh chord that doesn't

really get used but in that song we get

a chord that is none of those seven he's

a very simplified and dropped an octave

version how could I dance with another

that's the non-diatonic chord that's the

C that doesn't belong in this key the

fourth rung of the ladder is something I

call genre swapping and that's where you

take one of the basic seven chords say a

d and you flip it from major to

minor all the other way around and of

course the Beatles were already doing

this by the time of Please Please Me in

the song ask me why which is in the key

of

E they change chord three from a g Shar

minor into a

gsh

major in fact there is not one single

original Lenin McCartney song on please

please me that doesn't utilize at least

one of these cord techniques not a

single one of them is as crap and

simplistic as everything in the charts

today but we still haven't hit on the

most important technique the one this

video is really about and that is the

fifth rung of the ladder and that's

because in my opinion at this time they

hadn't actually mastered it yet on

please please me that being said there

is one tiny little place on that first

album on please pleas me where we get a

kind of hint of what was to come the

next step on the ladder and it's track

11 do you want to know a secret there is

a fairly badly done middle section in

this song around the 1 minute 10 mark it

lasts for just five bars in which Paul

MCC also plays a couple of Duff notes on

the bass it's shoddily written and

poorly executed Ed but this is the first

time on an official release I think that

the Beatles began to break out of

writing songs in the same key and began

to just dip their toes into the next

step on the ladder key changes now

before you roll your eyes and go I know

about key changes hang on when most

people think of key changes post 1980s

they tend to imagine a song like Living

on a Prayer by Bon joy that song is just

in the same key for the whole thing and

then right at the end it's changes up

into a higher key for a kind of

climactic chorus and yes that is a kind

of key change but it's one of the least

subtle and it's not one The Beatles

really used it was just a matter of a

few short years before they were weaving

constant key changes in and out of the

body of their songs often several times

in one single line so I'm going to

change the name of that fifth step it's

not really key changes per se it's

subliminal key changes ones that the

untrained listener doesn't even

recognize are there its key changes

woven into the chords and vocal Melody

with absolute Brilliance and finesse

whilst simultaneously also still using

all of the previous four techniques as

well the next song to be released after

Please Please Me was from me to you and

lenon and McCartney's key changing

ability had improved by this time the

bridge of that song switches into a

completely different key in quite a

smooth way that the average listener

simply doesn't even notice so let me

demonstrate this for you I'm going to

only use those bog standard super simple

chords in G and then when the key change

happens I'm just going to put the cappo

on so you can visually see where that

shifting key

occurs if

there's you

want if there's anything I can

do just C on me and I'll send it along

with love from me to

you I've got arms that long to hold you

and keep you by my side I got lips that

long to kiss you and keep you

[Music]

satisfied so there you can see by that

middle section where the cappo appeared

there was a short period in that song

where the key just completely changed

and a hell of a lot of listeners

musicians included don't even realize

that key change is there now do you

remember that actually incomplete list

of songs that I mentioned towards the

beginning of this video those songs I

heard with no context without knowing

who the band was but got instantly

hooked by the Brilliance of the music

every single one of those Beatles songs

used this technique subtle and often

unnoticeable key changes just woven in

to the fabric of the song and that's

what I want to show you today how to

actually do this in your songwriting do

you want to have people listening to

your music and falling in love with it

before they know anything about the

person who recorded it if you want to

have a chance at repeating what the

Beatles did you at least need to have

this skill in Your Arsenal because it

was part of theirs so how did the beat

actually change key in the middle of a

song they had various techniques

sometimes as with from me to you they

would just abruptly switch keys with no

real announcement or transition tricks

they would just be playing in the first

key for a while and then would just

abruptly switch to the next one I Want

to Hold Your Hand is another great

example of this where they just

unceremoniously just change key in the

middle of the song and once again I'll

just demo that for you now using the

really simple bog standard g- shapes and

the cap so

[Music]

[Applause]

[Music]

[Applause]

[Music]

[Applause]

[Music]

[Applause]

so that's quite a prominent early

technique that the Beatles would use

just abruptly changing key in the middle

of the song and to be honest it works

fine but as time passed they got a

little more sophisticated and another

trick they would use is the major minor

switch meaning for example if they were

in E Major for the verses they might

switch to E minor for the choruses

Norwegian Wood is a really good example

of this and I'll demo that now with very

simplified

chords I once had a girl or should I say

she once had

me she showed me her room isn't it good

Norwegian

would she asked me to stay and she told

me to sit

anywhere so I looked around and I

noticed there wasn't a

[Applause]

[Music]

chair so there you can see we just went

from E major straight into E minor again

just abruptly with no real announcement

or transition While My Guitar Gently

Weeps from The White Album is another

great example of this major minor switch

but this song does it the other way

around round so the verses are in a

minor and then it switches straight over

into a major for the choruses the Paul

McCartney Masterpiece Fool on the Hill

also does this switching from C major in

the verses to C minor in the choruses

and then back again abruptly switching

from one key to the next and using the

major minor switch are actually pretty

straightforward and easy to do the

hardest thing for someone who's new to

this will actually be getting your head

into the right key if you're still here

hearing the original key in your mind it

can be quite hard to get yourself into

the new one but it does get easier and

easier with practice but now we come to

the main seamless key change technique I

want to talk about that the Beatles used

all the time and this is something I'm

calling the 25

turnaround I've already mentioned a few

times in this video that every key has

just seven basic chords in G it's G A

minor B minor C D E minor and F F SHP

diminished the 25 turnaround is

basically taking chords two and five so

a minor and D from the key you want to

go into and just slapping them in the

middle of a song and if you get it right

it tricks the mind and the ear into

subliminally unconsciously transitioning

into the new key so I'm now going to

attempt to imperfectly demonstrate this

with a song everyone knows I'm going to

go into the chorus of wonder by Oasis

from the bridge and at the very last

moment I'm going to put the cappo on and

do the 25 switch I'm going to play A

Minor and D in a different key and let's

see if it works let's see if we can

trick our ears even on a song that

everyone knows and that doesn't contain

any key changes I'm going to play the

bridge of wonder wall without a cappo

and then I'm going to do the 25 switch

with a Capa

five there are many things that I would

like to say to you but I don't know

how because

maybe you're going to be the one that

saves

me Works doesn't it all I needed was my

head in the right key and it just clicks

over like magic now obviously it's not

practical to just whack a cappo on your

guitar mid song so you've just got to

figure out what the cords are called and

another way to play them without the

cappo so now I'll do that wonder wall

key change without the cppo using open

cords there are many things that I would

like to say to you but I don't know

[Applause]

[Music]

how because

maybe you're going to be the one that

saves me

I absolutely love that key change in

wonder wall I think that sounds as good

as the original or

better so there we've used the two5

turnaround to get from the key of G into

the key of C but which other keys does

that work for well this is the really

fun part over the bridge of wonder wall

we're holding a long note over the word

how that note is here on the guitar and

that note is a so we're going to treat

that note as a kind of Pivot Point Point

all we need to do is find which other

major scales use it and then we can

transition into any of them this is the

25 transition from g into the key of A

there are many I would like to say to

you but I don't know

how because

[Music]

mayy you're going to be the one that

saves

works fine in a there is an A in the B

flat major scale so let's see if we can

use the two5 transition into that key

there are many I would like to say to

you but I don't know

[Music]

how because

maybe you're going to be the one that

saves me

not bad perhaps not as smooth as the a

but not bad so I demoed all those

changes there just using a minor and d

and a cappo in reality you need to

figure out what those chords actually

are whether open chords or bar chords

and play those versions but I use the

cappo just to illustrate how simple it

really is if you can just play A Minor

and D you're leading the ear into

whatever new key you want to use and so

to finish I want to show you an Abridged

version of how the Beatles would use

this 25 technique and some of the other

techniques we've talked about in one

very short song multiple times often

within the body of just one line of

lyrics so I'm going to demo for you now

a short version of the song Here There

and Everywhere from

revolver and I'll put the text up on

screen to explain what key changes are

happening and when and just for the sake

of this video I've decided to start the

song in E rather than G here we go

[Music]

[Music]

n

[Music]

and you may have noticed that by the

time of writing this song McCartney was

so good at changing keys he often didn't

actually need the 25 he only needed the

five and the more you train your mind

and your ears to hear different keys and

break out of the confines of the toddler

level of music on the radio soon you too

might be able to do the same and so

that's it a Layman's introduction to the

Lost songwriting techniques of The

Beatles there is of course much more to

it than I've covered today but hopefully

what we've talked about here should

spark some ideas and fuel a little bit

of inspiration in any aspiring rock

stars out there if you can start to

incorporate these things into your songs

in this day and age you really might

actually stand a chance of sticking out

from the crowd and drawing people into

your music simply from the power of the

music alone it's a very very rare thing

in the 2020s but if you have that rock

and roll dream to actually equal or

become bigger than the Beatles you have

to become obsessed with chords and

Melody just as they were you need to

learn from everyone you possibly can and

not be too proud or cocky to study a bit

of music theory just as McCartney did at

his earliest opportunity very best of

luck to you have fun playing around with

those two five Transitions and as always

I'll see you next time