Why you CAN'T Draw from Your Imagination?

KeshArt
25 Jun 202403:41

Summary

TLDRThe video script discusses the challenge of drawing from imagination versus copying existing artworks. It emphasizes that true creativity comes after a process of imitation and learning from others' work. The speaker draws a parallel to learning music, where one must first master the basics before composing original pieces. The script encourages viewers to let go of the expectation of immediate originality and to understand that finding one's artistic voice is a journey that involves both imitating and creating.

Takeaways

  • 😮 Imitation is a fundamental part of learning: The speaker emphasizes that just as in music, learning to draw involves copying existing works to understand the basics and patterns.
  • 🤔 Expectations are often misplaced: Many believe that mastering the basics will automatically lead to original creation, but this is not the case.
  • 🎼 Learning by copying in music: The script uses the example of learning music by first playing compositions of others to understand the structure and patterns before creating original pieces.
  • 🎨 Drawing is a similar process: Just like in music, drawing involves imitating existing works to learn and then gradually developing one's own style.
  • 👨‍🏫 The importance of mentors and masters: Great artists and musicians often encourage beginners to learn from them, implying that learning from the greats is crucial for growth.
  • 🔄 The cycle of learning and creating: The process involves learning from existing works, recognizing patterns, and then using those insights to create original content.
  • 🚫 Dropping unrealistic expectations: Beginners should not expect to create original work immediately after learning the basics.
  • 🔑 Finding one's own voice: Just as in music, artists must find their own unique style by first imitating and then innovating.
  • 🕵️‍♂️ Recognizing patterns is key: Understanding and identifying patterns in existing works is a critical step in the creative process.
  • 🕰️ Patience and persistence: The development of original work takes time and requires consistent effort and practice.
  • 🎬 Inspiration from great directors: The script mentions Francis Ford Coppola's view on imitation and finding one's own voice, suggesting that even the greatest artists start by learning from others.

Q & A

  • Why does the speaker feel they cannot draw from their imagination?

    -The speaker feels they cannot draw from their imagination because they have been copying existing artworks and illustrations without developing their own creative process.

  • What is the common expectation when people start learning to draw?

    -The common expectation is that once they learn the basics of drawing, they should be able to magically create original artwork from their imagination.

  • How does the speaker compare learning to draw to learning to play the violin?

    -The speaker compares it by stating that just as violin students learn the basics and then play existing compositions, artists should also start by imitating existing works to learn and understand patterns before creating their own.

  • What does the speaker suggest is the process for developing original artwork?

    -The speaker suggests that the process involves first imitating existing works to learn patterns and nuances, and then using those learned elements to create original compositions.

  • What is the role of imitation in the creative process according to the speaker?

    -Imitation is a crucial step in the creative process, as it allows artists to learn from existing works, recognize patterns, and eventually develop their own unique style and voice.

  • Who is Francis Ford Coppola, and what does he say about imitation and copying?

    -Francis Ford Coppola is a renowned film director known for movies like 'The Godfather'. He suggests that one should initially imitate or 'steal' from others to find their own voice.

  • What is the importance of losing expectations when starting out in art?

    -Losing expectations is important because it allows artists to focus on the learning process without the pressure of creating original work immediately, which can be overwhelming for beginners.

  • What does the speaker mean by 'get the process right'?

    -Getting the process right means understanding that learning to draw involves a progression from imitating existing works to eventually creating original pieces, rather than expecting to jump straight to original creation.

  • What is the speaker's view on the relationship between learning basic drawing skills and creating original characters?

    -The speaker believes that learning basic drawing skills like perspective and forms does not automatically enable one to create original characters; one must first imitate and learn from existing works.

  • What does the speaker suggest as the ultimate goal of the creative process?

    -The ultimate goal is not necessarily financial wealth but personal fulfillment and the internal satisfaction that comes from creating something original and meaningful.

  • What is the '2 minutes Tuesday' the speaker refers to at the end of the transcript?

    -The '2 minutes Tuesday' seems to be a recurring segment or series that the speaker is a part of, where they aim to deliver content in under two minutes.

Outlines

00:00

😲 Overcoming Imitation to Find Your Artistic Voice

The speaker discusses the struggle of drawing from imagination versus copying existing artworks. They highlight their own experience in 2011, where they were proficient at replicating game artworks but failed when attempting original creations. The key message is that the expectation of immediately creating original art after learning the basics is misguided. The analogy of learning to play the violin is used to illustrate the process of first mastering the fundamentals and then building upon existing compositions to eventually create original work. The speaker emphasizes the importance of imitating and learning from others to develop one's own artistic style, quoting Francis Ford Coppola on the value of imitation in finding one's voice. The summary concludes with encouragement to let go of unrealistic expectations and to embrace the process of learning through imitation before creating original art.

Mindmap

Keywords

💡Imagination

Imagination refers to the creative ability to form mental images, concepts, and ideas that are not present to the senses. In the video's context, the speaker discusses the struggle of drawing from one's imagination as opposed to copying existing artworks. The concept is central to the video's theme, illustrating the challenge of creating original content without relying on pre-existing material.

💡Expectations

Expectations are the beliefs or anticipations about what will happen or what is typically the case. The video emphasizes that beginners often have unrealistic expectations about their ability to draw from imagination immediately after learning basic drawing skills. The speaker suggests that these expectations are misplaced and should be adjusted to align with the actual process of learning and creating.

💡Process

Process in this context refers to the series of actions or steps taken to achieve a particular end. The video argues that the correct process involves first learning and imitating before one can create original work. The speaker uses the analogy of learning to play the violin, where one must first master the basics before composing original music.

💡Imitate

To imitate means to copy or mirror the behavior or characteristics of someone or something. The video script highlights the importance of imitation in the learning process, suggesting that by imitating the work of others, one can learn patterns and techniques that will eventually lead to the creation of original art.

💡Fundamentals

Fundamentals are the basic principles or features of something. In the script, the speaker mentions that before one can create original work, they must first learn the fundamentals of drawing, such as perspective and forms. These basics are essential building blocks for more advanced and creative work.

💡Composition

A composition in art refers to the arrangement of visual elements in a work of art. In the video, the speaker uses the term to describe the process of creating original music or art, starting with learning existing compositions and then gradually incorporating learned patterns into one's own creations.

💡Master

A master in the context of the video refers to an expert or highly skilled individual in a particular field. The script mentions learning from masters, such as by playing compositions created by master musicians, as a way to understand and eventually create one's own original work.

💡Patterns

Patterns in the video refer to recurring structures or elements in art or music that one can learn to recognize and replicate. The speaker suggests that by learning and understanding these patterns, an artist can begin to create their own original compositions or drawings.

💡Originality

Originality is the quality of being novel or unique. The video discusses the misconception that one can immediately produce original work after learning basic skills. Instead, the speaker advocates for a process of learning through imitation, which eventually leads to the creation of original art.

💡Francis Ford Coppola

Francis Ford Coppola is a renowned film director mentioned in the script for his quote on imitation and originality. The speaker uses his quote to illustrate the point that artists must first imitate and learn from others before they can find their own voice and create original work.

💡Personal Growth

Personal growth in the video is implied as the internal development that comes from the process of learning, imitating, and eventually creating original work. The speaker suggests that the journey of becoming an artist involves not just financial wealth but also a personal sense of achievement and satisfaction.

Highlights

The speaker shares their experience of being unable to draw from imagination despite being able to recreate existing artworks.

The common misconception that learning basic drawing skills will automatically enable one to draw from their own creativity is debunked.

An analogy is made to learning violin, where one must first master the basics before attempting to compose original music.

The process of learning involves imitating existing works to understand patterns and nuances before creating original compositions.

The importance of recognizing that creating original art takes time and is a gradual process of learning and imitating before finding one's own voice is emphasized.

Francis Ford Coppola's quote on imitation and finding one's own voice as an artist is referenced.

The speaker advises to lose expectations of creating original work immediately after learning basic drawing skills.

The necessity of imitating before creating is highlighted as a crucial step in the artistic learning process.

The analogy of learning violin is extended to emphasize the gradual nature of artistic development.

The speaker shares their personal struggle with the expectation of being able to draw from imagination after mastering basic skills.

The idea that learning perspective and forms does not guarantee the ability to create original characters is discussed.

The transcript concludes with the speaker's commitment to continue sharing insights, despite the challenges of timing their episodes.

The importance of patience and persistence in the artistic journey is implied through the speaker's own experiences and advice.

The transcript suggests that the journey to becoming a proficient artist involves a deep understanding and appreciation of existing works before venturing into original creation.

The speaker encourages artists to embrace the learning process, including imitation, as a foundational step towards finding their unique artistic voice.

Transcripts

play00:00

here's why you cannot draw from your

play00:01

imagination see these these are some of

play00:03

the drawings I did in say 2011 I was

play00:06

just copying some of the existing game

play00:09

artworks and illustrations that are out

play00:11

there and recreating them as it is but

play00:13

when I try to create my own drawing it

play00:16

looked like this and I was shocked to be

play00:18

honest I was like I'm able to draw like

play00:20

this but I can't draw stuff from my head

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what the hell is going on here's why you

play00:24

can draw from your imagination it's

play00:25

because you've got the expectations and

play00:27

the process backwards every one when

play00:30

they're starting out has this

play00:31

expectation that once they are able to

play00:32

do all the drawing basic stuff they need

play00:35

to be magically drawing from their heads

play00:38

from their own creativity from their own

play00:40

you know original stuff but that's not

play00:43

how things work let's say you go to a

play00:45

viin class here you're going to try to

play00:47

be the next Mozart or be the win the

play00:49

moment you go in first obviously they

play00:51

will teach you all the basics and the

play00:52

foundations the fundamentals once you

play00:54

get through that point the teacher

play00:55

doesn't come out and say hey buddy gues

play00:58

why don't you play your own composition

play01:01

right now now that we have learned the

play01:02

scales the basics all the fingering

play01:05

thing that we need to do on the

play01:07

wallet they don't do that they hand you

play01:10

a sheet of music which has an existing

play01:12

composition that was probably done by

play01:14

another Master a pro artist so they

play01:17

learn to play that thing on the wolin

play01:20

and then they learned to see patterns

play01:23

they recognize little nuances and things

play01:26

and they say oh wait I can learn a part

play01:28

of that music from that and they play

play01:31

another composition and they say I'm

play01:32

going to learn something from that and

play01:34

another composition from that and they

play01:36

sort of recognize all these patterns and

play01:38

they go like wait a second I see

play01:41

something right here I'm going to use

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those patterns and I'm going to create

play01:44

my first very own composition and they

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do that and it might not be good and

play01:49

that is the thing but they do that over

play01:50

and over and over again after a point

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they become the mosart the beIN or maybe

play01:55

not that point they become the next guy

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who plays in a nice Orchestra and has a

play01:59

nice Family Life on

play02:01

side right it doesn't matter but that's

play02:04

how things work whereas you have to

play02:06

imitate stuff and then create Francis

play02:10

Ford Copa Apparently one of the greatest

play02:12

directors of all times I haven't seen

play02:13

much of his movies oh wait Godfather

play02:15

yeah have seen Godfather and I kind of

play02:17

like that he has this wonderful quote

play02:19

about imitation and copy he says we want

play02:22

you to take from us we want you at first

play02:25

to steal from us because you can't steal

play02:28

you will take what we give you and you

play02:30

will put it in your own voice and that's

play02:33

how you find your voice and that's how

play02:37

you as an artist will find your own

play02:39

voice as well you first imitate those

play02:42

artists and things stuff that you like

play02:46

you find patterns you recognize things

play02:48

you learn and then you find your own

play02:52

original art and it takes time so lose

play02:56

the expectations and get the process

play02:58

right don't expect to create original

play03:00

stuff when you're starting out and just

play03:02

because you learned perspective and

play03:03

forms doesn't mean that you can draw

play03:05

your own anime character can't happen

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and two first you got to imitate and

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then you got to create imitate to learn

play03:13

and then create to

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earn earn not Financial wealth personal

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internal fluffy butterfly that goes in

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your stomach that's it for this episodes

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of 2 minutes Tuesday canot 2 minutes God

play03:26

freaking damn it I don't know why but

play03:28

hey we're going to keep doing this thing

play03:29

till it gets under 2 minutes

play03:35

[Music]

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Related Tags
ImitationCreativityArt SkillsLearning ProcessSelf-ExpressionOriginal ArtArtistic GrowthMusic AnalogyInnovationArtistic Voice