Contra ditadura? A história de "1965 (DUAS TRIBOS)" + "EU ERA UM LOBISOMEM JUVENIL" (Legião Urbana)

Summary

This video script delves into the fascinating history behind Renato Russo's iconic songs from the album *As Quatro Estações*, such as 'Eu Era um Lobisomem Juvenil' and '1965 - Duas Tribos.' It explores the spiritual and philosophical influences on the music, including references to the Bible, Buddhism, Taoism, and the Book of Mormon. The script also highlights Russo's critique of the Brazilian dictatorship and his cultural commentary on American influences in Brazil. Through insightful details and personal reflections, the video uncovers the deeper meanings and historical context behind these powerful songs.

Takeaways

• 😀 Renato Rocha contributed ideas to the composition of 'Eu Era um Lobisomem Juvenil,' including harmonic ideas and melodic phrases.
• 😀 'Eu Era um Lobisomem Juvenil' was likely the last song written and recorded for *As Quatro Estações*, with final vocals recorded just before mixing.
• 😀 The song features the most spiritual references on the album, incorporating elements from the Bible, Buddhism, Taoism, and the Book of Mormon.
• 😀 The title 'Eu Era um Lobisomem Juvenil' is inspired by the 1957 film *I Was a Teenage Werewolf*, and may also reference the 1988 song 'White Room' by Cream.
• 😀 The lyrics of 'Eu Era um Lobisomem Juvenil' reflect Renato Russo's personal reflections on transformation, spirituality, and loss of innocence.
• 😀 '1965 (Duas Tribos)' addresses Brazil's political tension during the military dictatorship, highlighting the conflict between supporters of the regime and its opponents.
• 😀 Renato Russo identifies with the opposition in '1965 (Duas Tribos),' criticizing censorship, torture, and the military's repression of dissent.
• 😀 Russo uses irony to criticize the slogan 'O Brasil é o País do Futuro,' questioning the optimism projected during the military regime and expressing disillusionment with Brazil's situation.
• 😀 The song '1965 (Duas Tribos)' also critiques the cultural influence of the United States in Brazil, referencing products like the Revell model kits and Hanna-Barbera cartoons.
• 😀 '1965 (Duas Tribos)' reflects a generational divide, where older generations supported the military regime, and younger generations fought for personal and political freedom.
• 😀 Russo's songwriting in both 'Eu Era um Lobisomem Juvenil' and '1965 (Duas Tribos)' explores themes of personal transformation, political struggle, and cultural critique.

Q & A

What role did Renato Rocha play in the composition of 'Eu Era um Lobisomem Juvenil'?

Renato Rocha, the band's bassist at the time, contributed ideas for the composition of 'Eu Era um Lobisomem Juvenil'. His bass lines and melodic phrases were present in early versions of the song but were ultimately discarded due to his absences during the recording sessions.

How did Mariano Marovatto contribute to the understanding of the recording process of the album?

Mariano Marovatto, in his book about the album *As Quatro Estações*, played a key role by listening to all the tapes from the recording sessions. He found that Renato Rocha’s bass lines were present in early takes but were replaced before the final version of the song.

What is the significance of 'Eu Era um Lobisomem Juvenil' in the context of the album's recording timeline?

'Eu Era um Lobisomem Juvenil' is believed to be one of the last songs recorded for the album, with the vocals being recorded between August 9 and 18, 1988. This suggests it might have been one of the final tracks completed before the album’s mix.

What spiritual influences are evident in the lyrics of 'Eu Era um Lobisomem Juvenil'?

The song is said to incorporate spiritual references from various traditions, including the Bible, Buddhist teachings, the Tao Te Ching, and the *Book of Mormon*. This reflects Renato Russo’s interest in spiritual and philosophical themes during the album's creation.

Why is the phrase 'judge supreme' important in the context of 'Eu Era um Lobisomem Juvenil'?

The phrase 'judge supreme' is derived from the *Book of Mormon*, and it reflects the spiritual references embedded in the song. It ties into the themes of judgment, power, and divine will, which are central to the song’s philosophical undertones.

How does the title 'Eu Era um Lobisomem Juvenil' connect to a 1957 film?

The title references a 1957 film called *I Was a Teenage Werewolf*, in which a boy named Tony becomes a werewolf after undergoing psychological treatment. The song draws on themes of transformation and loss of innocence, which are central to the movie's plot.

What message does Renato Russo convey through the transformation theme in 'Eu Era um Lobisomem Juvenil'?

Renato Russo uses the werewolf transformation theme to explore the loss of innocence and the challenges of navigating the adult world. It suggests a personal and philosophical transformation, touching on both spiritual and possibly sexual changes.

What political themes are explored in '1965/Dois Tribos'?

'1965/Dois Tribos' addresses the political situation in Brazil during the military dictatorship. Renato Russo highlights the division between supporters of the regime and its opponents, positioning himself clearly among the latter.

How does Renato Russo critique Brazilian nationalism in '1965/Dois Tribos'?

Renato Russo critiques the nationalism expressed through slogans like 'Brazil is the country of the future,' which were popular during the military dictatorship. He uses irony to question these idealized phrases, suggesting they were tools for political manipulation and empty promises.

What cultural critique does Renato Russo offer in '1965/Dois Tribos' regarding American influence in Brazil?

In *1965/Dois Tribos*, Renato Russo critiques the cultural invasion by the U.S. in Brazil, referencing American entertainment and consumer products like Hanna-Barbera cartoons and model airplanes. He reflects on how these foreign influences shaped Brazilian culture during the 1960s and 1970s.