Alan Watts | Chillstep | Sicence of ecology 🌐

Alan Watts
27 Mar 202458:03

Summary

TLDRThe transcript delves into the significance of ecological awareness and its impact on our relationship with nature. It critiques the modern tendency to treat our environment as a resource to exploit, leading to 'spoiled environments.' The speaker discusses the role of tourism and its potential to disrupt natural states, reflecting on the philosophical underpinnings that drive humans to see themselves as superior to nature. This perspective, rooted in scientific naturalism, fosters a technology aimed at nature's conquest, which the speaker argues is misguided. The narrative shifts to emphasize the importance of recognizing our biological nature, suggesting that our denial of it leads to a loss of civilization and culture. The art of cooking is presented as a spiritual practice, where the cook, like a priest, transforms ingredients with reverence and care. The text advocates for a lifestyle that appreciates the process of cooking and eating as a form of yoga and a means to enhance one's cultural and spiritual well-being. It concludes with a reflection on the intertwining of mystical consciousness with everyday life, suggesting that an enlightened state can coexist with ordinary experiences, thus enriching our existence.

Takeaways

  • 🌱 **Respect for Nature**: The speaker emphasizes the importance of respecting and living in harmony with nature, rather than being at war with it.
  • πŸ§‘β€πŸ³ **The Art of Cooking**: Cooking is not just a task but an art form that requires attention, care, and love for the ingredients, akin to a priest at an altar.
  • 🍲 **Nourishment Beyond Nutrition**: Food is more than sustenance; it's a means of connecting with our biological roots and appreciating the life that nourishes us.
  • 🍷 **The Ritual of Wine**: The process of opening and serving wine is a ritual that shows respect and acknowledgment of the value and work that goes into producing it.
  • 🍴 **Mindful Eating**: Eating should be a mindful and pleasurable experience, not a rushed or mechanical one, to fully appreciate and digest our food.
  • πŸ“š **Recipes and Mastery**: While recipes are a good starting point, true mastery in cooking comes from understanding and feeling the ingredients and creating dishes without strict guidelines.
  • 🌈 **Beyond the Five Senses**: The ultimate state of consciousness is described as non-dual, meaning it doesn't exclude or negate everyday consciousness but rather includes and transcends it.
  • 🧘 **Everyday Yoga**: The practice of yoga and mindfulness can be integrated into everyday activities, such as cooking, turning mundane tasks into spiritual practices.
  • 🌟 **The Natural State**: Sahaja, the natural state in Indian spirituality, is the goal where enlightenment is a natural part of everyday life, not separate from it.
  • 🌍 **Oneness with the Universe**: The realization of oneness with the universe is not an escape from reality but an enhancement of it, where all experiences are part of the supreme consciousness.
  • 🏠 **The Kitchen as a Social Hub**: The kitchen should be a central and inviting space in the home where cooking becomes a social and engaging activity that brings people together.

Q & A

  • What is the main concern expressed about humanity's relationship with nature?

    -The main concern is that humanity tends to be antagonistic towards nature, viewing it as something to be conquered rather than coexisting with, which leads to the degradation of the environment and a loss of connection with the natural world.

  • What is the significance of the term 'scientific naturalism' in the context of the script?

    -Scientific naturalism is a philosophy that rejects supernaturalism and views humans as products of an evolutionary process. However, the script suggests that despite this view, its adherents often display a greater antagonism towards nature compared to traditional religious views.

  • How does the script describe the role of a cook in society?

    -The script describes a cook as being in a highly responsible and almost priestly role, as they are responsible for transforming raw ingredients into food that nourishes and sustains life.

  • What is the connection made between the art of cooking and the concept of reverence for life?

    -The connection is that cooking, when done with attention and care, becomes an act of reverence for life. It honors the life of the ingredients being used and transforms them into a form that can be assimilated by humans, acknowledging the interdependence of all life forms.

  • Why is it suggested that rushing through the cooking process is detrimental?

    -Rushing through cooking is seen as detrimental because it lacks the necessary attention and care that transforms the act of cooking into a reverent and mindful process. It disrespects the ingredients and the process of nourishing the body.

  • How does the script relate the act of cooking to the concept of yoga?

    -The script relates cooking to yoga by suggesting that when cooking is done with full attention, care, and love for the ingredients, it becomes a form of practice or 'yoga' that aligns with one's spiritual and religious significance.

  • What is the significance of the ritual in cooking and serving wine as described in the script?

    -The ritual in cooking and serving wine is significant as it shows respect and acknowledgment of the value of the food and drink being prepared and served. It transforms the act into a mindful and deliberate process that honors the ingredients and the act of consumption.

  • How does the script view the consumption of food as a means to an end?

    -The script criticizes viewing food consumption as merely a means to an end, suggesting that it leads to a lack of appreciation for the process of cooking and the act of eating. It argues that this perspective can result in poor eating habits and a failure to nourish the body properly.

  • What is the role of the five senses in the experience of the Supreme state of consciousness as described in the script?

    -The five senses play a crucial role in the experience of the Supreme state of consciousness. The script suggests that this state is not separate from everyday consciousness and that it comes through all senses, much like a concrete and unmistakable sensation.

  • How does the script differentiate between the state of sahaja and samadhi in the context of mysticism?

    -Sahaja is described as a higher state than samadhi, being the natural state where illumination fits in with ordinary consciousness. Samadhi is often associated with an ecstatic, absorptive state that seems incompatible with everyday life, whereas sahaja represents a state of natural and continuous enlightenment that is integrated with daily living.

  • What is the importance of understanding the non-dual nature of reality as per the script?

    -Understanding the non-dual nature of reality is important because it signifies that the ultimate reality has no opposite and is not incompatible with all other states and manifestations of life. This realization allows for a Supreme Consciousness that can contain any subordinate state of consciousness, thus integrating the mystical or enlightened state with everyday experiences.

Outlines

00:00

🌿 The Consequences of Ignoring Ecology

The first paragraph discusses the importance of ecological science and how neglecting it can lead to a destructive impact on the environment. It talks about how humans can create 'spoiled environments' and the paradox of tourists seeking untouched locales while contributing to their degradation. The text also touches on the philosophical shift from viewing humans as separate from nature to recognizing our biological roots and the influence of scientific naturalism on modern attitudes towards the natural world.

05:01

🍽️ The Sacred Art of Cooking and Eating

This paragraph emphasizes the significance of cooking as not just a necessity but as a spiritual practice. It highlights how the act of preparing food is a responsible and almost sacred duty, transforming ingredients into nourishment. The narrative criticizes modern life for treating meals as mere utility and stresses the importance of taking the art of cooking seriously, comparing the cook's role to that of a priest at an altar.

10:01

πŸ₯€ The Modern Disconnect with Food and Ritual

The third paragraph continues the dialogue on the ritual of eating, criticizing the modern tendency to view food as medicine and the commercialization of meals. It discusses how this perspective detracts from the enjoyment and spiritual significance of food, leading to a culture that is more focused on the pursuit of status and wealth rather than the actual experience of eating and living.

15:02

🍷 The Civilizing Influence of Food and Wine

Here, the speaker delves into the cultural and spiritual significance of food and wine in Western tradition, asserting that they are inseparable components of a civilized diet. The paragraph explores the ritualistic aspects of wine consumption and the importance of understanding and respecting the process and tradition behind the preparation and enjoyment of food and drink.

20:02

🌾 Honoring Life Through the Art of Cooking

The fifth paragraph speaks to the ethical responsibility one has towards the life forms that sustain us, advocating for a deep respect and gratitude for the food we consume. It draws parallels between the act of cooking and religious rituals, suggesting that the transformation of ingredients into a meal is a sacred process that should be approached with reverence and care.

25:03

πŸ•ŠοΈ The Ritualistic Nature of Skilled Work

This segment discusses the ritualistic quality inherent in all skilled work, from cooking to surgery. It draws attention to the importance of full attention and care in performing tasks, likening the meticulousness of a good cook to the reverence of a priest at an altar. The text also touches on the cultural repression of the sense of smell and its unconscious influence on human behavior.

30:05

πŸ™ The Spiritual Practice of Gratitude

The seventh paragraph focuses on the spiritual practice of giving thanks, suggesting that saying grace is not just a religious act but a recognition of the interconnectedness of life. It emphasizes the importance of acknowledging the sacrifice of the life forms that become our food and the responsibility that comes with consuming them.

35:05

🍳 The Transformation of Cooking into a Yoga

The eighth paragraph elevates cooking to the level of a spiritual practice, or 'yoga,' suggesting that the act of cooking can lead to self-realization when approached with the right attitude. It speaks to the necessity of taking time to cook with love and attention, and how this can transform the everyday act of cooking into a meaningful and fulfilling experience.

40:05

πŸ“š From Recipes to Intuition in Cooking

The ninth paragraph discusses the journey from relying on recipes to developing one's own intuitive sense in cooking. It emphasizes the importance of understanding the transformation of raw materials into a meal as a deeply personal and creative process. The text also highlights the joy of dealing with leftovers and the mastery that comes from inventing meals without following traditional recipes.

45:08

πŸ§˜β€β™‚οΈ The Integration of Mystical Experience with Daily Life

The final paragraph explores the concept of Sahaja, a state of natural and constant enlightenment that coexists with everyday consciousness. It challenges the notion that mystical experience is separate from daily life, suggesting that the highest state of consciousness is one that can contain all other states without duality or exclusivity, reflecting the ultimate reality behind the universe.

Mindmap

Keywords

πŸ’‘Ecology

Ecology is the branch of biology that studies the relationships between living organisms and their environment. In the video, the importance of paying attention to ecological science is emphasized to prevent the degradation of natural environments. The speaker discusses how a lack of ecological awareness can lead to 'spoiled environments,' which is a metaphor for places that have been negatively impacted by human activity.

πŸ’‘Tourism

Tourism is the activity of traveling to and staying in places outside one's usual environment for leisure, business, or other purposes. The script mentions tourism in the context of how it can lead to the 'spoiling' of foreign countries, where an influx of visitors can change the natural state of a place and turn it into a 'tourist trap,' which is a location overly commercialized for tourists.

πŸ’‘Scientific Naturalism

Scientific naturalism is a philosophy that asserts that the natural world is all that exists and can be studied empirically. The video discusses how this philosophy has led to a technology aimed at the conquest of nature, which is seen as a mechanical process devoid of inherent value. This perspective is critiqued for its detachment from the natural world and its consequences on human culture and lifestyle.

πŸ’‘Biological Beings

Biological beings refer to any entity that is composed of cells and capable of undergoing growth and reproduction. The script touches on the denial of our biological nature in modern society, where there is a tendency to hide our 'mamalian qualities' and to distance ourselves from the natural world. The speaker argues for an acceptance of our biological nature and a deeper connection with the natural environment.

πŸ’‘Cooking as a Spiritual Practice

The video presents cooking as not just a mechanical process but as a spiritual practice, where the act of preparing food is seen as a form of reverence and connection with life. The speaker likens the cook to a priest at an altar, emphasizing the importance of the ritualistic and mindful approach to cooking as a way to honor the life contained within the food.

πŸ’‘Ritual

Ritual is a series of actions performed according to a prescribed order, often with a symbolic meaning. The script discusses the importance of ritual in cooking and wine tasting, suggesting that the deliberate and mindful actions involved in these practices reflect a deep respect for the process and the ingredients. Ritual is portrayed as a way to elevate everyday activities to a higher plane of consciousness.

πŸ’‘Wine as Food

In the context of the video, wine is described not merely as an alcoholic beverage but as a form of food, integral to the dining experience in many cultures. The script highlights the cultural significance of wine, its role in religious practices like the Christian Eucharist, and the ritualistic approach to serving and enjoying wine as part of a meal.

πŸ’‘Oneness with the Universe

The concept of oneness with the universe refers to the mystical or spiritual understanding that all things are interconnected and part of a single, unified whole. The video discusses this concept in the context of everyday life, suggesting that the enlightened state of consciousness, which perceives this oneness, can coexist with normal consciousness and is not necessarily separate or detached from everyday experiences.

πŸ’‘Sahaja

Sahaja, a term from Indian spirituality, refers to a state of being in which one's true nature is spontaneously and naturally realized. The video contrasts Sahaja with more commonly known mystical states of ecstasy or rapture, suggesting that Sahaja represents a higher state of consciousness that is integrated with ordinary life and allows for a natural expression of enlightenment.

πŸ’‘Yoga of Everyday Life

The term 'Yoga of Everyday Life' in the video refers to the practice of integrating spiritual awareness and mindfulness into routine activities, such as cooking. The speaker uses this concept to illustrate how ordinary tasks can become acts of yoga or spiritual practice when approached with full attention, care, and a sense of reverence for life.

πŸ’‘Non-Duality

Non-Duality is a philosophical concept that suggests reality is not composed of separate entities but is an interconnected whole. The video uses this concept to explain the Supreme state of consciousness, which does not exclude or separate itself from any other state or manifestation of life. Non-Duality is presented as a way to understand the coexistence of the highest state of consciousness with the everyday world.

Highlights

The importance of paying attention to the science of ecology to avoid creating spoiled environments.

Tourists often ask if a place is 'spoiled', reflecting the impact of human visitation on natural environments.

The concept of the 'tourist trap', where the natural state of a place is lost due to commercialization.

The idea that humans are in a state of war with nature, viewing ourselves as separate from and superior to other life forms.

The rise of scientific naturalism in the 19th century and its impact on views of human evolution and our relationship with nature.

The belief that the natural universe is a mechanical process that can be fully understood and controlled.

The critique of modern technology as being dedicated to the conquest of nature, based on a resentful attitude towards it.

The denial of our biological nature in various aspects of modern life, from clothing to social institutions.

The paradox of people being fascinated by the mammalian qualities of the human body while also considering them vulgar.

The role of food and cooking in human life, with the cook compared to a priest performing a sacred ritual.

The importance of taking the art of cooking seriously and recognizing its fundamental spiritual and religious significance.

The critique of viewing food purely as medicine or a means to an end, rather than an enjoyable part of life.

The idea that the way we eat and our attitudes towards food reflect deeper cultural values and beliefs.

The importance of taking the time to cook well as a form of reverence for the life contained in our food.

The joy of inventing new dishes and using leftovers creatively as a test of a cook's skill and inventiveness.

The ultimate goal of transcending reliance on recipes to develop a deep, intuitive sense of flavors and cooking techniques.

The concept of sahaja, a state of natural, non-dual consciousness that integrates the everyday and the enlightened.

The idea that the highest state of consciousness is like a mirror, reflecting all experiences without exclusivity or duality.

The challenge of describing the awakened state of consciousness, which is more like a sensation than an idea.

Transcripts

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[Music]

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if we do not pay attention to the

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science of

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ecology we more and more tend to be

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beings who foul our own

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[Music]

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nests and who

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create what we would call spoiled

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environments wouldbe tourists are always

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asking about their various foreign

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countries is it spoiled

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yet that means doesn't it have enough of

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us visited the place to make it no

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longer worth

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visiting have we

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turned the Hawaiian Islands the

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[Music]

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Caribbean

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Japan Burma still on anywhere you like

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have we turned it into a tourist

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trap a place in other words

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[Music]

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where uh you can no longer find human

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beings in their natural

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state but find them in a new

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state the tech the what I would call

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the um early technological

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state of being at war with

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nature

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of continuing the Jewish and Christian

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Superstition that

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man is to be top

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[Music]

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dog

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man is as it were not a feature of

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nature but a stranger in the

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earth who has as it were come into this

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Planet as an embodied

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spirit and whose nature as being

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spiritual is alien to the nature of the

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[Music]

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earth It's Curious you see that even

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since the 19th century since the rise of

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what we call scientific

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naturalism since the rise of a

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philosophy of life in which

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supernaturalism and the supernatural

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origin of man are repudiated and we look

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upon ourselves as products of an

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evolutionary

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process rather than a supernatural

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process we evolved yes according to the

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doctrines indeed the dogmas of

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scientific naturalism we evolved from

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our lower animal

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friends but

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the people who believe in this

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philosophy are even more than

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traditional Christians and

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Jews antagonistic to the processes of

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nature the outcome of scientific

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naturalism is a

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technology which is dedicated to the

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conquest of

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nature because it's based on a Doctrine

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which we deeply resent even though most

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of us believe it and this Doctrine is

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that the natural

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universe is a mechanical

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process which because it is mechanical

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and nothing other than mechanical that

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is to say because it can be described

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and accounted for in a strictly logical

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way we curiously therefore feel that it

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is essentially

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stupid

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[Music]

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all

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machines even though we revital or

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intelligent as wooly

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minded because you will give yourself a

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case of extreme intellectual

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pupinisiimo

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definite precise and rigorous

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and that will advertise the fact that

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you are after all someone who's come to

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your

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senses actually you've lost your senses

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and you've only found your

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mind and it's very truly said that you

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have to go out of your mind to come to

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your

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senses that is to say you have to be

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liberated from the confusion

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of the symbolic world with the real

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world and I've talked a great deal about

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that thus

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far but here as you see the great

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problem of 20th century man basing his

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way of life on 19th century ideas which

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are today the common sense of most

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educated

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individuals that

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uh there is an implacable

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resentment against our biological

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situation we Endeavor in myriads of

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different ways to conceal the fact that

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we are biological

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beings our

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clothes our social institutions in ever

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so many ways are trying to

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say we are not

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[Music]

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mammals

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and anything that emphasizes our

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mamalian qualities is really

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considered

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[Music]

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um

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vulgar of course we can't

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resist the truth that we are mammals and

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that's why uh American men are

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absolutely fascinated by female mamama

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by

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breasts

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uh because you know truth will

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[Music]

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out so

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then when it comes down to a very very

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fundamental biological science and

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art the art of so rendering food that it

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becomes extremely well

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absorbable

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we have our

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quams and we don't really go to

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it and yet you see uh as I suggested in

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the previous talk

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here the human being is like a

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whirlpool in

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water the human being is a pattern of

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life which is a particular form of

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activity in a stream but the human

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stream consists of

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water

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[Music]

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milk a

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wheat

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cow

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vegetables uh all food stuffs whatsoever

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are in the process of being processed by

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us in your lifetime you have processed

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innumerable tons of

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groceries and therefore you are what you

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eat every fiber and cell of your bodies

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is uh beef steak and uh potatoes and so

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on in the course of being processed

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humanly

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and therefore those people who stand at

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the entryway whereby this stream enters

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the human organism and becomes changed

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into our form is in a very responsible

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position for as

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cook standing at the kitchen range you

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are most veritably a priest at an

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altar and if you do not

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realize the Priestly and magical nature

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of your function as a cook you are doing

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the human race a great

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disservice the trouble is of course

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that the average person who

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cooks in our

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culture is a harassed

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[Music]

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housewife who has to do this every day

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to get meals ready

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for

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children and

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adults who are fundamentally in a hurry

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to do something else other than

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eat breakfast in the morning is usually

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a mad

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house because everybody has to get up to

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get the children off to school in time

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and get the husband of the family off to

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work in

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[Music]

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time and this is usually pop to the last

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minute among other reasons because of

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course going to bed the night before was

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postponed to the last

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minute because there was some fun going

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on the night

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before uh over which and because of

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which one had to hurry through dinner in

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order to get out to it whatever it

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was when we do tend to regard uh

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meals as medicine rather than and

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diet we will take uh packages of

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ordinary food

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stuffs and we will find on them in small

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print the same sort of chemical analysis

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of what's in it as you get in a bottle

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of

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pills every package of food has to have

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its contents spelled out you see as if

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it were

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medicine you buy say an ordinary

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envelope of gelatin

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and there's a chemical formula on

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it because we are looking at this uh

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this

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food for what good it will do for

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us we are firmly of the opinion

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therefore that we eat in order to live

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rather than that we live in order to

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eat therefore the pleasures of the table

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the art of the kitchen is is simply

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relegated to being a means to an

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end it enables us to continue our

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biological existence in order to in

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order to what make

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money or uh be

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cultured and people who listen to music

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or go to plays or read books with the

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motivation of becoming cultured people

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never listen listen to the music don't

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understand the play and don't really

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read

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books because they always have one eye

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on what kind of person this activity is

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turning me into what status it gives

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me therefore one never really does it so

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in order to be

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human in order to be cultured and

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civilized in the highest sense of the

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word it is that

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absolutely necessary to everyday life

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that we take the art of

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cooking uh

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sincerely that we

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regard

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the process that goes on at the table as

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one of fundamental spiritual and

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religious

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importance and make it a

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yoga not only the what goes on in the

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kitchen but also what goes on at the

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table

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itself must for us

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become

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uh an

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occasion where we regard ourselves as

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involved in one of the most

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important worthwhile things that we

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do because you see if you only eat in

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order to

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live you will not digest your food

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properly you will bolt

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it wolf it down just to stop the

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knowing and so I must quote Henry

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Miller throw anything down the hatch to

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stop the kny feeling and swallow a dozen

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vitamins if that doesn't work see a

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surgeon if that doesn't work get a

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Hollywood

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funeral they're the duest the cutest

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funerals why you can have your beloved

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propped up reading something like the

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bag of adita and smoking a cigarette

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forever cigarette guaranteed not to rot

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away before the lips or the buttocks oh

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death where is thy sting oh grave where

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is thy Victory Jolly what

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eh

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but that's the problem you see of

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this

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using

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food merely as a means to an

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end I was in the

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airport trying to find something for

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lunch just before coming down here and

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there were three girls in their late

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teens sitting at a table next to us

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and their lunch consisted of french

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fried potatoes with ketchup and

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Coca-Cola that's what they were putting

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down and

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uh this sort of thing goes on all over

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the

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place you uh Lucius BB who was a great

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Bon vant once said that south of the

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Mason Dixon line everything is fried in

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rancid axle

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grease and that's pretty much true uh I

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remember not so long ago that for my

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sins I was lecturing in the state of

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Virginia and

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uh I

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was in in colleges most of the time you

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see and I was condemned therefore to eat

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the offerings of college

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cafeterias and uh sorority and

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fraternity house cooking and it was so

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abominable that I literally

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starved uh you may say I'm fussy but I

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will not

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eat uh unless I am literally starving

play16:10

and have been starving for days and days

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when anything will taste good but a

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normal person should not be asked to eat

play16:17

the

play16:18

incredible uh

play16:20

messes

play16:22

of ruthlessly boiled

play16:26

vegetables uh meat that has suffered in

play16:28

electronic purgatories for

play16:31

hours and is served to you in a gravy

play16:33

that is made of water Buon cubes and

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Library

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paste uh this is simply not fit for

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human consumption and the fact that the

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whole academic world without question

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faculty and students eat this notorious

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garbage is of course rotting their

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brains and uh making them

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uh highly

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uncivilized uh that it's just

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unpardonable there is no excuse for this

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at all and part of the reason is that

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college kitchens are supervised by

play17:14

dietitians as distinct from cooks and

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these two classes of persons are really

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mutually

play17:21

exclusive because the dietician thinks

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of food in terms of its chemical

play17:27

contents in terms of its calories its

play17:30

vitamins its proteins and so thinks

play17:33

through a test tube whereas an

play17:35

accomplished cook thinks with his

play17:38

tongue and with his belly and with what

play17:41

fundamentally is good for his

play17:43

gut and uh he comes an accomplished cook

play17:47

comes from a long tradition be it of

play17:50

French cooking or of Chinese cooking or

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of uh Indonesian cooking Indian cooking

play17:56

or whatever it is he has a long long

play17:58

historic iCal tradition behind him of

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excellence and the French cook no one is

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more proud no one is more uh delighted

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with his art and the Vintner who goes

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with him is also equally important as a

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person in seeing that human beings

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remain civilized at the table and that

play18:19

the table is not simply treated uh in

play18:22

the same way as the bathroom the

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bathroom is the output

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room and is always sort of relegated to

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unconsciousness because we don't like to

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admit that we do these

play18:36

things and so when you you you carry the

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bathroom attitude to the kitchen as I

play18:42

suggested already the kitchen begins to

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look like a bathroom because it is just

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the input

play18:49

room and no real reverence is accorded

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to the art of

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cooking well I think that uh

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if we want to have a true

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civilization we want to be people of

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great culture great

play19:07

Humanity uh a lot of it begins in the

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kitchen and goes on around the eating

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table in Christianity after all we have

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the mass as a central

play19:25

right the Holy Communion the eating of

play19:29

bread and the drinking of wine because

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in Mediterranean civilization at the

play19:34

time when Jesus lived bread was the

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staple food and wine was the staple

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drink people didn't drink water for

play19:42

God's sake because you could never trust

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water what was in it therefore if you

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had a certain alcoholic content in the

play19:49

water it was

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drinkable but beyond that of course the

play19:53

nurture of grapes and the production of

play19:56

very fine uh

play19:59

loved and matured wine was a way of

play20:01

bottling

play20:04

sunshine and you will find to this day

play20:08

that in any restaurant where wine is not

play20:10

served in Western culture they do not

play20:13

understand

play20:15

food food and wine in the western

play20:17

tradition are

play20:20

inseparable and wine is not alcohol in

play20:23

the sense of uh vodka or whiskey or

play20:27

whatever is hard Li wine is

play20:29

food and when an Italian family is asked

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a questionnaire to put down what it

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spends on

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food what it spends on drink they will

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always include the wine under the food

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expens they don't imagine that it's

play20:45

spent on

play20:46

drink yes they would say all right if we

play20:49

bought some whiskey that would be drink

play20:51

has the think some food and wine

play20:56

food and uh so it uh

play21:00

the these things blend themselves

play21:02

together and when anybody who really

play21:05

understands wine opens the bottle of

play21:07

wine you will notice that they always do

play21:09

it with a certain ritualistic

play21:13

attitude they will carefully draw the

play21:16

cork they will sniff the cork see that

play21:19

the flavor is all right then they will

play21:21

pour a little wine into a glass and uh

play21:25

allow it to roll around the glass and

play21:27

you should always use they're rather for

play21:30

table wines like um carrots burgundies

play21:34

cha sa all those wines you should use a

play21:39

rather large glass what the French call

play21:41

a ballon a balloon glass so that almost

play21:46

like brandy you can catch the perfume of

play21:48

the wine in the

play21:49

glass and you roll the wine around and

play21:51

sniff it and you may take a tiny sip to

play21:54

see that it's all

play21:55

right meanwhile the wine pourer stands

play21:58

beside you to see if you approve it may

play22:00

be yourself as person the table you put

play22:03

it down then you serve the other guest

play22:05

but you don't fool the FI is kind of

play22:07

glass to the top you fill it about 1/3

play22:10

or 1/2 so that an area is left about the

play22:13

wine to catch the

play22:14

[Music]

play22:16

perfume and then you gently savor it you

play22:20

don't W it down

play22:22

Scout now you see there's a ritualistic

play22:25

attitude to that wine is something

play22:27

precious and then and

play22:29

Valu and uh you if you follow wine and R

play22:36

interested you can learn the art for

play22:38

example of being almost

play22:42

blindfold I don't mean that literally

play22:45

it's the bottle that's blindfolded

play22:47

because you need your eyes as well as

play22:50

your nose and tongue to test wines you

play22:53

need to look at it how it clings or

play22:56

doesn't cling to the side of the glass

play22:59

and so on and Experts of course can

play23:01

guess rather accurately what wine

play23:04

they're

play23:05

drinking where it's

play23:10

from it's not easy to in fact it's

play23:14

probably kind of fairy tale that people

play23:16

can pin down the actual

play23:19

Vineyard just uh they can do so

play23:21

occasionally in a fluky way if they

play23:24

happen for example to uh be the

play23:27

manufacturer of that wine itself they

play23:31

might pin down the actual

play23:33

[Music]

play23:35

V but you see uh in in where wherever

play23:39

wine is revered the serving of wine is

play23:42

attended with ritual now I'm pointing

play23:44

out what is uh good cooking also is

play23:47

attended with ritual because you are as

play23:51

cook a priest at an alter and you are at

play23:54

a vital moment in human life in the

play23:58

point point where uh other biological

play24:01

existences be they animal or vegetable

play24:04

are being transformed so as to enter the

play24:07

human system and to become

play24:10

us and so as linu Tang Once beautifully

play24:14

put it a fish which has died for you and

play24:18

is not well cooked has died in

play24:23

vain here you see we Face a serious

play24:26

ethical problem since we do depend on

play24:30

all these other creatures for our life

play24:33

what is our responsibility towards

play24:37

them you can't avoid this you can become

play24:40

a

play24:41

vegetarian if you're screamish about it

play24:45

but that's only a gesture you're still

play24:48

destroying living beings to

play24:51

eat apples

play24:53

Tomatoes cabbages

play24:56

lettuce all the

play24:59

things

play25:00

Cals you're still destroying other forms

play25:03

of

play25:04

life and so the only possible good

play25:07

ethical response to finding ourselves in

play25:10

this

play25:12

situation is not only of course the

play25:15

obvious one of putting to good use the

play25:18

energies which we derive from them but

play25:21

also the immediate respect shall I say

play25:24

the grace the

play25:26

Thanksgiving of honoring in what we

play25:29

eat by cooking it to

play25:33

[Music]

play25:35

Perfection and perfect

play25:37

cooking will involve therefore ritual

play25:41

because

play25:42

ritual is

play25:44

actually any activity whatsoever

play25:47

done with full attention and

play25:51

care when you watch a surgeon or even a

play25:55

lowly dentist at work and he is a good

play25:57

surgeon or a good dentist you will

play26:00

notice that he has a certain ritualistic

play26:02

attitude to the way he disposes his

play26:05

tools and to the order in which he does

play26:08

things there are certain

play26:10

dentists who you recognize at once as

play26:13

having surgeons

play26:16

fingers they

play26:19

are

play26:21

loving quiet peaceg giving

play26:25

fingers that work with a kind of quick

play26:29

but unhurried

play26:33

expertness and you can see the same

play26:35

thing in a driver of a

play26:38

car or in any expert Workman at any

play26:42

craft

play26:44

whatsoever and you will always see he

play26:47

goes about what he's doing with a

play26:49

certain

play26:51

uh way of Behaving that is very much

play26:54

like the behavior of a priest at an

play26:57

altar

play26:58

[Music]

play27:01

now I don't know how many people know

play27:04

much about what priests do at

play27:09

altars even

play27:11

Catholics uh don't always know very much

play27:13

about

play27:15

this and they think ceremony ceremony

play27:18

ceremony a lot of empty

play27:21

gesturing but actually the way in which

play27:24

a priest celebrates the

play27:26

mass is this is quite

play27:29

practical all the ceremonies connected

play27:32

with it were

play27:35

originally functional

play27:38

activ why are the candles on

play27:42

nor we think candle is a way of lighting

play27:46

a candle beside something is a way of

play27:48

paying respect to

play27:51

it well yeah but originally one needed

play27:54

some light to see what you were doing uh

play27:58

to read any book you might

play28:00

have and

play28:03

uh why was incense of think Protestants

play28:08

especially have what we call Protestant

play28:11

noses and find incense in church very

play28:15

repugnant but that is all connected with

play28:18

our putting down of the sense of

play28:20

[Music]

play28:22

smell this is one of the most

play28:24

interesting things in our culture is our

play28:26

repression of Snell

play28:34

[Music]

play28:40

[Applause]

play28:43

[Music]

play28:50

[Music]

play28:51

[Applause]

play28:53

[Music]

play28:56

[Applause]

play28:56

[Music]

play29:03

[Applause]

play29:03

[Music]

play29:28

cats all creatures are very conscious of

play29:31

smell find their way

play29:34

by but we when we say it's like the

play29:37

person who is alleged to have got into a

play29:39

coach with Dr Johnson and a fastidious

play29:43

lady being in the 18th century when

play29:45

people very fastidious about Washington

play29:49

he looked at him and said sir you

play29:53

s he said on the contrary M you SM I

play29:58

it's

play30:04

[Music]

play30:06

stink you see we don't like

play30:09

smells and particularly we don't like

play30:11

the smell of the human

play30:13

organ we would rather smell of

play30:17

disinfectant of lavoris or uh something

play30:22

chemical like that then would smell of

play30:26

people therefore the clean uh good

play30:29

healthy Western civilized type of person

play30:32

smells

play30:35

chemicals in fact he SMS like a public

play30:39

toilet rather than snowing

play30:42

humans and uh to be smelly you see is to

play30:48

be

play30:49

stinky means the same

play30:51

thing and therefore curious the sense of

play30:56

smell becomes the transmission

play30:58

sense of the

play31:01

unconscious it becomes immensely

play31:03

important just because it's

play31:05

repressed and we get all kinds of

play31:08

messages which for reasons that we don't

play31:11

understand influence our likes and

play31:13

dislikes of other people we like the

play31:16

people who smell

play31:18

goodies dislike the people who don't

play31:20

smell goodies although this never passes

play31:22

through conscious mind an enormous

play31:25

amount of communication Comes This Way

play31:28

memories for example are wonderfully

play31:31

evoked by

play31:35

smells all sorts of situations in

play31:37

childhood when we weren't so unconscious

play31:40

of

play31:43

smell are evoked it's why we like the

play31:47

smell of freshly cooking coffee so much

play31:50

it reminds us of wonderful breakfasts

play31:53

long ago of home of mother of the

play31:58

kitchen smells of freshly cooking bacon

play32:01

you know all that sort of thing goes

play32:04

with the smell of burning Autumn

play32:07

Leaves and all these really cherished

play32:10

[Music]

play32:12

smells and immediately evoke memories

play32:17

that's why you see in uh Buddhist and

play32:19

Hindu and Catholic Worship incense is

play32:23

used because there are certain smells

play32:26

connected with the shall I I say the

play32:28

religious Consciousness which evoke that

play32:31

[Music]

play32:33

Consciousness and uh in a very very

play32:35

powerful

play32:39

way so then this is the sort of mystery

play32:42

that goes on at

play32:47

altars where people are doing

play32:51

things that indicate basically reverence

play32:54

for Life Albert

play32:56

schweiter reverence for

play32:59

life this is the sacrificial bread and

play33:02

the sacrificial wine upon which your

play33:05

life depends and therefore honor is done

play33:07

to

play33:08

it the Christian idea of the communion

play33:12

is really very very

play33:13

[Music]

play33:15

[Applause]

play33:16

simple because the meaning of the

play33:21

[Music]

play33:23

mass which Jesus was trying to point

play33:26

out

play33:29

was that the Christ

play33:34

[Music]

play33:36

sacrifice was

play33:39

basically the grinding up of Wheat and

play33:44

the crushing of

play33:46

grapes the sacrifice of every living

play33:49

creature which maintains the human

play33:52

pieces this is my body which

play33:56

is therefore for the death of All

play33:59

Creatures which give other creatures

play34:00

life is the ongoing process of Love of

play34:04

self

play34:05

offering which constitutes the very

play34:07

nature of the biophysical

play34:12

world and therefore if you say grace

play34:15

before

play34:16

meals what you should really thank is

play34:19

the dead cow The Dead Fish or the

play34:23

crushed grain which you are about to eat

play34:26

and say to this thank you very

play34:28

much for allowing your life to be

play34:32

transformed into

play34:35

mine and so the natural outcome of Grace

play34:38

is eventually to allow your life to be

play34:41

transformed into the life of other

play34:43

beings still be they ever so humble be

play34:46

they merely bacteria or

play34:49

worms because they in their turn are a

play34:51

sort of

play34:52

yeast from which life continues to go

play34:56

on

play34:59

so now uh all those of you here who are

play35:03

at any time engaged in

play35:05

cooking must uh become aware of the high

play35:09

Dignity of this

play35:12

heart and of the possibilities in it for

play35:14

yoga and

play35:17

self-realization no more must you ever

play35:21

throw something together to stop the

play35:23

knowing

play35:25

team there is no point what

play35:28

whatsoever in

play35:30

cooking without giving yourself adequate

play35:33

time for

play35:34

it because you will find that time spent

play35:37

on other

play35:41

things to such an extent that it affords

play35:43

no time for cooking is a way of wasting

play35:46

your

play35:47

life on abstract fripperies instead of

play35:51

things of true material

play35:53

consequence anybody who

play35:56

cooks should

play35:59

therefore set aside a sufficient time of

play36:02

the day to do it to

play36:07

Perfection there is no point in cooking

play36:10

at all unless one Cooks

play36:14

perfectly because to do anything less

play36:16

than that is a serious irreverence to

play36:20

the fish to the dead animals and to the

play36:23

crushed grains that we

play36:26

use I don't want to sound

play36:29

moralistic as if uh naughty naughty to

play36:31

be irreverent to these creatures I'm

play36:33

merely saying that if you aren't

play36:35

reverent towards them you will not eat

play36:40

well because the process of transforming

play36:43

the valuable living elements into great

play36:47

dishes is really worth

play36:52

it but the basic thing in being a good

play36:56

cook is that you must love the natural

play37:00

elements which go into

play37:02

it in other words when you get spread

play37:04

out on the chopping

play37:06

board various meats and

play37:09

vegetables

play37:11

eggs and so

play37:14

on

play37:16

[Music]

play37:18

you must

play37:20

start by feeling of love for those

play37:23

[Music]

play37:26

things r the vegetables in your

play37:29

hands look how Exquisite they are when

play37:32

you slice say a Purple Onion look at the

play37:36

lines the patterns in what is then

play37:38

displayed look at a fish laid out in

play37:40

front of you the wonderful music of its

play37:45

scales what a beautiful thing it is the

play37:48

way the bones are

play37:49

formed when you slice meat look at the

play37:52

marbling in it the quality the

play37:55

color relish all that sniff all

play37:59

that and if you love those raw materials

play38:03

you will be able to cook because cooking

play38:05

is a process of loving it is

play38:08

loving

play38:09

uh it is a

play38:11

transformation through love of these raw

play38:15

materials into assimilable and truly

play38:19

edible

play38:20

form and a person therefore who is

play38:23

engaged in the ritual of cooking will

play38:25

never make the mistake of of

play38:29

hurrying now there are moments in

play38:31

cooking where you have to have your wits

play38:33

about you because timing is terribly

play38:35

important as in boiling an egg as in

play38:37

making a

play38:39

sule as in making certain sauces as in

play38:42

frying with butter where the butter has

play38:44

to be at a certain temperature and

play38:45

mustn't be allowed to

play38:46

burn uh cooking certain kinds of pastry

play38:50

requires perfect timing but perfect

play38:53

timing and hurrying are two completely

play38:55

different things hurrying in is always a

play38:58

failure instant coffee is a punishment

play39:02

for people who are in too much of a

play39:06

hurry there is only one way of cooking

play39:09

coffee that is perfect which is jungle

play39:12

coffee where you put coffee into cold

play39:16

water and you allow you but you see

play39:18

you've got to watch it and the moment it

play39:21

comes to the begins to come to the boil

play39:23

you turn it off it must never boil and

play39:26

then you stir it and you put the lid

play39:29

back on the pan to keep the heating and

play39:31

you allow a little time for the grounds

play39:33

to

play39:34

settle and then pour it off through a

play39:36

fine strainer in case any ground should

play39:38

be left through and you have got

play39:40

absolutely perfect coffee but it takes

play39:43

it takes your presence of mind it takes

play39:45

watching to do

play39:46

it as so also does boiling eggs which is

play39:50

a very subtle art yeah there is no

play39:52

formula for boiling an

play39:54

egg because there are too many variables

play39:56

enter into

play39:58

where what is the temperature of the egg

play40:00

what is the quality of the egg how hot

play40:02

your flame is how high you are above sea

play40:05

level uh when you think water begins to

play40:10

boil all sorts of questions like that go

play40:12

into the boiling of an egg and no egg

play40:15

timer uh will by itself teach you to

play40:17

boil an egg you have to get a feel for

play40:21

your own stove for your own kitchen for

play40:23

your own climate for the kind of eggs

play40:25

you buy from the market and then

play40:26

eventually you will know uh almost

play40:29

instinctively how to boil an

play40:33

egg

play40:35

so I would say then the basic attitude

play40:38

is one of

play40:40

uh

play40:44

concentrating not by sort of forcing

play40:47

your attention on things that's not the

play40:49

way to

play40:51

concentrate I think the attitude of

play40:53

concentration is very well shown if you

play40:55

watch the conduct of the Japanese tea

play41:01

ceremony the whole idea of which is that

play41:05

the simple Act of serving powdered green

play41:11

tea in hot water which is

play41:15

whisked can be so utterly

play41:19

delightful and that the contemplation of

play41:21

the bows and the bamboo instruments that

play41:24

are used in this procedure can

play41:28

give such aesthetic

play41:31

relish that it is worth dallying

play41:36

over and spending 2 or 3 hours just

play41:40

doing

play41:42

that so in the same way you will find

play41:46

that very good

play41:48

Cooks have extremely interesting

play41:54

kitens that they

play41:56

will

play41:57

for example have the kind of kitchen

play42:00

where there is not one single utensil

play42:04

not one jar or saucer which is not an

play42:07

object of

play42:09

buy such people will go out of their way

play42:12

to collect

play42:14

Mexican BS because they are so warm

play42:19

feeling and

play42:21

lovely to have the most

play42:25

beautiful jars for examp example they

play42:27

will buy the wonderful jars that are

play42:31

made for use in

play42:33

Labs with uh the ground glass Stoppers

play42:38

that fit very snugly beautiful

play42:40

functional

play42:42

shapes they are much better than the

play42:45

ordinary kind of glasswar for such

play42:47

purposes that is served in

play42:49

supermarkets go to a lab manufacturer

play42:53

buy all sorts of bottles and uh

play42:58

beautiful instruments they are perfect

play43:00

for use in the

play43:04

kitchen so you find that a good cook

play43:07

always has an interesting and colorful

play43:11

kitchen because a good cook makes the

play43:13

kitchen the most attractive Center in

play43:16

the house a good cook will find

play43:20

that the company invited for dinner will

play43:23

tend to gravitate to the kitchen while

play43:26

dinner is being prepared this may be an

play43:28

embarrassment to the

play43:29

Cook if uh you're doing something

play43:32

extremely complicated which requires

play43:35

that you spread uh yourself over quite

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an area and you have to move rather

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swiftly from part to part of the kitchen

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and don't want to be interrupted by

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conversation but that is true only of

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certain very complex

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vises uh everyone who really enjoys

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cooking tends also to like showing off

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and to like to cook under other people's

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eyes and they instinctively also like to

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watch it being done because it

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stimulates the appetite and therefore

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you ideally should have an arrangement

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in your home where if you don't actually

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live in the kitchen have like a big farm

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kitchen it's always a good idea to have

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this the kitchen and living area

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separated by a bar where the actual

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stove is in the bar under a uh suction

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fan so that people before dinner can

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come with their drinks and sit at the

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bar and watch you make things right

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under their noses and you can carry on

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conversation and not be separated from

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your

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guests this is likewise the principle of

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cooking say skaki Yakitori tempera and

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all those various Oriental dishes which

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are served at the table or fonded book G

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or swiss cheese fondu and uh all those

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things that are cooked right right

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[Music]

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there now as you are of course a Tyro a

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beginner in the art of cooking you will

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find that you depend on the recipe

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book on instructions as to how to go

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about it and that's quite right and

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proper because recipes have been worked

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out and tested over many hundreds of

play45:30

years and uh are things to learn

play45:35

from but as you the more you begin to

play45:38

understand and get a feel for cooking

play45:40

the less you will need

play45:42

recipes and you will find yourself in

play45:44

the delightful situation of being able

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to invent all sorts of different meals

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where you're not following recipes but

play45:53

you're creating your

play45:56

own especially is this true in the art

play45:59

of dealing with

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leftovers this is a real test of Mastery

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in cooking a good cook should not waste

play46:08

anything should find out how to convert

play46:11

all things that are left over from the

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kitchen into something exciting and

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that's you see a real test of your

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inventive

play46:20

genius and eventually you come to know

play46:23

uh in your bones in your nerve center in

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the

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nose what goes with what how to treat

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certain

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things and it becomes therefore incre

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increasingly difficult for you to

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explain to anyone else how it's

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done the Chinese DST book written by

play46:46

Danga has a number of examples in it of

play46:50

uh The Yoga of everyday

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life and two of the ones he mentions

play46:57

particular are the art of the wheel

play46:59

right and the Art of the

play47:01

butcher the wheel right is an Old

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Gentleman 70 years old who makes Wheels

play47:07

with absolute

play47:10

perfection that do not wobble on the

play47:13

axle and do not grip on the axle but

play47:15

revolve quite evenly but he because he

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doesn't know how he does it he cannot

play47:22

explain to his son how to do it as well

play47:24

as he can therefore still is working

play47:27

although 70 years

play47:30

old then there is the

play47:32

butcher who uses his knife so skillfully

play47:36

that it hasn't been had to be sharpened

play47:38

in 17

play47:40

years because it always goes exactly

play47:42

through the joints in the

play47:45

bone and that which is infinitely thin

play47:48

can enter where there is no space this

play47:51

is dang's fanciful way of putting

play47:54

it but that knife that goes whoo you see

play47:58

and never has to go

play48:01

crack is always in sharp

play48:05

form so in this way he uh says there is

play48:09

something

play48:10

incommunicable about all great Arts he

play48:12

says also following his mentor

play48:15

ler the five colors make the eyes blind

play48:19

the five tones make the ears deaf that

play48:23

means if you think there are only five

play48:26

colors you're blind

play48:28

if you think there are only five tones

play48:30

you're

play48:30

[Music]

play48:32

deatha in other words let say we have a

play48:35

spectrum seven

play48:37

colors the Chinese think of

play48:42

five we think of so many 12 tones in the

play48:45

musical scale but if you think they're

play48:47

only 12 tones you're

play48:51

deaf and so uh in taste in all the Arts

play48:55

of cooking

play48:58

uh if you depend on the recipe you have

play49:01

no tongue you could say then in DST

play49:04

fashion recipes spoil the

play49:07

tongue that's an exaggerated way of

play49:10

saying something it's a Hal truth it's a

play49:13

Truth uh that is imperfect but it's said

play49:16

that way in that violent way as it were

play49:19

to attract

play49:21

attention recipes are very

play49:24

useful but you will eventually come to

play49:26

the point

play49:27

where you will not be able to explain

play49:29

and therefore you get those awkward

play49:31

recipes where it says simply season to

play49:34

taste a pinch of this a dollop of that

play49:38

and you don't know how big a pinch or a

play49:40

dollop is well that's because uh you

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haven't yet developed the feel for the

play49:46

way in which certain ingredients will go

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with

play49:53

others but you will

play49:55

find as you cook in that

play49:58

attitude that you will become deeply

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aware of the miracle of the

play50:04

transformation of the world into

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Humanity through your careful

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ministrations therefore we'll become

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more aware of your ecological going with

play50:16

all other forms of life therefore

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be more fundamentally

play50:22

enlightened well

play50:25

now last

play50:27

night I was being specific about one of

play50:30

the yogas of everyday life and applying

play50:33

it to the art of

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cooking and as a concluding session I

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want to discuss the way in

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which

play50:46

consciousness of your essential Oneness

play50:50

with this whole

play50:53

universe and what we call everyday

play50:55

consciousness go

play50:57

[Music]

play51:02

together you if you read a great deal

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about

play51:08

mysticism you will find descriptions of

play51:12

ecstasis developed through the practice

play51:15

of yoga meditation or

play51:17

whatever that seem to be so completely

play51:20

absorbing enthralling ecstatic and

play51:24

rapturous that you cannot conceive that

play51:26

any body could be in that state of

play51:28

consciousness and at the same time carry

play51:30

on everyday

play51:33

life we hear of great Hindu Mystics like

play51:36

Shri ramak Krishna Shri Ramana Mahari

play51:40

who spend hours and hours in stadi they

play51:42

sit there with their eyes closed in

play51:46

sheer

play51:47

Rapture out of this world

play51:49

[Music]

play51:51

altogether and uh if that is the ideal

play51:53

state to which man should attain that

play51:55

kind of contemplation infation obviously

play51:57

it is inconsistent with everyday

play52:00

life but there is a strong tradition not

play52:05

only in India but also in the Far East

play52:09

that there is a higher state than

play52:11

samadi than

play52:13

Rapture and this much higher state is

play52:16

called in India

play52:18

sahaja S A Aja a and that means the

play52:22

Natural

play52:24

State the the the state in which which

play52:28

illumination is quite natural and fits

play52:31

in precisely with everything in the way

play52:34

of ordinary Consciousness this is very

play52:36

much a strong feature also of the Zen

play52:38

Buddhist

play52:40

tradition where they have the saying

play52:43

your ordinary mind is Buddha or is the

play52:47

da the

play52:49

way and in

play52:53

Zen the poet hoko G

play52:57

has

play52:58

said Supernatural power and marvelous

play53:02

activity I draw water I gather

play53:09

fuel so that for Zen there is no no

play53:15

distinction whatsoever between what we

play53:18

would call the normal consciousness of

play53:20

the everyday world through our five

play53:23

senses and the Supreme state of

play53:25

consciousness

play53:27

of total Awakening and

play53:30

Enlightenment indeed going back to the

play53:33

fundamental logic of the

play53:36

upanishads the great texts upon which

play53:38

all Indian wisdom is

play53:40

based they insist again in again that

play53:44

the Supreme state is without

play53:47

Duality and without Duality means

play53:49

without

play53:51

exclusiveness they would say for example

play53:54

that to experience the highest state of

play53:57

consciousness is not merely to

play53:58

experience the Oneness of things you

play54:01

would think you see if you experienced

play54:03

all things as one that somehow the

play54:07

differentiations which you perceive in

play54:09

the world outside you would

play54:12

disappear and that you would

play54:15

experience uh all around you in every

play54:18

direction a uniform

play54:23

Luminosity uh in which all

play54:25

differentiation was dissolved and I can

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assure you that would be an extremely

play54:29

boring State of Mind to get stuck in

play54:32

[Music]

play54:34

indefinitely uh that's not what to

play54:39

[Music]

play54:42

expect because the nonu means the

play54:46

non-exclusive that which does not have

play54:49

any

play54:51

opposite and if the Ultimate Reality

play54:53

behind this universe the fundamental

play54:55

energy or essence or whatever you want

play54:57

to call it has no opposite it is

play55:00

therefore not

play55:02

incompatible with all other states and

play55:05

manifestations of life so you could say

play55:09

the Supreme Consciousness is much like a

play55:13

mirror because a mirror uh is always

play55:16

clear and

play55:17

pure and yet it will reflect anything in

play55:20

front of it there is no incompatibility

play55:23

between the silver purity of the mirror

play55:26

and reflecting uh the face of a lovely

play55:29

girl or uh a dirty old ashtray it will

play55:33

take in both and still remain

play55:35

pure so in a rather similar way the

play55:39

enlightened State of Consciousness can

play55:42

uh contain uh any subordinate State of

play55:49

Consciousness so first of

play55:52

all I must uh give some attempt to

play55:55

describe what the uh awaken State of

play55:59

Consciousness is

play56:02

like and this naturally is a very

play56:05

difficult thing to

play56:08

do because it is in a way like trying to

play56:11

describe color to someone who is

play56:14

congenitally

play56:16

blind and you have to do that by

play56:20

analogy you can tell a blind person that

play56:23

color is an

play56:25

experience

play56:27

of uh a certain kind of variations in

play56:30

the

play56:31

world that could be likened to the

play56:33

variations of

play56:35

temperature we speak about hot colors

play56:37

and cold colors we call Red a hot color

play56:40

and blue a cold

play56:42

color and that there are vibrations in a

play56:46

sense that he knows nothing

play56:47

about these variations and they are

play56:50

characteristic of uh all sorts of things

play56:53

but he must not confuse what we call

play56:55

color with what he experiences as hot

play56:57

and cold it's only like

play57:00

it it's a little bit like that you see

play57:02

to have to describe uh a novel State of

play57:07

Consciousness and in a way it's more

play57:09

difficult than that for the simple

play57:12

reason

play57:13

that the consciousness

play57:17

of the total Unity or nonduality of the

play57:21

universe is not really like having

play57:23

acquired an additional

play57:25

sense

play57:26

because it comes through all one's

play57:30

senses it is very much like a sensation

play57:32

it's more like a sensation than it is

play57:34

like anything else it's more like a

play57:36

sensation than it's like an

play57:39

idea because it's very

play57:41

concrete very unmistakable the moment

play57:43

you slip into it and I don't doubt that

play57:45

there are a number of people in this

play57:46

room who have at one time or another

play57:48

slipped into

play57:50

it it happens quite commonly in

play57:53

adolescence and uh

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