In Search of Aliens: Nazca's Ancient Geoglyphs (S1, E9) | Full Episode

Summary

El guion ofrece una investigación fascinante sobre los enigmáticos sitios de Nazca en Perú, conocidos por sus complejas geoglifas que solo se pueden apreciar desde el cielo. Giorgio Tsoukalos, junto con David Childress, exploran estas estructuras, que incluyen figuras de animales, seres humanoides y diseños geométricos. Se cuestiona si estas creaciones, que datan entre 500 a.C. y 500 d.C., podrían ser señales para seres extraterrestres, como sugieren algunas teorías. Además de los famosos líneas de Nazca, el programa examina el Band of Holes, un área con miles de agujeros en una montaña, y cráneos elongados encontrados en el Paracas History Museum, que podrían tener conexiones con actividades extraterrestres. La teoría de que Nazca fue una colonia minera alienígena en busca de recursos como el oro y el uranio también se explora. El guion sugiere que las figuras y líneas podrían ser un intento de comunicación con visitantes celestiales y plantea preguntas sobre la verdadera naturaleza de estos misterios.

Takeaways

• 🌍 El sitio de Nazca en Perú es uno de los lugares más misteriosos de la Tierra, conocido por sus geoglifos antiguos y de difícil explicación.
• 🔍 Giorgio Tsoukalos investiga la posibilidad de que los geoglifos de Nazca puedan ser evidencia de visitas extraterrestres.
• 📚 La creación de las líneas de Nazca se cree que ocurrió entre 500 a.C. y 500 d.C., pero no se documentaron hasta el siglo XVI.
• 🚁 La visión aerial de las líneas de Nazca fue posible gracias a la invención del avión en la década de 1930, revelando una red extensa de geoglifos.
• 🏜️ Las líneas de Nazca están en excelentes condiciones debido a la escasa lluvia en el desierto, lo que ha permitido su conservación.
• 🤔 Algunos investigadores sugieren que el conocimiento preciso de la geometría era esencial para crear estas figuras complejas, lo que denota una avanzada capacidad técnica.
• 👽 Se ha especulado que algunas de las figuras, como El Astronauto, podrían representar astronautas, sugiriendo la posibilidad de contacto extraterrestre.
• 🏞️ El Monte Palpa, una montaña con una cima aparentemente recortada con precisión, podría ser el resultado de una ingeniería antigua de gran escala.
• ✨ Los dibujos geométricos y las líneas de Nazca, incluido el Glifo del Sol, la Estrella y la Cruz, sugieren una planificación detallada y una posible comunicación con seres extraterrestres.
• 🧬 En el Museo de Historia de Paracas, se encuentran cráneos elongados con características anómalas, lo que ha llevado a especular sobre la posibilidad de que no fueran humanos.
• 🔬 La teoría de que los antiguos astronautas minaban recursos en Nazca, como el oro y el uranio, sigue siendo un punto de investigación para Tsoukalos y Von Däniken.

Q & A

¿Qué es lo que hace Giorgio Tsoukalos en Perú?

Giorgio Tsoukalos está en Perú para investigar uno de los sitios más misteriosos de la Tierra, Nazca, donde busca evidencia de posibles visitas alienígenas en la antigüedad.

¿Qué son las geoglifos de Nazca?

Los geoglifos de Nazca son cientos de figuras antiguas talladas en el vasto suelo del desierto, que representan animales, figuras humanoides y diseños geométricos extraños, y son tan grandes que solo se pueden ver desde el cielo.

¿Cuándo se cree que se crearon las líneas de Nazca?

Los arqueólogos creen que las líneas de Nazca se crearon entre 500 a.C. y 500 d.C.

¿Cómo se descubrieron las geoglifos de Nazca?

Los geoglifos de Nazca se descubrieron a gran escala en la década de 1930, después de la invención del avión, cuando los exploradores volaron sobre Nazca.

¿Cómo se forman las líneas de Nazca?

Se cree que las líneas de Nazca se formaron quitando las piedras rojizas que componen la superficie del desierto y exponiendo el suelo más claro debajo.

¿Qué teoría propone David Childress sobre las líneas de Nazca?

David Childress, defensor de la teoría de los astronautas antiguos, cuestiona si las líneas de Nazca podrían haber sido un signal para los Anunaki, como una señal o un faro.

¿Qué es El Astronauto o el 'Spaceman' en las líneas de Nazca?

El Astronauto o el 'Spaceman' es una de las figuras más impresionantes de las líneas de Nazca que parece estar señalando al cielo o tal vez saludando a visitantes de arriba.

¿Qué es la Montaña Palpa y qué aspecto tiene?

La Montaña Palpa es una montaña en la región de Nazca que se diferencia de otras por tener su cima como si hubiera sido cortada con precisión, lo que sugiere una ingeniería avanzada más allá de las capacidades conocidas de las culturas antiguas.

¿Qué es el Band of Holes y cómo se aprecia?

El Band of Holes, o Banda de Agujeros, es un sitio en el planalto de Cajamarquilla, donde miles de agujeros de diferentes dimensiones y profundidades están excavados en una banda que se extiende casi dos millas. Al igual que las líneas de Nazca, solo se pueden apreciar en su totalidad desde una gran altura.

¿Qué teoría propone Erich von Däniken sobre las actividades extraterrestres en Nazca?

Erich von Däniken sugiere que Nazca pudo haber sido el sitio de una colonia minera antigua donde visitantes alienígenas vinieron para excavar oro y otros recursos naturales.

¿Qué papel podrían haber tenido las elongadas calaveras encontradas en el Paracas History Museum?

Algunos teóricos sugieren que las calaveras elongadas podrían pertenecer a una raza diferente o incluso a seres extraterrestres, y que podrían estar relacionadas con las actividades en las líneas de Nazca y el Band of Holes.

¿Qué tipo de figuras geométricas encontró Giorgio Tsoukalos en la geoglifo conocido como el Sun, Star, and Cross Glyph?

En el Sun, Star, and Cross Glyph, Giorgio Tsoukalos encontró figuras geométricas precisas con círculos y triángulos que podrían ser una forma de mensaje matemático o una señal no resuelta.

¿Qué tipo de teorías surgen en torno a las líneas y figuras de Nazca?

Algunas teorías sugieren que las líneas y figuras de Nazca podrían ser señales o mensajes de comunicación entre humanos y seres extraterrestres, mientras que otras consideran que podrían ser el resultado de actividades mineras o la representación de dioses o seres ancestrales.

Outlines

00:00

🔍 Investigación en Nazca: Búsqueda de Pistas de Visitas Alienígenas

Giorgio Tsoukalos, un investigador de la teoría de los astronautas antiguos, explora las misteriosas líneas de Nazca en Perú, un lugar con geoglifos ancestrales que solo se pueden apreciar desde el cielo. Tsoukalos cuestiona si estas estructuras podrían ser prueba de visitas extraterrestres y examina la creación de estas líneas entre 500 a.C. y 500 d.C., mencionadas por Pedro Cieza de León en 1553 y descubiertas en su extensión aérea en la década de 1930. La teoría de que estas líneas fueron creadas por remover guijarros rojos del suelo para exponer el suelo más claro abajo se discute, y la posibilidad de que hayan sido un sistema de señalización para seres extraterrestres es debatida con David Childress, un defensor de la teoría de los astronautas antiguos.

05:01

🌟 Los Glifos de Nazca y su Posible Origen Extraterrestre

La exploración de los glifos de Nazca continúa con la consideración de que las antiguas civilizaciones no podrían haber construido estas formas complejas sin un conocimiento avanzado de la geometría. Se sugiere que los glifos, incluido el conocido como El Astronauto o El Espacista, podrían ser señales para seres extraterrestres. Además, se discuten otros glifos y pinturas rupestres en diferentes partes del mundo que parecen representar astronautas, y se explora la montaña de Mount Palpa, con una cima que parece haber sido recortada con precisión, lo que desafía la explicación de cómo podría haber sido hecho por las personas de la época.

10:03

🕳️ La Bandada de Agujeros: Un Misterio添 en la Línea de Nazca

Después de analizar el Glifo del Sol, la Estrella y la Cruz, se examina otro enigma peruano: la Bandada de Agujeros en la planicie de Cajamarquilla. Esta formación de miles de agujeros en un patrón que se extiende casi dos millas no tiene una explicación clara y solo se puede apreciar desde una vista aérea. Se discute la posibilidad de que estos agujeros hayan sido una forma de comunicación con seres extraterrestres, y se comparte la experiencia de haber visto luces extrañas en Nazca. Además, se exploran las implicaciones de hallazgos arqueológicos, incluidas tumbas y restos humanos, que podrían estar relacionados con rituales de sacrificio en honor a seres voladores mitológicos.

15:19

💀 Craneos Elongados y Teorías de Astronautas Antiguos

La investigación se dirige hacia el Paracas History Museum para examinar craneos elongados y su posible conexión con seres extraterrestres. Se discute la práctica de ligar los cráneos de los infantes para alargarlos y la ausencia de una缝合（sutura）en los craneos de Paracas, lo que sugiere una diferencia anatómica significativa. Se menciona un análisis de ADN de muestras de cabello que indica que estos no eran amerindios y se especula con la posibilidad de que representen a una raza diferente o incluso extraterrestre.

20:21

🪨 El Trabajo de Excavación en Montaña y sus Implicaciones para la Teoría de los Astronautas Antiguos

Para entender cómo pudo haberse realizado la precisión en la excavación de las montañas en Nazca, Giorgio Tsoukalos consulta con Buck Houck, un experto en minería. Houck sugiere que la operación habría requerido tecnologías y equipos pesados modernos y que la idea de que culturas antiguas lo hayan hecho a mano es poco creíble. Esto refuerza la teoría de que podría haber habido actividad extraterrestre en Nazca关联（关联）.

25:24

🛸 La Teoría de los Astronautas Antiguos y la Conexión con Nazca

Giorgio Tsoukalos comparte sus experiencias y hallazgos en Nazca con Erich von Däniken, el autor de 'Carros de los Dioses' y defensor de la teoría de los astronautas antiguos. Se discute la posibilidad de que Nazca fuera una colonia minera extraterrestre donde se extrajeron recursos naturales como el oro y el uranio. Se especula con la idea de que las figuras y líneas de Nazca podrían haber sido creadas como señales o ofrendas para estos seres extraterrestres, y se sugiere que la Bandada de Agujeros pudo ser un sistema de comunicación binaria entre humanos y alienígenas.

30:28

🔢 La Geometría y las Matemáticas en los Glifos de Nazca

La investigación se lleva a un encuentro con Dr. Michael Dennin, profesor de física y astronomía, para explorar el significado detrás de las complejas figuras geométricas en Nazca, incluido el Glifo del Sol, la Estrella y la Cruz. Se discute la posibilidad de que estas figuras hayan sido creadas para ser vistas desde una perspectiva aérea y la importancia de la geometría en la creación de estas estructuras. Se sugiere que los patrones y la estructura matemática implican una forma de comunicación, posiblemente un mensaje codificado de los visitantes extraterrestres.

35:29

🌐 Teorías Finales y Búsqueda Continua de Pruebas

Giorgio Tsoukalos concluye sus investigaciones con la creencia de que las líneas y glifos de Nazca son evidencia de comunicación entre humanos antiguos y extraterrestres. Se especula que los astronautas extraterrestres podrían haber buscado oro y otros materiales en la región y que los humanos los consideraron dioses, creando figuras gigantes para comunicarse con ellos después de su partida. El Glifo del Sol, la Estrella y la Cruz se considera como un posible rompecabezas dejado por los alienígenas, el cual, una vez resuelto, podría ser un llamado para su regreso. Tsoukalos reconoce que toda esta teoría requiere de más evidencia y una mente abierta para continuar la búsqueda de la verdad.

Keywords

💡Nazca

Nazca es una región en el Perú conocida por sus antiguos geoglifos, que son figuras y diseños grandes excavadas en el suelo. En el video, Nazca es el escenario principal de la investigación sobre posibles visitas extraterrestres y su relación con las líneas y figuras geográficas que se encuentran allí.

💡Geoglifos de Nazca

Los geoglifos de Nazca son figuras y diseños grandes hechas al despejar las piedras rojas de la superficie del desierto, revelando el suelo más claro debajo. Son un fenómeno arqueológico y cultural que ha intrigado a los investigadores y turistas desde que fueron descubiertos en masa en las décadas del siglo XX. En el video, estos geoglifos son clave en la teoría de que podrían ser señales de comunicación con seres extraterrestres.

💡Alienígenas

El término 'alienígenas' se refiere a seres de razas o mundos extraterrestres que no son de la Tierra. En el contexto del video, Giorgio Tsoukalos y David Childress exploran la posibilidad de que las líneas y figuras de Nazca puedan ser evidencia de visitas o interacción con seres extraterrestres en la antigüedad.

💡Pedro Cieza de León

Pedro Cieza de León fue un conquistador español que escribió sobre las líneas de Nazca en 1553, aunque él las confundió con marcas de senderos. Su referencia es la más temprana conocida sobre estos geoglifos, y su obra ha sido fundamental para la comprensión histórica de la región de Nazca.

💡Teoría de los astronautas antiguos

La teoría de los astronautas antiguos, promovida por David Childress y otros, sugiere que seres extraterrestres visitaron la Tierra en el pasado y tuvieron un impacto significativo en la evolución de la humanidad y su cultura. En el video, esta teoría se relaciona con la creación y propósito de las líneas y figuras de Nazca.

💡Elastros

Los elastros son figuras geográficas humanoides y de animales que parecen señalar al cielo o quizás saludar a visitantes de arriba. Uno de los geoglifos más famosos de Nazca es conocido como El Astronauto o El Spaceman, que es una de las figuras que parecen representar a astronautas y que se discute en el video.

💡Monte Palpa

El Monte Palpa es una montaña en la región de Nazca que se destaca porque su cima parece haber sido cortada de manera muy precisa. En el video, Giorgio Tsoukalos y David Childress especulan sobre cómo pudo haberse logrado tal precisión en la época antigua, sin tecnologías modernas de ingeniería.

💡Círculos perfectos

Giorgio Tsoukalos menciona haber visto por primera vez 'círculos perfectos' dentro de algunas de las líneas de Nazca durante su vuelo. Estos círculos son un ejemplo de la precisión y la complejidad de los diseños geoglifos en la región y podrían tener una importancia significativa en la teoría de las comunicaciones con seres extraterrestres.

💡Cráneo elongado

Los cráneos elongados son una característica no común encontrada en algunos esqueletos humanos, que algunos teóricos, como Giorgio Tsoukalos, sugieren podrían estar relacionados con la presencia de seres extraterrestres en la región. En el video, se discute la posibilidad de que estos cráneos, encontrados en el Museo de Historia de Paracas, pertenecen a una raza diferente o incluso a extraterrestres.

💡Banda de Agujeros

La Banda de Agujeros es un sitio arqueológico cerca de Nazca donde se han excavado miles de agujeros en el suelo en un patrón que solo se puede apreciar completamente desde una vista aérea. En el video, se sugiere que estos agujeros podrían haber tenido un propósito de comunicación o señalización para seres extraterrestres.

💡Erich von Däniken

Erich von Däniken es un autor y teórico suizo conocido por su trabajo 'Carros de los Dioses', donde propuso la teoría de los astronautas antiguos. En el video, Giorgio Tsoukalos lo visita para discutir su teoría sobre Nazca como una posible colonia minera extraterrestre en busca de recursos como el oro y el uranio.

Highlights

Giorgio Tsoukalos investiga las líneas de Nazca, sugiriendo que podrían ser evidencia de visitas extraterrestres.

Descripción de los geoglifos de Nazca, que incluyen figuras animales, humanas y diseños geométricos solo visibles desde el cielo.

La referencia histórica más antigua de las líneas de Nazca se encuentra en un libro escrito en 1553 por el conquistador español Pedro Cieza de León.

Investigación sobre cómo se crearon los geoglifos de Nazca mediante la remoción de piedras rojizas para exponer el suelo más claro debajo.

David Childress y Giorgio Tsoukalos discuten la posibilidad de que las líneas sean un mensaje o señal para los Annunaki.

Teorías sobre la imposibilidad de que los antiguos nazcas construyeran tales imágenes complejas sin conocimientos avanzados de geometría.

Exploración de la teoría del 'Astronauta', un geoglifo que parece apuntar o saludar a visitantes del espacio.

El enigmático 'Mono Glyph' y la extraña montaña de Palpa con la cima aplanada, sugiriendo una hazaña ingenieril avanzada.

Teorías locales que vinculan las actividades de OVNIs en la región de Nazca y Paracas con los geoglifos.

Discusión sobre la 'Banda de Hoyos', un sitio con miles de hoyos que también solo se pueden apreciar completamente desde el aire.

Interpretación local de la 'Banda de Hoyos' como representación de un dios serpiente, similar a deidades en otras culturas antiguas.

La investigación en el Museo de Historia de Paracas revela cráneos alargados sin sutura sagital, lo que plantea preguntas sobre su origen.

Pruebas de ADN sugieren que los cráneos de Paracas podrían no ser de indígenas americanos, sino de un origen misterioso.

Giorgio Tsoukalos se reúne con Erich von Daniken para discutir teorías sobre la conexión de Nazca con extraterrestres que buscaban recursos naturales.

El 'Glypho del Sol, Estrella y Cruz' presenta un diseño geométrico complejo que plantea la posibilidad de ser un rompecabezas matemático.

Transcripts

[music playing]

I'm in Peru to investigate one of the most mysterious sites

on planet Earth--

Nazca.

GEORGIO TSOUKALOS (VOICEOVER): Here,

carved into the vast desert floor, are hundreds

of ancient geoglyphs, shallow lines in the ground depicting

animals, human-like figures, and strange geometric designs that

defy conventional explanations.

And many of these glyphs are so enormous that they can only

be seen from the sky.

[music playing]

The mysteries of Nazca have remained

unsolved for hundreds of years.

But I'm here to investigate if what we have here

could provide evidence of alien visitation.

GEORGIO TSOUKALOS (VOICEOVER): My name is Giorgio Tsoukalos.

I explore the world that exists between reality

and speculation, the known and the unknown.

What we've been taught by mainstream scholars

is not the whole picture.

But I'm convinced that every day we are one step closer

to the truth.

[music playing]

Although archeologists believe that the Nazca lines were

created sometime between 500 BC and 500 AD,

the earliest known references to them

can be found in a book written in 1553

by the Spanish conquistador Pedro Cieza de Leon, who

mistook them for trail markers.

But it wasn't until the 1930s, after the invention

of the airplane, that explorers flew over Nazca

and discovered a network of hundreds of geoglyphs covering

an area of over 200 square miles.

Many believe that the Nazca lines were formed

by removing the reddish colored pebbles that make up the desert

surface and exposing the lighter soil underneath.

Luckily, because this desert sees very little rainfall,

the Nazca lines are still in amazing condition.

But who made them, and why?

To begin my search, I've arranged

to meet with my good friend and colleague, David Childress.

Georgio.

David.

Long time no see.

Good to see you.

How are you?

You good?

Hey, buddy. Yeah.

All right.

I'm great.

The plane's ready.

Let's go.

Let's do it.

[ominous music]

GEORGIO TSOUKALOS (VOICEOVER): David

is one of the most well-known proponents

of the ancient astronaut theory, and has written many books

on unexplained mysteries of the universe.

Even though we've both flown over this area before,

David and I are always excited to see these glyphs the way

they were clearly meant to be seen--

from the sky.

And with so many glyphs here, there is always the possibility

of discovering something new.

GEORGIO TSOUKALOS (VOICEOVER): Some researchers

have proposed that it would have been almost

impossible for an ancient people to construct

these complex images and shapes without a concise knowledge

of geometry.

DAVID CHILDRESS: So I keep wondering really if this

is a signal to the Annunaki.

GEORGIO TSOUKALOS: Right.

DAVID CHILDRESS: And this is a big signal for them.

It's, like, a beacon.

GEORGIO TSOUKALOS (VOICEOVER): One of the most mind blowing

of all the glyphs is known as El Astronauto, or The Spaceman.

This strange figure appears to be pointing to the sky,

or perhaps waving to visitors from above

and inviting them to land here.

Of course, ancient petroglyphs that

appear to be depicting astronauts is nothing new.

In Nine Mile Canyon, Utah, for example,

you can find one called The Family Panel, that

appears to depict an entire family of astronauts.

And in July 2014, 10,000-year-old rock paintings

were discovered in India that depict figures so strange

looking that even archeologists describe them as, and I quote,

wearing space suits.

GEORGIO TSOUKALOS (VOICEOVER): But equally mystifying

is The Monkey Glyph.

GEORGIO TSOUKALOS (VOICEOVER): David and I ask our pilots

to take us over the strange flat top mountain that's some

referred to as Mount Palpa.

Unlike many other mountains in the area,

Mount Palpa looks as if the entire peak has been neatly

sliced off.

GEORGIO TSOUKALOS (VOICEOVER): And we're talking probably

a million tons of Earth that has completely disappeared.

There is not even any rubble nearby to indicate that,

if this was done deliberately, how an ancient people could

have accomplished such an incredible engineering feat.

The last site we wanted to see from the air

was the Sun, Star, and Cross Glyph.

DAVID CHILDRESS: Assuming that these people are just

some kind of primitive desert people, I mean,

they had to be a very advanced civilization.

GEORGIO TSOUKALOS (VOICEOVER): This massive geometric design

was carved into a hillside and contains

a series of intricate geometric patterns.

But how could the ancient Nazca people have made this without,

at the very least, viewing their incredible designs

from above the Earth?

It's just one of the many unanswered questions

about Nazca that absolutely fascinates me.

[ominous music]

I'm still shaken up from that ride.

Yeah.

[laughs]

It's just as exciting as the first time, really.

It really is.

Because today, for the first time,

I saw perfect circles inside some of the lines, which

I had never seen before.

So I really think it also has to do with the time of day you're

flying, because of the angle of the sunlight and things

like this.

And you're always amazed by just the sheer number of lines

and trapezoids everywhere.

It's this giant geometry etching on the desert that--

that's baffling you.

You know, you can't figure out what it's about.

It really is.

And, you know, the perfection with which the lines exist--

the things that look like these wide bands--

it's as if they were stamped into the ground.

I mean, very bizarre.

And I think the most interesting

is what you showed me.

The Star.

The Star thing.

The Star Glyph.

It's just there.

There is this-- this ditch in the terrain where the builders,

they didn't mind that it's on top of this mountain.

It's very hilly.

And it's perfect, though.

So it'd be good to go.

And investigate that as closely as we can.

Right.

Let's go.

Let's do it.

[music playing]

GEORGIO TSOUKALOS (VOICEOVER): After leaving the airport,

David and I drove for less than an hour

to see the Sun, Star, and Cross Glyph

up close, from the ground.

Local historians, Luis Quiroz and Manuel Caceres

acted as our guides.

And as they brought us right up to the enormous glyph,

I felt like I was being transported to the moon.

What really strikes me every time I'm in Nazca

is the absolute desolation of this entire area.

I mean, why would anyone create these intricate designs here

in a remote, barren desert?

DAVID CHILDRESS: It's just-- it's strange.

It looks so different from the ground than from the air.

I mean, it's--

I mean, anybody who says that this can be appreciated in its

full form the way we're standing right now--

they're out to lunch.

Clearly, to do this, you need planning for this.

You need to have something in writing and be like, all right,

let's create this.

But then, to see the finished product is only from up there.

GEORGIO TSOUKALOS (VOICEOVER): Luis and Manuel told us

that the people who inhabited this area from approximately

800 BC to 100 BC are known as the Paracas,

and that they were here long before the ancestors

of the people living in Nazca today.

They're also convinced that the area has been a hotspot of UFO

activity, even to this day.

Here and around Nazca and Paracas,

do you sometimes see UFOs or some light--

loose light in the sky?

He doesn't know what it is.

And maybe intelligently controlled

by extraterrestrials?

[music playing]

GEORGIO TSOUKALOS (VOICEOVER): I'm

with David Childress at the Sun, Star, and Cross Glyph in Nazca,

Peru.

We just learned from our local guides, Luis and Manuel,

that it's not just ancient astronaut theorists who believe

that extraterrestrials may have been

responsible for the remarkable glyphs found at Nazca.

But many of the native people who live here today

believe it, too.

So he is suggesting that there was some type of an energy

that the ancients observed.

And then they imitated it.

And why are they doing that?

I mean, are they trying to imitate some extraterrestrials?

That was Luis's thought.

That's what Luis was saying.

Yeah.

So not--

Well, he said it was an energy.

GEORGIO TSOUKALOS (VOICEOVER): Once again, Luis

tells us there is a connection between the lines in Nazca,

Paracas, and contact with ancient visitors from the sky.

Unexplained lights and objects in the sky

have been reported at numerous ancient archeological sites,

including Stonehenge in England, the Great Pyramid of Giza

in Egypt, and Puma Punku in Bolivia.

Now, according to the ancient astronaut theory,

these sites were points of extraterrestrial contact

in the remote past.

And these sightings prove that they still are even today.

So it was very interesting to me when both Luis and Manuel

told us that they have seen strange lights right here

at Nazca.

GEORGIO TSOUKALOS (VOICEOVER): After examining the Sun, Star,

and Cross Glyph, David and I went to check out another

of Peru's great mysteries--

the Band of Holes, an ancient site on the Cajamarquilla

plane, about 100 miles from the Nazca lines.

Here, thousands of holes of varying dimensions and depths

have been dug into the earth in an interesting pattern,

running north and south for almost two

miles along a mountain range.

But what makes the band of holes incredible

is that, like the Nazca lines, the holes can only

be appreciated in their entirety from high above the ground.

[music playing]

You know, this definitely gives you a--

a better perspective of everything.

I mean, it's--

DAVID CHILDRESS: Yeah.

GEORGIO TSOUKALOS: It's very-- it's beautiful.

Really cool stuff.

DAVID CHILDRESS: Yeah.

It's a perfect day for all this.

All right.

They kind of look like tombs.

I-- I guess they're not.

GEORGIO TSOUKALOS: They weren't.

So, but-- but seriously, man, what goes through your mind

right now?

It's weird.

Yeah it's cool that we can get this perspective.

It gets more baffling when you're here.

And-- and when you think, too, of all the effort by whoever,

human beings, to make all this, that's also what was astounding

is that somebody is going through a lot of work.

And what for?

I mean, why are they doing this?

GEORGIO TSOUKALOS (VOICEOVER): When you see this Band of Holes

from the sky, it truly defies explanation.

And to find out how the locals explain this phenomenon,

David and I met up with Juan Navarro, the curator

of the nearby Paracas History Museum.

5,200 holes.

That's crazy.

DAVID CHILDRESS: Yeah

GEORGIO TSOUKALOS: This band here is 3 kilometers long,

which is a lot.

GEORGIO TSOUKALOS (VOICEOVER): According to local legend,

the Band of Holes was formed to represent a giant snake.

GEORGIO TSOUKALOS (VOICEOVER): It's interesting to hear

that the locals believe that the Band of Holes

was made to resemble a serpent god.

In fact, 2,600 miles to the north,

on Mexico's Yucatan Peninsula, the ancient Maya people

worshipped a flying serpent god called Kukulkan, a deity who

was also known to the Aztecs as Quetzalcoatl.

And, all over Asia, ancient Chinese and Japanese legends

abound with stories about flying serpents and fire breathing

dragons.

But when I hear legends about giant flying reptiles that

breathe fire and smoke, I think that what was really

being described here was some sort of extraterrestrial craft,

one which was misinterpreted by early humans

as some sort of flying reptile.

Juan then told us about an event that deeply affected him

as a young man.

With light.

In the daytime or in the night time?

[music playing]

GEORGIO TSOUKALOS (VOICEOVER): It

was fascinating to hear Juan's firsthand account of a UFO

sighting right here at Nazca.

But as we prepare to follow the Band of Holes up the mountain,

we came upon an even bigger surprise.

All right, so here's a hole full of-- full of bones.

GEORGIO TSOUKALOS (VOICEOVER): Human bones, skulls,

and evidence of ancient tombs.

Juan said that these were remains

of the Inca, a pre-Colombian empire that was conquered

by the Spanish in the 16th century.

But I wonder if these bones may have been the remains

of human sacrifice, part of a ritual in honor

of the so-called flying serpents.

DAVID CHILDRESS: So this mass grave of Incas from Inca time,

so this is, like, 500 years old, these bones here.

GEORGIO TSOUKALOS: Right.

I mean, it's really wild.

I mean, all these different skulls--

and they all seem to be broken up, as well.

This is very, very strange.

Yeah.

Man.

GEORGIO TSOUKALOS (VOICEOVER): David and I measured some

of the holes, which appear to be uniform in size and depth,

although at other locations, the holes reportedly vary.

Seeing this phenomenon both from the drone camera

and up close from the ground is absolutely astounding.

But I'm still unsure what it all means.

This right here, I mean, I've known about this Band of Holes

for 25 years now.

And I've looked at the pictures.

I thought it was rather interesting.

But here we are, and dude, I've got to tell you, I've got zero.

Zero.

It's just-- it's baffling.

The whole thing is inexplicable.

It makes me think how-- the old saying of truth

is stranger than fiction.

Because fiction has to make sense.

But the truth here is that doesn't make any sense.

It's really weird.

And it's gorgeous.

But what is it?

I can't think of any good explanation

for this whole thing at all.

None, whatsoever.

[ominous music]

GEORGIO TSOUKALOS (VOICEOVER): After visiting Peru's Band

of Holes, David Childress and I traveled 26 miles west

to the Paracas History Museum.

We were curious to learn why so many of the native people who

may have lived here when the Nazca

lines and the Band of Holes were created

had large, elongated skulls.

According to mainstream historians,

many ancient people around the world

deliberately bound the skulls of infants shortly after birth,

and would lengthen them by slowly pressing the skull

between wooden boards.

But why?

And what's even more strange about the skulls at the Paracas

History Museum is the fact that some of them

are missing a key feature found in all normal human skulls--

the sagittal suture.

Yeah.

Oh, yeah.

Wow, that's weird.

You can see some sutures in the back here,

but there's none in the front.

It doesn't have the side plates fusing together.

It's-- this is strange.

GEORGIO TSOUKALOS (VOICEOVER): The sagittal suture

is a fibrous, jagged joint that contributes

to the elasticity of the skull.

In a normal infant the bones of the skull

are unfused, while in older adults they fuse together.

But there's not even a remnant of a suture.

I mean, there's nothing here if you look.

GEORGIO TSOUKALOS (VOICEOVER): I just saw a similar skull

during my recent visit to the islands of Malta.

But that one had never been subjected

to any serious scientific examination.

So we asked Juan if the skulls here had ever undergone DNA

testing or any other analysis.

And, if so, what were the results?

So we have DNA tests that are showing that these are not

American Indians.

It's almost like they're Vikings or something, perhaps coming

over the Northern Passage above Canada, if the ice cap had

receded and they could come over,

and then down to the West Coast of the Americas

or somehow across the Pacific.

Yeah how they reached the Americas is a mystery.

The DNA analysis was only done from the hair samples,

not from bone samples.

OK.

That's what they did do, was the DNA of the hair.

What other skulls have-- have these weird holes in them

and, you know, let alone their shape?

He says that one of the archeologists that came here

to look at this thing has suggested that it is actually

a different race.

It's its own race.

It's very, very fascinating.

So, I mean, what if, David, we are looking

at extraterrestrials here?

Seriously.

It's the first time that I've actually come in close contact

with so many.

This is very, very bizarre.

It's possible that some of these skulls

are actually of extraterrestrials.

And DNA testing would, in theory, show that.

But it wouldn't matter how these goals were obtained

if DNA showed that they were not humans.

I don't even understand why this place is not teeming

with scientists right now.

I mean, that just-- right there would just say a lot.

Well, it would-- it would change the history of mankind.

GEORGIO TSOUKALOS (VOICEOVER): The collection

of artifacts in the Paracas History

Museum is absolutely astounding.

And seeing these skulls has turned my investigation

upside down.

But what does it all mean?

GEORGIO TSOUKALOS (VOICEOVER): Could there really

be a connection between the Nazca lines, the Band of Holes,

and these incredible elongated skulls?

[ominous music]

GEORGIO TSOUKALOS (VOICEOVER): One of the biggest mysteries

of Nazca is what might have attracted

an extraterrestrial species to this barren desert

in the first place.

Perhaps a clue can be found by taking a closer look

at the nearby mountains in Palpa, which

look as if the tops of the natural peaks

have been sliced off.

So if this is the result of some ancient excavations,

then I would like to find out how ancient people, allegedly

armed with only primitive tools, removed millions of tons

of rock and earth without leaving any trace.

GEORGIO TSOUKALOS (VOICEOVER): For this reason,

I've come to Pyrite Quarry in Riverside, California,

to meet with owner, Buck Houck, who

over the course of his career has moved millions of tons

of rock.

Buck, thank you very much for inviting me over here

to your mining operation.

I was just in Nazca at Mount Palpa.

And I wanted to actually show you a picture

to see what you would have to say about how something

like this could be accomplished.

[ominous music]

See how this top right here seems

as if it's been sheared off?

Yeah.

What would be used to do something like this?

A lot of people, tremendous amounts of man hours

to accomplish something like that.

And the idea that there is no rubble around the area--

would that indicate that some type of a mining operation

possibly went on there?

BUCK HOUCK: With no rubble, it would be difficult to tell how

that occurred.

But, obviously, something went in there

and took off the top of that mountain.

Just to survey and to obtain that elevation at that time

frame is mind boggling.

GEORGIO TSOUKALOS (VOICEOVER): According to Buck,

excavating the mountain tops at Nazca would

have been impossible without extensive surveying,

and would involve the construction of access roads

to reach those mountaintops and haul away the debris.

And, from the air, there are no visible roads

leading to the peaks.

In your expert opinion, what would be entailed in order

to do something like this?

Well, something like that would be a major project

by today's standards on-- on a massive scale.

It'd take tremendous amount of drilling and blasting,

and millions and millions of tons

of moving material with loaders, and excavators, and dozers,

and manpower.

And so we're talking heavy machinery.

Absolutely, the heaviest there is.

We're not talking wooden rollers.

No, not at all.

So the idea that an ancient culture did this purely

by hand--

in your opinion, is that even something that's feasible?

I can't even imagine how they would have ever done that

without the equipment and the technologies

that we have today.

GEORGIO TSOUKALOS (VOICEOVER): As far as I'm concerned,

there is little question that ancient people using

primitive tools could not have removed the mountaintop

at Palpa.

Somebody surveyed and decided at what level to cut so all

the high areas filled the low areas perfectly, leaving

that flat table.

And to do that without being able to get above it or outside

of it and looking into it, and without using satellites

and GPS is beyond my comprehension.

And what's amazing, too, is that there

are these ditches and terrain--

Right.

GEORGIO TSOUKALOS: --that didn't seem to have

any effect on the operation.

They had to have some sort of survey method from

a-- a elevated position to determine it.

GEORGIO TSOUKALOS (VOICEOVER): What

Buck is telling me is amazing.

If he is correct, then some type of flying craft

surveyed Mount Palpa from above, and then directed the removal

of millions of tons of earth.

So maybe Nazca was a massive mining operation

complete with a landing zone, huge earth removal machines,

and incredibly sophisticated technology.

If you were to shear off this mountain top right here,

how long do you think it would take, in your opinion?

To take off a mountain like that, at 800,000 tons a year,

would take 20 to 30 years to lower that mountain.

20 to 30 years--

Yeah.

--with modern equipment.

With modern technology, heaviest equipment

you could buy, the most skilled employees you can find.

The best of everything, it'd take 20 to 30 years.

You just blew my mind, because it's figures like that that put

everything into perspective.

Buck, thank you very much--

Thank you

--for your time.

My pleasure.

I learned a lot.

[music playing]

GEORGIO TSOUKALOS (VOICEOVER): After meeting with Buck,

I'm more convinced than ever that Nazca

was the site of some incredible extraterrestrial activity.

But I'm still trying to figure out what the ancient astronauts

were looking for.

And what do all the strange geoglyphs mean?

My investigations must continue.

[ominous music]

GEORGIO TSOUKALOS (VOICEOVER): I decided

to head off to Switzerland and pay a visit to my good friend

and mentor, Erich von Daniken, and the author of "Chariots

of the Gods," and the man behind what's

now known as the ancient astronaut theory.

Erich was one of the first people

to suggest that there could be a connection between Nazca

and extraterrestrial visitors.

So I can't wait to compare notes.

Erich, I just returned from Nazca.

And, as always, it was absolutely fantastic.

ERICH VON DANIKEN: Yeah.

GEORGIO TSOUKALOS: Breathtaking when you take off

on that little plane, and then this picture book

just unfolds underneath your eyes.

It's really amazing.

It's the old story.

Thousands of years ago, definitely extraterrestrials

were here.

My suggestion was at some time we had something like a mother

spaceship in orbit.

A mother spaceship, after maybe 200 or 300 years of traveling,

they need some sort of energy.

So they observed our planet from the orbit.

Then they found the Plain of Nazca,

and there they find energy.

Still today we find uranium there, and gold.

GEORGIO TSOUKALOS (VOICEOVER): According to Erich's theory,

Nazca was the location of an ancient mining colony where

alien visitors came to excavate gold

and other natural resources.

This theory coincides with legends concerning

the Anunnaki, which suggest that alien visitors came to Earth

tens of thousands of years ago and created

early humans as slaves in order to mine gold.

Today, gold is a valuable element

used in everything from medicine,

to nanotechnology, to electronics.

And in space travel it is used, for example,

to shield spacecraft from intense heat.

And, believe it or not, there are significant amounts

of gold and other precious metals found in Nazca.

They simply sent some sort like a rover,

like we do it on Mars.

And this rover was working simply

by blowing stones and digging sand away.

Then they make their chemical analysis.

They disappeared again.

And one or two natives has observed this rover,

and now the natives start to make lines.

After some generations, one of the priests

suggests, well, we must show them that we have offerings

for them, for example, fishes or spiders or monkeys or flowers.

And now, in the middle of the line,

they start to make gigantic figures, but of such a size

that they can be seen only from the air.

GEORGIO TSOUKALOS (VOICEOVER): Erich's theory

is that the ancient people made these glyphs to signal what

they could offer their gods.

But this still doesn't help to explain the strange Band

of Holes.

I remember that in one of your earlier books

you gave a suggestion of how this Band of Holes

might have been used.

Seen from the air you see this Band of Holes, definitely.

You see it going down the hill, gone going through the valley.

Why have they done this?

What is the purpose, for what idea?

Of course, you see it only from the air.

And it has something to do with mathematics because there are

always eight holes in the line, not 11 and sometimes 13.

It's always eight holes in the line,

so somebody was calculating.

And, in my eyes, it had to do something with binary code.

[ominous music]

GEORGIO TSOUKALOS (VOICEOVER): According to Erich's theory,

the Band of Holes was probably some type of human to alien

communication system, where early humans would build fires

in the stone lined holes following

a precise numeric code as a means of sending signals

to alien ships flying overhead.

But one thing continues to mystify me,

and that's the Sun, Star, and Cross Glyph.

With its precise geometric lines and intricate design,

the glyph looks nothing like the others found at Nazca.

But is it some sort of sacred geometry, ingenious artwork,

or could it be some type of mathematical puzzle?

We actually walked to this geoglyph right here.

And what is your opinion about this thing right here?

To me it looks like a sort of sign.

You see you have a central circle

and then you have triangles around.

It's a mathematical message that nobody has solved.

We have found gigantic signs in the grounds worldwide, not only

in Nacza, including lines, including

big wheels of such dimension that you can see them only

from the air.

These people thousands of years ago

had no contact with each other.

So why have they come up with the same silly idea?

Thank you, always, for your knowledge.

George Tsoukalos, you know a lot about ancient aliens.

Probably you are the one leading figure living on this planet.

Ah, come on.

Thank you. - [laughs]

I appreciate it.

Thank you, Erich.

GEORGIO TSOUKALOS (VOICEOVER): There is one last place

I need to go before I conclude my investigation.

And I'm beginning to think that the geometric designs

of the Sun, Star and Cross Glyph may provide an important clue

in solving the mystery of Nazca.

[ominous music]

From everything I've seen so far, I'm

more and more convinced that Nazca is a site where

extraterrestrials came in order to mine for raw materials

in the remote past.

GEORGIO TSOUKALOS (VOICEOVER): But I still can't figure out

what the connection is between these long straight lines,

which look like some sort of runway,

and the various geoglyphs, especially the one

known as the Sun, Star, and Cross Glyph.

To help me find the answer, I've arranged

to meet with Dr. Michael Dennin, professor of physics

and astronomy at the University of California at Irvine.

Michael, I just returned from Nazca.

And every time, I'm just blown away by what you see.

Because the mainstream usually only thinks

that it's all about the figures, like

the birds, and the monkeys, and things like that.

But there are other things, too--

the giant lines.

And this time I actually had the great privilege

to go and visit this geoglyph right here,

which to me looks like this geometric formation.

What do you think when you see something like this?

Well, these sort of figures I find really amazing, because I

love geometry.

And here you have, as you pointed,

out a great geometric figure with the circles

and the squares working together.

You know, this is the first geometric figure

and the easiest to make.

But then you think about making them on such a large scale.

And what would inspire a group of people

to want to make such large geometric figures?

GEORGIO TSOUKALOS: These pictures

were taken from a small prop plane that we took.

But when you're down there on the ground,

you can't really appreciate the whole formation

unless you're up in the air.

And that is fascinating.

In science that's one of the big things we have

to be able to do, is form these abstract models,

think abstractly.

So it's really cool when you see large figures like this,

no matter what was the original source, the person or people

doing these were able to imagine that they were doing something

that could be seen on a different scale

than they were doing it.

[music playing]

GEORGIO TSOUKALOS (VOICEOVER): Hearing Professor Dennin

talk about creating something to be seen on a different scale

got me thinking about crop circles, which are also

designed to be viewed from the sky.

Now, some crop circles have clearly

been exposed as man-made hoaxes.

But others are so precise and appeared so suddenly that they

continue to defy explanation.

So could there be a connection?

And, if so, what were the extraterrestrial visitors

trying to communicate?

Perhaps something happened at Nazca

that the natives witnessed.

And after whoever it was who visited disappeared,

what if they wanted to create a message or a beacon?

So, I mean, it's a valid question.

So when you look at this figure

in terms of is it just random or is there a message encoded,

I think it's certainly not just random.

You definitely see patterns here,

and patterns definitely imply some type of communication.

So when I say there's a message being communicated,

it's not as simple as you translate it

into a simple English message.

It could be a more abstract message than that.

But there is definitely a mathematical structure being

communicated, and that certainly is a message of a type.

Thank you very much for taking the time

to look at these photos and give me your ideas of how geometry

that might have a correlation to astronomy and things like this.

I wanted to give you one of these.

This here is a pre-Colombian funerary object.

Thousands of these objects have been found

that clearly represent animals.

MICHAEL DENNIN: Right.

But about a dozen look like this.

Excellent.

Thank you.

So, Michael, thank you very much.

You're welcome.

Appreciate it.

GEORGIO TSOUKALOS (VOICEOVER): After conducting my research,

I'm more convinced than ever that the various lines, glyphs,

and symbols that Nazca may actually

be evidence of communication between ancient humans

and extraterrestrials.

I think that highly advanced space travelers could have come

to this region looking for gold, and other raw materials, tens

of thousands of years ago.

The native population thought that these strange visitors

were gods and began to worship them.

After the extraterrestrials left,

the ancient humans might have wanted

to communicate with them.

So they began to create gigantic figures in the ground.

Perhaps these were done as some kind of offering

or as an expression of thanks.

And the Sun, Star, and Cross Glyph--

I'm wondering if that wasn't meant

to be an elaborate geometric puzzle left behind

by the alien visitors.

And, when solved, it might let them

know that we have sufficiently evolved to merit their return.

Of course, all of this is only a theory.

For proof I will need to gather more evidence,

keep an open mind, and travel the world in search of aliens.

And maybe intelligently controlled

by extraterrestrials?

[music playing]

But the truth here is that doesn't make any sense.

It's really weird.

And it's gorgeous.

But what is it?

I can't think of any good explanation

for this whole thing at all.

None, whatsoever.

This is very, very bizarre.

You can see some sutures in the back here,

but there's none in the front.

What if we are looking at extraterrestrials here?

of artifacts in the Paracas History

Museum is absolutely astounding.

And seeing these skulls has turned my investigation

upside down.

But what does it all mean?

GEORGIO TSOUKALOS (VOICEOVER): Could there really

be a connection between the Nazca lines, the Band of Holes,

and these incredible elongated skulls?

And how long do you think it would

take to sheer on this mountaintop that's right here?

To take off a mountain like that at 800,000 tons a year,

it would take 20 to 30 years.

Thank you

--for your time.

My pleasure.

I learned a lot.

[music playing]

GEORGIO TSOUKALOS (VOICEOVER): After meeting with Buck,

I'm more convinced than ever that Nazca

was the site of some incredible extraterrestrial activity.

But I'm still trying to figure out what the ancient astronauts

were looking for.

And what do all the strange geoglyphs mean?

My investigations must continue.

ERICH VON DANIKEN: We have found gigantic signs in the grounds

worldwide.

These people thousands of years ago, they

had no contact to each other.

So why have they come up with the same silly idea?

[theme music]