Septème: Visite d’un Château Médiéval Authentique, avec son Propriétaire, Benoît Deron.

Summary

Le Château de Septème, situé au sud de Lyon, est une demeure familiale depuis 1779. Construit sur le site d'un château du 11ème siècle, il offre une expérience unique, comme un foyer vivant plongé dans l'histoire. Le visiteur découvre des pièces médiévales, une cuisine des gardes, une salle d'armes, des archives classées monuments historiques, et des loggias datant du 16ème siècle. La visite se termine par une invitation à découvrir la splendeur de la Renaissance et l'histoire de cette famille aristocratique qui vit encore dans le château aujourd'hui.

Takeaways

• 🏰 Le Château de Septème est situé dans la région Lyonnais, au sud de Lyon et a été le domicile d'une famille depuis 1779.
• 🏰 Il comprend deux châteaux superposés : l'un datant du 11ème siècle et l'autre étant un bâtiment plus récent.
• 🌿 Le château est géré de manière écologique avec des ruches, des pelouses mellifères et une gestion phyto sans produits chimiques.
• 💧 L'eau est gérée de manière autonome grâce à un puits médiéval de 50 mètres de profondeur.
• 🏛 La visite du château est conçue comme une expérience de vie de famille plutôt que comme une visite de musée, avec la possibilité de toucher les objets.
• 📚 La salle d'archives, classée monument historique, contient des documents précieux remontant au 14ème siècle.
• 🛡️ La salle d'armes présente une variété d'armes médiévales et une reconstitution de la vie des gardes au Moyen Âge.
• 🍽️ La cuisine des gardes, située au pied d'une tour du 14ème siècle, permet de comprendre les similitudes entre la cuisine médiévale et la cuisine moderne.
• 🖼️ La galerie de portraits et la bibliothèque offrent un aperçu de la vie et de l'histoire de la famille qui a habité le château au fil des siècles.
• 👑 Des personnalités historiques notables, telles que Catherine de Médicis et le maréchal d'Albon, ont laissé leur empreinte sur le château.
• 🌟 Le château est ouvert du temps de Pâques à la Toussaint et offre une expérience unique pour les visiteurs.

Q & A

Quel est le Château de Septème et où se trouve-t-il?

Le Château de Septème est un château situé dans la région Lyonnais, au sud de Lyon. Il a été la demeure familiale depuis 1779 et possède une histoire remontant à 1000 ans, avec deux châteaux sur le site, dont l'un datant du 11ème siècle.

Comment les propriétaires du Château de Septème gèrent-ils l'écologie?

Les propriétaires gèrent l'écologie en ayant des ruches, des pelouses mellifères, une gestion phyto zéro qui interdit les intrants chimiques, et en étant autosuffisants en eau. Ils utilisent le site de manière à ce qu'il puisse également servir l'homme à l'avenir.

Quels sont les éléments architecturaux remarquables de la cour intérieure du château?

La cour intérieure du château présente des éléments architecturaux intéressants tels que la tour principale, les galeries suspendues, les loggias datant de 1560, et un puits médiéval très profond.

Comment le Château de Septème est-il connecté à l'histoire de la Renaissance?

Le château est connecté à l'histoire de la Renaissance par les loggias datant de 1560, construites par Anne de Saint-Chamond, dame d'honneur de Catherine de Médicis, et par les fresques de 1560 dans la salle des archives, qui sont typiques de l'art de la Renaissance.

Quels sont les éléments de la vie quotidienne médiévale que l'on peut voir dans la cuisine des gardes?

Dans la cuisine des gardes, on peut voir un réfrigérateur médiéval, une cuve en pierre pour laver la vaisselle, un fourneau, des plaques chauffantes, et des pots en terre glaze, illustrant la similitude entre la cuisine médiévale et la cuisine d'aujourd'hui.

Quelle est la signification de la chambre des archives?

La chambre des archives est un espace classé comme monument historique, contenant des documents précieux qui enregistrent tous les droits féodaux et servent de protection contre les droits seigneuriaux. Elle est décorée de fresques de 1560 représentant des grotesques de l'époque de la Renaissance.

Qui étaient les familles nobles liées au Château de Septème?

Les familles nobles liées au Château de Septème incluent les familles d'Albon, les Saluzzo, les Kergorlay, et des personnalités comme Catherine de Médicis et Anne de Saint-Chamond.

Comment le Château de Septème a-t-il évolué au fil des siècles?

Le Château de Septème a évolué en conservant ses structures médiévales originales tout en ajoutant des éléments de la Renaissance et en devenant un lieu de vie familiale et écoénologique moderne.

Quels sont les droits seigneuriaux présentés dans les archives du château?

Les archives présentent les droits seigneuriaux tels que les droits de chasse, les autorisations pour les villageois de chasser avec un arquebuse, et les accords établis entre le seigneur et le village en 1514.

Quelle est la signification de la salle à manger du château?

La salle à manger du château montre comment la vie familiale peut encore se dérouler dans un lieu historique, avec une table accueillante et des armoiries de la famille Albon, y compris leur devise et une couronne en fer symbolisant l'antiquité de la famille.

Comment le Château de Septème a-t-il été géré au cours des siècles?

Le Château de Septème a été géré par les générations de la famille des comtes de Kergorlay, qui l'ont entretenu et adapté aux époques successives tout en préservant son histoire et son patrimoine.

Outlines

00:00

🏰 Présentation du Château de Septème et son histoire

Le présentateur accueille les visiteurs au Château de Septème, un château situé dans la région Lyonnais au sud de Lyon. Il explique que ce château a été la demeure d'une famille depuis 1779 et est associé à une histoire riche et ancienne, remontant au 11ème siècle. Le château est présenté comme un lieu habité, où les visiteurs peuvent interagir directement avec les objets et non pas les voir derrière des vitrines comme dans un musée. Le présentateur souligne également les efforts pour gérer le château de manière écologique, avec des ruches, des pelouses mellifères et une gestion zéro phyto qui interdit les intrants chimiques. Il mentionne également l'autosuffisance en eau du château et l'utilisation du site de manière durable pour les générations futures. Le but est de faire passer un bon moment aux visiteurs en leur offrant une visite agréable et instructive.

05:02

🍽️ La cuisine des gardes et la vie médiévale

Le présentateur emmène les visiteurs dans la cuisine des gardes, située au pied d'une tour du 14ème siècle construite par le cardinal Amédée de Saluzzo. Il explique que la famille Saluzzo était une famille locale influente et que la pièce est très médiévale. Les visiteurs peuvent ressentir l'atmosphère de l'époque et découvrir que les cuisines médiévales n'étaient pas si éloignées de la cuisine d'aujourd'hui. Il mentionne l'existence d'un 'réfrigérateur' médiéval, un évier et un four, ainsi que des ustensiles en poterie vernissée. Le présentateur utilise ces éléments pour établir un parallèle entre la vie quotidienne au Moyen Âge et celle d'aujourd'hui.

10:03

🖼️ Galerie de portraits et salle des archives

Le présentateur introduit la galerie de portraits du château, qui remonte au 16ème siècle et est parsemée de nombreux portraits. Il mentionne un portrait important qui lie deux familles, celui de Jean-Jacques de Viennois, un ancêtre de sa femme qui a vécu pendant la Révolution française. Le présentateur décrit ensuite la salle des archives, une pièce rarement ouverte au public, qui contient des fresques datant de 1560 représentant des grotesques de la Renaissance. Il souligne l'importance de cette pièce pour la préservation des droits féodaux et la protection du château.

15:03

📚 Bibliothèque et salle à manger du château

Le présentateur présente la bibliothèque du château, un espace apprécié par la famille où ils prennent du café et de la thé. Il attire l'attention sur un portrait de sa belle-arrière grand-mère peint par Gustave Courtois en 1913. Il mentionne également un portrait de Cardinal de Boisgelin, archevêque d'Aix-en-Provence, qui a prononcé le discours de couronnement de Louis XVI. Enfin, il invite les visiteurs à la salle à manger du château, où la famille prend ses repas en été, et décrit les armoiries de la famille Albon et un curieux interrupteur de service dans le sol.

20:09

🌿 Conclusion de la visite et invitation à revenir

Le présentateur conclut la visite en exprimant l'espoir que les visiteurs ont passé un bon moment au château. Il mentionne que le château est ouvert du jour de Pâques jusqu'au jour de Toussaint et invite les visiteurs à revenir pour découvrir davantage sur cette demeure familiale chargée d'histoire.

Keywords

💡Château de Septème

Le Château de Septème est un château situé dans la région Lyonnais, au sud de Lyon. Il est présenté comme un lieu emblématique de la région, un lieu de mémoire historique et culturelle qui a été la demeure de famille depuis 1779. Le château est caractérisé par son architecture médiévale et son histoire riche, qui traverse les âges et conserve des éléments de son passé, tels que la tour principale et les salles historiques. Il est également un lieu de visite, où les visiteurs peuvent découvrir la vie de la famille et l'histoire de la région.

💡Famille

La famille est au cœur du Château de Septème, car c'est la demeure de la famille des comtes de Kergorlay. La visite du château met en avant l'histoire de cette famille et la manière dont elle a vécu et géré le château au fil des siècles. La famille est également présente dans la gestion actuelle du château, avec des membres de la famille visitant régulièrement le lieu pendant l'été et participant à la conservation de son patrimoine.

💡Histoire

L'histoire est un élément clé du Château de Septème, qui est traversée par des siècles de vie familiale et de changement. Le château abrite des archives précieuses, des portraits, des armes et d'autres artefacts qui racontent la vie des occupants passés et la transformation du château au fil du temps. L'histoire est également racontée à travers les différentes pièces du château, qui ont été utilisées pour des fonctions variées au fil des siècles.

💡Écologique

Le château est présenté comme un lieu vivant et respectueux de l'environnement, avec une gestion écologique qui inclut des ruches d'abeilles, des pelouses mellifères et une gestion phyto zéro, interdisant les intrants chimiques. Cela montre le souci de la famille pour la préservation de l'environnement et la durabilité de leur patrimoine.

💡Visite guidée

Une visite guidée est une expérience où les visiteurs sont accompagnés par un guide qui leur présente les différents éléments et aspects historiques et culturels du lieu visité. Au Château de Septème, la visite guidée permet aux visiteurs de découvrir les pièces du château, son histoire, les archives, les armes et les différentes époques qu'il a traversées.

💡Patrimoine

Le patrimoine fait référence à l'ensemble des biens matériels et immatériels qui ont une valeur culturelle, historique ou artistique. Au Château de Septème, le patrimoine est incarné par l'architecture du bâtiment, les archives, les portraits, les armes et les objets anciens qui sont conservés et présentés aux visiteurs.

💡Médiéval

Le terme médiéval fait référence à l'époque historique qui s'étend du 5ème au 15ème siècle, caractérisée par la feodalité, la chevalerie et la construction de nombreux châteaux. Au Château de Septème, l'aspect médiéval est mis en avant par l'architecture du bâtiment, la présence de tours et de murs fortifiés, ainsi que par les pièces du château qui ont été utilisées pendant cette période.

💡Renaissance

La Renaissance est une période historique et culturelle qui a eu lieu en Europe entre le 14ème et le 17ème siècle, marquée par un regain d'intérêt pour l'art, la science et la philosophie antique. Au Château de Septème, l'influence de la Renaissance est visible dans l'architecture et la décoration intérieure, notamment dans les loggias datant de 1560 et les fresques de la salle d'archives.

💡Écologie

L'écologie est la branche de la biologie qui étudie les interactions entre les organismes et leur environnement. Dans le contexte du château, l'écologie est abordée en termes de gestion durable de l'environnement et de la préservation de la biodiversité. Le château mène des actions écologiques telles que la gestion des ruches et des pelouses mellifères, sans utilisation d'intrants chimiques.

💡Généalogie

La généalogie est l'étude des ascendances et des relations familiales, souvent représentée sous forme d'arbre généalogique. Au Château de Septème, la généalogie est un aspect important de l'histoire de la famille qui a habité le lieu, et est utilisée pour raconter leur histoire et montrer les alliances avec d'autres familles nobles.

💡Armes

Les armes, ou armes blazoniques, sont les symboles hérités qui représentent une famille ou un individu dans le contexte de la chevalerie et de la noblesse. Au Château de Septème, les armes sont présentés comme un élément clé de l'histoire et de l'identité familiale, avec des armes spécifiques à la famille des comtes de Kergorlay.

💡Visiteurs

Les visiteurs sont les personnes qui viennent explorer et découvrir le Château de Septème. Ils sont les bénéficiaires de l'expérience culturelle et historique que le château propose, et sont les auditeurs du guide qui leur fait découvrir l'histoire et les particularités du lieu.

Highlights

Château de Septème, un château situé au sud de Lyon, a été le foyer familial depuis 1779.

Le château a traversé les âges et possède une histoire riche qui remonte au 11ème siècle.

Les visites du château sont conçues comme une expérience immersive, sans vitrines, permettant le contact direct avec les objets.

Le château est géré de manière écologique, avec des ruches, des pelouses mellifères et une gestion phyto zéro.

La cour intérieure du château était autrefois la place du village médiéval intra muros.

Le puits médiéval du château est l'un des plus profonds de France, mesurant 50 mètres de profondeur.

La salle d'armes du château montre comment attaquer et défendre un château fortifié au Moyen Âge.

La cuisine des gardes du château permet de comprendre les similitudes entre la cuisine médiévale et la cuisine moderne.

La chambre à coucher señoriale du seigneur est équipée de meubles mobiles pour le confort du seigneur voyageant.

La bibliothèque du château est un lieu de vie familiale, où l'on prend le café et le thé.

La galerie de portraits du château présente des portraits datant du 16ème siècle et liés aux familles propriétaires.

La salle des archives est une pièce classée monument historique, riche en documents précieux.

Le château a accueilli Catherine de Médicis et sa famille en 1564, témoignant de ses liens avec la royauté française.

La famille des comtes de Kergorlay continue de visiter le château en été, perpétuant ainsi l'histoire du lieu.

Le château est ouvert au public du jour de Pâques au jour de Toussaint, offrant une expérience unique à ses visiteurs.

La cour intérieure renferme des éléments architecturaux intéressants, comme les galeries suspendues datant du 16ème siècle.

La famille des comtes de Kergorlay possède une ascendance noble, avec des liens avec des noms illustres de l'aristocratie française.

Le château de Septème est un lieu vivant, où l'on peut ressentir la continuité entre le passé et le présent.

Transcripts

Hello, I am very pleased to welcome you here at the Château de Septème.

Septème is a castle located in Lyonnais, south of Lyon.

It is a castle which has in fact been a family home since 1779.

It is a castle to which we are very attached,

which is still a unique castle,

since it has crossed the ages.

Septème recalls the seventh Roman terminal,

on a route from Vienna to Milan.

It is also 1000 years of construction,

since we have two castles on the site.

The new Château that I will show you around in a moment.

And then the old castle which dates from the 11th century,

10th or 11th century.

And which is the original castle of Septème.

Septème, I told you, it’s a family home.

And so we designed the tours,

not like in a museum, there are no display cases.

We can come into contact with all objects.

It is a castle which is still inhabited.

It is a castle that we try to manage in an ecological way.

With beehives, melliferous lawns,

zero phyto management which no longer allows chemical inputs.

And then we are also self-sufficient in water.

We tried to use the site,

in such a way that it will also serve man in the future.

With my wife, we have prepared a whole program for you,

so that you have a good time with us, have a nice visit.

We are of course going to go to very medieval rooms,

But I have opened rooms open to you as well as to the family when it

summer comes.

I will show you in particular the archives room,

which is truly in its historical juice.

It is a room classified as a historic monument.

And then you're going to go through some rooms,

some rooms in which the lords lived,

but also the lordly suite.

Come on, follow me! There you go, I welcome you here, in the inner courtyard of the

castle. It’s really one of those wow effects!

of our house.

Because it is the old square of the medieval village which was intra muros all

throughout the Middle Ages.

And it is a courtyard in which we find some architectural elements

interesting.

We're going to show you later, we're going to go there, the dungeon,

the main tower of the castle,

the suspended galleries, but also the loggias.

We have loggias which date from 1560,

which were built by Anne de Saint-Chamond,

who was lady-in-waiting to Catherine de Medici, the wife of the Count of Grignan.

There you go, that's the splendor of the Renaissance, that's the taste of a woman too.

You see this double gallery of stone and brick,

reminiscent of the traboules of Lyon.

In this interior courtyard, you also have a quite remarkable well.

I'll take you there. Come to see.

It is 50 meters deep.

It is a medieval well that we imagine at least from the 13th century,

because it is excessively deep.

It is 50 meters deep.

It is one of the deepest private castle wells in France.

Imagine that it had to be completely bricked up,

because we are in an old glacier here.

there was no rock to cut, it was necessary to mason directly.

And so we have a kind of stone tube,

which descends into the bowels of the earth,

to reach the water table 50 meters deep.

And we still have the wheel which dates from 1781,

the wheel that allowed the prisoners who were in the prison to be just

behind, Well to come and turn the wheel,

And press with their hands and feet,

to wind up this wheel and the barrels of water,

the winch that is there and the barrels of water that had to be raised for 400

people, who lived in the village on the other side.

I opened it especially for you, if you want to take a look, it's enough

astonishing.

When we took over the castle, my wife and I decided to open

the castle's weapons room showing how one could attack and defend

a fortified castle in the Middle Ages.

Follow me! You see this.

This door is armored.

She still has her crossbow bolt holes of bullets and visitors

particularly like it.

This is the weapons room.

It is a truly typical room of the Middle Ages, with the large fireplace, the

wooden surface of the stately room which had to be protected since the

Lord lived just above.

And in this piece, we wanted to present the different categories

of weapons that there were in 1480, when the lord of Septème, captain of the

Frankish archers of King Louis XI, undoubtedly came to train his men.

And among these weapons, we have around forty.

We have a beautiful replica of a crossbow that was made especially for

Seventh,

and which allows visitors to really understand how we armed,

and how this type of weapon could be used on the battlefield.

There are around forty of them and I invite you to come and see them.

It’s truly a highlight of our visits.

So I told you about weapons in the Middle Ages,

but in fact there were also a lifetime of guards in Septème.

And now I'm taking you to the guards' kitchen.

Come! So this is the guards' kitchen.

We are at the bottom of a 14th century tower created by Cardinal Amédée de

Saluzzi. The Saluzzo family was a large local family who went

all the way to the Alps, to the steps of Italy.

The Saluces family settled further in Septème,

and this piece is really, really in its juice.

We imagine that the guards have just left the room and when our visitors

enter this room, there is also the pleasure of a room completely

medieval. They are projected into history, but it is also the place where we

can make us understand that a medieval kitchen is not so far from a

today's cuisine.

And when there are children, we ask them:

Do you have a refrigerator in your kitchen?

Look, here we have a medieval refrigerator,

in which we put the cured meats.

Very deep closet.

And then they tell us we have a sink.

But we also have a sink.

This stone was used to wash dishes and it flowed here into a

manhole which fell behind the tower.

The kitchen table,

with some foods to explain how we ate in the Middle Ages.

And then it doesn't fail to say that there is an oven and hotplates.

Here we have the fireplace,

but we also have the oven,

The petit four oven.

Since the bread oven was outside the castle,

it produced too much heat.

And then the salt hand is glazed pottery.

We are really here too in history,

glazed pottery near the oven in which the salt was put.

And these are small details that allow visitors,

to draw a parallel between their lives today and the lives of yesterday.

There, we are on the ground floor, on the courtyard level of the castle,

but there are the stately rooms upstairs,

and I invite you to follow me to see where the Lord slept,

where the Lord lived every day with his entourage.

Every room in our home is full of history.

The story of a family who lived here,

in this room my wife's great-grandfather died, for example.

It doesn't remember it.

But we also see this room like that.

And this is a room in which we first present the sets.

Here you have painted decorations from the 16th century,

faces of very crafted women,

which represent the seasons,

with cherubs between these women, putti,

a whole bunch of intertwining, and a bestiary which allows you to meet

all animal imagery during the Renaissance.

We also present this fireplace with its unicorn,

sign of justice between good and evil,

a positively and negatively charged animal.

And in this piece, we talk about how the lords of Septème lived in the

Middle Ages. Here we have a bed with its thimble, the curtains, the curtains which

allowed the seigniorial bed to be closed,

The furniture of the time, since the lord went from castle to castle with

mobile furniture, therefore the chests.

And then, when we talk about the lives of the lords, we also talk about the lives of the

ancestors of my in-laws.

My wife's great-grandmother was born in Albon.

It’s a big Lyon family.

And who has in his genealogy a Marshal of France.

It's quite unusual to have a Marshal of France in your family.

And we present the life of Jacques d'Albon.

Jacques d'Albon was raised at court by his father,

at the court of King Francis I, by his father Jean d'Albon,

who was tutor to the king's second son, Henry.

Henry was not destined to reign,

except that his brother dies and Henry will reign,

and that will become King Henry II.

We have the opportunity to show our visitors a little genealogy of the

kings of France too,

And we will show later where his wife, Catherine de Medici,

She herself resided when she came to Septème in 1564 in the grand salon.

For now, I will still mention the life of Marshal d'Albon,

who was governor of several provinces of France,

lieutenant general of the king, ambassador of the king in several embassies to

abroad, And he took great advantage of royal friendship to enrich himself,

and will be caught by one of the sons.

He had not repaid the father.

The son finds him.

And shot him in the head with an arquebus in 1562,

And he died at Dreux after having won many battles for his king.

He dies a little stupidly.

We also make them the memory and symbols of the vanity of the world.

The fuse that goes out, the skull and the mirror,

remind everyone of their life choices.

We also do a little philosophy at Septème, it’s nice.

Now we're going to go into the big living room,

where Catherine de Medici came with her daughter and sons.

Come! After climbing the 15th century staircase, we

we arrive in the splendor of the Renaissance, since we have these loggias.

I told you earlier the taste of a woman, the taste of a lady of finery

by Catherine de Medici.

She is a woman who had no children, but who gave all her fortune to

all the castles she had in the Loire Valley, and Septème has

kept the best use, since we kept the loggias which are a

circulation between the bedrooms and the large living room.

Daylight bathes these loggias.

We are due south and it seems that Anne de St-chamond was pushing her sign

to sign her papers when she managed the lands of Septème, lord of

Seventh. It wasn't her husband.

She pushed her sign Here into the loggias.

We imagine him working with these ladies, here in the loggias and in the

castle archives. I will show you the archives.

Earlier, there are papers signed Anne de Saint-Chamond, and they are

marked "taken in the loggias of the castle".

It’s still a little wink from history for you today.

There we are, we are going to enter the large living room.

The large living room is a room into which visitors enter with an effect

and say it themselves Wow!

It's quite spectacular to enter a stately room,

because the Lord wanted to impose on the people who paid him homage.

And to impose it the Lord of Septème, had a large room with

fairly high beams,

painted decorations also from the Renaissance on these beams.

The large fireplace with the arms of Étienne de Poisieu, captain of King Louis XI.

The coat of arms of a woman Anne de Saint-Chamond.

All the nobility districts of Anne de Saint-Chamond.

Here and in this piece, we explain the uses of a stately room in

Middle Ages, the lord of Septème, in a room like this, could do

set the table, the trestles arrive, we set the table, we tablecloth and we

was celebrating. And so, with our visitors, we show how the feast could be

unfold here.

We could do justice and we have the chair of justice which allowed the

Lord to render low, medium and high justice.

We had the right of life or death on the lands of Septème.

And then, if he wanted for his leisure on the cushions,

Madam could perhaps pull the thread,

or play music. She placed herself in the embrasures, in the bays which

date from the Renaissance, And we imagine all the magnificence of the women who

had to evolve here.

I also told you earlier, it's a room in which came

Catherine de Medici.

In 1564, Charles IX made the Tour de France,

The Grand Tour of France. It will last two years.

15,000 men follow the king or precede him to install the pieces.

And in this room, Catherine de Medici comes with Charles IX,

but also with Catherine's daughter,

who is Marguerite de Valois, who will become Queen Margot.

She also comes with her son, the future Henri III,

But also with Henri de Navarre, the future Henri IV.

In Septème, in one night, we had two queens and three kings who

stayed.

So we are a royal house.

I often tell you, Septème is a family home,

And my beautiful family,

The family of the Counts of Kergorlay still comes here in the summer,

And I'm going to show you some rooms in which the family lives.

These are rooms that are not always open to visitors,

But for you, I opened them.

So this family house, I told you, is inhabited in the summer by the

family of the Counts of Kergorlay and visitors like to know a little about it

more about family.

It's a family that has quite interesting origins and so we have

some portraits in this living room.

Family photos too.

The castle was inherited by my wife.

He held this castle from his great grandmother Claude d'Albon and his great

grandfather, Count Charles Louis de Kergorlay.

These are two characters who spanned the entire 20th century,

And who are very important to us,

And that we talk about during the visits.

They had seven children of their own,

Who had 24 children, And my wife is one of 68 great-grandchildren,

who still come in the summer, many of them, with their children.

You can do a lot of genealogy in a house like this.

I present to you the great-grandmother of my wife's great-grandmother.

It's Noémie d'Aubusson from La Feuillade,

who married a Bauffremont.

So she is Princess Duchess of Bauffremont.

It is a portrait that visitors like because it is very feminine.

It well represents court art in the mid-19th century.

And then we talk about ducal families since there are alliances with

Clermont-Tonnerre. The Duke of Clermont-Tonnerre,

Aimé, Duke of Clermont-Tonnerre.

And we also have the mother of Charles-Louis de Kergorlay who was born La

Rochefoucauld. There you have it, visitors know these illustrious names of

the French aristocracy.

It makes little winks with other castles that you know in

France. It's a family living room where my in-laws come in the summer and

it's a lounge that we call games, because we all have a good time there

together, all generations combined.

Now I'm going to take you to the private parts that I only open,

Saturdays at 6 p.m. for some visitors by reservation,

and you will see some very beautiful pieces.

In these private parts, there is a little gem that I really like which is the

portrait gallery.

A portrait gallery is a distribution between the apartments of

owners.

This gallery dates from the 16th century,

And it is peppered with numerous portraits,

And so go back in time by going up this gallery.

I wanted to present to you perhaps the portrait which makes the junction between two

families, which is the portrait of Jean-Jacques de Viennois.

It is a portrait which dates from before the French Revolution.

Jean-Jacques de Viennois will go through the French Revolution and will be

worried during the Terror, but survived and died in Septème in 1823.

He is an ancestor for my wife who has very strong political views.

interesting since it is in favor of the king.

But for a restoration of powers to the level of the old feudal system

so that the aristocracy distributes its wealth more.

He is a man who will allow these themes to still be there, since at the

French Revolution, the villagers will come to protect these themes.

When the Sans Culottes, on the night of August 4, come to try to burn the

castle. This is a man who will say in his memoirs that his wife cost him

as many bags of 1000 francs as she had hair on her head, because

that she had gone to Switzerland during the French Revolution.

And he had exhausted his fortune sending her money.

This one almost cost him his life too, since sending money to

the foreigner in the time of terror, it is a sign of execution.

He is going to be judged, he will almost go under the blade.

Fortunately, Robespierre goes before him and the terror ends.

He comes to end his days in Septème.

His daughter married the mayor of Lyon at the time of Napoleon I, Louis

XVIII and Charles X.

He knew how to evolve in all regimes, like Talleyrand for example.

He really had a very interesting life that I might be able to one day

tell you.

The portrait gallery is a private part.

There is a private part which is really the most for me,

the most precious.

Which is the archives room.

I think it's quite rare to go into the rooms of the archives of

castles, and I wanted to open to you the archives room of the castle of

Seventh. I think you will have a good time meeting

history and old papers.

So here is a room,

There are many rooms in castles.

You've seen a lot of them already, I think.

Here we have the portrait I was telling you about,

of Madame de Viennois, the Marquise de Viennois,

the one that will have cost as many bags of 1000 francs as she had hair on

the head. And there, as if by chance, she is in front of her hairdresser trying to

comb the hair.

It is the art of the old regime ending,

And all the delicacy of the enlightened women of the Enlightenment.

So we are going to return to the Middle Ages,

since I am opening the archives room to you.

It's a fairly rare piece,

And you see, it already has an armored door.

And having archives in a castle is very precious.

Because it allows us to record all feudal rights.

And the Lord protected it like a safe.

Because it was necessary to be able to oppose all seigniorial rights.

Come on, follow me.

It is a room which is classified as a historical monument.

We have a lot of games registered, but here we are in a room

superiorly protected by the Ministry of Culture,

which is at the historical monument classification level,

because here we have frescoes from 1560.

Who are grotesques.

We are really in the taste of renaissance.

Grotesques with rather amusing faces,

women who have protruding breasts but have no arms,

who breathe vapors.

You have somewhat unusual faces.

And then we have a bit like in commedia dell'arte,

Faces out of Dante.

You see this face for example, with its boils and sores.

He wears 16th century glasses.

It's still quite atypical.

The colors are still quite fresh, but as I told you, we

We're in the archives room, so we wonder if it's not a

studiolo of the 16th century.

A retirement piece for Anne de Saint Chamond.

In any case now, it has been completely re-inhabited by its archives.

And here we have the great chartrier.

So these are two big doors that open.

And then lots of little cupboards,

with quantity of family archives,

Letters from ancestors that will one day have to be deciphered.

There are many, many of them.

There are very old archives.

And then we have in the chests which go around the archive room,

parchments. I'll show you two.

A first parchment from 1514,

And a second parchment from 1349.

So I told you, 1349 is the date of cession of Dauphiné,

by the last Dauphin to the King of France.

And when he cedes his lands, he will ask that all seigniorial rights

are registered and become enforceable against the King of France.

So here we have this archive on a skin parchment from 1349.

I am opening it especially to you.

It is several meters long, maybe 20 to 25 meters.

It's very very very very long.

And we find there all the rights that the dolphin had asked to record for

protect. And in it, for example, we see that no woman could be

married in Dauphiné, without conscience, without her consent.

Perhaps feminists will appreciate this very modern clause.

And when the. And when the mayor of Septème came to visit the hall of

archives,

I presented him with this archive, which dates from 1514.

I'll find it for you.

I don't want to damage these old papers any further.

And inside we find inscribed the results of a dispute between the lord of

Septème and the village.

And you see for example, for hunting, residents will be authorized to

hunt with a crossbow all birds except partridges, hares,

foxes and other large black, blond and red animals and other small or

big game, except rabbits, for the fee

profit of the lord of a quarter of the members.

There you have it, everything is explained in very detail.

If they were to hunt the wolf, the fox...

What types of gear could they use?

That's if they were hunting in groups.

These must not be conspiracies against the Lord.

There, it's very amusing to see all the seigneurial rights that were defended

by the Lord against the village.

And to see how it was reestablished in 1514 for the benefit of the Lord of Septème,

who gave up a little rights to the villagers.

We will now enter the library.

We will stay in the world of manuscripts and books and I will

present the library of Septem Castle.

We now enter the castle library.

It is a room very appreciated by the family since it is where we take

coffee, herbal tea.

And what is remarkable about this room is the painted portrait of

my wife's great-grandmother, painted by Gustave Courtois in 1913, so

just before the First World War.

She is there, tired in an armchair with the letter.

Maybe she gets it from her future husband.

She is a very popular grandmother in the family.

The grandmother cake who is loved, who was also loved throughout the village

since we are often told about the Countess of Kergorlay, born Claude d'Albon.

Among the remarkable portraits, we have this one.

It is the portrait of Cardinal de Boisgelin, archbishop of Aix en Provence, which

delivered the coronation speech of King Louis XVI,

And several funeral oration speeches, from the father of Louis XVI, from the father-in-law of

Louis XV, etc.

Now, I always take you to the family rooms, to the dining room

eat from the castle in which we take our meals in the summer.

Come!

This dining room shows the visitor how, still today,

We can live a family life on these themes.

It is a large, very welcoming table with the service of arms of the

Albon family with this motto hanging Victoria, victory by the cross

and this completely singular crown that is difficult to recognize

best names of the French aristocracy, since it is an iron crown

that the Albon family had granted itself above these coats of arms to show

the antiquity of the Albon family.

And what still amuse us a lot today is having the doorbell that

allowed the hostess who was placed in the center of the table to

bell which allowed you to call the service with a tap of your heel.

I'll show it to you. It's a little brass plate that sticks out of the ground, like this

there is a small lug and then when you press, it makes a sound in the.

In the kitchens and the dishes should arrive.

Today, they no longer arrive. But back then, they were coming.

Well, that’s where the visit to the Château de Septème ends.

I hope you had a good time with us.

And it will make you want to visit the castle,

since we are open from Easter to All Saints' Day.

See you soon.