The stunning floral artistry of Hattie Molloy | My Garden Path | Gardening Australia

Summary

花艺家哈蒂·马洛伊分享了她对园艺的热爱。她从小就被花朵所吸引,觊觎着从事园艺工作。哈蒂不仅局限于传统的花艺,还尝试将蔬菜水果等融入其中,打破界限。2021年,她被诊断患有功能性神经紊乱症,导致行走、说话等能力受损,但仍坚持以创新方式继续其创作。她在阳台上种植花草,并用其制作精美的花艺品,充满个人风格和创意,向世人展现花艺的独特魅力。

Takeaways

• 🌺 她从小就对园艺、插花有着浓厚的兴趣和热爱,这成为了她的职业。
• 🎨 她不仅局限于传统的花艺,更追求创新突破,做更大型的花艺装置,运用更多元素。
• 🌳 她喜欢将看似不太搭配的材料结合在一起,创造出有趣的作品。
• 💐 对于她来说,制作花艺作品最大的挑战是保持平衡和直立。
• 🏡 即使生活受到了疾病的影响,她仍然努力通过创作来抓住生活中可以做到的事情。
• 🧠 她患有一种名为功能性神经紊乱的疾病,影响了她的日常生活能力。
• 👩 她的母亲是她的全职照应者,对她的创作和生活给予了巨大支持。
• 🌱 她在自己的小阳台上种植了一些花草,可以用来插花创作。
• 📷 她会拍摄自己的作品,制作年历和印刷品出售。
• 🌈 她希望自己的作品能让人产生"好奇心",体现她对自然的独特理解。

Q & A

这个视频讲述了什么故事?

这个视频介绍了一位名叫Hattie Malloy的花艺家。她从小就被花园和制作花束所吸引,视花艺为自己的天职。她不仅使用鲜花,还会运用其他材料如蔬果等,创作出大型装置艺术品,这体现了她作为一位花艺家的创新魅力。

Hattie最大的创作挑战是什么?

Hattie表示,在创作时最大的挑战是确保作品的平衡性和持久性。因为她使用了很多重物和多刺的材料,要精心安排摆放位置,使作品和谐均衡且结构稳固,这是一门技巧。

Hattie是如何开始自己的事业的?

Hattie最初只是在Instagram上分享自己的作品,并没有真正打算开创事业。但由于她的创意别具一格,很快就吸引了众多关注者。人们对她的新颖风格产生浓厚兴趣,促使她的事业就此起步。

Hattie患有什么疾病?这给她的生活和工作带来了什么影响?

2021年7月,Hattie被诊断患有功能性神经紊乱症。这种病会影响大脑向身体发送自动信号的能力,导致她暂时失去行走、说话等基本生活技能。她不得不重新学习这些技能,目前仍在康复过程中。这极大影响了她的独立生活能力和工作方式,她现在需要他人全天候照顾。

Hattie是如何在疾病的影响下继续从事创作的?

尽管健康状况每每让她备受困扰,但Hattie依然坚持自己的创作事业。她认为创作让她有目标来分散注意力,发挥仍在的创造力和想象力。她不得不以不同的方式工作,但始终没有放弃热衷的花艺事业。

Hattie家中的小阳台花园对她有何意义?

Hattie在家中小阳台上种植了许多植被,包括一些她可以使用的植物。这个小花园成为了她连接大自然的窗口,让她即使身陷室内也能感受到外界世界的气息。对于生活出行不太方便的她来说,这个花园非常重要,能带来心理慰藉。

在创作中,Hattie更看重什么元素?

Hattie更看重作品的动态和构图,比如高低起伏、焦点位置、空间利用等。她还喜欢将传统元素与意料之外的新奇材料结合,以期给观众带来新鲜感和思考。她的目标是重塑对大自然的理解方式,而不是简单模仿自然。

Hattie与母亲的关系如何?

Hattie的母亲路易丝是她的全职护理员,每天从早到晚都在身边照顾她的生活起居。母女关系非常亲密,Hattie感激母亲的付出与陪伴,如果没有母亲就难以为继。

Hattie如何看待自己的创作理念?

Hattie认为自己的创作目的不是简单再现自然之美,因为大自然本身已经完美无瑕。她更想通过重新组合和呈现方式,改变人们对自然事物的认知方式,激发大家新的思考和想象。

从这个故事中你有何感悟?

这个故事展现了Hattie对理想事业的热忱与坚持。即便遭遇重大健康挑战,她也没有放弃内心最大的热爱。她用创新思维和独特视角重塑花艺,充分诠释了艺术家顽强拼搏的决心与勇气。她的故事启发我们在逆境中保持希望和斗志,用自己独特的方式追求梦想。

Outlines

00:00

🌺 花卉艺术家的热情与挑战

海蒂·马洛伊是一位热爱花园和园艺的花卉艺术家。她从小就被美丽的花朵和大自然所吸引,并因此走上了这条充满创意的职业道路。作为一名花卉艺术家,她努力打破传统,将鲜花与其他材料如果蔬、水果等结合,创造出独特的艺术品。然而,她最近被诊断患有一种功能性神经紊乱症,这给她的生活和工作带来了巨大的挑战。她不得不重新学习如何行走、说话等基本生活技能,同时也影响了她的独立性和创作能力。尽管如此,她仍然坚持在家中工作室里创作,并将自己的作品拍照并分享到社交媒体上。

05:02

🪴 阳台花园的力量与创意灵感

由于健康状况的限制,海蒂无法经常前往花市采购新鲜花材,因此她在自己的阳台上种植了一个小花园。这个阳台花园不仅为她提供了新鲜切割的花材,也为她带来了力量和灵感。即使无法外出,她也能在这片小天地里沐浴大自然、放松身心。海蒂会巧妙地将阳台上种植的普通花草与其他看似不相衬的材料结合,创造出独特的花艺作品。她总是追求打破常规,挑战人们对于花卉艺术的认知,让观赏者感到惊喜。在创作过程中,她会先构思作品的整体形态和重点,再有意识地将不同元素融合在一起,呈现出动态有趣的视觉效果。

Keywords

💡花园

花园在这个视频中不仅是一个地点，而是主人公生活中不可或缺的一部分，象征着她与自然的深厚连接。她通过在花园中的时间来逃避生活的压力，感受最真实的自己。这反映了花园对个人心灵健康的重要性以及自然界在提供心灵慰藉方面的作用。

💡花卉艺术家

花卉艺术家是指那些将传统插花艺术推向新高度的人，他们不仅限于使用花卉，还可能融合果蔬等其他自然元素进行创作。视频中的Hattie Malloy自称为花卉艺术家，她通过创新的材料和设计来扩展了传统花艺的界限，表明了花卉艺术不仅仅是插花，而是一种更广泛的创造性表达。

💡创造性

创造性是指个体产生新颖且有价值的想法、解决方案或作品的能力。视频中，Hattie的创造性体现在她如何结合不同的花卉和植物来制作独特的艺术作品，即使在面临健康挑战时，她的创造力仍旧是她能继续工作和表达自己的关键因素。

💡平衡

在花艺设计中，平衡是指作品的各个部分在视觉上形成和谐统一。Hattie在视频中提到创作过程中最大的挑战是确保作品的平衡及其能够保持直立。这不仅要求有审美的眼光，还需要物理上的技巧来处理重量和形状不同的植物材料。

💡自然界

自然界在视频中是一个重要的主题，它不仅是Hattie创作的源泉，也是她个人恢复和康复的关键。通过与自然界的互动，无论是在她的阳台花园还是在野外拾花，自然界为她提供了一种连接外部世界、感到安宁和满足的方式。

💡功能性神经病

功能性神经病是一种神经系统疾病，影响患者的运动功能和感官功能。Hattie在视频中分享了她与这种病症的斗争，包括她是如何一夜之间失去走路和说话能力的。她的故事展示了健康挑战对个人生活和职业的深远影响，以及她如何勇敢地面对和调整生活以适应这种新的现实。

💡自立

自立是指个人能够独立完成日常生活任务和决策的能力。Hattie透露，由于功能性神经病，她失去了很多自立能力，无法独自离开家或完成家务任务，这种依赖性改变了她的生活方式和对工作的方法。

💡阳台花园

阳台花园对于Hattie来说，不仅是一个种植空间，也是一个与自然连接、获得心灵慰藉的重要场所。由于她的健康状况限制了她访问更广阔自然空间的能力，这个小小的阳台花园成为了她的私人避难所，使她能够继续她的花卉艺术创作并保持与外界的联系。

💡创作过程

创作过程涉及从构思到完成作品的所有步骤。Hattie在视频中描述了她如何规划她的花艺作品，包括确定作品的动态、焦点和色彩搭配。她的方法体现了艺术创作的思考和实验性质，以及如何在挑战传统观念的同时保持个人风格和创意。

💡调整

调整是指在面对新的挑战或情况时，个人或组织改变原有的行为、策略或态度的过程。对于Hattie，这意味着在遭受健康危机后，她不得不找到新的方式来继续她的艺术创作和生活，如改变工作方式、依赖家人的帮助，以及在阳台花园中寻找创作灵感。

Highlights

Gardens have always been a huge part of her life, where she feels most herself and finds an escape from stress.

She is a floral artist, which goes beyond typical floristry by incorporating fruits, vegetables, and pushing boundaries with large-scale installations and unconventional materials.

Her creative process involves balancing different elements, shapes, and movements to achieve harmony and upright structure.

Her love for gardening and creating bouquets started from a young age, inspired by her grandmother's garden and visits to local florists.

She unintentionally started her floral business by sharing her unique work on Instagram, which gained attention and quickly took off.

In July 2021, she was diagnosed with a functional neurological disorder (FND), a condition that caused her to lose control over her body's automatic functions, impacting her independence and ability to work.

FND is an unknown and stigmatized condition that primarily affects women, and its underlying causes are not well understood.

Her balcony garden serves as a grounding and immersive space, allowing her to connect with nature and grow elements for her arrangements when she can't leave her house.

In her arrangements, she often uses common and delicate flowers that can't be bought at flower markets, combining unexpected elements to create interest and change the perception of how things are presented.

Her mother has been her full-time carer, providing invaluable support and assistance throughout her journey with FND.

Despite her challenges, she has remained determined to continue her creative practice, which has given her a focus and outlet for her ideas and creativity.

Her home studio serves as a space for photographing her arrangements, creating a calendar, and selling prints on her website.

She often pairs unexpected elements like corn, radishes, and lily of the valley to create unconventional and thought-provoking arrangements.

Her goal is to change the context and perception of how things are viewed, creating a sense of curiosity and appreciation for her creative approach.

She aims to put her own spin on nature rather than recreating it, showcasing her unique perspective and artistic vision.

Transcripts

WOMAN: Gardens have always been, like, a huge part of my life.

It's what I feel like I've just been drawn to.

Like, I don't necessarily think there's like some, like, thing

that I can put my finger on, but it's just where I feel

most myself, gets me out of my head.

It gets me out of, like, the stresses of life.

I'm Hattie Malloy, and I'm a floral artist.

I think a floral artist goes beyond, I guess, like the typical floristry,

um, that we've seen, like, lots of fruits, lots of vegetables.

So it's not, I guess, also just limited to flowers.

When you start to push the boundaries,

I think if you're, like, starting to do larger scale installations

with materials also that maybe aren't just flowers,

I think that's when it starts to kind of push that barrier,

for me at least.

These are some amazing garden roses that a friend, luckily enough,

let me cut from her bush.

And then I've also just paired them with some birds of paradise,

which people wouldn't maybe think that roses and birds of paradise

go together, but it's about more so, like, the movement

and the shape that you create.

The biggest challenge is making sure that it's balanced,

and that it stays upright as well,

because you do have quite a lot of weight

and you've got things that are very prickly.

So to manoeuvre them and to get it all kind of right and harmonious

is a skill.

I was born in Black Rock and I grew up around that area,

and then we moved down to Mornington Peninsula

when I was quite young.

When I would go to these, like, clifftop walks down Portsea,

and when it was freesia season, and all I would do was pick bouquets

upon bouquets,

upon bouquets of posies of freesias.

It's just all I wanted to do,

and spending a lot of time in my grandma's garden,

like, I would make posies for my teachers.

I would take them to school. Like, I was just...

It's just what I wanted to be around.

My grandma would also take me to the local florist,

and I would sit there in awe and be like,

"Oh, my God, people get to do this for a job," you know?

So I think it was like always what I kind of thought

I would do.

I was working for other florists and then I was just

kind of doing my own thing on the side and posting on Instagram.

And it was not necessarily to start a business.

I was actually very scared to start a business, but I guess

because I was doing something new that wasn't really around,

people kind of found my work and gravitated towards it,

then all of a sudden it took off really quickly.

I was diagnosed with a functional neurological disorder

in July 2021.

And so it just happened all of a sudden.

One day I had a migraine and then the next day I was unable

to walk, talk, and I was just convulsing.

And so I lost all of my ability to send, like,

those automatic signals from my brain to my body

to be able to do everything that I used to do.

So I've had a long road of learning how to walk again,

how to talk again, how to do a lot of life skills again.

And I'm still trying to figure out how to, I guess, do that.

So FMD is a pretty unknown condition as well,

and I feel like it's quite a stigmatised condition.

It does affect greatly women, like 80%,

now studies are saying and it's something that...

..they don't understand, unfortunately.

It's had a huge impact on my life and my work

and, I mean, everything.

I don't have independence in the sense that

I can't leave my house without someone.

I can't do most of my household tasks or things like that.

I can't drive, I use a walking stick when I'm walking

or for longer periods I'm in a wheelchair.

This is my little balcony garden here in East Melbourne

that I like to grow as many things on as possible.

I have a lot of things, especially because I don't have access

to going to the flower market a lot and things like that.

I try and grow things that I can snip and then I can make

little arrangements with.

I feel really grounded and I guess just immersed

when I'm in this space,

especially when sometimes I can't get out of the house

and I can't, you know, go out.

At least I get to connect with nature here and feel like

I'm a part of the outside world.

So it's really important for me.

And that's why I think I've kind of made it quite immersive,

so it kind of hugs you almost.

I guess I'm growing generally for things that I can use,

that I use in my arrangements.

Some sweet peas

growing. I've also been able to grow a sturt's desert pea out

here that flowered,

which was my greatest gardening achievement to date.

And then I also, I guess I grow herbs and things like that as well

that I like to have for cooking and things like that.

So everything has a practical use.

It always kind of amazes me what I can come up with

out of that space.

And usually it is kind of like some quite common things

like pansies, violets, nasturtium.

So they're all really easy to grow.

Some of these delicate flowers,

like, you, can't buy at the flower market

because they are so small and dainty.

When I start off an arrangement, I usually try and think about

kind of the movement of it.

So I guess, like, its highest point.

And then... I call them just, like, the dardy bits.

And I guess where also the negative space

is going to kind of lie.

And then a focal point, which is always important.

And just always a bit of interest.

I feel like with colour, I just tend to make whatever works

and somehow it comes together.

It'll be nice when the Japanese maple comes.

My darling mother, Louise, I feel so lucky.

One, that we get along so well because she's been

my full-time carer for the past two and a half years,

and she does everything for me.

She's here 9:00 in the morning to 9:00 at night,

helping me still, you know, driving me around to jobs,

to appointments.

So, yeah, I'd be lost without her.

So I've had to make huge adjustments, but I still

have been determined to still work throughout this.

I think that sometimes it's easy when everything stops working

to just like focus on everything that isn't working

and my creative, I guess, um, practice has given me

something to focus on that is still working because I'm still creative.

I still have ideas.

I can still make those ideas come to life.

I just have to do it in a different way now.

This is my home studio that I photograph a lot of my work in,

and it's just kind of my play space as well.

I take photos of my arrangements and, you know, they end up,

I guess, on social media.

But then I also, you know, make a calendar

at the end of each year out of it and sell prints on my website, also.

I think that a lot of the beauty comes

from using like interesting things that you wouldn't, I guess

normally pair with flowers.

So, I love corn.

Like, it's just so incredible, the, um, the colours

and the texture and everything.

And then with the humble radish and then with lily of the valley,

which is one of the most gorgeous flowers and scents that you can get.

If I actually think that it's maybe not going to go together,

I think I'm onto the right thing, if that makes sense,

because I think pairing things with what you don't maybe

traditionally think of going together,

and all you can do is have a play and see if it works.

Like, I started out this and I even was like,

"Oh, maybe this isn't going to work."

But then as you go along, you start to see, I guess, how things

can intertwine together.

I think that, like, my view on the world is that

I do like to change,

like, I guess the context of how you perceive things.

I like having that, "Oh, what is that?"

Or, "How did that... How did she do that?"

Or, "How is that created?"

I don't need to kind of recreate nature

because nature does a great job.

I need to put my own spin on it.