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Summary

The transcript captures a thought-provoking conversation with a filmmaker who values the discipline of doing nothing and thinking. He discusses his approach to storytelling, particularly in the thriller genre, and the influence of masters like Hitchcock. The director shares his creative process, challenges of making a war film like 'Dunkirk', and his philosophy on filmmaking as a form of manipulation to engage audiences consciously. He also reflects on his role in the evolution of Hollywood and the importance of balancing blockbuster films with original content.

Takeaways

• 🤔 The individual values discipline and thoughtfulness over trivial use of technology.
• 🎬 The person appreciates the thriller genre and the subjective nature of storytelling in film.
• 🧐大师级导演如希区柯克和克鲁索如何通过操纵观众的感知来讲述故事，这一点令其着迷。
• 🌍 The creative process is invigorating when dealing with a historical setting that already exists, as opposed to creating a world from scratch.
• 🚫 The feeling of making a war film without personal experience in warfare is daunting, but approaching it as a survival story can provide confidence.
• 🎥 The director's role involves a variety of responsibilities and does not require specific strengths or weaknesses, but rather a general competence in many areas.
• 📝 Writing is the aspect of filmmaking where the limitations of one's abilities are most felt, especially in executing ideas.
• 🌟 The director is inspired by other filmmakers' ability to create worlds and has a fascination with the visual side of filmmaking.
• 📈 The director feels a responsibility to contribute to the evolution of Hollywood while balancing blockbuster films with original content.
• 🕒 The director's philosophy on movies is that all cinema is manipulation, but the key is whether this manipulation is apparent or hidden.
• 👥 The film 'Dunkirk' aims to confront the notion that one cannot truly know how they would behave until faced with a dire situation.

Q & A

What does the speaker value in terms of technology usage?

The speaker values the discipline of doing nothing and thinking, rather than filling time with trivial technology usage.

How does the speaker describe their approach to storytelling?

The speaker prefers a form of storytelling related to the thriller genre, where identity is not taken for granted and the audience's perceptions can be manipulated.

What was the speaker's creative process like for a film like 'Dunkirk'?

The speaker's creative process for 'Dunkirk' involved researching and exploring the pre-existing historical world of the film, rather than building the world from the ground up.

How does the speaker handle the responsibility of portraying war in their films?

The speaker approached 'Dunkirk' as a survival story rather than focusing on the war itself, aiming to tell a suspenseful story without being presumptuous or self-indulgent.

What is the speaker's perspective on the role of a director?

The speaker sees the director's role as not being responsible for any one specific thing, but rather having a broad knowledge and ability across various aspects of filmmaking to inspire and focus the team.

How does the speaker feel about the challenges of writing in filmmaking?

The speaker finds writing to be the aspect where they feel the limitations of their abilities the most, as it involves the difficulty of executing ideas that may initially seem promising.

Which writer has had a significant influence on the speaker?

The speaker mentions being inspired by the Argentinian writer Borges, particularly in relation to the concept of 'Inception'.

How does the speaker view their place in the tradition of Hollywood?

The speaker feels a responsibility to contribute to the evolution of Hollywood, balancing the growth of franchise properties with original films that bring something unfamiliar to audiences.

What philosophical stance does the speaker have on cinema?

The speaker believes that all cinema is a form of manipulation, involving choices that directors make to influence the audience's perceptions and feelings.

How does the speaker approach the portrayal of human nature in 'Dunkirk'?

The speaker aims to portray a more realistic and flawed view of human nature, emphasizing that people cannot truly know how they would behave until faced with a situation like that in 'Dunkirk'.

What is the speaker's strategy for manipulating the audience's experience in 'Dunkirk'?

The speaker uses different timelines running at different time scales and puts the manipulation of the audience's feelings towards time in the foreground, aiming for an honest and conscious involvement in the story.