110. Write It Well: How to Craft an Email to Capture Busy Readers

Stanford GSB Podcasts
10 Oct 202326:26

Summary

TLDRIn the podcast 'Think Fast, Talk Smart,' Matt Abrahams interviews Todd Rogers, author of 'Writing for Busy Readers.' They discuss strategies for effective writing in a world of busy readers who often skim content. Rogers emphasizes the importance of structure, clarity, and brevity, advocating for a reader-focused approach that prioritizes ease of navigation and understanding. The conversation covers the six principles from Rogers' book, including designing for navigation, the 'less is more' concept, and making reading easy with simple language. They also touch on the role of context, such as status and norms, in shaping written communication.

Takeaways

  • 📝 **Effective Writing Saves Time**: Writing clearly and effectively makes it easier for busy readers, saving them time and being considerate of their limited attention.
  • 👥 **Focus on the Reader**: Effective writing is reader-focused, considering how readers actually engage with text, often by skimming rather than reading every word.
  • 🧭 **Structure is Key**: Adding headings and structure helps readers navigate content quickly, making it easier to find key information.
  • 📉 **Less is More**: Concise writing that omits unnecessary details is more likely to be read and understood, even if it seems incoherent without full context.
  • 🔤 **Simplify Language**: Using short, common words and simple grammar makes reading easier and more accessible to a broader audience.
  • 👀 **Eye-Tracking Research**: Understanding how people's eyes move when they read can inform writing practices to make text more scannable.
  • 📈 **Practical Writing**: The principles discussed are particularly relevant to practical writing like emails, texts, and reports, rather than creative or literary works.
  • 🤔 **Engagement Matters**: Writers should consider how to capture and maintain a reader's attention, using strategies from behavioral science where appropriate.
  • 😅 **Emojis and Emoticons**: While emojis can be engaging, their use can be risky due to varying interpretations across different audiences and generations.
  • 🏢 **Norms and Status in Writing**: The context of an organization and the status of the writer can influence the style and tone of writing, with higher status often correlating with brevity.

Q & A

  • What is the main focus of Todd Rogers' book 'Writing for Busy Readers'?

    -The book focuses on how to write effectively for readers who are often busy and skimming through content, emphasizing clarity and ease of understanding.

  • According to Todd Rogers, why is it important to write in a way that reflects how people actually read?

    -Writing in a way that reflects how people actually read ensures that the message is more likely to be understood and engaged with, as it accommodates the reality that many people skim rather than read thoroughly.

  • What does Todd Rogers mean by 'better living through effective writing'?

    -He means that by making writing easier for readers, it saves them time and is kinder, which in turn improves everyone's lives by helping them navigate through information more efficiently.

  • How does the structure of a written piece aid readers according to the transcript?

    -Adding structure such as headings and formatting helps readers navigate and understand the content more easily, especially when they are skimming.

  • What is one principle Todd Rogers suggests for effective writing and why is it important?

    -One principle is 'less is more', which suggests that omitting unnecessary words and ideas can make the writing more concise and increases the likelihood of readers engaging with the core message.

  • Why does Todd Rogers advocate for the use of simple language and short sentences?

    -Using simple language and short sentences makes the reading process less taxing and more accessible to a wider audience, including those with lower reading proficiency levels.

  • How does Todd Rogers view the role of word choice in effective writing?

    -He believes that word choice should prioritize clarity and simplicity over impressing the reader with complex vocabulary, to ensure the message is easily understood.

  • What does Todd Rogers think about the use of lists and bullet points in writing?

    -He thinks lists and bullet points are effective as long as they are used to organize related ideas, as they provide a clear structure that helps busy readers navigate the content.

  • How does Todd Rogers suggest writers increase a reader's engagement with their writing?

    -Writers can increase engagement by making the reading experience as easy and relevant as possible, and then leveraging social and behavioral science tools to further capture interest.

  • What generational differences does Todd Rogers highlight regarding the use of emojis?

    -He points out that different generations interpret the same emojis differently, with a smiley face, for example, signifying warmth and agreement to an older generation but sarcasm to younger individuals.

  • What is Todd Rogers' stance on setting communication norms within an organization?

    -He believes that setting clear communication norms, such as the BLUF (bottom line up front) principle in the military, can make writing more effective and reduce the burden on lower-status writers.

Outlines

00:00

📝 Effective Writing for Busy Readers

Matt Abrahams interviews Todd Rogers, a professor at Harvard Kennedy School, about his book 'Writing for Busy Readers.' The conversation focuses on how to write effectively for a busy audience. Todd emphasizes that effective writing saves readers' time and is a kinder form of communication. He explains that writing should reflect how people actually read, which often involves skimming. To accommodate this, writers should add structure to their work, such as headings, to help readers navigate the content easily.

05:00

🔍 The Importance of Structure and Clarity

The discussion continues with the importance of structuring content for easy navigation. Todd shares insights from academic research, including an experiment that showed shorter, less coherent messages can be more effective than longer ones. He advises writers to use fewer words and focus on key points to increase the likelihood of readers engaging with the message. The conversation also touches on the role of word choice and the benefits of using simple language and grammar.

10:02

🧐 The Role of Emotion and Engagement in Writing

Todd and Matt explore the emotional aspect of writing and its impact on reader engagement. Todd points out that while emotional writing can be compelling, the primary focus should be on making the writing practical and easy to understand. They discuss the challenges of writing clearly and the importance of capturing the reader's attention, even when the content is dense or complex.

15:04

🎯 Setting Communication Norms for Clarity

The conversation shifts to the importance of setting communication norms within organizations. Todd discusses the concept of 'bottom line up front' (BLUF) from the US Army, which emphasizes putting the most important information at the beginning of the message. He suggests that establishing such norms can help writers be more effective and protect them from misinterpretation, especially those with lower status within an organization.

20:04

📈 The Recipe for Successful Communication

Todd outlines the key ingredients for successful communication: having a clear goal, understanding the context, and revising the message. He stresses the importance of knowing the audience's expectations and norms, and the necessity of revising the content to ensure it is clear and accessible. The discussion concludes with Todd sharing his admiration for Don Norman's user-centered design philosophy and its application to writing.

25:05

🎉 Wrapping Up the Discussion on Writing

Matt summarizes the key points of the conversation with Todd, highlighting the need to make writing easy for busy readers, considering context, and the value of learning to write effectively. The episode ends with credits and a prompt for listeners to subscribe and follow the podcast on LinkedIn for more insights on communication.

Mindmap

Keywords

💡Effective Writing

Effective writing refers to the ability to communicate clearly and concisely, ensuring that the reader can easily understand and act upon the information presented. In the video, Todd Rogers emphasizes that effective writing is about making it easier for readers, particularly busy ones, to navigate through the text and extract key information quickly. An example from the script is when Rogers mentions that writing effectively saves readers' time and is a kinder approach, as it acknowledges the reality of skimming behavior in our fast-paced world.

💡Behavioral Insights

Behavioral insights are the findings from the study of human behavior, particularly how people make decisions and the factors that influence those decisions. Todd Rogers, who teaches courses on the science of behavior change, applies these insights to writing, arguing that understanding how people read (often by skimming) should inform how we write. This is exemplified in the script when he discusses the need to accommodate the reality of skimming in our writing to make it more effective.

💡Skimming

Skimming is a reading strategy where individuals quickly look over text to get the gist without reading every word. The concept is central to the video's message about writing for busy readers. Rogers points out that because people often skim, writers should structure their work with headings, bullet points, and clear key points to facilitate easy navigation, as illustrated by the discussion on designing for navigation.

💡Practical Writing

Practical writing encompasses all forms of written communication that serve a specific, immediate purpose, such as emails, reports, or sales pitches. In the context of the video, practical writing is contrasted with more artistic or literary writing. Rogers focuses on making practical writing accessible and easy to understand for busy readers, which is why he advises writers to prioritize clarity and simplicity over complex language or structure.

💡Structure

In writing, structure refers to the organization of ideas and information in a text. The video underscores the importance of a well-structured document that guides the reader through the content. Matt Abrahams discusses 'wayfinding' in writing, which is about helping readers navigate content easily, akin to how one navigates through a physical space. An example is the use of headings and formatting to highlight key information.

💡Less is More

This principle, as discussed in the video, advocates for brevity and conciseness in writing. By using fewer words and focusing on essential ideas, writers can improve the chances of their message being read and understood. Rogers shares an experiment where a shorter, seemingly incoherent fundraising email outperformed a longer one, demonstrating the effectiveness of brevity.

💡Eye-Tracking

Eye-tracking is a research method that studies the movement of the eye as individuals read. The video references eye-tracking to explain how readers' eyes move across a page, often pausing at periods and jumping back if the content is not immediately understood. This research supports the idea that simpler sentence structures and shorter paragraphs can reduce cognitive load and make reading more accessible.

💡Engagement

Engagement, in the context of the video, refers to the level of attention and interaction a reader has with the written content. Todd Rogers discusses strategies to increase engagement, such as making the writing easier to read and processing. He also talks about the different levels of disengagement, from not processing the information at all to only superficially engaging with it.

💡Bullet Points and Lists

Bullet points and lists are writing tools used to organize information in a way that is easy to scan and understand. The video suggests that while they can be effective for structuring related ideas and making writing more accessible, they should be used judiciously. Rogers explains that lists and bullet points can aid readers in quickly grasping the main points of the text.

💡Context

Context in writing refers to the situation, environment, or setting in which the communication takes place. Understanding the context is crucial for effective writing, as it influences what and how information is conveyed. The video mentions that different norms and expectations exist for writing within various contexts, and writers must be aware of these to communicate effectively.

Highlights

The importance of writing to engage busy readers and save them time.

Introduction to Todd Rogers, author of 'Writing for Busy Readers'.

Effective writing defined as making it easier for readers.

The impact of writing well on improving everyone's lives by being kinder and saving time.

The difference between effective writing and writing well.

The need to write in a way that reflects how people actually read.

The importance of adding structure to writing to aid navigation.

The concept of 'less is more' in writing to engage busy readers.

The idea of making reading easy with short common words and simple grammar.

The role of word choice in effective writing.

The application of behavioral science to increase reader engagement.

The use of lists and bullet points to aid reader comprehension.

The role of context, norms, status, and identity in writing.

The importance of setting communication norms within organizations.

The significance of revising writing to make it more accessible to busy readers.

Todd Rogers' pet peeve regarding the clarity of writing and its impact on readers.

The influence of Don Norman's user-centered design philosophy on writing.

The three key ingredients for successful communication according to Todd Rogers.

Transcripts

play00:00

The bottom line is we must write so

play00:02

that our readers will pay attention

play00:05

and be engaged.

play00:07

Today, we will learn how to become

play00:10

better writers for busy readers.

play00:12

My name is Matt Abrahams,

play00:14

and I teach strategic communication

play00:17

at Stanford Graduate School of

play00:19

Business.

play00:21

Welcome to Think Fast, Talk Smart,

play00:23

The Podcast.

play00:25

[MUSIC]

play00:27

Today I really look forward to

play00:29

speaking with Todd Rogers.

play00:30

Todd is a professor of public

play00:32

policy at the Harvard Kennedy

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School of Government, and

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is the faculty director of

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the Behavioral Insights Group.

play00:38

Todd teaches courses on the science

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of behavior change, and

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he has written a new book called,

play00:44

Writing for Busy Readers,

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Communicate More Effectively in

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the Real World.

play00:48

Todd, when you and I first got

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a chance to speak a while back,

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I felt like I was with a kindred

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spirit, we both have such

play00:54

a passion for communication.

play00:56

Thanks for being here.

play00:57

I'm super excited to chat with you.

play00:59

>> Thanks for having me, Matt.

play01:01

>> So let's get started.

play01:02

My first question has to do with

play01:03

one of the subheadings I found

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in your book.

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It caught my attention, it read,

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better living through effective

play01:10

writing.

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First, I'd love for you to define

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what you mean by effective writing.

play01:15

And second, how does writing well

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help us live better?

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>> I love this question because I

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think it is not initially obvious.

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So, writing better

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means making it easier for readers.

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And the reason this improves

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everyone's lives is because

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it saves readers time, and

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it's kinder.

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Writing effectively makes it easy

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for busy readers to navigate where

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we send them, cool out the key

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information, and do what

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they're planning to do anyway.

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We just move on through the next

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day, and so it's more effective for

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us and it's kinder to readers.

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>> One thing that is very different

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about the way you approach your

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thoughts on writing is that you

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focus on the reader, many others

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focus on what is actually written.

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Why is focusing on the reader so

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important?

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And what role does the reader's

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context play in how we write

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for them?

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>> I think you're right that a lot

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of the way we think about writing

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is as if there are some idealized

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form, writing well is the way you

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were taught to write in high school

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and college.

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And that's successful writing.

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What my co-author on a lot of this

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work, including our book, and

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I have come to believe is that

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writing well is very different than

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writing effectively.

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And we should focus on,

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how do we write effectively?

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And what that means is we should

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write in a way that reflects

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the way people actually read.

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And in the world, busy people

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are just constantly skimming.

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And no one cares about our

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writing as much as we do, and

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the default behavior when reading

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is to move on and skip.

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So we need to write in a way that

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reflects and

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accommodates the reality that

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people are skimming what we write.

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>> I agree, I skim all the time.

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Sometimes that gets me in trouble.

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What looks different in our

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writing?

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What actually tactically in

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terms of the sentence structure,

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the words we use, what's different

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when you're writing for people who

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skim, versus people who are trying

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to demonstrate that they actually

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did their homework in a class?

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>> Right, so when someone is

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skimming, they are jumping around,

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they are trying to pull out,

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not linearly, they're just trying

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to jump around and figure out

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what's this about, do I need to do

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something, and when can I move on?

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And so, when we watch with eye

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tracking, we see the people

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dart around and they try to get

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the gist of what we're saying

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without reading it closely.

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So what that means is we want to

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add structure, one of our six

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principles is designed for

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navigation.

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Make it easy to design what we

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write for readers.

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So add headings, add structure, so

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that a reader who jumps around can

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easily figure out what's going on.

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And that means that the key points

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are up top, what this contains, so

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they can orient themselves.

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They can jump

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around using headings,

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that you can use formatting to draw

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attention to key information.

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But in addition to writing complete

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sentences that flow from one side

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to the next and had active verbs,

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we also need to write in a way that

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just reflects the reality

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that our readers are jumping around

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when they read.

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And so that means writing with

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structure.

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>> Well, you're preaching to

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the choir here.

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And part of the reason I think you

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and I get along so well is we both

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believe very strongly in structure.

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And when I was doing research for

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the new book I have coming out,

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I spoke with somebody who works for

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the Dummies organization,

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all those Dummies books.

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And she talked to me about

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wayfinding, how when you write,

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you need to think about helping

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people find their way through

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your content.

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And that's what I heard you just

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talking about, that structure helps

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people find their way in terms of

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what it is they're specifically

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looking for, and I think that's so

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important, and

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thank you for highlighting that.

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You mentioned that your book has

play05:02

six principles

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that can help busy readers.

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I love that your principles

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are based on

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academic social science research,

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I think that's so important.

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Can you pick two other principles

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beyond structure that you

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believe are really important?

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And can you give us some concrete

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advice on how to apply those?

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>> Sure, so one is less is more.

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And we've run lots and

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lots of randomized experiments that

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have something like this structure.

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We ran an experiment with a large

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political organization with a wrote

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a fundraising email that was

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six paragraphs.

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In one condition,

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with 350,000 people, they got

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the full fundraising message.

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In the other condition, we deleted

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every other paragraph arbitrarily.

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People read them both and

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thought it was incoherent

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in the shorter one, because we just

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arbitrarily deleted paragraphs.

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And yet, the three-paragraphed one

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raised more money than the longer

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one, even though it was incoherent,

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just less is more.

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Both in omitting needless words,

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that's easy.

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Of course,

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if words are actually needless,

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cut them, great.

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The harder choices are omitting

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useful, but not necessary words, or

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useful but not necessary ideas.

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And the idea is just the more you

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keep, the less likely it is that

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someone will read and

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respond to our message.

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So there's not a right answer to

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how much to keep, we just need to

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know there's trade-offs,

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the more you add, the less likely

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people are to read and engage.

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But if they do,

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they're going to get more content.

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So, fewer words, but

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also not just needless words, also

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sometimes we have to make judgment

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calls where we eliminate useful

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detail that would just deter or

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distract from our core point.

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>> So it seems to me that we have

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to be very mindful of what we write

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and think about the reader's

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perspective.

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I think a lot of us are under such

play07:01

pressure just to get ideas down

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that we don't really think about

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prioritizing what's important for

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the reader, and making those

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tradeoffs you talked about.

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Before I ask you to share one more

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of your principles, how much

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does word choice play into this?

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I mean, sometimes I read things

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where people I think are purposely

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trying to impress me with their

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vocabulary, when in fact,

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I think simpler might be better.

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So less is more,

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I also think simpler language

play07:27

use might be better.

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What do you think?

play07:30

>> The second principle I might

play07:32

share is that make reading easy.

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That means short common words,

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short sentences, simple grammar.

play07:41

And the idea here is that it is

play07:44

easier to read writing

play07:45

that is written in this way.

play07:48

So it requires less effort,

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it's less taxing,

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it's more pleasant,

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easy exacts to read.

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Additionally, it's accessible to

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more people.

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So this is a second point,

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in addition to.

play08:00

Just being more likely to be read

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and responded to.

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It also is more accessible and

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inclusive.

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So the median US adult reads at

play08:08

a ninth-grade reading level.

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Very often,

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when we write these sentences,

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they're complex.

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They're complete.

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They're beautifully written

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with flowing pros, but

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they're kind of inaccessible to

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a large chunk of potential readers.

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And one of my favorite parts about

play08:26

writing the book and

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I imagine you had the same

play08:28

experience reading your book.

play08:29

I love learning

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about this literature that I had

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never encountered before.

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One of these huge areas of research

play08:35

is on eye tracking how people's

play08:37

eyes move when they read.

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And if you can get people to read,

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actually attentively,

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carefully read, which is rarely

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the way we actually read, but if

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you get people to read like that,

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what you see is a word, word, word,

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word period.

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And then at the period they pause

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for the period pause effects, and

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they sit there making it as if they

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are making sense of did I get

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the whole idea?

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And if they didn't,

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they go backwards and

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they jump backwards and reread.

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That's a pin.

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It's cognitively difficult,

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it requires effort, it makes people

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less likely to continue.

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Given that everyone, especially if

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it's kind of practical writing,

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text, email, reports, pitches.

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They got lots of things in their

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queue.

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And so the easier we make

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the reading, the faster it is it'll

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be for the reader to get through

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and the more accessible it'll be to

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more people.

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>> I love that eye-tracking

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behavior, that's fascinating to me.

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Thank you for sharing that.

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I had never thought about that.

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But sure, you can actually measure

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if we're making it difficult.

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I have two follow-up questions if

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you'll allow me, Todd.

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One, it strikes me that if I

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write in a way that is easier for

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my reader to digest, that I

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am actually making that experience

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a little more pleasant for them.

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They're not as frustrated.

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How does emotion play in what

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you write?

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I can imagine that if I write

play10:00

something, that the material I'm

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covering is emotional in nature.

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That can be helpful in

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some ways, right?

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Because people are engaging

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in a different way, but also their

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experience of reading might bring

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about an emotion as well.

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I mean, I remember back in high

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school when I was having to read

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texts that I was not that

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interested in, I

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got frustrated when I was reading.

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I'm not going to mention any books

play10:21

because I don't want anybody to see

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what I found offensive but

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what are your thoughts on that?

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>> The kinds of writing that I'm

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mainly, so this book is co-authored

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with my long-time co-author

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Jessica Lasky Fanke, and the kind

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of writing that we're really

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focused on, and this all originated

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with advising organization leaders

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during the pandemic, communicating

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to their stakeholders and

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employees and constituents,

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is practical writing.

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When we are writing to our families

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by text or

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to our colleagues by email or Slack

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or in sales proposals to potential

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clients or current clients.

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It's practical writing and so,

play11:01

it's not going to be the literature

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that we sometimes associate with

play11:06

when we think of good writing.

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So how do we write

play11:09

practical writing?

play11:10

That said, there are ways to be

play11:12

more persuasive and

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more compelling.

play11:15

All of that is conditional,

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or rather, requires that people

play11:19

are paying attention.

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And so, I have spent the last 20

play11:22

years developing interventions to

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increase people's likelihood

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of voting, or increase people's

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likelihood of choosing healthy

play11:29

foods or increasing students'

play11:31

likelihood of going to school by

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communicating with family.

play11:35

In all those with these

play11:36

interventions in the field to

play11:38

change behaviors,

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what I only recently realized is

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that seems zero.

play11:42

What precedes all of the persuasion

play11:44

and behavioral science that I and

play11:46

my colleagues have been developing

play11:48

is do they pay any attention to

play11:50

what we're sending them,

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to our communications.

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And very often if it's very dense,

play11:55

they just don't even bother

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engaging at all.

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Or if they do engage,

play12:00

they engage superficially before

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just moving on and say,

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I'll get back to that later.

play12:05

And so for me, the big context is

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how do we get to the, before we can

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be emotionally evocative or

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persuasive or structure things

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using different kinds of framing,

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we need to write in a way that

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people will engage and

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process deeply enough to even get

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our messages through.

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>> I want to come back to this

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question of engagement because I

play12:24

think it's very critical.

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But before I do,

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you said writing simply and

play12:28

using structure can help.

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Do you have data or

play12:31

an opinion on the use of lists and

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bullet points?

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Because at one level,

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a list in bullet points, to me,

play12:38

appears structured and it,

play12:40

in many ways, is simpler than prose

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with subjects, nouns, etc.

play12:45

But I also know that processing

play12:47

lists can be hard for people.

play12:48

What's your take on bullet points

play12:51

and lists to help people read

play12:53

what's written better?

play12:55

>> Assuming that they are used to

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organize related ideas.

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I think lists are fantastic,

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like bullet points, for example.

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So typically there is

play13:06

an agreed-upon meaning of bullets.

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We all agree that if there's

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a sentence and then a bunch of

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bullet points, that each of

play13:15

the bullet points resembles each

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other in some way, in some kind.

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And they are all related to

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the proceeding sentence, and so

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that licenses the reader if they

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understand what

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the proceeding sentence

play13:28

was to just skip the bullets

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if it's not relevant to them.

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But it also tells them that each

play13:33

bullet is an independent idea and

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that they're distinct.

play13:36

Again, the goal through everything

play13:39

is how do we make it easier for the

play13:41

readers to navigate and understand

play13:43

what we're trying to convey.

play13:45

>> You have changed my perspective,

play13:46

so thank you for that.

play13:48

I have actively dissuaded people

play13:50

from using bullet points and lists,

play13:53

but I see their value in a written

play13:55

form.

play13:55

I still think I hold my position

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that when you're speaking and

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you're putting a slide up behind

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you, that lists can be

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challenging for your audience.

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So I appreciate the balance we have

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to find of leveraging visual

play14:07

structure through bullet points and

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lists without going overboard and

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doing too much.

play14:13

Which brings me back to the idea

play14:15

that you mentioned just a bit

play14:17

ago around engagement.

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I'd love for you to talk about

play14:21

how readers choose to engage or

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not with writing and

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give me specifically some

play14:27

techniques that writers can use to

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increase a reader's engagement.

play14:33

I gave a talk today at an academic

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conference where I opened with

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raise your hand if you've ever

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received a text message, and

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you looked at it, and you're like,

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I can't deal with this now, and

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you postpone dealing with it and

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everyone's hand goes up.

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And then I said keep your hand up

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if it has ever happened,

play14:53

that you didn't get back to it.

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And everyone's hands stays

play14:57

up, right?

play14:57

Which is exactly the shortest mode

play14:59

of communication that's possible,

play15:02

which is our text messages.

play15:03

Even those people look like I just

play15:05

can't deal with that.

play15:06

That's the first version of

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disengagement which is not even

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processing it at all or

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figure out what it's about.

play15:12

That's like the first version of

play15:14

not engaging at all.

play15:15

The second stage is when you're

play15:17

reading, how deeply do you

play15:19

engage versus do you really read

play15:21

sentence by sentence or

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are you darting around?

play15:24

And very often it's just darting

play15:26

around.

play15:27

And so there are strategies you can

play15:29

use that a lot of it is influence

play15:32

and behavioral science on

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increasing people's interest or

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personal relevance of content or

play15:38

the pleasure they get in

play15:40

the language you use.

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But for us, starting point is,

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let's just make it as easy as

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possible for

play15:45

the reader to leave the message

play15:47

with the key information

play15:48

we're trying to get back.

play15:50

And from there,

play15:51

then we can start to leverage these

play15:53

other tools of social and

play15:55

behavioral science.

play15:58

So we just gotta get them to focus

play15:59

and pay attention.

play16:00

So this breeds another question,

play16:01

obviously this isn't appropriate

play16:03

for all writing.

play16:04

What role do icons, emoticons,

play16:07

emojis have?

play16:08

Because in some ways those

play16:10

are engaging,

play16:11

I will look at a text that has

play16:13

emojis in it in a different way

play16:15

than one that just have words.

play16:17

Do you have a position on that?

play16:18

Is there research behind that?

play16:20

>> I love the phrase,

play16:21

do you have a position on it?

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The only thing Majeska and I have

play16:25

a position on is that our readers

play16:27

are busy and we need to write

play16:29

in a way that makes it as easy for

play16:31

them to read what

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we are sending them as possible.

play16:34

That will be most effective for

play16:36

us in achieving our goals as

play16:37

writers and

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it also pinder by saving them time.

play16:40

That said there's been a bunch of

play16:42

research on emojis that I think is

play16:44

really fun, one,

play16:46

there are lots of courts, federal,

play16:48

state, international courts

play16:50

that have ruled on the meaning of

play16:53

emojis in financial documents.

play16:55

It wouldn't surprise you if I told

play16:57

you that a bunch of crypto

play16:59

communications sometimes involves

play17:01

emojis and courts have tried to

play17:03

interpret what those mean as

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contractually binding or not.

play17:07

That's interesting enough, but

play17:08

here's the most interesting thing.

play17:11

There are surveys showing that

play17:13

different generations, me being

play17:16

a middle-aged guy versus my kids,

play17:18

will interpret the same emojis

play17:20

meaning something different.

play17:23

So a smiley face to me means

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warm feelings, probably agreement,

play17:29

maybe humor and to my 13 year old

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daughter, a smiley face means

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sarcasm, and irony.

play17:37

And so even just those kinds

play17:39

of generational differences mean

play17:42

that wow, emojis are dangerous for

play17:44

clarity.

play17:46

Because they are interpreted

play17:47

different ways by different people.

play17:49

That's just generational,

play17:50

you can imagine different people

play17:51

have different meanings for

play17:52

different emojis.

play17:52

So I think they have a place as

play17:54

long as you know your audience, and

play17:56

they are unambiguously both

play17:57

appropriate, meaning

play17:58

they somehow fit the norms of your

play18:00

organization and you confidence

play18:02

that it can be interpreted the way

play18:03

you think it is.

play18:04

>> I give you a thumbs up emoji

play18:06

on that answer, and to me,

play18:08

that means a good answer.

play18:10

I think the jury is still out,

play18:12

literally and figuratively, so

play18:14

thank you.

play18:14

You mentioned norms, and

play18:16

I want to dig into that,

play18:17

you talk in your book about norms,

play18:19

status, and identity.

play18:21

What do you mean by this, and

play18:23

why does it even matter for

play18:24

the writing that we do?

play18:26

>> We are most effective

play18:27

when we make it easy for a reader

play18:28

to read what we're sending them.

play18:31

And one of the things we talked

play18:33

about is using fewer words,

play18:35

fewer ideas, shorter.

play18:36

Another is writing simply.

play18:38

Another is designing it,

play18:40

adding structures to it and

play18:41

you said wayfinding throughout

play18:43

the writing, like navigation.

play18:45

Those are generally true, but

play18:47

different people in different

play18:49

contexts with different norms have

play18:51

different expectations on them when

play18:54

they write.

play18:55

So when there are a bunch of state

play18:57

department emails that were

play18:59

released where lower status people

play19:02

writing up, wrote longer,

play19:04

more indirect messages.

play19:06

Whereas higher status people

play19:08

communicating down were shorter and

play19:10

more direct.

play19:12

If you are lower status,

play19:13

there's a lot of like defensive

play19:15

writing where you're not sure how

play19:17

you're going to be interpreted.

play19:19

You are very concerned about how

play19:20

you're going to be understood and

play19:22

what people

play19:22

are going to think of you.

play19:24

So, you as a writer,

play19:25

any person listening,

play19:27

has to really navigate the unequal

play19:30

burdens on writers and

play19:32

the way we are interpreted.

play19:34

But the thing that is universally

play19:36

true is that the person you

play19:37

are writing to is busy and

play19:38

probably skimming.

play19:40

And so you want to make

play19:42

it as easy as possible for them.

play19:44

One thing that I teach when I teach

play19:46

with leaders that how to

play19:47

communicate, and

play19:48

I hope this resonate with you

play19:50

having read your book, that one

play19:52

thing readers can do is set norms

play19:54

for how do we communicate?

play19:55

>> Yeah.

play19:57

>> And in the US Army there is

play19:59

a regulation an actual

play20:01

codified regulation called BLUF,

play20:04

bottom line up front an enlisted

play20:06

person writing to a general.

play20:09

Bottom line up front,

play20:10

first sentence is the bottom line.

play20:12

A general writing down to

play20:14

an enlisted person.

play20:15

Bottom line up front,

play20:16

first sentence is the bottom line

play20:18

and by making that a rule and

play20:20

a norm in the organization,

play20:21

it easier for writers to make sure

play20:23

that they're effective.

play20:24

It's easier for

play20:25

readers because they know exactly

play20:27

where to get the bottom line.

play20:28

And it also protects the lower

play20:30

status people from the kind of

play20:32

burden of getting ambiguous

play20:34

concerns about how they're going to

play20:36

be interpreted.

play20:37

So, as leaders we just set the

play20:39

norms, to make it more effective

play20:42

and all tech lower status writers.

play20:44

>> That point is so critical and

play20:46

one I think all of us

play20:47

should think about in the roles we

play20:49

serve in organizations.

play20:51

What's important is the information

play20:53

we convey, but we can also help set

play20:55

the norms and expectations for

play20:57

what that communication should look

play20:59

like and read like.

play21:00

And I don't think many

play21:02

organizations do that,

play21:03

save maybe the military or

play21:05

some governmental agency or

play21:07

something highly regulated.

play21:09

I think that's a wonderful idea,

play21:11

I often encourage the organizations

play21:13

I consult to think about their

play21:14

communication infrastructure.

play21:16

And I'm talking about do you

play21:18

use email versus Slack

play21:19

versus texting for certain things.

play21:21

I think they should add to that

play21:23

this notion of what makes for

play21:24

good writing and how can we make it

play21:26

easier on the people who are doing

play21:28

the reading?

play21:28

So thank you.

play21:30

>> So Garth before we end I'd like

play21:32

to ask you a series of questions

play21:34

two of them are similar across all

play21:35

our guests and then I have one

play21:37

random question I'm going

play21:38

to ask her are you up for that?

play21:40

>> Let's do it. >> All right,

play21:41

let's start with the random

play21:43

question first, what is a pet peeve

play21:45

of yours that bothers you in

play21:47

the writing that you see of people?

play21:50

>> Writing can serve at least two

play21:52

purposes.

play21:52

One is clarifying our thinking and

play21:55

the other is communicate that

play21:58

magical idea of getting an idea

play22:00

from my head into your head without

play22:03

us directly interacting.

play22:06

The second on is magic, but

play22:07

the first one is also helping us

play22:09

clarify our own thinking.

play22:11

And I think what can be frustrating

play22:13

as a reader is if people don't

play22:15

realize those are two separate

play22:16

things.

play22:17

And when they're writing they write

play22:19

starting wherever they thought they

play22:21

were starting and

play22:22

ending in a different place.

play22:23

And at the end is where they really

play22:26

want the key message to get

play22:28

across to me.

play22:29

And would probably be better if

play22:30

they took the perspective how do

play22:31

we make it easier for the reader?

play22:33

The reader doesn't need to know

play22:34

where you started, the reader needs

play22:35

to know with the key information.

play22:37

But those are two different

play22:38

functions and editing and

play22:39

revising is the key to getting from

play22:41

the first essay.

play22:42

>> Well put.

play22:43

My pet peeve is along those lines.

play22:45

It's people who start from

play22:46

an assumption that you're where

play22:47

they're at.

play22:48

It's that curse of knowledge and

play22:50

that really can be frustrating and

play22:51

sometimes very intimidating.

play22:54

So, question number two, and

play22:56

you can take this as any

play22:57

type of communication,

play22:58

written, spoken, etc.

play23:00

Who is a communicator

play23:01

that you admire and why?

play23:03

>> I'm going to take this,

play23:05

I think a direction others had not.

play23:08

I really like the approach of

play23:09

Don Norman, who is the founder of

play23:11

User-Centered Design,

play23:13

and wrote a book called

play23:14

The Design of Everyday Things.

play23:16

And I'm not talking about

play23:17

his writing though, he's prolific.

play23:20

He's, like, basic philosophy is

play23:22

if you've designed an object and

play23:24

the user interacts with it, and

play23:26

does not understand how to use it,

play23:28

it's on you, the designer.

play23:29

It's never the user's fault,

play23:32

it's always the designer's fault.

play23:35

And that design is a form of

play23:36

communication, and Jessica and

play23:39

I have that basic philosophy when

play23:41

it comes to practical writing.

play23:43

Even if my writing is super clear

play23:45

and if you had read the whole

play23:46

thing, you'd understand why we're

play23:48

doing this, what time it is,

play23:50

where it's happening, and

play23:51

what you're supposed to bring.

play23:53

If I send it to you and you don't

play23:55

pull those information pieces from

play23:57

it, that's on me, not on you.

play23:59

It's always on the writer to make

play24:01

sure it gets through to

play24:02

the busy reader and

play24:03

it's not just about clarity.

play24:04

It's about actually accommodating

play24:06

the fact that this person, that our

play24:07

readers are busy and skimming.

play24:09

>> Very important, the design

play24:11

of your messages matters.

play24:13

Final question, what are the first

play24:15

three ingredients that go into

play24:17

a successful communication recipe?

play24:19

>> Three things, goal, context,

play24:21

and revising.

play24:22

Goal, we have to know what we're

play24:24

trying to accomplish.

play24:25

And maybe writing can help us

play24:27

figure that out, but we have to be

play24:28

super clear on our goal.

play24:30

And then from there, we write and

play24:32

we have to know our context.

play24:34

What are the norms?

play24:34

What are the expectations?

play24:36

How are we going to be interpreted?

play24:37

How much detail is expected of us

play24:40

or needed or wanted.

play24:42

And then revising is applying

play24:44

the six principles of writing for

play24:46

busy people, which

play24:47

we've talked about three of them.

play24:50

But so it's clarity of goal,

play24:53

knowing your context and revising.

play24:57

Unfortunately, all of them

play24:59

are hard [LAUGH] >> But

play25:00

necessary in the work I do around

play25:01

oral communication, speaking,

play25:03

they're identical.

play25:04

This notion of iteration is

play25:06

critical and it's a process.

play25:08

Many of us just think,

play25:09

I gotta get it out and it's done.

play25:11

But it's actually an iterative

play25:12

process and I appreciate that.

play25:14

As do I appreciate this whole

play25:16

conversation, Todd,

play25:17

you certainly didn't disappoint,

play25:19

your information was very valuable.

play25:20

Allow me to structure it clearly.

play25:23

Point one, people are busy right to

play25:25

make it easier for them.

play25:27

Point two we have to consider the

play25:30

context when we write and context

play25:32

includes norms, status, etc.

play25:34

And point three, learning to write

play25:36

better is something that you

play25:38

can do and it's worth the effort.

play25:40

Todd, thank you so much.

play25:41

I wish you well on all that you do,

play25:43

especially with your book, Writing

play25:45

for Busy Readers, Communicate

play25:47

More Effectively in the Real World.

play25:49

Thank you.

play25:50

>> Thank you, Matt.

play25:51

[MUSIC]

play25:54

>> Thanks for joining us for

play25:55

another episode of Think Fast, Talk

play25:57

Smart, the podcast from Stanford

play25:59

Graduate School of Business.

play26:01

This episode was produced

play26:03

by Jenny Luna, Ryan Campos, and me,

play26:05

Matt Abrahams.

play26:07

Our music was provided by

play26:09

Floyd Wonder.

play26:10

For more information and episodes,

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find us on YouTube or

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wherever you get your podcasts.

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Thank you.

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And please make sure to subscribe

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and follow us on LinkedIn.

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Связанные теги
Effective WritingBusy ReadersCommunicationWriting TipsStrategic WritingBehavioral InsightsMatt AbrahamsTodd RogersStanfordHarvard
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