An Act Of Realization- Maddam Sir - Ep 559 - Full Episode - 21 July 2022

Sony SAB
5 Aug 202220:51

Summary

TLDRIn this dramatic script, Amar Vidrohi, a police officer, faces a tense standoff with a dangerous criminal who threatens to kill him and others unless he shows himself. The situation escalates as the criminal targets Amar's loved ones, forcing him to confront his fears. Meanwhile, a test of love unfolds as Palak's husband Sudhir and lover Rahul are challenged to prove their devotion in a life-or-death scenario. The twist reveals the entire ordeal to be a staged drama to test the true nature of love. The script concludes with the introduction of Misri Pandey, a new SHO with a reputation for causing chaos, adding an unexpected layer of excitement and tension to the police station.

Takeaways

  • 😱 A dramatic confrontation occurs where a character threatens Amar Vidrohi, suggesting a tense and dangerous situation.
  • 🔍 Amar Vidrohi is revealed to be a police officer, adding a layer of complexity to the narrative as law enforcement is involved.
  • 🤔 The script explores themes of love and sacrifice, particularly in life-threatening situations, questioning who would truly risk their life for another.
  • 🎭 A twist is introduced where the danger is revealed to be staged, with fake bullets and dacoits, indicating a setup for a test or lesson.
  • 🐎 The mention of real horses and rented costumes suggests that the scene is part of a play or performance, possibly a metaphor for real-life scenarios.
  • 🍚 The dialogue includes a humorous moment with a bill for 'Biryani' and 'Samosas', lightening the mood and adding a touch of comedy.
  • 👮‍♀️ The arrival of a new SHO, Misri Pandey, at the police station is announced, indicating a change in leadership and dynamics.
  • 💃 Misri Pandey's entrance is marked by a lively celebration, suggesting her popularity and a potential clash of personalities with Amar Vidrohi.
  • 🚔 The script hints at a rivalry or past conflict between Misri Pandey and another character, Haseena Mallik, adding depth to the interpersonal relationships.
  • 🎁 Misri Pandey brings a 'small present' to the police station, which is a 'Wanted' poster, possibly indicating her mission and the station's new focus.

Q & A

  • Who is Amar Vidrohi?

    -Amar Vidrohi is a character in the script who is addressed as someone who was expected to be scared upon hearing another character's name, suggesting he might be a significant or feared figure in the narrative.

  • What is the significance of the character counting till 10?

    -The character counting till 10 is a dramatic device used to create tension and urgency, indicating that if Amar Vidrohi does not appear, there will be dire consequences.

  • Why does the character hide behind Palak?

    -The character hides behind Palak as a protective measure, possibly because Palak is seen as a shield or because he values her safety.

  • What is the role of Sudhir in the script?

    -Sudhir is portrayed as a brave character who is willing to risk his life to save Palak, showcasing his true love and courage in the face of danger.

  • What is the twist revealed at the end of the script?

    -The twist is that the bullets and dacoits were fake, and the entire scenario was a drama staged to test the love and loyalty of the characters involved.

  • Why does the script mention 'Biryani' and 'Samosas'?

    -The mention of 'Biryani' and 'Samosas' is likely part of the humorous or light-hearted conclusion of the drama, indicating that the characters had a meal together after the staged event.

  • What is the purpose of the drama enacted by the characters?

    -The purpose of the drama is to determine who would stand by Palak in a life-threatening situation, thereby revealing the true nature of love and commitment.

  • Who is Misri Pandey and what is her role in the script?

    -Misri Pandey is a character who returns to the police station with extra power and is known for her ability to create chaos. She is also shown to have a contentious relationship with Ms. Haseena Mallik.

  • What is the significance of the 'Wanted' poster at the end?

    -The 'Wanted' poster likely signifies an ongoing or new case that Misri Pandey is determined to solve, possibly related to Haseena Mallik, indicating a continuation of the conflict or a new challenge for the characters.

  • How does the script use humor to lighten the mood?

    -The script uses humor through the unexpected revelation that the life-threatening situation was staged, the characters' reactions to the drama, and the casual mention of food and the request for payment for the rented costume and gun.

Outlines

00:00

🔍 Confrontation and Realization

The script opens with a dramatic confrontation between Amar Vidrohi and an antagonist who challenges him to appear or face the death of others. The antagonist threatens to kill Amar and those around him, including a girl named Palak. Amar eventually steps forward, revealing the antagonist's threats to be a staged act with fake bullets and dacoits. The scene concludes with a moral lesson about true love, as Sudhir, Palak's husband, is the one who stands between her and the fake threat, demonstrating his genuine love and courage. The characters discuss the difference between professed love and real-life actions, and the importance of supporting true love and decisions.

05:02

🏍️ A Rush to the Airport

The narrative shifts to a light-hearted and comedic scene where a character, possibly a sister, is in a hurry to reach the airport. She is accompanied by Amar, who is initially reluctant but eventually agrees to help. The sister expresses pride in Amar's accomplishments and plans to share the news with their father. There's a playful banter about Amar's nickname 'Chotu' and his growth into a capable individual. The sister leaves in a rush, forgetting a medal, and Amar's colleagues jokingly suggest that he is needed at the station more than at the airport. A humorous exchange ensues about riding a motorcycle, with Amar's sister doubting his skills and him boasting about his past speed, leading to a chaotic and comedic ride.

10:13

🎉 Misri Pandey's Grand Return

The script introduces Misri Pandey, a character with a dual nature, sweet and poisonous, who makes a grand entrance at a police station. She is welcomed by a celebration, indicating her popularity and influence. Misri Pandey is determined to catch Haseena Mallik and asserts her authority over the station, ordering the staff to dance and celebrate her arrival. She playfully interacts with Ms. Pushpa, one of the officers, and invites her to dance, setting a lively and energetic tone. The scene establishes Misri Pandey as a central character with a strong presence and a mission to make significant changes at the police station.

15:13

🚔 Misri Pandey Takes Charge

In this segment, Misri Pandey formally announces her appointment as the new Station House Officer (SHO) of the women's police station, temporarily filling in for Haseena Mallik. She confronts Amar Vidrohi, acknowledging his fame and the station's desire for control. Misri Pandey brings a 'Wanted' poster as a gift, hinting at her mission to pursue Haseena Mallik. The scene ends with her expressing a desire to make Haseena's presence felt in the station, even in her absence, suggesting a strategic and possibly contentious relationship with the other characters.

Mindmap

Keywords

💡Amar Vidrohi

Amar Vidrohi appears to be a character in the script, likely a protagonist given the dramatic entrance and the way others react to his presence. The name suggests a heroic or defiant persona, which is reinforced by the dialogue where he is called out and expected to face a threat. This character is central to the narrative's tension and resolution.

💡Dacoits

Dacoits, in the context of the script, refer to bandits or outlaws, typically associated with historical or fictional narratives set in regions where such criminal elements were prevalent. The term is used to create a sense of danger and lawlessness, contributing to the dramatic atmosphere of the video.

💡Biryani

Biryani is a traditional South Asian dish made with rice, meat, and spices. In the script, it's mentioned in a humorous context, indicating that the characters had a meal before the dramatic events unfolded. This serves as a contrast to the tension of the situation and adds a touch of everyday life to the narrative.

💡Samosas

Samosas are a popular fried or baked pastry filled with spiced potatoes, onions, peas, or meat. Similar to Biryani, the mention of Samosas in the script adds a cultural and culinary element to the story, grounding it in a familiar context for the audience and providing a moment of levity amidst the drama.

💡Love and Sacrifice

The concepts of love and sacrifice are central to the video's theme, as evidenced by the dialogue where characters express their willingness to risk their lives for one another. This is exemplified by Sudhir's actions, where he stands in front of a gun to protect Palak, demonstrating the depth of his love and the theme of selflessness in the face of danger.

💡Police Officer

The term 'police officer' is used in the script to highlight the profession and responsibilities of a character, Amar. It adds a layer of duty and authority to his character, contrasting with his moment of perceived cowardice when hiding behind Palak. This contrast serves to challenge and ultimately affirm the character's integrity and courage.

💡Haseena Mallik

Haseena Mallik seems to be a significant character, possibly an antagonist, whose absence is noted by another character. The mention of her name creates intrigue and suggests that she plays a crucial role in the storyline, even in her absence.

💡Misri Pandey

Misri Pandey is introduced as a new character towards the end of the script, with a dramatic entrance that suggests she will be a force to be reckoned with. Her character is associated with unpredictability and a strong personality, as indicated by her self-introduction and the reactions of others to her arrival.

💡SHO

SHO stands for Station House Officer, a term used in the script to denote a ranking police officer in charge of a police station. The transfer of SHO Misri Pandey to the station signifies a change in authority and dynamics within the police force, adding to the narrative's tension and development.

💡Encounter

The term 'encounter' in the script likely refers to a confrontation between police and criminals, often used in the context of law enforcement actions against outlaws. It is mentioned in a past tense, suggesting a history of conflict between characters and foreshadowing future confrontations.

💡True Love

The concept of true love is explored through the actions of Sudhir, who is willing to risk his life for Palak. This showcases the script's message about the nature of genuine affection and commitment, contrasting it with mere infatuation or self-preservation.

Highlights

Amar Vidrohi is confronted by an antagonist who challenges him to appear or face the consequences.

The antagonist threatens to kill Amar Vidrohi, escalating the tension.

Amar Vidrohi is found hiding behind Palak, raising questions about his courage as a police officer.

Sudhir, Palak's husband, demonstrates true love by risking his life to protect her.

The antagonist's plan is revealed to be a staged drama to test the characters' reactions.

The revelation that the bullets and dacoits were fake brings a twist to the story.

The characters reflect on the nature of true love and sacrifice in life-threatening situations.

Palak is faced with the decision of who truly loves her, her husband or her lover.

Amar Vidrohi's intelligence and quick thinking are praised as he solves a case swiftly.

Misri Pandey makes a dramatic entrance as the new SHO of the police station.

Misri Pandey's unconventional methods and personality shake up the police station.

Amar Vidrohi and Misri Pandey have a tense first meeting, hinting at their rivalry.

Misri Pandey's past actions at the police station are recalled, foreshadowing future conflicts.

The police station staff is introduced to Misri Pandey's unique style of leadership.

Misri Pandey's arrival is celebrated with a song and dance, showcasing her popularity.

The staff is warned about Misri Pandey's reputation and her impact on their lives.

Misri Pandey's presence is used as a reminder of Haseena Mallik, adding a layer of intrigue.

Amar Vidrohi is invited to inaugurate a 'gift' from Misri Pandey, building anticipation.

Transcripts

play00:06

What happened, Amar Vidrohi?

play00:08

Did you get scared on hearing my name?

play00:13

You got scared to see your death in front of you?

play00:17

Appear before me. Didn't I tell you

play00:19

that the day we come face to face

play00:22

you will be dead.

play00:24

So, here I am.

play00:25

I am here to kill you.

play00:30

Amar Vidrohi, come out.

play00:33

Or else, everyone will die unnecessarily.

play00:35

No! - No..

play00:41

And I will count till 10.

play00:44

Sir, you know the count only till 3.

play00:50

I will count till 3.

play00:55

One.. - No.. - No..

play00:58

Amar sir.. - Amar sir, where are you?

play01:00

Two..

play01:05

Amar sir.. - Here I am.

play01:08

Hey.. - Hey.. O, God!

play01:13

Amar, what are you doing?

play01:15

Did you forget that you are a police officer?

play01:18

Why are you hiding behind Palak? Come out.

play01:20

Do something.

play01:21

Never mind.

play01:23

First, I'll kill them one by one right in front of you.

play01:29

Then I will kill you.

play01:35

But first, I'll kill this girl you are hiding behind.

play02:09

Sudhir!

play02:12

Sudhir!

play02:13

Sudhir! Sudhir!

play02:15

Sudhir, are you alright?

play02:17

I am fine but..

play02:18

Why didn't anything happen to me?

play02:20

The bullet was fired but nothing happened to me.

play02:31

Calm down. The last part of the story ends here

play02:35

on a happy note.

play02:36

These bullets and dacoits are fake. They are not real.

play02:43

Yes, but these horses are real.

play02:45

We got this costume and gun on rent.

play02:47

Iqbal, give them the bill.

play02:49

Hang on. They all had 'Biryani'.

play02:51

This is the bill. And they also had 'Samosas'.

play02:53

You have to pay me. I accept online payment also.

play02:55

Return the costume to Mr. Tahir.

play02:58

Give them a big hand. They have done a great job.

play03:00

Come on. - Yes, very nice. - Superb!

play03:06

We did this drama

play03:08

because in a situation where it's about life and death

play03:12

then who will stand in between Palak and death

play03:16

and risk his life.

play03:17

Her husband, Sudhir

play03:18

or her lover, Rahul.

play03:20

You must have heard many dialogues in love.

play03:22

'You are important than my life.'

play03:24

'I can sacrifice my life for you.'

play03:26

'You are my life..' And etcetera..

play03:28

There are many such dialogues.

play03:29

But when such a situation arises in real

play03:31

then all these dialogues disappear.

play03:34

Only a person whose love is true

play03:36

who can stand in between life and death

play03:39

just like Sudhir. He didn't bother about his life

play03:41

and to save his wife, he stood in front of the gun.

play03:46

Then it's not hard to understand

play03:49

as to who your true love is.

play03:52

Ma'am, this is not done.

play03:54

In a situation like this, one would save his own life.

play03:56

If I didn't come in front of the gun

play03:59

doesn't mean I don't love Palak.

play04:02

You only like Palak.

play04:04

Sudhir loves her.

play04:05

So, he didn't calculate.

play04:07

He did what he felt was right to save Palak.

play04:10

He didn't care that he can die.

play04:13

This is love.

play04:17

And you, Palak..

play04:18

You were very worried

play04:20

as to who will stand by you for the rest of your life?

play04:23

You are sensible enough to think what is right for you

play04:26

and what is wrong.

play04:30

And Mr. Rohit, even you should respect Palak's decision

play04:33

and you should support them.

play04:35

You are right, sir.

play04:37

Sudhir, sorry.

play04:39

And good luck.

play04:52

And I want to thank all of you.

play04:56

And specially Amar sir.

play04:59

Whatever you people have done for me..

play05:01

You all deserve this.

play05:19

Did you see that?

play05:21

Didn't I tell you that your brother is amazing

play05:23

and he'll solve the case within five hours.

play05:26

It's not even two hours. Look at the time.

play05:28

And your brother solved the case.

play05:32

Exactly.

play05:34

I have always been telling you

play05:36

that Amar sir is intelligent, sensible, talented..

play05:38

That's enough, Ms. Pushpa. She understood.

play05:40

Thank you. Thank you so much.

play05:41

Amar, I'm really proud of you.

play05:44

I'll go home and tell dad about your achievements.

play05:47

Even he should know that Chotu

play05:50

is no more Chotu.

play05:52

He has grown up.

play05:56

I have to board the flight.

play05:58

I'll get going, okay?

play06:01

Why are you looking at me so surprisingly?

play06:04

I didn't mean when I said that I'd stay here.

play06:06

So that you feel under pressure.

play06:08

And you solve this case soon.

play06:11

And the same happened.

play06:15

Take care of yourself.

play06:16

Keep it up.

play06:18

Even you take care of yourself.

play06:20

Okay. All the best, everyone.

play06:22

Thank you.

play06:23

Oh! I forgot the medal which I came to collect.

play06:27

Mr. Diwan!

play06:30

Here you go.

play06:31

Thank you. - Sister..

play06:32

I'll come to drop you at the airport. - No..

play06:34

It's okay. I think

play06:37

you are needed here.

play06:39

SHO Amar Vidrohi.

play06:49

And after the duty, you are Chotu.

play06:53

Sir, I'll drop her. - Here you go. - Please come.

play06:55

Okay.

play06:59

Thank you so much.

play07:01

I owe you one.

play07:02

I will return it when you need.

play07:04

Sir, we did this out of humanity.

play07:06

Just remember this while paying it back.

play07:18

Why have I got such a daughter-in-law?

play07:21

You are flying this motorcycle in the air.

play07:31

What happened? Why are you riding like this?

play07:34

Gosh! Is this the time to argue?

play07:36

You will argue with me in this situation!

play07:38

We are getting late. We have to reach soon.

play07:40

Why don't you buy a bicycle if you can't ride the bike?

play07:43

Do you know how to ride?

play07:44

Yes. - Get down.

play07:46

Get down quickly.

play07:52

What are you doing?

play07:53

Come on, ride.

play07:54

What! - I don't know how to ride.

play07:56

There's a problem if I ride fast.

play07:57

There's a problem if I ride slow.

play07:58

You are never happy.

play07:59

So, I will sit behind you.

play08:01

You ride the bike,

play08:02

I don't care whether you ride, slow, fast, of fly it.

play08:05

Come on, ride the bike. - Sure.

play08:07

Don't give me this attitude. Do you think I can't ride it.

play08:10

I took away people's sleep when I was of your age.

play08:13

Everyone would get scared of my speed.

play08:15

Then scare me.

play08:17

Even I want to see your speed.

play08:21

Look.. Look..

play08:23

I am warning you.

play08:25

You will get scared.

play08:27

Later, don't complain that I didn't warn you.

play08:28

I am scared.

play08:30

I want to experience the fear.

play08:31

I want to see your speed.

play08:33

I am scared. Come on, ride.

play08:47

O, God!

play08:49

Very nice. You are riding fast.

play08:59

O, my God!

play09:02

Yes, sir.. No, I will manage.

play09:04

Thank you. Please go.

play09:05

Are you done riding?

play09:08

Gosh.. I know.. I know..

play09:11

You made me ride this bike

play09:13

so that I fall down.

play09:15

And I die, right?

play09:17

So that it looks like an accident and you are not blamed.

play09:21

To kill me..

play09:23

You made such a good plan to get rid of me.

play09:27

I am understanding everything.

play09:29

How should we go? How should we go from here?

play09:33

My bike! You broke my bike!

play09:36

How do I know.. - O, God!

play09:38

It started raining!

play09:45

Whenever you call me..

play09:48

I am not the time

play09:50

that I can never come back.

play10:12

Misri Pandey!

play10:32

Misri Pandey!

play10:35

I am sweet when added to betel leaf

play10:37

and poison when added to Mulethi.

play10:40

You might remember me.

play10:49

'This is amazing. Leave!'

play10:51

'I am saying this for your welfare.'

play10:54

'Otherwise, I am Misri.'

play10:56

'I am sweet as honey when added to betel leaf'

play10:58

'and poison when added to Mulethi.'

play11:01

'Don't forget this.'

play11:03

'By the way, you look sensible.'

play11:08

What to do? I couldn't stay away from my fan for long.

play11:11

So, I had to come.

play11:17

Misri Pandey is back!

play11:22

Ms. Karishma Singh!

play11:24

I am very happy to meet you again.

play11:27

Get in the car.

play11:28

I'll drop you. I'm going that way.

play11:33

Trust the Goddess and get in the car.

play11:37

Well, if you're shocked and nervous after seeing me

play11:41

I can't help you with that.

play11:44

Come on!

play11:46

Get in the car.

play11:55

Let's go.

play11:57

Well, we will park the bike to a side and join you.

play12:33

What is this dancing and singing all about?

play12:36

I hope Mr. Amar has not taken over the station.

play12:41

What if this is the celebration of the new station?

play12:45

Ms. Pushpa, it's not about the new station.

play12:51

It's about the new SHO of the station.

play12:55

SHO Misri Pandey.

play13:18

Why are you all standing idle?

play13:20

Will you not welcome your new SHO?

play13:24

Dance, sing and celebrate the happiness.

play13:27

The luck of this police station is about to change.

play13:30

Listen, on the public demand.

play13:33

Finally, Misri Pandey is back.

play13:37

Hit it!

play13:48

'I've made my way to the women's police station.'

play13:50

'Now, nobody can stop me from catching Haseena Mallik.'

play14:15

I'm not requesting.

play14:18

Rather, I'm ordering you.

play14:20

I'm your senior.

play14:23

Do think about it.

play14:26

Do you want to come here and dance with me

play14:29

or do you want to cross the line

play14:30

and dances to the tunes

play14:32

of all the rank officers in the headquarters for a whole month?

play14:42

Hit it!

play14:47

Ms, Pushpa, please come.

play14:49

Please dance with me.

play15:11

Here she is! - Who are you talking about?

play15:12

Idiot, I'm talking about my first love Misri Pandey.

play15:15

She has not come here herself.

play15:17

Her love towards me has compelled her to come here.

play15:18

It's not your love but it's your end.

play15:19

Did you forget she had taken you to encounter you?

play15:21

'Stop!'

play15:26

You must sacrifice your life in love.

play15:28

We were just playing a game.

play15:30

You'll see that after a few years

play15:31

our kids will be playing in this station.

play15:33

You'll not be here to see that.

play15:36

Wow!

play15:37

That was great!

play15:38

This is called a great welcome.

play15:40

Everybody, follow me.

play15:42

Why don't you go in? - Let's go..

play15:45

Stop it.

play15:46

Get out of here! - That's enough.

play15:47

Everybody, leave.

play15:51

Karishma Singh. - Sir, 'Jai Hind'.

play15:53

'Jai Hind'.

play15:54

Who was that?

play15:56

She has changed the whole environment here.

play15:58

Who is that lady?

play16:00

Sir, I feel you're destined to fight with women.

play16:03

All the things that you've heard about the ladies

play16:07

I'm sure you've experienced that here in this station.

play16:10

Now, you'll see how it looks like

play16:13

when a women creates ruckus.

play16:14

Misri Pandey will make you experience that.

play16:17

Wow!

play16:18

Such a nice introduction.

play16:20

I think I must be careful as you're telling me.

play16:24

So, tell me more about her.

play16:26

The last time she was here

play16:28

she had turned everyone's life into a hell.

play16:30

'You both.'

play16:32

'The list which Ms. Pushpa has prepared.'

play16:33

'Call all these numbers again'

play16:36

'and confirm'

play16:37

'that if there were asked properly'

play16:39

'about the adulterated milk.'

play16:41

'Do one thing.'

play16:43

'Go to Aminabad bus stop'

play16:45

'and control the traffic there.'

play16:47

'I think nothing happens without Goddess' permission.'

play16:49

'And when the Goddess doesn't wish this to happen.'

play16:52

'let alone you'

play16:54

'nobody can dare to take me out of here.'

play16:57

She hates Ms. Haseena.

play17:00

Ms. Pushpa.

play17:01

The SHO of women's police station Misri Pandey.

play17:04

She has called for you.

play17:05

This means trouble.

play17:07

She has called for everyone.

play17:19

So..

play17:21

The things is that I know what is going on in your mind.

play17:27

The person you had never wished to see again

play17:29

is standing right in front of you

play17:31

with extra power now.

play17:37

There was no prior information.

play17:38

There is no transfer order.

play17:39

I just entered

play17:43

in this police station

play17:45

and in your lives as well.

play17:49

I can't help it.

play17:50

My nature is like bad luck.

play17:52

Whenever it comes, it comes for no reason.

play17:55

This is not about I getting appointed here.

play17:58

It is all about what happens after I come here.

play18:03

This is my transfer order.

play18:08

I've been sent here temporarily.

play18:11

To fulfil Haseena Mallik's position.

play18:14

So, I'm the new

play18:18

SHO of this police station.

play18:28

Mr. Amar Vidrohi!

play18:31

I've heard a lot about you.

play18:32

You're very famous in the department.

play18:36

Thank you.

play18:37

I've also heard

play18:38

that you and the people in this station

play18:39

are very desperate to get control of this police station.

play18:45

Well, it doesn't matter who wins now.

play18:47

I've taken care of my entertainment.

play18:52

Well, it was nice meeting you.

play19:03

Same here.

play19:05

Well, the unlucky thing now

play19:08

is that the main person of this station is not present here.

play19:11

I'm missing her

play19:13

and I'm sure all of you must be missing her as well.

play19:16

Haseena Mallik!

play19:19

So, just to make you not miss her

play19:22

and to make her presence always felt in this station,

play19:24

I've brought a small present for you.

play19:28

I hope all of you will like it a lot.

play19:42

That's it. You can leave. Thank you.

play19:46

Mr. Amar Vidrohi.

play19:47

Please join me to inaugurate this gift.

play19:52

Please come.

play20:02

So, shall we begin?

play20:11

'Wanted'?

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Связанные теги
Police DramaLove TestThrillerCourageIntrigueBetrayalSuspenseActionMysteryComedy
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