Not Like Us

Kendrick Lamar
4 Jul 202405:54

Summary

TLDRThe video script is a dynamic and intense rap performance, featuring a series of bold and confrontational lyrics that touch on themes of authenticity, industry criticism, and personal resilience. The artist challenges rivals, reflects on cultural heritage, and asserts dominance in the rap scene, all delivered with a powerful beat and a commanding stage presence that captivates the audience.

Takeaways

  • 🎤 The script features a series of lyrics from a song, indicating a focus on music and possibly a live performance context.
  • 🤔 Lyrics contain references to various individuals and situations, suggesting a narrative or commentary on personal experiences and the music industry.
  • 👥 There are mentions of specific names like 'Kendrick', 'Drake', 'Cole', and 'DeRo', implying the script might be from a song by Kendrick Lamar addressing other artists.
  • 📣 The use of direct speech and questions to the audience indicates an interactive element, possibly part of a live performance or a call-and-response in the song.
  • 🎶 The presence of musical cues like 'Mustard on the beat' and sound effects suggests a dynamic and rhythmic composition.
  • 👻 The script includes playful and cryptic phrases, hinting at a deeper or more complex meaning behind the lyrics.
  • 🔊 There are aggressive and assertive tones, indicating a confident and confrontational stance by the artist.
  • 🏆 The lyrics mention achievements and recognition, possibly referring to awards, records, or chart positions.
  • 🤝 The mention of 'stocks' and 'ownership' could be a metaphor for control or investment in one's career or brand.
  • 👮‍♂️ References to law enforcement and the legal system might be commentary on societal issues or personal encounters with the law.
  • 🔙 Historical references to 'chains' and 'Mecca' could be drawing parallels between past struggles and current societal or personal challenges.

Q & A

  • What is the theme of the song that is being performed in the transcript?

    -The theme of the song appears to be a mix of self-assertion, defiance against the music industry, and commentary on various artists and societal issues.

  • What is the significance of the line 'I AM... REINCARNATED'?

    -This line suggests a transformation or rebirth of the artist, possibly indicating a change in their approach to music or life.

  • What does 'HOT KEY, KEEP A HORN ON ME, THAT KAMASI' refer to?

    -This is likely a reference to the jazz saxophonist Kamasi Washington, indicating an influence or collaboration in the artist's music.

  • What is the meaning behind 'MISTER GET OFF I GET OFF AT MY FEET'?

    -This line could be interpreted as a metaphor for independence and self-reliance, suggesting that the artist is in control of their own path.

  • What is the context of the interaction between 'TOMMY THE CLOWN' and 'I SEE DEAD PEOPLE'?

    -This interaction seems to be a part of a skit or dialogue within the performance, possibly indicating a commentary on the superficiality or absurdity of certain aspects of the entertainment industry.

  • What is the significance of the repeated phrase 'THEY NOT LIKE US'?

    -This phrase emphasizes a sense of otherness or non-conformity, suggesting that the artist and their group or fans are distinct from the mainstream or the industry's expectations.

  • What does 'HOW MANY OPPS YOU REALLY GOT?' imply about the artist's stance towards their competition?

    -This question challenges the authenticity of the artist's rivals, implying that they may not have as many genuine adversaries or 'opponents' as they claim.

  • What is the reference to 'DRAKE' and 'CELL BLOCK ONE' about?

    -This seems to be a direct address to the artist Drake, possibly criticizing his authenticity or his relationships with others in the industry.

  • What is the meaning of 'THE INDUSTRY CAN HATE ME, FUCK 'EM ALL AND THEIR MAMA'?

    -This line expresses a strong disregard for the opinions of the music industry, indicating a rebellious attitude towards its norms and expectations.

  • What historical context is being referred to with 'ONCE UPON A TIME, ALL OF US WAS IN CHAINS'?

    -This line refers to the history of slavery, drawing a parallel between past struggles and present-day challenges faced by the artist and their community.

  • What is the message conveyed by the line 'YOU RUN TO ATLANTA WHEN YOU NEED A CHECK BALANCE'?

    -This line criticizes artists who may only engage with Atlanta's music scene for financial gain or to boost their credibility, rather than genuine appreciation or connection.

Outlines

00:00

🎤 Rap Battle and Controversial Lyrics

The first paragraph of the script is a vivid display of a rap battle, filled with aggressive and controversial lyrics. The artist uses a variety of references, from pop culture to sports, to assert dominance and criticize rivals. There's an evident theme of defiance and a no-holds-barred approach to addressing opponents, with mentions of industry backlash, personal achievements, and a bold challenge to anyone who dares to question the artist's authenticity or origin. The script also includes a call-and-response segment with the audience, indicating a live performance setting.

05:01

🙌 Audience Interaction and Encore

The second paragraph captures the immediate aftermath of the rap performance, highlighting the audience's enthusiastic response and desire for an encore. The crowd's chant, 'Are you my friend? Are we locked in?' suggests a sense of camaraderie and shared excitement. The man on the loudspeaker instructs the crowd to back up, indicating a large gathering and a need for crowd control, further emphasizing the high energy and popularity of the performance.

Mindmap

Keywords

💡Reincarnated

Reincarnation is a concept in which an individual's soul or spirit is believed to be reborn into a new body after death. In the context of the video, the term 'Reincarnated' is used metaphorically to suggest a transformation or a new beginning, possibly alluding to a change in the artist's life or career. The script uses this term to set a tone of rebirth or a second chance.

💡Stargazing

Stargazing typically refers to the act of observing the stars and celestial objects in the sky. In the script, 'Stargazing' could symbolize looking towards the future, having dreams, or seeking inspiration from the cosmos. It may also serve as a metaphor for introspection or aspiration, indicating a search for meaning or guidance.

💡HOT KEY

In the context of the video, 'HOT KEY' might be a metaphor for a crucial or essential element, something that is vital to the artist's success or identity. It could also be a reference to a shortcut or a quick way to achieve something, suggesting that the artist has a direct route to success or influence.

💡IP Ownership

IP stands for Intellectual Property, which refers to creations of the mind, such as inventions, literary and artistic works, designs, and symbols. 'IP Ownership' in the script likely refers to the artist's control over their creative works, emphasizing the importance of owning one's intellectual property rights and the power that comes with it.

💡Debo

Debo is a term that could be a nickname or a reference to a specific person or character. In the script, 'Debo' is used in the line 'Deebo, any rap nigga, he a free throw,' which might suggest a comparison to a character from the movie 'Friday' known for his intimidating presence, indicating a sense of dominance or threat in the context of the rap scene.

💡OVO

OVO stands for October's Very Own, which is the brand and record label founded by the Canadian rapper Drake. In the script, the mention of OVO could be a reference to Drake or his influence, possibly indicating a rivalry or commentary on the music industry and its relationships between artists.

💡Stocks

In a financial context, 'stocks' refer to shares in the ownership of a corporation. The script's line 'How many stocks do I really have in stock?' could be a metaphorical question about the artist's worth, influence, or resources. It might also be a commentary on the business side of the music industry, where artists are often shareholders in their own brands.

💡69 God

The term '69 God' is likely a reference to the rapper Tekashi 6ix9ine, known for his controversial persona and legal issues. The script uses this term to possibly criticize or comment on Tekashi 6ix9ine's influence and the perception of his actions within the music community.

💡Meca

Mecca is a city in Saudi Arabia and is the holiest city in Islam. In the script, 'Mecca' is used in the context of 'Atlanta was the Mecca,' which could be a metaphorical reference to Atlanta being a central hub or a place of pilgrimage for a certain culture or industry, in this case, possibly referring to the music or hip-hop scene.

💡Colonizer

A colonizer is someone who establishes control over a territory, often through conquest or settlement. In the script, the term 'colonizer' is used to criticize someone for encroaching on or exploiting a culture or community that is not their own, suggesting a commentary on cultural appropriation or exploitation in the music industry.

💡God's Plan

The phrase 'God's Plan' suggests a divine or higher power's intention or purpose. In the script, it is used to imply that events or revelations are part of a larger, predetermined plan, possibly hinting at the exposure of deceit or the unfolding of truth in the narrative of the video.

Highlights

Reincarnation and introspection with the line 'I AM... REINCARNATED'

Life's continuity and personal growth symbolized by 'LIFE GOES ON, HONEY ALL MY BABIES'

The pursuit of health and wellness with 'LOOKIN' FOR THE BROCCOLI'

Artistic ownership and originality emphasized in 'IP OWNERSHIP THE BLUE PRINT IS BY ME'

A call for self-reliance and independence in 'MISTER GET OFF I GET OFF AT MY FEET'

The use of humor and playfulness in 'TOMMY THE CLOWN WHAT'S THE PASSWORD?'

A powerful statement against conformity in 'THEY NOT LIKE US, THEY NOT LIKE US'

A challenge to the music industry and its norms with 'THE INDUSTRY CAN HATE ME, FUCK 'EM ALL AND THEY MAMA'

A display of confidence and self-assuredness in 'CERTIFIED BOOGEYMAN, I'M THE ONE THAT UP THE SCORE WITH THEM'

A commentary on fame and its pitfalls in 'SAY, DRAKE, I HEAR YOU LIKE 'EM YOUNG'

A critique of superficial relationships and loyalty in 'TO ANY BITCH THAT TALK TO HIM AND THEY IN LOVE'

A reflection on personal transformation and growth in 'I'M GLAD DEROZ' CAME HOME, Y'ALL DIDN'T DESERVE HIM NEITHER'

A call for authenticity and rejection of fake personas in 'NO, YOU NOT A COLLEAGUE, YOU A FUCKIN' COLONIZER'

A historical perspective on societal progress and the fight against oppression in 'ONCE UPON A TIME, ALL OF US WAS IN CHAINS'

A critique of modern-day exploitation and the pursuit of wealth over people in 'THE SETTLERS WAS USING TOWN FOLK TO MAKE THEM RICHER'

A challenge to the listener to recognize the truth and stand against deception in 'IT WAS GOD'S PLAN TO SHOW Y'ALL THE LIAR'

A rallying cry for unity and support within a community in '[WITH CROWD] ARE YOU MY FRIEND? ARE WE LOCKED IN?'

Transcripts

play00:00

[AMBIENT SOUND]

play00:02

♪ (HA HA HA HA HA HA HA HA...) ♪

play00:04

♪ I AM... ♪

play00:06

♪ REINCARNATED ♪

play00:07

♪ I WAS STARGAZING ♪

play00:08

♪ LIFE GOES ON, HONEY ALL MY BABIES (GYAH, GYAH) ♪

play00:11

♪ WOKE UP, LOOKIN' FOR THE BROCCOLI ♪

play00:12

♪ HOT KEY, KEEP A HORN ON ME, THAT KAMASI ♪

play00:15

♪ IP OWNERSHIP THE BLUE PRINT IS BY ME ♪

play00:17

♪ MISTER GET OFF I GET OFF AT MY FEET ♪

play00:20

[KNOCKING RHYTHMICALLY]

play00:25

[TOMMY THE CLOWN] WHAT'S THE PASSWORD?

play00:27

[KENDRICK WHISPERS] I SEE DEAD PEOPLE.

play00:34

YOU LATE.

play00:37

[BLOWS WHISTLE]

play00:39

♪♪♪

play00:42

♪ (MUSTARD ON THE BEAT, HO) ♪

play00:44

♪ AYY, MUSTARD ON THE BEAT, HO ♪

play00:46

♪ DEEBO, ANY RAP NIGGA, HE A FREE THROW ♪

play00:48

♪ MAN DOWN, CALL AN AMBER LAMPS, TELL HIM, "BREATHE, BRO" ♪

play00:51

♪ NAIL A NIGGA TO THE CROSS, HE WALK AROUND LIKE TEEZO ♪

play00:53

♪ WHAT'S UP WITH THESE JABRONI-ASS NIGGAS TRYNA SEE COMPTON? ♪

play00:56

♪ THE INDUSTRY CAN HATE ME, FUCK 'EM ALL AND THEY MAMA ♪

play00:58

♪ HOW MANY OPPS YOU REALLY GOT? I MEAN, IT'S TOO MANY OPTIONS ♪

play01:00

♪ I'M FINNA PASS ON THIS BODY, I'M JOHN STOCKTON ♪

play01:05

♪ BEAT YOUR ASS AND HIDE THE BIBLE IF GOD WATCHIN' ♪

play01:08

♪ SOMETIMES YOU GOTTA POP OUT AND SHOW NIGGAS ♪

play01:10

♪ CERTIFIED BOOGEYMAN, I'M THE ONE THAT UP THE SCORE WITH THEM ♪

play01:12

♪ WALK HIM DOWN, WHOLE TIME I KNOW HE GOT SOME HOE IN HIM ♪

play01:14

♪ POLE ON HIM, EXTORT SHIT, BULLY, DEATH ROW ON HIM ♪

play01:17

♪ SAY, DRAKE, I HEAR YOU LIKE 'EM YOUNG ♪

play01:19

♪ YOU BETTER NOT EVER GO TO CELL BLOCK ONE ♪

play01:22

♪ TO ANY BITCH THAT TALK TO HIM AND THEY IN LOVE ♪

play01:24

♪ JUST MAKE SURE YOU HIDE YOUR LIL' SISTER FROM HIM ♪

play01:26

♪ THEY TELL ME CHUBBS THE ONLY ONE THAT GET YOUR HAND-ME-DOWNS ♪

play01:29

♪ AND PARTY AT THE PARTY, PLAYIN' WITH HIS NOSE NOW ♪

play01:31

♪ AND BAKA GOT A WEIRD CASE, WHY IS HE AROUND? ♪

play01:33

♪ CERTIFIED LOVER BOY? CERTIFIED PEDOPHILES ♪

play01:36

♪ WOP, WOP, WOP, WOP, WOP, DOT, FUCK 'EM UP ♪

play01:39

♪ WOP, WOP, WOP, WOP, WOP, I'MA DO MY STUFF ♪

play01:41

♪ WHY YOU TROLLIN' LIKE A BITCH? AIN'T YOU TIRED? ♪

play01:43

[WITH CROWD] ♪ TRYNA STRIKE A CHORD AND IT'S PROBABLY A-MINOR ♪

play01:51

♪ THEY NOT LIKE US, THEY NOT LIKE US, THEY NOT LIKE US ♪

play01:56

♪ THEY NOT LIKE US, THEY NOT LIKE US, THEY NOT LIKE US ♪

play02:00

[KENDRICK] ♪ YOU THINK THE BAY GON' LET YOU DISRESPECT PAC, NIGGA? ♪

play02:02

♪ I THINK THAT OAKLAND SHOW GON' BE YOUR LAST STOP, NIGGA ♪

play02:05

♪ DID COLE FOUL, I DON'T KNOW WHY YOU STILL PRETENDIN' ♪

play02:07

♪ WHAT IS THE OWL? BIRD NIGGAS AND BURNT BITCHES ♪

play02:09

♪ GO, THE AUDIENCE NOT DUMB ♪

play02:11

♪ SHAPE THE STORIES HOW YOU WANT, HEY, DRAKE, THEY'RE NOT SLOW ♪

play02:14

♪ RABBIT HOLE IS STILL DEEP, I CAN GO FURTHER, I PROMISE ♪

play02:16

♪ AIN'T THAT SOMETHIN'? B-RAD STANDS FOR BITCH AND YOU MALIBU MOST WANTED ♪

play02:19

♪ AIN'T NO LAW BOY, YOU BALL BOY, FETCH GATORADE OR SOMETHIN' ♪

play02:21

♪ SINCE 2009, I HAD THIS BITCH JUMPIN' ♪

play02:24

♪ YOU NIGGAS'LL GET A WEDGIE, BE FLIPPED OVER YOUR BOXERS ♪

play02:26

♪ WHAT OVO FOR? THE "OTHER VAGINAL OPTION"? ♪

play02:29

♪ PUSSY ♪

play02:30

♪ NIGGA BETTER STRAIGHTEN THEY POSTURE, GOT FAMOUS ALL UP IN COMPTON ♪

play02:32

♪ MIGHT WRITE THIS WITH A DOCTRINE, TELL THE POP STAR, "QUIT HIDIN'" ♪

play02:35

♪ FUCK A CAPTION, WANT ACTION, NO ACCIDENT, AND I'M HANDS-ON ♪

play02:37

♪ HE FUCK AROUND, GET POLISHED ♪

play02:38

♪ FUCKED ON WAYNE GIRL WHILE HE WAS IN JAIL, THAT'S CONNIVIN' ♪

play02:40

♪ THEN GET HIS FACE TATTED LIKE A BITCH APOLOGIZIN' ♪

play02:43

♪ I'M GLAD DEROZ' CAME HOME, Y'ALL DIDN'T DESERVE HIM NEITHER ♪

play02:45

♪ FROM ALONDRA DOWN TO CENTRAL, NIGGA BETTER NOT SPEAK ON SERENA ♪

play02:48

♪ AND YOUR HOME BOY NEED SUBPOENA, THAT PREDATOR MOVE IN FLOCKS ♪

play02:50

♪ THAT NAME GOTTA BE REGISTERED AND PLACED ON NEIGHBORHOOD WATCH ♪

play02:52

♪ I LEAN ON YOU NIGGAS LIKE ANOTHER LINE OF WOCK' ♪

play02:55

♪ YEAH, IT'S ALL EYES ON ME, AND I'MA SEND IT UP TO PAC, AYY ♪

play02:57

♪ PUT THE WRONG LABEL ON ME, I'MA GET 'EM DROPPED, AYY ♪

play03:00

♪ SWEET CHIN MUSIC, AND I WON'T PASS THE AUX, AYY ♪

play03:02

♪ HOW MANY STOCKS DO I REALLY HAVE IN STOCK? AYY ♪

play03:05

♪ ONE, TWO, THREE, FOUR, FIVE, PLUS FIVE, AYY ♪

play03:07

♪ DEVIL IS A LIE, HE A 69 GOD, AYY ♪

play03:09

♪ FREAKY-ASS NIGGAS NEED TO STAY THEY ASS INSIDE, AYY ♪

play03:11

♪ ROLL THEY ASS UP LIKE A FRESH PACK OF 'ZA, AYY ♪

play03:14

♪ CITY IS BACK UP, IT'S A MUST, WE OUTSIDE, AYY ♪

play03:16

♪♪♪

play03:22

♪ THEY NOT LIKE US, THEY NOT LIKE US, THEY NOT LIKE US ♪

play03:26

♪ THEY NOT LIKE US, THEY NOT LIKE US, THEY NOT LIKE US ♪

play03:31

♪ ONCE UPON A TIME, ALL OF US WAS IN CHAINS ♪

play03:33

♪ HOMIE STILL DOUBLED DOWN CALLIN' US SOME SLAVES ♪

play03:35

♪ ATLANTA WAS THE MECCA, BUILDIN' RAILROADS AND TRAINS ♪

play03:37

♪ BEAR WITH ME FOR A SECOND, LET ME PUT Y'ALL ON GAME ♪

play03:40

♪ THE SETTLERS WAS USING TOWN FOLK TO MAKE THEM RICHER ♪

play03:42

♪ FAST-FORWARD, 2024, YOU GOT THE SAME AGENDA ♪

play03:44

♪ YOU RUN TO ATLANTA WHEN YOU NEED A CHECK BALANCE ♪

play03:47

♪ LET ME BREAK IT DOWN FOR YOU, THIS THE REAL NIGGA CHALLENGE ♪

play03:50

♪ YOU CALLED FUTURE WHEN YOU DIDN'T SEE THE CLUB (AYY, WHAT?) ♪

play03:52

♪ LIL BABY HELPED YOU GET YOUR LINGO UP (WHAT?) ♪

play03:55

♪ 21 GAVE YOU FALSE STREET CRED ♪

play03:57

♪ THUG MADE YOU FEEL LIKE YOU A SLIME IN YOUR HEAD (AYY, WHAT?) ♪

play03:59

♪ QUAVO SAID YOU CAN BE FROM NORTHSIDE (WHAT?) ♪

play04:02

♪ 2 CHAINZ SAY YOU GOOD, BUT HE LIED ♪

play04:04

♪ YOU RUN TO ATLANTA WHEN YOU NEED A FEW DOLLARS ♪

play04:06

♪ NO, YOU NOT A COLLEAGUE, YOU A FUCKIN' COLONIZER ♪

play04:09

♪ THE FAMILY MATTER, AND THE TRUTH OF THE MATTER ♪

play04:11

♪ IT WAS GOD'S PLAN TO SHOW Y'ALL THE LIAR ♪

play04:15

♪ MM ♪

play04:17

♪ MM-MM ♪

play04:18

♪ HE A FAN, HE A FAN, HE A FAN (MM) ♪

play04:20

♪ HE A FAN, HE A FAN, HE A... ♪

play04:22

[WITH CROWD] ♪ FREAKY-ASS NIGGA, HE A 69 GOD ♪

play04:25

♪ FREAKY-ASS NIGGA, HE A 69 GOD ♪

play04:27

♪ HEY, HEY, HEY, HEY, RUN FOR YOUR LIFE ♪

play04:29

♪ HEY, HEY, HEY, HEY, RUN FOR YOUR LIFE ♪

play04:32

[KENDRICK] ♪ FREAKY-ASS NIGGA, HE A 69 GOD ♪

play04:34

♪ FREAKY-ASS NIGGA, HE A 69 GOD ♪

play04:36

[WITH CROWD] ♪ HEY, HEY, HEY, HEY, RUN FOR YOUR LIFE ♪

play04:39

♪ HEY, HEY, HEY, HEY, RUN FOR YOUR LIFE ♪

play04:40

[KENDRICK] ♪ LET ME HEAR YOU SAY, "OV-HO" (OV-HO) ♪

play04:43

♪ SAY, "OV-HO" (OV-HO) ♪

play04:46

♪ THEN STEP THIS WAY, STEP THAT WAY ♪

play04:48

♪ THEN STEP THIS WAY, STEP THAT WAY ♪

play04:51

[WITH CROWD] ♪ ARE YOU MY FRIEND? ♪

play04:53

♪ ARE WE LOCKED IN? ♪

play04:55

♪ THEN STEP THIS WAY, STEP THAT WAY ♪

play04:58

♪ THEN STEP THIS WAY, STEP THAT WAY ♪

play05:00

♪♪♪

play05:10

[MUSIC ENDS]

play05:21

[CROWD] ♪ ARE YOU MY FRIEND? ♪

play05:23

♪ ARE WE LOCKED IN? ♪

play05:25

♪ THEN STEP THIS WAY, STEP THAT WAY ♪

play05:28

♪ THEN STEP THIS WAY, STEP THAT WAY ♪

play05:31

[CHEERING AND SCREAMING]

play05:42

[CHEERING CONTINUES]

play05:48

[MAN ON LOUDSPEAKER] ...NOW Y'ALL WANNA DO IT AGAIN?

play05:50

[CROWD] YEAH!

play05:51

[MAN ON LOUDSPEAKER] OH, WE GOTTA DO ONE THING. BACK UP.

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Rap MusicLife StruggleDefianceHip HopLyrical DepthCultural CommentaryArtistic ExpressionMusical PerformanceControversial ThemesSocial Issues
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