'Otsenta,' dokumentaryo ni Atom Araullo | I-Witness

Summary

The script recounts the harrowing experiences of 'Malaya Lolas,' Filipino comfort women during World War II, in Candaba, Pampanga. It details their struggle for justice and recognition from the Japanese government, highlighting their diminishing numbers and the fading memory of their ordeal. The narrative also touches on the efforts to preserve historical sites and educate future generations about this dark chapter in history, emphasizing the importance of remembering and seeking justice for these women.

Takeaways

• 🗓️ December 26, 1941, marked the invasion of the Philippines by Japanese forces, despite Manila being declared an open city.
• 🏰 The Philippines was quickly occupied by Japan as part of their Asia conquest, leading to the displacement of American troops.
• 🛡️ Filipino guerrilla warfare continued despite the harsh conditions, with some elders still resisting even decades later.
• 👵 The 'Malaya Lolas' are a group of elderly women who survived the Japanese occupation and are now fighting for justice.
• 🏠 Candaba, Pampanga is highlighted as a community with a dark past, where some of the 'Malaya Lolas' still reside.
• 🌍 The war in Europe had global repercussions, reaching the Philippines and affecting the lives of its inhabitants.
• 🏹 The 'Hukbalahap' or 'Huk' guerrilla group was effective against the Japanese, leading to a siege in 1944.
• 🏫 The 'Siege of Mapaniki' involved the Japanese forces separating men from women and children, leading to atrocities.
• 📢 The 'Malaya Lolas' have been seeking official apologies and reparations for the abuses they suffered during World War II.
• 🏛️ The 'Bahay na Pula', once a Japanese garrison, now stands as a reminder of the past, but is at risk of being forgotten and destroyed.
• 🏫 The 'Malaya Lolas' are integrated into local school curriculums to ensure their stories are passed down to future generations.

Q & A

What significant event occurred on December 26, 1941, in the Philippines?

On December 26, 1941, Japanese bombers attacked the Philippines despite Manila being declared an open city.

How quickly did the Japanese forces manage to occupy the Philippines during World War II?

The Japanese forces quickly occupied the Philippines, and by the end of the war, they had driven out the American forces stationed there.

What was the role of Filipino guerrilla fighters during the Japanese occupation?

Filipino guerrilla fighters continued to resist the Japanese occupation even after the official surrender of American and Filipino forces.

What is the significance of Candaba, Pampanga in the context of the script?

Candaba, Pampanga is a small community where some of the 'Malaya Lolas', or 'Free Grandmothers', who experienced the atrocities of the Japanese occupation, still reside.

Who are the 'Malaya Lolas' mentioned in the script?

The 'Malaya Lolas' are a group of elderly women who survived the Japanese occupation and are now advocating for justice and recognition of their experiences.

What happened to Lola Maria during the Japanese occupation?

Lola Maria and her family experienced the Siege of Mapaniki, where they were subjected to violence and abuse by the Japanese soldiers.

What was the living condition like for the 'Malaya Lolas' during the Japanese occupation?

The 'Malaya Lolas' faced extreme hardships, including hunger, forced labor, and sexual violence during the Japanese occupation.

What is the 'Malaya Lolas' movement demanding from the Japanese government?

The 'Malaya Lolas' are seeking official apologies, war reparations, and recognition for the atrocities they suffered during World War II.

What efforts have been made to preserve the history and experiences of the 'Malaya Lolas'?

The 'Malaya Lolas' have been sharing their stories and advocating for justice. They have also been integrated into local history lessons to ensure their experiences are not forgotten.

What is the current status of the 'Malaya Lolas' in terms of their fight for justice?

Despite the passage of time and the dwindling number of 'Malaya Lolas', their fight for justice continues. They have received some support from the United Nations and are still seeking reparations and recognition from the Japanese government.

How is the younger generation involved in remembering and honoring the 'Malaya Lolas'?

The younger generation is involved through education and community projects, such as integrating the 'Malaya Lolas' stories into school curriculums and maintaining memorials to honor their sacrifices.

Outlines

00:00

🗼 World War II in the Philippines

The paragraph discusses the events in the Philippines following the Japanese invasion during World War II. Despite Manila being declared an open city, Japan continued its occupation. Filipino guerrilla forces continued to resist, but the Japanese atrocities took a heavy toll on the population. The narrative shifts to the present, where some elderly women, known as 'Lolas', still bear the scars of the war. These women are fighting for justice and recognition of their experiences, including the sexual slavery they endured. The paragraph introduces three 'Lolas': Lola Mar, Lola Pilar, and Lola Maxima, who embody the resilience and the struggle for justice of their generation.

05:01

👵 Lola Maria's Testimony

Lola Maria recounts her childhood during the Japanese occupation. She describes the fear and violence that pervaded their lives, including the separation of men and women, the killing of men, and the sexual abuse of women. She speaks of the horrors she witnessed, including the death of her father and the forced confinement in a school. The paragraph highlights the personal impact of war and the long-lasting trauma it inflicts on individuals.

10:04

🌿 Lola Maxima's Struggle and the Fight for Justice

Lola Maxima shares her experiences during the Japanese occupation, including the capture and abuse she and her mother endured. The paragraph discusses the formation of the 'Malaya Lolas' group, which aims to share their stories and seek justice. The group's efforts include seeking reparations and an official apology from the Japanese government. The paragraph also touches on the historical context of the war and the devastation it caused, as well as the resilience of the Filipino people in the face of such adversity.

15:04

📚 Education and Remembrance

This paragraph highlights the importance of education and remembrance in preserving the history and sacrifices of the 'Malaya Lolas'. It discusses the integration of their stories into school curriculums and the efforts to ensure that their experiences are not forgotten. The paragraph also touches on the challenges faced by the surviving 'Lolas', including their dwindling numbers and the need for recognition and support.

20:06

🏡 The Fading Memories and the Fight for Recognition

The paragraph discusses the fading memories of the war and the efforts to preserve the history and legacy of the 'Malaya Lolas'. It mentions the 'Yellow House', a site of historical significance during the Japanese occupation, and the dilemma of preserving it as a reminder of the past. The paragraph also addresses the emotional toll on the 'Lolas' as they age and the ongoing struggle for justice and recognition of their suffering.

25:10

📢 The Persistent Call for Justice

This paragraph focuses on the ongoing fight for justice for the 'Malaya Lolas'. It discusses the legal battles and the support from lawyers like Attorney Virginia Laxa Suarez, who advocate for the recognition of the 'Lolas' experiences and the provision of reparations. The paragraph also highlights the decision from the United Nations in March 2022, which called on the Philippine government to establish a reparations fund for victims of wartime sexual abuse and to support the 'Malaya Lolas' in their pursuit of justice.

🌆 The Legacy of War and the Power of Memory

The final paragraph reflects on the lasting impact of war and the importance of memory in preserving history. It discusses the fading memories of the past and the need to remember and learn from history to defend rights, freedom, and dignity. The paragraph concludes with a call to action to support and remember the 'Malaya Lolas' and their struggle.

Keywords

💡Mapaniki

Mapaniki is a town in Pampanga, Philippines, which is central to the video's narrative as it was a site of significant suffering during the Japanese occupation in World War II. The term is used to describe the location where many elderly women, referred to as 'lola' in the script, experienced atrocities. The video emphasizes the importance of remembering the town's history and the stories of the 'Malaya Lolas,' a group of elderly women seeking justice for the crimes committed against them.

💡Japanese Occupation

The Japanese Occupation refers to the period during World War II when the Philippines was under the control of the Japanese military forces. The video script describes the harsh realities faced by Filipinos, particularly in Mapaniki, during this time, including the suffering and abuse of the 'Malaya Lolas.' This historical context is crucial for understanding the video's message about the pursuit of justice and the importance of remembering history.

💡Malaya Lolas

The term 'Malaya Lolas' translates to 'Free Grandmothers' and is used in the script to refer to a group of elderly women who were victims of abuse during the Japanese Occupation. They are seeking reparations and official apologies for the wartime atrocities they endured. The video highlights their struggle for recognition and justice, emphasizing the importance of their stories in the broader narrative of wartime history.

💡Atrocities

Atrocities in the context of the video refer to the severe and cruel acts committed against civilians, particularly the 'Malaya Lolas,' during the Japanese Occupation. The script recounts instances of violence, abuse, and suffering that these women experienced, which are central to the video's theme of seeking justice and remembering history.

💡Reparations

Reparations are a form of compensation provided to victims for the wrongs they have suffered. In the video, the 'Malaya Lolas' are seeking reparations from the Japanese government for the abuses they endured during the war. The term is tied to the video's message of justice and the ongoing struggle for recognition and compensation for wartime victims.

💡Justice

Justice in the video represents the pursuit of fair treatment and acknowledgment of the suffering experienced by the 'Malaya Lolas.' It is a central theme as the elderly women fight for recognition of their experiences and compensation for the atrocities they endured. The video underscores the importance of justice in healing historical wounds and honoring the memories of those affected.

💡World War II

World War II is the global conflict that took place from 1939 to 1945, involving many of the world's nations, including the Philippines and Japan. The video script uses this term to set the historical context for the Japanese Occupation of the Philippines and the subsequent suffering of the 'Malaya Lolas.' Understanding the broader context of World War II is essential for grasping the significance of the events described in the video.

💡Comfort Women

Comfort Women refers to a group of women, often from occupied territories, who were forced into sexual slavery by the Japanese military during World War II. The term is mentioned in the video in relation to the 'Malaya Lolas' and the broader issue of wartime sexual violence. The video uses this term to highlight the need for historical recognition and justice for these women.

💡Historical Preservation

Historical preservation is the act of maintaining and protecting historical sites, artifacts, and narratives. The video discusses the importance of preserving the memory of the 'Malaya Lolas' and the events in Mapaniki, emphasizing the need to remember and learn from history to ensure such atrocities are not repeated.

💡United Nations

The United Nations is an international organization that aims to maintain peace and security, promote human rights, and foster social and economic development. In the video, the United Nations is mentioned in the context of its decision supporting the 'Malaya Lolas' and other groups seeking reparations for wartime abuses. This highlights the international dimension of the struggle for justice and the role of global institutions in addressing historical wrongs.

Highlights

The Day After Christmas, December 26, 1941, marked the bombing of Manila despite it being declared an open city.

Japan's invasion of the Philippines was part of their broader Asia occupation campaign.

Filipino guerrilla forces continued resistance against Japanese forces after the American troops were driven out.

The siege of Mapaniki in November 1944 was a significant event where the community suffered greatly.

Lola Maria, a witness, recalls the terror of the Japanese forces entering her village and the subsequent atrocities.

The experiences of the 'Malaya Lolas', or 'Free Grandmothers', who were subjected to sexual slavery during the war, are highlighted.

The 'Malaya Lolas' are fighting for justice, including war reparations and an official apology from the Japanese government.

The 'Malaya Lolas' have been sharing their stories to ensure the history of their suffering is not forgotten.

The group 'Malaya Lolas' was officially established in 1974 to advocate for the rights of the survivors.

The 'Malaya Lolas' have faced challenges in getting recognition and support for their experiences from the Japanese government.

The number of 'Malaya Lolas' is dwindling, with only a few remaining, highlighting the urgency of their fight for justice.

The 'Malaya Lolas' have received some support from the Philippine government, but it is not sufficient for their needs.

Efforts are being made to integrate the stories of the 'Malaya Lolas' into the education system to preserve their history.

A monument in Mapaniki serves as a reminder of the bravery of the 'Malaya Lolas' and the community's suffering.

The 'Bahay na Pula', a former Japanese garrison, is a site of historical importance and a reminder of the past.

The deteriorating condition of the 'Bahay na Pula' symbolizes the fading memory of the war's atrocities.

The 'Malaya Lolas' are still fighting for justice, even as they grow older and their numbers decrease.

A United Nations decision in March 2022 called on the Philippine government to provide reparations for war victims.

The 'Malaya Lolas' and their advocates argue that moving on means getting justice, not forgetting history.

Transcripts

[Musika]

is the phines December 26

1941 The Day After Christmas Ja bombers

are coming They're coming in spite of

the fact that mana was declared an open

city the from

[Musika]

dest mahigit 8 taon na ang nakalilipas

wula ng umatake ang Japan sa ating

bansa bilang bahagi ng kanilang layong

sakupin ng

[Musika]

Asya mabilis nilang nakubkob ang

Pilipinas at napalayas ang mga sundalong

amerikanong narito

noon

ipinagpatuloy ng mga pilipinong guilla

ang

laban pero mabagsik ang ganti ng mga

[Musika]

Hapon Makalipas ang walong

Dekada narito pa ang ilang nakaranas ng

kalupitan

mga lola na lumalaban pa rin hanggang

ngayon pero unti-unti ng humihina at

Nauubos ang kanilang

hanay makakamit pa kaya nila ang

[Musika]

hustisya dalawang oras mula Metro Manila

matatagpuan ang mapaniki sa bayan ng

Candaba

Pampanga isang maliit na komunidad na

may mapait na

nakaraan para sa ilang mga lola

mahalagang panatilihing buhay ang mga

kwentong

ito sila ang mga malaya

lola nakilala ko ang tatlo sa kanila

si lola

Mar taong gulang

aabot

ko lola Pilar 8 na taong gulang patay na

yung iba mga matanda

na at lola

maxima na taong

gulang

[Musika]

Dekada

40 sakup pa ng Amerika ang

Pilipinas ganito ang buhay sa atin

noon may ilusyon ang katahimikan sa mga

isla Philippines are near as attra as

the Dutch oil Fields ofo and

sumatra pero nagbabadya na pala ang

gyera pumutok ang digmaan sa

Europa at nagtagal umabot na rin ito sa

[Musika]

Pilipinas

[Musika]

matapos ang limang buwang

labanan Sumuko ang huling pwersa ng mga

Amerikano at Pilipino sa Bataan at

koridor

pero hindi tumigil ang mga pilipinong

guilla sa

paglaban nabuo ang hook balap o ang hook

bung bayan laban sa

Hapon epektibo ang taktika ng mga hook

kaya labis na ikinagalit ito ng mga

mananakop November

1944 nangyari ang siege of

mapaniki paniwala kasi ng mga haon kuta

ito ng hukbalahap

Wong taong gulang lang si lola Maria

noon natutulog kami ng tahimik ng aking

mga magulang sa pamamahay

namin

biglang dumating ang katakot-takot na

putukan ang ginawa magulang Bin kam lah

saal ng bahay

dinapa kami nakadapa kami n

malaon humupa na yung putukan Lumusob na

Maring sundalong hapon

pagkatapos para kaming kalaba na

tinataboy dinala kami sa harap ng

eskwela nakahiwalay ang lalaki

pinaparusahan din

nila yung magul

nam meron pang ginawa yung isa Pinutol

yung

ari

pinar ang sabi nila yun daw ang

nakaaalam sa hw pal lahat ang mga

sumunod na eksena Nakaukit sa ala-ala ni

lola Maria kinasa yung masinggan

wagtang lahat ang mga lalaki k ako ung

tatay ko umisip na

ako h na akong tumayo is sinipa ako

e lahat patay na silang lahat hinila

nailang isaisa hinulog na lang sa may

kwarto ng

eskwelahan Anong anong binuhos ko sa

Lina akong ano nagliyab na

yan sa edad na siam musmus lang din si

lola Pilar ng sumalakay ang mga hapon sa

mapaniki natatakot nga kami nandon kami

sa bahay

namin Hindi nga kami lumalabas ang mga

Hapon nakakalat sa mga

barangay naghuhuli ng mga

lalaki babae't lalaki nahuhuli nila Ano

pong ginawa nila sa mga kababaihan

pinagkaroonan

pinahirapan kami p pina hindi kami

pinakain nasa talahiban kami

ngibang naming kasama namatay na lang sa

gutom

kaya ako naiiyak sa nangyaring pagka

nabubuksan na yan tumutulo na ang aking

L magano po magpupunas na po tayo ng

luha

haa

tubig kasi talagang mahirap ang dinanas

namin sa mga Hapon kaya lang namin

nasasabi sa inyo

dahil tinatanong ninyo sa amin kung

anong nyar sa am sye sasabihin namin sa

inyo marami kayong ininterview Hindi

umyak Hindi po naiyak din po sila naiyak

din po G

ba isa pang miyembro ng malaya lolas ang

may malagim na

karanasan binisita siya ng kanyang anak

na si Nueva Ecija kungan siya

kayan ko mahigit isang taon na silang

hindi nakikita O kumusta nga

kayo oh malakas pa

kayo akong nararamdaman Marami Marami na

kayong nararamdaman eh talagang ganon

ang matanda patay Buti nga buhay pa kayo

eh Oo nga eh eh yung iba eh bata pa lang

namamatay na mga 0 ganyan lang e kayo 95

na kayo kaya kakain kayo Hwag niyong

Hwag pababayaan ng sarili niyo eh Hindi

na ako makakain e kung minsan na ayoko

na ngang kumain eh Ay hindi kay tatagal

eh yung pagkain siya lang

nakakatibo pa buhay niyo aabot pa kayo

ng 100 hindi na o k ko ba anak Hindi

abot na ako sa Abril eh eh Kaya nga

paabutin natin ng 100 para makakuha kayo

ng ano ng K sa

gobyerno sa kanyang edad Marami ng bagay

ang nalilimutan ni lola

maxima na

ngayon na akong

nakakalimutan wala sa kanyang

alaala la na taong gulang lang siya nang

sakupin ng mga Hapon ng mapaniki at

kasuklam-suklam ang inabot niya at ng

kanyang ina sa kamay ng mga

sundalo

eh Naka century

hapon lumabas Inay kam mag inak kam sa

bahay

ni ikinulong kami doon mm eh Kaya matap

pa ako anon mm bago-bago pa

niligawan nagtiis naa kami

nagtiis nung linalapitan kami ng hapon

eh umiiyak na lang kami ina mag-ina

kami isa si lola maxima at ang kanyang

ina sa mga kababaihang

pinagsamantalahan ng mga mananakop ang

sakit iyakan lang kami

iyakan lalo kung kami nalapitan ng ha Sa

gabi puro

dugo

masakit

1945 dahil sa patuloy na pag-aaklas sa

mga

Pilipino at sa tulong ng pwersa ng

Allied Forces mula sa iba't ibang bahagi

ng mundo unti-unting natalo ang Japan sa

Pilipinas naiwang Wasak ang

Maynila Sa tii ng pinsalang iniwan ng

labanan itinuring itong second most

devastated Allied capital sa buong mundo

noon sa halos AP na taong pananakop ng

mga Hapon mahigit li li tao ang

[Musika]

namatay

sa loob ng ilang Dekada tila na baon

nasa limot ang pinagdaanan ng marami

nating kababayan sa giyera maging ang

bangungot na naranasan ng mga babaeng

pinagsamantalahan at

inabuso Buti po malakas pa kayo

kayangkaya niyo pang maglakad

magisa 197 binuo ng mga lola ng mapaniki

ang malaya lolas para ibahagi ang

kanilang kwento at ipaglaban ng

hustisya Kayo po yan ano yung grupo niyo

malaya

lolas buang maliit na po maliit sa inyo

Oo

maliliit pero Natatandaan ko grupo namin

yan si Lola Mar na ang ng malaya lolas

ngayon pum pangulo ng grupo noong

2021 Bakit niyo po binuo yung kapisanan

na ito naisip-isip ko nga eh kung

mabubuo natin yang kaho Siguro naman

kung talagang pinero tayo rito

pagkakalooban

tayo hiling ng malaya lolas ang

reparations o danos sa malagim na

karanasan at opisyal na pagkilala at

Paghingi ng tawad mula sa gobyerno ng

Japan may sama ng loob po ba kayo

sa siempre nasasa loob mo lang yun hindi

mo lang mabuksan dahil matagal na

ha hindi mo naman masasabi sa sino sa

pag sasabihin mong hapon hindi mo naman

makakausap ang mga Hapon Disyembre ng

taong 2000 nagtungo sina lola Maria at

lola maxima sa Japan para humarap sa

women's international war

tribunal isinalaysay nila ang naranasan

at nasaksihang mga pangabuso ng mga

Hapon noong World War I Ano pong ginawa

niyo sa Japan

aylan yon nanalo

naman yung ginawa ng

hapon totoo ka ako totoong ginawa niyo

ka

ako pero hanggang ngayon wala pa ring

official Apology at war reparations na

natanggap ang malaya

lolas ang problema unti-unti na ring

Nauubos ang kanilang hanay nanoy nasa

120 ang bilang madalang na ang malaya

lola maray kami na isang baryo kami

kaonti na

naa mahihina na hindi namak diretso eh

aking mga

kasamaan ng

patay

Ilan na lang po ba ang miyembro ninyo

ngayon 18 na lang kami Eh kailan lang

tatlo na

nam sinakop tayo ng mga Hapon noong

world

war sinisiguro na hindi malilimutan ang

susunod naas ang sakripisyo ng kanilang

mga

ninuno nakakilala

anan ang mga malaya lolas sa mapaniki

integrated high school isinama ng grade

10 Araling Panlipunan teacher na siori

ang malaya lola sa kanyang lesson plan

Okay

Kathleen sinoang kakilala mo sa mga

malaya

lolas si isabelita Binuya at kaano-ano

mo siya kasi po yung mga malaya lolas po

hindi po sila nakasulat sa libro or sa

kahit na ano pong itinuturo dito sa

school pero po sila po ay parte po ng

kasaysayan lalo na po ng aming Barangay

[Musika]

mapaniki nagpunta ang ilang estudyante

sa katabing mapaniki elementary

school matatagpuan sa likod nito ang

isang munting

bantayog na nagbibigay pugay sa mga

bayani ng

[Musika]

mapaniki Nawalan kami ng malay Hindi ko

na alam kung anong nangyari nag-iiyak na

lang po ako Ito po ang karanasang hindi

ko po malilimutan noong panahon ng

Hapon ang mga batang ito mga apo at Apo

sa tuhod na pala ng ilan sa malaya lolas

na namayapa na kung ano Ong mga letters

na to Ito po yung mga nangyari po sa

lola ko then Ito po yung handen

[Musika]

niya bilang isang estudyante bakit sa

tingin mo importanteng inaaral pa rin

yung mga nangyayari sa nakaraan kumbaga

maging motivation din po sa mga kabataan

po ngayon na Hwag po basa-basa

magpapa-api kahit po ano pong mangyari

hangga't po may buhay may pag-asa po

tayo ano yung pakiramdam mo doon ah

Nauubos na rin yung kanilang grupo

nalulungkot po dahil

na hanggang ngayon po hindi po po nila

na kukuhang ang inaasan po nilang

[Musika]

katarungan Pero may isa pang bantayog sa

di

kalayuan na nagsisilbing masaklap na

paalala ng nakaraan ito yung tinatawag

nila na bahay na pula yung sinasabing

naging garison ng mga tropang Hapones

noong World War I at sabi ng mga lola

Dito rin daw nangyari yung ilan sa mga

pagmamalupit sa mga Pilipino noong

panahon na iyon at laging may dilema sa

mga lugar na ganito dahil sa isang banda

gusto mo siyang i-preserve bilang isang

historical site pero on the other

hand may mga Ilan siguro gusto rin

makalimutan yung mga nangyari nung

panahon na yon at ito nakikita natin na

unti-unti ng nasisira yung bahay na pula

baka di magtatagal Wala na to dito sa

lugar na

[Musika]

ito okay lang po ba y kung igig na ito

Ano pang gagawin

namin rereklamo

kami Oo Tinitingnan ko nga eh nabubwisit

ako ng paningin ko e ah Gan ho Oo

naiinis

ako sira-sira na paano tagal na

[Musika]

yan 8 taon mula ng kubkubin ng

mapaniki unti-unti na rin kayang gumuho

ang pag-asa ng mga malaya lola na

makamit ng

[Musika]

hustisya matinding paghihirap ang

dinanas ng marami nating kababayan dahil

sa gyera laban sa Japan noong World War

I pero higit walong Dekada na ang

lumipas marami sa nakaranas ng pag

nagmamalupit

Tumanda at pumanaw

na pero bakit nga ba kailangan pa ring

pag-usapan ang mga nangyari noong

panahon ng

[Musika]

Hapon isa si Attorney Virginia laxa

Suarez sa mga abogadong umaagapay sa mga

malaya lola sa pagsulong ng kanilang mga

panawagan ako I cannot Phantom that idea

na lumipas ang panahon walang hustisya

toos Kalimutan na lang that's again

another Injustice sa ating mga lolas

Pwede ba yung ganon forget our history

forget what they did Hindi pwede y

moving on means getting

justice ayon kay Attorney Suarez

nakakuha ng paborableng desisyon ng

malaya lolas at iba pang grupo mula sa

United Nations noong March

2022 sa desisyon inatasan ng United

Nations ang gobyerno ng Pilipinas na

gumawa ng reparation fund para b ng mga

naging biktima ng pangaabuso noong

giyera palaganapin ng kasaysayan ang

comfort women at iba pang biktima ng

military sexual

violence at tulungan ng mga biktima na

dalhin sa korte ng Japan ang kanilang

laban para sa

hustisya kasi lahat ng kaso sa Japan ag

hindi represented by the government

dismiss kaagad at ang tangi lang na

nanalo o binayaran ng Japan ay ang Korea

because the Korea government mismo ang

nagsampa ng kaso at nakipaglaban para sa

kanilang comfort

[Musika]

women Nagbigay na raw ng konting tulong

sa mga malaya lola ang gobyerno ayuda

mula sa Department of Social welfare and

development na 10 hanggang 3,000 para sa

bawat nabubuhay pang

lola pero giit Attorney Suarez Hindi raw

ito sapat para sa mga lola lalo't marami

sa kanila na sadlak na rin sa

kahirapan Gusto kong i-clarify na yyung

decision ng United Nations pertains

particularly sa ating government Syempre

Iyung responsibility ng ating government

is distinct and separate doon sa

responsibility ng Japan being the

perpetrator of the the Crime no nung

rape pero kasi syempre ah for the

longest time ang ating gobyerno ay

walang ginagawa na tulong sa mga malaya

lolas sinubukan naming Kunan ng

pahayagang pamahalaan kung meron pang

nakalinyang mga proyekto at hakbang Para

matulungan ang mga malaya

lola pero wala pa silang tugon hanggang

ngayon Sana kung pagkakalooban kami

ibigay na hangg maaga yung bago man lang

mawala yung kasamahan k mahihina na yan

dapat po ba humingi sila ng tawad eh

Kung Kung hihingi naman silang tawad

matatawaran namin eh ano pang mangyayari

kung hindi mo pa patawarin nangyari na

rin ' ba ako Kasi anak lalo na ngayon

ako yung matanda na hindi na ako

nagbibida matagal na

eh Buti po ikinukwento niyo pa rin sa

amin yung inyong

naranasan m sige tinatanong niyo eh kaya

sinasabi

[Musika]

ko kasabay ng pagtanda ng mga malaya

lola patuloy n ring lumalabo ang

kanilang memorya pero nananatiling buhay

ang kanilang nakaraan sa pamamagitan ng

isang himik na pinagtulung-tulungan

nilang buuin ang malaya l

ay nagkak isab sa kandaba mga pampang

gya buong Pilipinas ay walang kapara sa

lupit ng hapon na aming

nadama sa sandaling oras halos maubos na

mga taong baryo hindi

nagkasala lalit babae kay lupit Ang

parusa isang kisap mata kami na ang

ulila bata at matanda ay nag-iiyakan

saog ng bomba umaalingawngaw sa bahay na

pula doon pinadala ang lahat ng hirap

Ami ng

nadama aming katarungan inyong

suportahan at bigyan ng lunas dinanas ng

[Musika]

buhay

[Musika]

tulad ng mga lumang litrato ang mga

ala-ala natin ng nakaraan ay unti-unting

kumukupas at

naglalaho pero may mga bagay na hindi

dapat ibinabaon sa limot dahil ito lang

ang paraan para matutuhan ang mga aral

ng kasaysayan at may pagtanggol ang

ating

karapatan

kalayaan at dignidad bilang isang

Pilipino at isang

[Musika]

bansa Magandang gabi Ako si atom aro at

ito ang a

[Musika]

witness

[Musika]