The GENIUS of Aang’s Immature Maturity - Avatar The Last Airbender
Summary
TLDRThis video script delves into the enduring appeal of the Avatar series, exploring the multifaceted character of Aang and how his journey resonates with viewers at different life stages. It discusses Aang's role model status, his coming-of-age narrative, and the complex burdens of being the Avatar. The script highlights how Aang's innocence, maturity, and human doubts create a timeless connection, offering viewers a blend of adventure, introspection, and emotional depth that keeps them coming back for more.
Takeaways
- 🌟 The enduring appeal of 'Avatar' may stem from a mix of factors including its timeless message, nostalgic comfort, animation quality, and immersive world-building.
- 🎭 The central character, Aang, serves as a role model, embodying virtues that are aspirational yet grounded in human doubts and complexities, which adds depth to his character.
- 🔄 Aang's character development is portrayed through multiple facets representing different stages of maturity and identity, including the monk, the Avatar, and the 12-year-old child.
- 🌱 The 'monk' aspect of Aang represents an idealistic outlook on life, promoting peace, simplicity, and a lack of prejudice, which resonates with viewers' evolving perspectives on the world.
- 🌪 The 'Avatar' side of Aang grapples with the burdens of responsibility and legacy, reflecting the real-world struggles of balancing personal desires with societal expectations.
- 🏰 Aang's childlike innocence and whimsy provide a counterbalance to the heavier themes, offering a sense of adventure and light-heartedness that appeals to a wide audience.
- 🌈 The series effectively intertwines Aang's multiple identities to create an emotional journey that resonates with viewers at different life stages.
- 💭 Aang's perceived 'flaws' are more accurately described as human doubts and fears, which make his character relatable and his story timeless.
- 🎈 The show's blend of whimsical adventures and profound introspection strikes a chord with viewers, providing both entertainment and a mirror for self-reflection.
- 👣 Aang's journey is a coming-of-age story that is not linear but multifaceted, reflecting the complexities of growing up and the responsibilities that come with it.
- 🔮 The 'Avatar' series as a whole offers a nuanced exploration of human nature, touching on themes of identity, responsibility, and the quest for balance in a chaotic world.
Q & A
What is the main theme discussed in the video script about the 'Avatar' series?
-The main theme discussed in the video script is the enduring appeal of the 'Avatar' series, focusing on the character of Aang and the different aspects of his personality that contribute to the series' timeless and timely nature.
How does the script describe Aang's role as a role model in the series?
-The script describes Aang as an almost perfect role model, embodying values such as pacifism, humility, and treating everyone without prejudice. However, it also discusses the potential issue of a character being too perfect and thus uninteresting.
What is the significance of Aang's character flaws in the narrative of the series?
-Aang's character flaws, which are more accurately described as human doubts and fears, add depth to his character and make him more relatable and engaging. These doubts and fears are what drive the story and allow the audience to connect with Aang on a deeper level.
How does the script relate Aang's coming-of-age story to the traditional concept of a coming-of-age narrative?
-The script notes that Aang's coming-of-age story is a significant twist on the traditional concept, as it takes place over a much shorter time span than typical coming-of-age narratives. It focuses on Aang's different responsibilities, beliefs, and identities as key aspects of his growth.
What are the three main aspects of Aang's character that the script identifies?
-The three main aspects of Aang's character identified in the script are the monk, representing an idealistic outlook on life; the Avatar, embodying a more complex and conflicted perspective; and the 12-year-old kid, symbolizing a fun-loving, carefree, and adventurous spirit.
How does the script discuss the balance between Aang's lighter, whimsical side and the more serious aspects of his journey?
-The script discusses this balance by highlighting how Aang's whimsical side provides a counterpoint to the more serious and heavy moments in his journey. This balance is what makes the series emotionally engaging and allows the audience to experience a roller coaster of emotions.
What is the script's perspective on the importance of Aang's imperfections in making his character relatable?
-The script argues that Aang's imperfections, in the form of doubts and fears, are crucial in making his character relatable. These imperfections humanize him and allow the audience to connect with him on a deeper, more personal level.
How does the script view the role of the Avatar in terms of making sacrifices and dealing with the weight of responsibility?
-The script views the role of the Avatar as one that involves significant sacrifices and the bearing of a heavy burden of responsibility. Aang, as the Avatar, must often detach himself from personal feelings and emotions to maintain balance in the world, which is a source of conflict and struggle within his character.
What does the script suggest about the reason why viewers keep returning to the 'Avatar' series?
-The script suggests that viewers keep returning to the 'Avatar' series because of the balance it strikes between having a protagonist with an ideal perspective worth striving for and the realistic portrayal of human doubts and fears that give depth to his character.
How does the script connect the different stages of maturity and perspective shifts in Aang's character to the audience's own life experiences?
-The script connects these stages by suggesting that as the audience grows older and their perspectives evolve, they can relate to different aspects of Aang's character at various stages of maturity. This allows the audience to continuously find relevance and connection with the series over time.
Outlines
🔁 The Timeless Appeal of Avatar: The Last Airbender
This paragraph delves into the enduring fascination with 'Avatar: The Last Airbender,' pondering the elements that make it both timeless and timely. It discusses the show's message, its comforting familiarity, the animation, bending battles, and the rich world-building. The speaker suggests that the heart of the series lies in Aang, the main character, who is portrayed as a near-perfect role model. The challenge of writing a main character for a show aimed at younger audiences is also explored, as is the balance between creating a character who is a role model and one that is interesting and dynamic. The paragraph ends with a reflection on Aang's character development and the coming-of-age aspect of his journey.
🧘♂️ Aang's Monk Persona: Idealism and Selflessness
The second paragraph examines Aang's identity as a monk and the Air Nomad way of life, questioning its sustainability and self-absorption. It contrasts the Air Nomads' detachment from worldly affairs with their role in preserving spiritual knowledge and offering guidance for future Avatars. The speaker reflects on the complexities of Aang's character, particularly the tension between his idealistic monk persona and the burdens of being the Avatar. The paragraph also touches on the universal themes of self-doubt, regret, and the weight of responsibility that Aang carries, drawing parallels to the audience's own experiences with life's challenges.
🌪 Aang's Avatar Role: Balancing Conflicting Ideologies
This paragraph focuses on Aang's role as the Avatar and the complex emotions and thoughts that accompany it. It discusses the Avatar's responsibility to balance clashing ideologies and worldviews, and the personal crisis that Aang faces as a result. The speaker explores Aang's insecurities, regrets, and the imposter syndrome, highlighting the anxiety and burdens that come with his legacy. The paragraph also touches on Aang's initial reluctance to embrace his role and the impact of his decisions on the world, reflecting on the universal human condition of fear and uncertainty.
🐾 Aang's Childlike Wonder: Whimsy and Healing
The fourth paragraph contrasts the serious aspects of Aang's journey with his childlike wonder and whimsical adventures. It introduces the concept of 'Yash' or 'healing' stories, which offer a peaceful and soothing vibe, often focusing on the simple joys of life. The speaker argues that Aang's light-hearted moments are crucial in accentuating the more serious sides of the story, creating an emotional roller coaster that resonates with viewers. The paragraph also discusses how Aang's character interweaves these elements to provide a balanced and introspective perspective, reflecting on the importance of maintaining a sense of wonder amidst life's challenges.
💫 Aang's Perfection and Humanity: Relatability and Growth
The final paragraph reflects on Aang's seemingly perfect character and the human doubts that make him relatable. It discusses how Aang's character has evolved from a source of amusement to a symbol of the complexities of life. The speaker argues that Aang's character is not flawed in the traditional sense but is grounded in the ambiguity of human fear and uncertainty. The paragraph concludes by emphasizing the relatability of Aang's journey and the universal struggle to maintain balance in an uncertain world, suggesting that the character's appeal lies in his representation of the stages of maturity and the shifting perspectives that come with them.
🎉 Acknowledging the Avatar Community and Future Coverage
In the concluding paragraph, the speaker expresses gratitude to the patrons and members of the community who support the creation of content related to 'Avatar: The Last Airbender.' They also welcome new members to the team and hint at future coverage of any new developments in the Avatar universe on a secondary channel. The speaker thanks the viewers for their engagement and looks forward to their continued support and interest in the series.
Mindmap
Keywords
💡Avatar
💡Role Model
💡Coming of Age
💡Bending Battles
💡Perfect Character
💡Flaw
💡Escapist Power Fantasy
💡Identity Crisis
💡Imposter Syndrome
💡Healing
💡Mature Audiences
💡Yash
Highlights
The enduring appeal of Avatar and its timeless yet timely nature.
The role of Aang as a near-perfect role model and the challenges of maintaining character engagement.
The contrast between Aang's character and other protagonists who are intentionally bland or flawed.
Aang's character development within episodic stories and the issue of 'perfect characters' in long-running series.
The exploration of Aang's flaws, such as his doubts and fears, which add depth to his character.
Aang's coming-of-age story and its unique spin on traditional growth narratives.
The different aspects of Aang's identity: the monk, the Avatar, and the 12-year-old kid.
The evolution of the viewer's perspective on Aang's character as they grow older.
The significance of Aang's pacifist and vegetarian lifestyle as part of his role model image.
The critique of the Air Nomad way of life and its potential naivety or self-absorption.
The Avatar's role in balancing conflicting ideologies and worldviews.
Aang's personal struggles with the weight of his responsibilities and legacy.
The introspective nature of Aang's character and his journey towards self-discovery.
The lighter, whimsical side of Aang that provides a contrast to the heavier themes of the series.
The concept of 'healing' in storytelling and its presence in Aang's adventures.
The emotional roller coaster created by the interweaving of Aang's different personalities.
The relatability of Aang's character due to his human doubts and fears, rather than explicit flaws.
The idea that viewers connect with Aang because of his representation of different stages of maturity.
The universality of Aang's journey as the Avatar and its reflection of the human condition.
The anticipation for the live-action version of Avatar and its impact on fans.
Transcripts
in my many many years of re-watching
Avatar I've often found myself asking
the question of what is it exactly that
keeps me coming back year after year
what is that part of the series that
keeps it so so Timeless but also so
timely at the same time is it the
message of Avatar itself or is it just a
comfort show that I grew up with is it
the beautiful animation and the intense
bending battles or is it just the world
of Avatar itself well let's be honest
there is no Intrigue here you've read
the title I think it's a mixture of
those things and countless others which
no doubt warrant a video of their own
but at the very very heart of all of
that I think is ang himself the thing
with writing main characters especially
in stories that are not aimed at mature
audiences is that they must be some sort
of role model something that naturally
imposes limits on the types of stories
you can really tell even if they do
something badish it will more so serve
as a lesson rather than a distinct
character trait or flaw or on the flip
side other stories purposely make their
main characters extremely Bland to allow
the audience to project themselves onto
the main role there is a very very good
reason why people often meme certain
anime protagonists being copy pasted
it's not just lazy writing or copying or
whatever it is purposely meant to be a
self-insert it is a intentionally muted
character that is often just meant to be
an Escapist power fantasy for the
viewers Ang in that sense falls in the
former Camp of functioning as a almost
perfect role model but there too we
encounter another problem that being
that a character can just too perfect
and become uninteresting in episodic
stories this isn't really a huge problem
there you can tell stories of smaller
challenges where the character can grow
within that self-contained little
narrative with stories like that you
don't really need to worry about the
continuity of that growth in a long
running series with A continuous story
however Perfect characters are just very
very boring think of someone like light
from Death notes he is perfect in every
sense of the word except that he is a
massive narcissist and has as a God
complex it's that part of his character
that drives basically the entire story
if it wasn't for those flaws there
really is no death notes but okay Death
Note isn't exactly a story that is aimed
at non-mature audiences so think of
someone like Hermione from Harry Potter
she too is a perfect student she can
overcome just about every problem etc
etc but she can also be very opinionated
and often too blunt which drives many of
her interpersonal conflicts and that
only becomes more prevalent as she grows
up onside the audience with the later
books and movies having far more
conflict than the first which are all
about just solving the Mysteries and
problems within Hogwarts so even with
these almost perfect characters they
usually must have some sort of flaw to
make them engaging but again you've read
the title so you already know that
that's not what we're talking about so
how does Avatar tackle this problem of
bang being extremely good in just about
every situation yet still telling
enthralling story of many ups and downs
because you're watching a croto video it
is time to go on another tangent because
I also think it's worth noting that at
the heart of ank's character is also a
Coming of Age story but one that I think
puts a significant spin on it as an
example I mentioned Hermione a second
ago but Harry's story is just about the
most straightforward Coming of Age story
with it quite literally detailing the
story of his growth from a young child
learning of his potential to him later
becoming a full-fledged Wizard and
eventually sending his own kids to
Hogwarts it spans many years and details
all the twists and turns of going from a
first year to growing up in a world that
turns out to be far darker than May
initially seem with avatar on the other
hand we have to remember that the entire
story takes place over the course of
like 6 to 10 months so by default there
really isn't an explicit coming of age
if you will but that's only a
technicality and I think is actually
secondary because I think the most
important twist it puts on that is with
Ang's different responsibilities beliefs
and identities if you can call them that
as in the monk Ang the Avatar Ang and
the 12-year-old kid Ang all represent
different themes of his story and the
story of Avatar as a whole you know that
Meme of watching SpongeBob as a kid and
enjoying his and Patrick Shenanigans but
as you get older your appreciation
slowly shifts to Squidward's
characterization in stance yeah well I
think much of what keeps us coming back
to Avatar is unironically because much
of that same shift in perspective is
present within just Ang and is even
further accentuated by the likes of Zuko
iro and everyone else I think the monk
side of Ang is that role model I
mentioned before
the sort of perfect outlook on life that
I think many of us strive for he's a
pacifist through and through to the
point that he even becomes a vegetarian
he doesn't wants wealth fame or power he
strives for peace and treats everyone
with absolutely no Prejudice and so on
though despite its seeming Simplicity I
think this is one that has changed the
absolute most as I've grown older and my
perspective on the world has evolved
while the Aeron noad way of life paints
this idealic image of no earthly
attachments and a simple and humble way
of life I think the natural question
that arises is is it really that simple
could it be throughout Ang's story we
see him grapple with the question of
whether or not the Aeron noad way of
life is truly sustainable especially for
the Avatar somewhat paradoxically from a
certain point of view their way of life
can seem more than a little
self-absorbed because they purposely aim
to detach themselves from The World At
Large they also turn a blind eye to the
many injustices of that world during the
Kyoshi era they were accused of just
that not caring about the outside world
and simply distracting themselves with
their own little isolated perfect
ecosystem so from that perspective it
seems like their existence is somewhat
naive at the same time though we also
know that their way of life isn't just
with the aim of reaching this
enlightened state with no care for the
world no far from it it is actually to
preserve spiritual knowledge and offer
guidance for generations of avatars to
come so in that sense that supposed
selfishness is actually the purest form
of selflessness they give up their own
desires and goals with the one sing
single goal of helping the world
maintain balance and again while I talk
about the wider Avatar lore I think all
of these themes and questions are
present within just Ang story so when I
watch the series today I no longer see
the monk way of life as this Pinnacle of
existence but rather as I think the
strive for while acknowledging the
realities of the world one part of my
brain tells me that it's a doggy dog
world people do whatever it takes to get
ahead and if I don't do it why am I
handicapping myself for literally no
tangible reason that person struggling
why would I help them no one helped me
and this constant escalation of quote
unquote Improvement in every Avenue of
life is not slowing down so why should I
but on the other if everyone thinks like
that then what's the point we're not
robots surely there must be someone to
preserve traditions and a less go go go
type of Lifestyle right which very very
nicely leads us on to the second third
of an's character that being the Avatar
unlike the monk that is this n
idealistic depiction of values and
morals
the Avatar very much depicts that more
balanced and far more complex in adult
angle one that is full of conflicting
and often self-contradictory thoughts
and emotions it is a doggy dog world but
how do we coexist in such an environment
I mean the Avatar as a concept is
explicitly planted right in the middle
of every single clashing ideology and
worldview it is their literal job to
balance them and find a way to coexist
we in the real world aren't exactly
stopping fire nations in our day-to-day
but the Ang faces in his role as the
Avatar I think could be lik into a
crisis of self for just about any person
out there in the very very first
episodes when qara asks Ang why he
didn't tell them that he was the Avatar
he straight up says because I never
wanted to be he is placed in a position
that scares him he is forced to live up
to an impossible Legacy and while in the
world of Avatar he is carrying the
weight of the entire world on his
shoulders on a strictly personal level I
think each and every one of us have been
in a similar situation where each it
feels like you are carrying that same
weight we are talking about cartoons so
I don't want to get like super dark but
a tragedy happens and suddenly you find
yourself caring for someone trying to
fill in the Gap that is now left behind
you never chose this position and you
clearly never wanted any of this but it
is now forced upon you you can't stand
by because someone else needs you just
like it is Ang's duty to take up the
mantle of the Avatar it is yours to help
your loved ones friends acquaintances or
just about anyone else who might need
your help but at the same time we are
not Heroes Ang ran away after he learned
that he is the Avatar and now a 100
years of war later there is a lot of
regrets what if he hadn't ran away what
if he was never the Avatar would things
be different would a different Avatar
avoided the war altogether surely Roku
would be better at solving the problem
it is again a deeply personal story of
insecurity regrets imposter syndrome and
all of those sorts of things jumbled up
into a big old ball of anxiety what if
you had noticed those early signs of
whatever might have happened would it
have been different is it your fault for
not noticing them again these are all
things we've all probably thought about
countless times at 3:00 a.m. exactly
because Ang's regrets about not
embracing his Avatar Hood exploits that
core human doubts I distinctly remember
that in my little Walnut brain many
years ago I thought the storm was kind
of a mid episode it deals with all sorts
of regrets and stuff but I was a small
Walnut brain like give me the action
right but watching it now it is one of
my absolute favorites of book one
precisely because how much deeper it
truly goes it is no longer just a
childish surface level explanation of oh
so that's why Ang was in the iceberg for
a long time and he misses his friend
gatso that's very sad no it is a very
very real identity crisis and the
impossible weight of living up to a
great legacy you think your grandpa is
like really really cool well you'll have
to be just like him or better not to be
a disappointment right all those things
you've been taught well maybe maybe
there'll come a day when you will have
to be the teacher it is a heavy heavy
burden one that I think each and every
one of us carries to a certain extent
and one that is distinctly different
from that idealistic monk perspective of
detaching yourself from the world and
not really lingering on what everyone
else thinks of you in Ang's position
perception is very very important he can
be just a peaceful monk he needs to be
the Avatar and in a similar vein walking
the path of an avatar can be a very very
lonely walk even with the most basic of
things the air scooters Ang was
immediately shunned because of the
preconceived notions that the mere title
of the Avatar carries it is something
that is completely out of Ang's control
and in terms of their friendship it
changes absolutely nothing but still
their entire Dynamic is suddenly flipped
upside down and later in the series that
is made even more explicit with Guru
patik saying that in order to become a
fully-fledged Avatar Ang must give up
his feelings for Katara the Avatar is
forced to detach themselves from their
personal feelings and emotions yet still
has to Anchor themselves to the World At
Large or you know just like an adult
must sometimes make very very hard
decisions as to who they may be forced
to cut out of their lives for the
betterment of everyone else it is often
the Avatar who has to make sacrifices to
ensure that everything keeps going
smoothly or worse yet someone isn't
endangered there are about a dozen other
smaller things that you could talk about
with Ang's role as the Avatar but to
loop back to that question why I think
it keeps us coming back I think it's
that more balanced and introspective
adult angle that again shifts our
perspective on how we view the series
underneath that always pure and honest
monk is a far more complex often
confused and conflicted person which
also neatly brings us to the final part
of Ang's character because at the end of
the day Ang is just a kids a prodigy to
be sure but a goofy little guy for much
of what I've just talked about it is a
bit Doom and Gloom the purity of the
monks being somewhat naive the painful
regret and self-doubt out of the Avatar
all might make you think that I am
actually talking about berserk but we
have all seen the series and that is not
at all the majority of it much of it is
a collection of whimsical Adventures
that only occasionally get super deep
and exactly as I talked about with the
other parts of Ang's character the wacky
goofy unagi riding guy is just as
important with it representing that
funloving childlike wonder that lives
within each and every person there is a
genre in anime and manga called Yash
probably butcher the pronunciation but
when translated literally it means
healing these stories typically involve
very little to no conflict and
deliberately focuses on things like
nature the mundane and the many little
Delights of life to as the name suggests
heal or Soo the audience the most
obvious examples of this is something
like laidback camp but series like
mushishi and freed and more or less fit
the bill as well which by the way if you
like the swamp episode and Ang spirit
world Shenanigans watch mushishi you
will love it it's like a whole series of
just that but yes the reason why I went
off on this little tangent is that while
Avatar's big picture story doesn't
really fit the genre as it's commonly
described I still think that it's the
best way to summarize why we all love
Ang's Whimsical side so so much it's
those oneoff Adventures where we kind of
sort of get into trouble but not really
that gives the story this oddly peaceful
and soothing Vibe little stories of
personal growth like Ang getting a
little bigheaded on Kyoshi Island and of
course his famous marble trick him
wanting to know his fortune and whether
or not qara likes him even his very
creative disguise when entering omashu
all of them have just the perfect amount
of goofiness so as to be endearing but
not come off as too childish and perhaps
most importantly of all it is that
light-hearted blow stakes and
adventurous spirits that accentuates the
more serious sides of the story The
Genius thing about Ang is that it
interweaves all three of these
personalities to take you on an
emotional roller coaster all the way
through with his tail embossing say
working as the perfect small scale
example of that the overall story isn't
exactly a joyous one with Ang still
searching for Opa but stumbling upon the
bossing seu which is not doing so great
but that's when the episode is flipped
on its head and we get a little bit of
that healing Vibe again with Ang after
some Controlled Chaos of course creating
a whole new little Zoo it combines the
12-year-old Whimsical side of Ang not
really thinking things through that much
with the m CP just wants the animals to
have a nicer living space
with the more mature Avatar side more so
using this opportunity to reflect on his
search for Opa and also side note about
this little healing thing I also don't
think it's a coincidence that Ang's
story comes after iros I think this was
very much meant to destroy you
emotionally but then as you're still
crying you watch Ang sort of make people
a little bit happier and get better
himself and then of course you just get
slapped with Saka goofiness but yes
point being that much like with bluffy
for example it's because of that
light-hearted VI all throughout that the
serious and touching moments really hit
you like a truck but okay why does the
thumbnail Andor video title say perfect
but flawed what does that even mean and
more importantly what is so genius about
it well I think the character of Ang can
very easily be seen as too perfect in
that he has no bad traits he is a
bending Prodigy and overcomes every
challenge put in front of him he's a
likable wacky little guy and generally
well he is perfect but the thing is
while that is still true he has doubts
not flaws per se but very very human
doubts the genius thing about Ang's
character is exactly that the fact that
I went from being a little Walnut brain
laughing at Ang's Antics and wanting to
paint a blue arrow across my forehead to
now sitting here and talking about the
uncertainties of the monk ideologies and
the conflicts of the Avatar perfectly
demonstrates how those comparatively
tiny additions to his character have
made his story Timeless I I think it's
those three sides of Ang's character
that we've been talking about that also
sort of mirror stages of maturity and
how one's perspective might shift over
time you start as that little boy and
those marble tricks just some Childish
fun as you grow older and develop a more
rounded personality the monk seems like
a perhaps slightly idealized image but
one worth striving for one with no
explicitly bad or malicious traits just
a image of Purity and fairness but as
you enter adulthood the Avatar a more
complex and not so perfect perspective
and the impossible burden that the title
carries is the one that sticks out the
most fears over not being the right one
fears of not being good enough fears of
Never Getting It of never living up to
your forefather's legacies fears of
ruining the cycle altogether of somehow
having to Traverse a world full of
uncertainty malice and often hatred I
think the reason we keep coming back to
Avatar is because it has struck the
balance of having this perfect
protagonist whose perspective is worth
striving for but instead of giving him
some explicit flaw to to give him depth
he's rather grounded with this more
ambiguous fear of uncertainty to put it
differently rationally speaking Ang
running away from his Avatar hood is not
a flaw firstly well he's a literal kid
but far more importantly everything that
came afterwards was outside of his
control he didn't know that Solan would
launch a war and literally attempt to
wipe out his kind I mean how could he
even imagine something like that but
couldn't you say the same exact thing
for just about every single worry you
have on a day-to-day basis in the age of
always wanting to be informed about
everything we are probably exposed to
things that add nothing but wh ifs to
our lives that we could never even
control but okay that's just one thing
for things happening right now at least
there are the arguments of being
informed but what about worries about
the past we all know it's pointless
right thinking about those things you
said or didn't say like 5 years ago why
worry about that the reason why I
brought up that healing angle is because
even this pseudo character flaw that's
not really a flaw shows us that even the
perfect monk has doubts fantasy is just
an extension of The Human Condition
stories told about people wrapped up in
a slightly shinier form and what better
way to explore that human condition than
to go straight for fundamental human
insecurity and fear just like an
immortal elf girl can stun loock you a
monk boy crying in a cave about not
being a good Avatar has the same power
to tell you that it's okay bad things
happened and it is an uncertain world
out there but right now try to be the
best you can strive to be like that
humble monk don't lose yourself in that
endless pursuit of what once was and
what you believe you should be keep your
head high be that wacky goofy
12-year-old in the words of a certain
someone we can't concern ourselves with
what was we must act on what is the
genius thing about Ang is that depending
on what stage of life you are in inside
of you there is always a part of that
marble spinning goofy guy the Monk and
the Avatar what keeps us coming coming
back is that immature maturity that we
see within Ang we don't relate to him
because he's a blank page he's not just
like me for real for real because of
some quirky character flaw no it's
because within all of us there is a fun
loving carefree and adventurous Spirit
just like the male shoot writing Ang and
generally speaking I think we all try to
be good and to treat others fairly but
every now and then that more balanced
perspective kicks in for a quick reality
check sometimes a very unwelcome one
that breaks you out of that stride and
perhaps calls you to some urgent Duty
the thing that truly connects the young
versions of us following the gangs
Adventures for the very first time the
adult versions of us watching it for the
100th time and Ang himself is that
eventually we all become the Avatar just
trying to maintain balance be in the
world or maybe just within
ourselves and that's the video can you
tell that I'm in an avatar mood because
I am definitely in an avatar AR Boot and
the wait for the liveaction version is
lowkey killing me but anyway with that I
want to say a massive thank you to our
current patrons and YouTube members who
allow me to produce even more of these
for you all and let's also give a warm
welcome to the newest members of the
team JT Hill Malika Fury and Elias
luftig I am so sorry if I matured the
names I absolutely did but without you
there' be a whole lot list of my
rambling so seriously thank you thank
you and also side notes when and if we
get any more Avatar news anytime soon
I'm covering all of that on the second
chat Chann so if you're interested in
the latest developments do give that a
look other than that I want to say thank
you very much for watching I hope you
have a great day and hopefully I'll see
you in the next one
bye-bye
تصفح المزيد من مقاطع الفيديو ذات الصلة
The Surprising Spiritual Lessons of "The Perks of Being a Wallflower"
DEG DEG: Xaaladda BARIGA DHEXE oo kasii dartay & Mareykanka oo Diyaaraha B 52 geeyay ISRAEL |
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