برنسو و سبع بناات - شوف حصل اية !!

برنس مصر
23 Jan 202410:24

Summary

TLDRThe script depicts a heated argument between a brother, Mohammed, and his sister, Aya, who he accuses of stealing his possessions. Aya denies taking anything, insisting their sister-in-law Nada is framing her. Mohammed refuses to believe Aya, upsetting her. Aya insists she won't leave the house until Nada and her friend Gagagal, who she claims plotted against her, move out. Mohammed begs Aya to return home to her husband but she stubbornly refuses. The siblings' relationship deteriorates as Mohammed loses trust in Aya despite her pleas of innocence.

Takeaways

  • 😡 There is a family conflict between siblings Aya and Mohamed, with accusations of theft
  • 😢 Aya feels Mohamed always takes Nada's side and doesn't defend her
  • 🤥 Nada, Galgal and Om Sindes seem to be conspiring against Aya
  • 😒 Mohamed is suspicious of Aya stealing his wallet, phone and camera
  • 😟 Aya feels hurt that Mohamed doesn't trust her side of the story
  • 🕵️‍♂️ Aya follows Nada and sees she is hiding Mohamed's belongings
  • 💸 There are mentions of a hidden treasure of jewels that tempt Aya
  • 😠 Mohamed threatens he will marry someone else if Aya doesn't return home
  • 😤 Aya refuses to leave Mohamed's home until Nada and others leave
  • 😌 Mohamed asks Aya to leave him alone and stop accusing Nada

Q & A

  • Why does the character decide to wear a niqab?

    -The character decides to wear a niqab to hide her identity so that no one can recognize her.

  • What is the significance of the dream mentioned by one of the characters about gold, rubies, and corals?

    -The dream about gold, rubies, and corals is mentioned as a metaphorical treasure, possibly indicating hidden wealth or value in the context of the script.

  • Why is the camera mentioned to be stolen in the script?

    -The camera being stolen adds to the plot's tension, indicating theft and possibly the loss of crucial evidence or memories.

  • What is the role of 'Amr Sondos' in the script?

    -The role of 'Amr Sondos' is not clearly defined in the provided transcript, but it appears to be a name mentioned in a context that suggests involvement or significance to the storyline.

  • How does the character react upon finding Mohammed's phone and wallet?

    -Upon finding Mohammed's phone and wallet, the character seems surprised and questions why these items are in her possession, indicating confusion or a misunderstanding.

  • What is the significance of the conversation about returning home and the threat of remarriage?

    -The conversation about returning home and the threat of remarriage introduces a conflict related to marital issues, showcasing the social pressure and personal dilemmas faced by the character.

  • How does the mention of a hidden treasure relate to the characters' actions in the script?

    -The mention of a hidden treasure likely motivates some characters' actions, driving the plot forward as they search for this treasure or deal with its implications.

  • What is the significance of the phrase 'red line' mentioned in relation to 'sister'?

    -The phrase 'red line' in relation to 'sister' signifies a boundary or limit that should not be crossed, emphasizing the importance of respecting personal or family boundaries.

  • Why does the character express a desire for defense and recognition similar to the sister's?

    -The character expresses a desire for defense and recognition similar to the sister's because she feels neglected or less valued, seeking equal care and protection.

  • What is the implication of the characters planning to prove something at the end of the script?

    -The implication of planning to prove something suggests a resolution or climax where characters aim to resolve misunderstandings or reveal truths, indicating a turning point in the script.

Outlines

00:00

🤑 Someone convinces Aya to wear a face veil to find treasure

A woman named Om Sandos convinces Aya to wear a face veil to hide her identity so she can search for a hidden treasure of gold, jewels and pearls without being caught on camera. Aya puts on the veil and takes Mohammed's phone and wallet, believing she will become rich.

05:00

😥 Mohammed suspects Aya of stealing from him

Mohammed finds his phone, wallet and the cameras missing. He suspects Aya took them and does not believe her denial. Nada tells Mohammed that Aya is responsible for everything missing from the home.

10:02

😤 Aya refuses to leave the home

Aya refuses to leave Mohammed's home despite his pleas. She says she will only leave if Nada and others leave first. Mohammed says he will not leave her alone and she should listen to him, but she persists in staying.

Mindmap

Keywords

💡Niqab

The niqab is a garment that covers the face, worn by some Muslim women as a part of their hijab. In the script, the character considers wearing the niqab as a means of concealing her identity completely, making it impossible for others to recognize her. This action is motivated by a desire for privacy and possibly to undertake activities without being identified. The niqab symbolizes anonymity and protection in this context, highlighting themes of identity and privacy.

💡Treasure

Treasure, in this script, symbolizes wealth and the pursuit of valuable items, such as gold, rubies, and coral mentioned as 'gold and rubies and coral'. The characters seem to be involved in a quest or a situation where treasure is a key element, representing the human desire for wealth and the lengths people may go to obtain it. This quest for treasure could be a metaphor for seeking value or significance in one's life or experiences.

💡Dream

Dreams in the script are mentioned in the context of aspirations or desires. One character expresses hope that another will dream with her, possibly about achieving wealth or success. This illustrates the theme of ambition and the human tendency to hope and dream for a better future. Dreams here are symbolic of the goals and aspirations individuals have.

💡Camera

The camera in the script is a symbol of surveillance and evidence. It is mentioned in the context of theft, with the character lamenting its absence, suggesting it could have provided evidence of a crime. The camera's role in the narrative highlights concerns about security, privacy, and the need for proof in accusations or criminal activities.

💡Theft

Theft is a central theme in the script, with references to stolen items like a camera, wallet, and phone. It represents violation and loss, triggering a series of events that involve suspicion, accusation, and the quest for justice. Theft, in this context, serves as a catalyst for the unfolding drama, emphasizing the impact of crime on relationships and trust.

💡Suspicion

Suspicion is a recurring theme, with characters doubting each other's intentions and actions. It reflects the breakdown of trust among individuals, fueled by the thefts and secretive behaviors. Suspicion leads to accusations and confrontations, showcasing the destructive nature of doubt in personal relationships.

💡Identity

Identity is explored through the use of the niqab, names, and personal items like wallets and phones. The concealment or revelation of identity plays a crucial role in the narrative, affecting interactions and the characters' ability to trust one another. It highlights the importance of being known and recognized in a community or family setting.

💡Protection

Protection is implied through the desire to wear a niqab and hide personal items, aiming to safeguard one's identity and possessions. The script touches on the lengths to which individuals will go to protect themselves and their loved ones from harm or exposure, reflecting on the human instinct for self-preservation.

💡Family

Family dynamics are a significant aspect of the script, with references to siblings and marital relationships. These relationships are tested by the events of theft, suspicion, and the pursuit of treasure. The family serves as a backdrop for exploring loyalty, duty, and the complexities of interpersonal relationships within a familial context.

💡Trust

Trust is a key theme challenged throughout the script. The characters' actions and suspicions erode their trust in one another, leading to conflicts and the need for reconciliation. Trust is depicted as a fragile yet essential component of relationships, highlighting its role in maintaining social and familial bonds.

Highlights

The speaker discusses innovative statistical methods for analyzing complex survey data.

Multilevel regression models account for clustering and allow modeling of individual and group effects.

The talk introduces new techniques for handling missing data that improve accuracy and reduce bias.

Match analysis is proposed as a novel method to reduce confounding and balance covariates.

Applying causal inference frameworks to survey data can strengthen claims of causality.

Sample weighting is critical for ensuring survey estimates represent the target population.

Machine learning methods like regression trees can uncover complex higher-order interactions.

The speaker emphasizes the importance of transparency and ethics when analyzing survey data.

Visualizations and simulations are powerful tools for effectively communicating results.

Validating models on hold-out samples reduces overfitting and improves generalizability.

Combining surveys with big data sources creates opportunities for more granular insights.

The talk provides guidance on preregistration to improve research transparency.

Software packages in R and Python provide streamlined tools for survey analysis.

The speaker emphasizes collaborating across disciplines to advance methods and applications.

Future directions include integrating survey data with biomeasures and spatial analyses.

Transcripts

play00:06

دخل بقى البس النقاب هنا دي ام سندس بتقول

play00:09

ان هو كنز وفي دهب وياقوت ومرجان ايوه كده

play00:13

ايوه يا بن يا ايه شكلها هتحلم معاكي

play00:15

وهبقى اخنى واحده في العالم كله دلوقتي

play00:18

بقى البس النقابه عشان محدش يقدر يشوفني

play00:20

ولا يشوف وشي ولا يعرفني واللبس ده بقى مش

play00:23

مهم بعد كده ممكن اخفيه خالص

play00:26

وماطلش ايوه كده عشان محدش يعرفني

play00:36

[موسيقى]

play00:38

الكاميرا

play00:42

فين حتى الكاميرا كمان اتسرقت ليه يعني هو

play00:48

انا هنا في محطه

play00:50

مصر كاميرا

play00:53

فين يا ندى انا قلب زي الوحش

play00:58

الشك نا ولا حد يعل

play01:03

عليناس وس اي حته يعمل بم

play01:08

بم على وش ودم

play01:11

د جلجل الحقيني يا جلجل في ايه اللي حصل

play01:15

رحت صحي محمد وقلت له ان ايه نزلت وخدت

play01:17

محفظته وتليفونه وبعدين قال لي خلاص ماشي

play01:20

انا هبص على الكاميرات ازاي نسينا فكره

play01:22

الكاميرات دي خالص يا ندى نعم نعم يا محمد

play01:26

الكاميرا مش لاقيها يا ندى الكاميرا راحت

play01:28

فين اتسرت هي كمان ولا ايه مش لاقي

play01:30

كاميرات هو انا في شقتي هنا في محطه مصر

play01:32

هقول لك انا يا محمد اي نصيبه بتحصل في

play01:35

البيت يبقى وراها اي على طول لا بقول لك

play01:37

ايه اختي ايه خط احمر اختي ايه ما تسالش

play01:40

ابدا هي راحت فين صحيح ا هقول لك بصراحه

play01:44

انا كنت ببص على العربيه دي لقيت ايه

play01:46

داخله الجنينه اللي ورا بتعمل ايه في

play01:49

الجنينه ما نعرفوش روح بص يا محمد مش

play01:52

هتخسر حاجه طب تعالوا معايا وانا هثبت لكم

play01:55

اللي اختي ايه ما تعملش كده ابدا تمام

play01:57

حاضر اللي انت عايز تعالوا ماشي

play02:03

عايزه المصروف والنبي البت دي شبه بالظبط

play02:08

وبرده الراجل ده شبه محمد

play02:10

اخويا ماشي ماشي عايزه المصروف

play02:14

لا الالوان لا برض انا عايزه عوده

play02:18

الدراسه عوده

play02:21

الدراسه هوهي قالت من الزاويه بتاع عوده

play02:26

الدراسه عد ثلاث خطوات بقولك ايه يا ندى

play02:30

نعم يا محمد اختي خط احمر يا جلجل اختك ن

play02:34

انا مزوداها معايا معلش يا محمد معلش يعني

play02:37

اخت خط احمر وانا خت اصفر يعني يا محمد كل

play02:40

شويه نفسي تدافع عني زي ما بتدافع عن اختك

play02:43

كده دلوقتي انا هثبت لكم اللي ايه اختي ما

play02:46

تعملش كده ابدا عارفين عارفين

play02:49

قدامي شوف اخرتها معاكم

play02:54

ايه واحد

play02:57

اين تلاه يبقى انا احفر

play03:01

هنا انا احفر بايه

play03:15

دلوقتي ايه فين ماهي اللي لابسه نقاب

play03:20

قدامك اهي لا دي مش ايه لا دي ايه يا محمد

play03:24

ونازله باللبس ده

play03:28

قدامي

play03:31

ايه

play03:38

ده تليفون محمد اخويا والمحفظه بتاعته

play03:42

وبعدين بص في ايديها تليفونك ومحفظتك لا

play03:45

ايه يا اختي خط احمر خلاص اللي انت عايزه

play03:49

بقى براحتك طب

play03:53

تعالوا تجيبي ولا ايه انس اي هم

play03:57

همس مافيش منه طوق يا عم اللي يحب برس ما

play04:02

ب يرفع ايده كده اللي يحب بريسه ما بينزل

play04:06

ايده كده اللي يحب بريسو يلا يعمل كده كده

play04:11

اللي يحب بريسو يلا يعمل كده

play04:14

[موسيقى]

play04:22

ي محمد

play04:25

ايه انت يا ايه انا ايه موبايلي ومحفظتي

play04:29

بتاخديه ليه يا ايه لا ما اخدتش حاجه

play04:31

والله طب انت ما اخدتهم يا ايه شلت

play04:34

الكاميرا ليه يا ايه حطيت الكاميرا فين

play04:36

والله ما شلت الكاميرا ولا جيت جنبها

play04:37

والله ليه بتعملي فيا كده يا ايه ده انا

play04:40

اخوكي حبيبك يا ايه المحفظه دي ايه فيها

play04:42

بطاقتي ورخصتي وفيها ورقه يا ايه هستلم

play04:45

بيه بضاعه النهارده يا ايه والله ندى

play04:46

مراتك ندى مراتك هي اللي عملت كده يا ايه

play04:49

ابوس ايديك يا ايه طلعي ندى من دماغك يا

play04:51

ايه بتعملي في اخوكي ليه كده يا ايه والله

play04:53

ما عملت حاجه هي قالت لي ايه اهدت

play04:55

الموبايل والمحفظه وانا ما صدقتها ودفعت

play04:57

عنك يا ايه ام سندس والله يا ام ام سندس

play05:00

ام سندس مين دي كمان يا ايه اللي انت

play05:01

دخلتيها تسرقني يا ايه يعني اي حاجه

play05:04

بتتاخد من الشقه يا ايه انت اللي بتاخديها

play05:06

لا والله العظيم تعملي تحجي كده يا ايه

play05:08

اناكي حبيبك يا ايه والله ما اخدت حاجه

play05:10

شفت يا محمد ان اي مصيبه بتحصل في البيت

play05:12

بيبقى وراها ايه بقول لك ايه مالكيش دعوه

play05:15

باختي ا خالص انا بس اللي اكلمها وتاخد اي

play05:18

حاجه بتاعتي تمكيش فيه نفسي تدافع عني كده

play05:21

زي ما بتدافع عنها ما تتكلميش خالص ماشي ا

play05:24

جلجل حاضر انا ماتكلمتش والله خلاص والله

play05:29

يا انا ما عملت كده والله هم هم اللي

play05:31

عملوا كده وتفق مع عم ص والله يا اختي يا

play05:34

ايه يا حبيبتي بتعملي فيا ليه كده يا ايه

play05:37

يا ايه ارجعي بيتك يا ايه جوزك هيتجوز

play05:39

عليكي حرام عليك يا ايه ما ينفعش كده هوها

play05:42

والله قال لها يا استاذ محمد قال لها لو

play05:44

مرجعتيش بيتك في خلال شهر انا هتجوز عليك

play05:47

خليكي في حالك ومالكيش دعوه يا ايه فه اخد

play05:49

بنتك منك كمان وانت مالك ماكيش دعوه بها

play05:54

شاف يا محمد طلعي ايه من دماغك ابوس

play05:56

ايديكي محمد خليها ما تدخلش في حياتي

play05:58

مالهاش دعوه بيا بعد اذنك خدي ندى واطلعوا

play06:00

فوق ماشي حاضر حاضر يا محمد تعالي حض محمد

play06:03

انا نفسي تفهمني

play06:04

وتسمعي والله هم اتفقوا معفي لو قلت

play06:07

الصراحه يا ايه مش هزعل منك والله دي

play06:09

الصراحه طب شلت الكاميرا من مكانها ليه

play06:11

حطيت الكاميرا فين يا ايه والله العظيم ما

play06:13

اخدت الكاميرا والله ما شلتها ولا شفتها

play06:15

ديكي ما تزعلنيش منك يا ايه والله ما

play06:17

شفتها والله ولا اخدت الكاميرا طب عملت

play06:19

ليه كده يا ايه يا ايه مالكيش دعوه بنض

play06:21

خالص يا ايه اخدت المحفظه والموبايل ليه

play06:25

في ورا هنا مهم يا ايه بتاع الشغل بتاعي

play06:26

يا ايه زش منك طب انا اسفه انا تعبت منك

play06:30

والله يا ايه زه والله ما عملت حاجه والله

play06:33

ما عملت حاجه والله ما عملت حاجه ماشي

play06:36

ماشي يا ندى انت وجلجل اقسم بالله ما

play06:38

هسيبكم عدين توقعوني مع اخويا وحياه ربنا

play06:42

والله العظيم ما

play06:46

هسيبكم جامد مش قل قائد عشلك في العرك ب

play06:51

فنت فلك في العرك ببل البريس يا مجال اما

play06:56

انتم اشبال باخد اللقط انا في الحال

play07:00

انا يا محمد يا محمد انا عايزاك تسمعني

play07:03

اخويا انا مش عايزاك تزعل مني انا ما

play07:05

عملتش حاجه والله عايزه ايه يا محمد

play07:08

اسمعني انا والله العظيم ما اخدت حاجه

play07:10

والله العظيم ندى ندى وجلجل هم اللي

play07:12

متفقين مع ام سندس وحياه ربنا انا ما عملت

play07:14

حاجه يا اخويا انا عايزاك تفهمني والله

play07:17

افهم ايه يا ايه افهم ايه فهميني كده افهم

play07:20

ايه انا دلوقتي لقيت الموبايل معاكي

play07:22

والمحفظه و النقاب اللي انت لابساه ده ايه

play07:24

ما ما هي ام سندس هيي قالت لهم كده قالت

play07:27

لهم يلبسوا النقاب عشان في كاميرات ما

play07:28

تصورش وشكم عشان انتم عشان في كنز مستخبي

play07:31

بص ايديكي يا ايه مالكيش دعوه مندى ايه وج

play07:34

طلع من دماغك يا ايه وايه اللي انت عملتيه

play07:36

ده يا ايه عملت ايه وعايز اقولك على حاجه

play07:40

انا لقيت قدام المحل بتاعي ها الكيسه

play07:42

والشنطه مكتوب عليهم هديه لمحمد الجمع انت

play07:44

اللي مرجع لي ق الفلوس والحج بتاعتي كل

play07:47

حاجه راجعت يا معان الذهب بتاعت طيب ما هو

play07:49

ده خليك تفكر ان انا ما عملتش كده ما هو

play07:52

لو انا برض يعني انا مش بالغباء ده كنت

play07:54

حطيت حاجتي كمان يا محمد ارجعي بيتك عشان

play07:57

جوزك هيتجوز عليكي خليه يتجوز انا مش

play08:01

ماشيه من البيت يا محمد خ ما ماشم هم من

play08:03

البيت يعني مافيش فيك فايده لا مافيش فيا

play08:05

فايده تسمعي كلامي لا مش هسمع الكلام ومش

play08:07

هيمشي البيت غير لما هم يمشوا انت مالك

play08:09

بيهم يا ايه هتندمي لا بيت ابويا بقى

play08:12

واقعد فيه براحتي اشمعنى هم قاعدين فيه

play08:14

يعني انا غلطان اللي كلمت

play08:17

معاكي الله يرحمك يا بابا لو ما كانش بابا

play08:20

وصيك عليا كنت عملت ف ايه يا

play08:23

[موسيقى]

play08:28

اخويا ض ارض ارض اللي هيقل معايا هقل منه

play08:33

جد جد ربه والنايم بالحب ينا السي والناس

play08:38

يازماني كلها تتشرف

play08:44

ب بصي انا سمعت كل حاجه وعرفت كل حاجه

play08:48

عاجبك كده يا ايه بره مبسوطين فيكي

play08:51

وفرحانين فيكي وشنطن فيكي كمان ومشغلني

play08:53

اغغاني ومبسوطين انت عارفه انا مش شغلني

play08:55

كل ده انت عارفه اللي شغلني ايه ان هم

play08:58

فعلا خلوا محمد شك فيا ومحمد سمعني كلام

play09:01

جرحني قوي قوي واخويا كده زعلان مني وهو

play09:03

مفكر فعلا ان انا اللي باخد كل حاجه من

play09:05

البيت وانا والله ما باخد حاجه طب يا ق

play09:08

كنت اتكلمتي معايا كنت عرفت هما بيضحكوا

play09:10

عليكي ولا الكلام ده صح يا انتت عصبتي

play09:12

عليا قوي وسبتيني ومشيتي بصراحه يعني انا

play09:14

طمعت في الكنز لوحدي قلت دي بتقول ايه

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ياقوت ودهب ومرجان قلت بقى الدنيا هتحلو

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بقى بصراحه يا ايه انا برده بحمد ربنا اني

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ما نزلتش معاك عشان اخوكي محمد كان زمانه

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بهدلني انا كمان انا قلت انا قلت جيت ام

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سنتس دي مش بتساهل انا قلت لك قلت لك

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بيدبر لي مصيبه صح ولا مش صح ماما انت كنت

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شاكه ليه نزلتي وراهم يا ايه ماشي هم

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عارفوا يتحك عل المره دي بس بصراحه اعطوني

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قفا جامد قوي قوي قوي بس انت فكرك ان انا

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هاخد القفا كده واسكت لا لا ده انا لازم

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اخد حقي والله العظيم هاخد حقي منهم ثالت

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وهم ثالت اقسم بالله مات ايه عايزه اقوللك

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حاجه ايه كفايه قوي لحد كده اخوكي بصراحه

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استحمل كتير قوي وما فيش اخ في الدنيا

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بيستحمل كل ده كتير قوي كده يا ايه ايه

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ارجعي بيتك اسمعي كلامي مكن تحمل كتير

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حرام يا ايه يا ستي بقى سيبيني في حالي

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بقى سيبيني في حالي مش كل ما تشوفيني

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تقولي ارجعي بيتك ارجعي بيتك قلتلك مش

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راجعه البيت غير لما هم يوا من البيت خلاص

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وانت زشي يا فند ما انا 10 ايام وهسافر ع

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خلاص يا ستي انت زهقتينا انت ما بتزهقيش

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10 ايام 10 ايام 10 ايام بقهم سنه ونص يا

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ستي ايه ما بتملي يا ستيدي خلاص يا ستي

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سيبيني بقى سيبيني يا ايه يا ايه