مشاهد تمثيلة للنجم عابد فهد على الهواء يستذكر فيها أدواره..

MTV Lebanon
13 Jun 202405:24

Summary

TLDRThe transcript captures a passionate discussion about the complexities of acting, particularly the transformation into the character of Hajjaj ibn Yusuf in various roles. The speaker reflects on the challenges of embodying different personas and the memorable lines that define their characters. The narrative highlights the actor's journey from a coffee shop encounter to a pivotal role that significantly impacted their career, emphasizing the personal growth and the intense preparation that goes into portraying such a significant historical figure.

Takeaways

  • 🎭 The speaker discusses the challenges and intricacies of playing the role of 'Al-Hajjaj ibn Yusuf' in a TV series, emphasizing the complexity of embodying different characters.
  • 📚 The character 'Al-Hajjaj ibn Yusuf' is depicted as a historical figure who made significant decisions, such as entering Iraq in armor, which is a pivotal moment in the script.
  • 🗣️ The script includes a monologue where the character addresses 'Abd al-Malik ibn Marwan, expressing grievances and seeking justice, showcasing the character's depth and the actor's ability to convey emotion.
  • 🎭 The speaker reflects on the transformational role of 'Al-Hajjaj' in their acting career, indicating it as a turning point and a significant challenge.
  • 🏆 The role of 'Al-Hajjaj' is described as a breakthrough for the speaker, who was previously known for playing different types of roles, highlighting the versatility of the actor.
  • 🤔 The speaker ponders the casting decision, questioning why they were chosen for the role of 'Al-Hajjaj' despite not being a typical choice, reflecting on the director's vision.
  • 👑 The script touches on themes of power, leadership, and the struggles of authority, as the character interacts with other historical figures and navigates political landscapes.
  • 📝 The speaker recalls specific lines and scenes, indicating the memorization and preparation required for such a demanding role, and the impact it had on their personal life.
  • 🎬 The process of getting the role is recounted, with the speaker describing a sudden call from a producer and the quick decision to take on the role, illustrating the spontaneity of acting opportunities.
  • 💬 The dialogue includes discussions about the character's personality traits, with the speaker mentioning the need to portray 'Al-Hajjaj' as ruthless and assertive, not as a victim.
  • 🎼 The script is interspersed with music, adding an emotional layer to the narrative and highlighting the speaker's journey through the role.

Q & A

  • What is the main theme of the video script?

    -The main theme of the video script revolves around the challenges and experiences of an actor who has played various roles, specifically mentioning the role of 'Al-Hajjaj ibn Yousuf' in the series 'Al-Hajjaj'.

  • What is the significance of the role 'Al-Hajjaj ibn Yousuf' in the actor's career?

    -The role of 'Al-Hajjaj ibn Yousuf' is significant as it is described as a turning point or a pivotal role in the actor's career, marking a transition in his acting journey.

  • How does the actor describe the complexity of playing different roles?

    -The actor describes the complexity of playing different roles as very challenging, mentioning that each role is unique and requires a deep understanding and memorization of the character's traits and story.

  • What is the specific incident mentioned in the script related to the series 'Al-Hajjaj'?

    -The specific incident mentioned is when the actor was called to play the role of 'Al-Hajjaj ibn Yousuf' while he was at a cafeteria, and he had to quickly leave to take on the role.

  • How does the actor reflect on his past roles and the impact on his personal life?

    -The actor reflects on his past roles by mentioning that they have left a lasting impression on him, with certain lines and scenes still vivid in his memory. He also discusses the impact on his personal life, such as people addressing him by his character's name.

  • What is the actor's view on the importance of preparation for a role?

    -The actor emphasizes the importance of preparation, indicating that he was deeply involved in understanding and embodying the character of 'Al-Hajjaj ibn Yousuf', which contributed to the role's success.

  • How does the script touch upon the actor's experience with fame and public recognition?

    -The script touches upon the actor's experience with fame and public recognition by mentioning that people often remember him by the characters he has played, and that his roles have become a significant part of his identity.

  • What is the actor's perspective on the role of 'Al-Hajjaj ibn Yousuf' in terms of its moral and ethical implications?

    -The actor's perspective on the role of 'Al-Hajjaj ibn Yousuf' is that it is a complex character with moral and ethical dimensions, requiring him to portray both the victim and the oppressor, which adds depth to the character.

  • How does the script depict the actor's relationship with his audience?

    -The script depicts the actor's relationship with his audience as one of mutual respect and recognition, with the audience remembering his roles and the actor being aware of the impact of his performances on them.

  • What challenges does the actor face in terms of public perception and expectations?

    -The actor faces challenges in terms of public perception and expectations, as he is often typecast based on his roles and has to navigate the balance between his personal identity and the characters he portrays.

  • How does the script convey the actor's dedication to his craft?

    -The script conveys the actor's dedication to his craft through his detailed recollections of his roles, his commitment to understanding and embodying the characters, and his reflections on the impact of his performances.

Outlines

00:00

🎭 The Challenge of Character Portrayal

The speaker reflects on the complexity of embodying the character of Al-Hajjaj ibn Yusuf in a TV series, highlighting the difficulty of stepping into the shoes of such a historical figure. The monologue delves into the actor's experience of being chosen for the role, the transformation it brought to his life, and the challenges of memorizing lines and portraying the character's traits authentically. It also touches on the actor's personal growth and the impact of the role on his career.

05:03

🤔 The Actor's Dilemma: Victim or Villain?

In this paragraph, the speaker contemplates the nature of the character he portrays, questioning whether he is playing a victim or a villain. He discusses the role's impact on his public image and the audience's perception, emphasizing the importance of the character's portrayal in shaping these views. The monologue also hints at the actor's internal conflict and the moral ambiguity of the character he plays.

Mindmap

Keywords

💡Game

The term 'game' in the script refers to the acting challenge the speaker is describing, where they have to embody different characters. It is central to the theme of versatility and transformation in acting. For example, the speaker mentions 'لعبة تعال' which translates to 'come play', indicating the playful yet serious nature of the acting process.

💡Character Transformation

Character transformation is a key concept in the script, illustrating the actor's ability to change personalities and roles. It is vital to the video's theme of acting prowess and is exemplified by the speaker's experience of playing various roles, such as 'الحجاج بن يوسف', which shows the depth and range of the actor's skills.

💡Hajj

Hajj is a significant Islamic pilgrimage to Mecca, and in the context of this script, it is used metaphorically to describe the speaker's role in a series called 'الحجاج'. The role of 'الحجاج بن يوسف' is highlighted as a pivotal moment in the actor's career, indicating a transformative experience in their acting journey.

💡Script

The 'script' is the written text that actors perform from, and in this video, it is a tool that allows the speaker to step into different roles. The script is crucial to the video's narrative as it provides the foundation for the characters and dialogues, such as the speaker's recollections of lines and scenes.

💡Memorization

Memorization is the process of learning and recalling lines from the script, which is essential for an actor's performance. In the script, the speaker mentions 'وقاعده بذاكرتها', which translates to 'and sitting memorizing it', emphasizing the importance of memorization in acting.

💡Producer

A 'producer' in the context of the script refers to someone involved in the creative and financial aspects of a production. The speaker mentions a producer who approached them for the role of 'الحجاج', indicating the collaborative nature of acting and the importance of producers in casting decisions.

💡Cafeteria

The 'cafeteria' is mentioned as a location where the speaker was approached for the role, adding a casual and unexpected element to the casting process. It shows that opportunities can arise in everyday settings and is a part of the speaker's personal narrative.

💡Casting

Casting is the process of selecting actors for various roles in a production. The script discusses the speaker's experience with casting, particularly for the role of 'الحجاج بن يوسف', which was a significant turning point in their career.

💡Dialogue

Dialogue in the script refers to the spoken lines of characters in a play or film. The speaker quotes specific lines, such as 'وتعرفوني اني ارى رؤوسا قد اينعت', which translates to 'and recognize that I have raised many heads', showcasing the power of dialogue in character portrayal.

💡Emir of the Believers

The term 'Emir of the Believers' or 'امیر المؤمنين' is used in the script to refer to a historical figure, indicating a historical or religious context within the role the speaker played. It adds depth to the character's background and the script's setting.

💡Oppression

Oppression is a theme that emerges in the script through the speaker's discussion of their roles, particularly as a 'wronged husband'. The term 'ظلم', which means 'oppression', is used to describe the character's experiences, adding emotional depth to the narrative.

Highlights

The complexity of transitioning between roles and maintaining character memories.

The transformative role of playing Hajjaj ibn Yusuf in the series 'Al-Hajjaj'.

The personal growth and challenges faced by the actor from the age of 21.

The importance of character development and the impact on the audience.

The actor's experience of being remembered for the role of Hajjaj ibn Yusuf.

Reflections on the role's influence on the actor's personal life and public image.

The process of embodying the character and the emotional journey it entails.

The significance of the role in the actor's career and its lasting impression.

The actor's approach to portraying the complexity of the character's decisions.

The challenges of maintaining authenticity while playing a historical figure.

The actor's thoughts on the role's reception and its impact on their career.

The personal connection the actor felt with the character and its emotional depth.

The actor's method of preparing for the role and the research involved.

The impact of the role on the actor's view of their own identity and self-perception.

The role's contribution to the actor's understanding of historical narratives.

The actor's experience of balancing personal life with the demands of the role.

The actor's perspective on the role's legacy and its place in their body of work.

The emotional and psychological challenges of stepping into and out of the character.

Transcripts

play00:00

اني ارى رؤوسا قد اينعت لعبه لعبه تعال

play00:05

نغير شخصيات بقوللك الشخصيه وبتفوت دغري

play00:08

بالدور جاهز ادوار كلها قعدت براس الناس

play00:11

وقاعده بذاكرتها

play00:14

يعني صعب كثير بس هي لا من صعبه كثير هن

play00:17

خمس ادوار ما خصهم ببعضهم كل بقوللك الدور

play00:20

وبتفوت فيه انت مثلا يعني ح نبلش مثلا

play00:23

بالحجاج في مسلسل الحجاج بن يوسف

play00:28

الثقفي 2000

play00:30

2003 نعم من 21 سنه بعدك مذكر بعدك اليوم

play00:35

بتقدر تفوت بشخصيه الحجاج بن يوسف هلا

play00:39

في اكيد في باقي يعني بيبقى بالذاكره ش

play00:43

جمله مثلا ما بتروح من راسك هلا في الخطبه

play00:46

الشهيره اللي بالبصره او بالكوفه لا

play00:50

بالكوفه هو دخل على العراق بالجمل قرر انه

play00:54

يفوت بالجمل على العراق

play00:58

وكان كان كان بدايه الخطبه

play01:02

بتقول فيني اوقف في اكيد اكيد فيك توقف

play01:06

وتطلع بالعالم

play01:08

فيك انا ابن

play01:11

جلى وطلاع

play01:15

الثنايا متى اضع العمامه

play01:23

تعرفوني اني ارى رؤوسا قد اينعت

play01:30

وحان

play01:34

قطافها ما هي حجتك يا حجاج صح صح هيك

play01:39

بيقول لله عبد الملك بن مروان صح صح

play01:43

بقول من نزعني

play01:47

قطعته ومن خالفني قسمته ومن

play01:52

جادلني نزعته ومن دن مني اكرمته ومن طلب

play01:57

الامانه اعطيته ومن سعى للطاعه ب ل ته هذه

play02:01

ايتي وعلامته يا امير المؤمنين وان كنت

play02:04

للاعماق قطاعا وللارض عن وللاموال جماعا

play02:10

ولك نفعا روح شو بدك احسن من

play02:18

هيك لا

play02:20

بس جد يا 2 سنه بس هذا شو بيكون بيكون

play02:25

الكاركتير بقلبك بتشيله بتحطه بوجهك يعني

play02:27

بس كبسه كبسه زر قلت لك الحج لا لا هي هي

play02:30

الخطبه هي الخطبه هو لما اجاني الدور مشان

play02:34

ما اطول كثير لما اجاني الدور انا كنت

play02:37

قاعد بكافتيريا بدق لي احد المنتجين بيقول

play02:40

لي في مسلسل اسمه الحجاج قلت له انا شو

play02:42

بدي العب قال لي انت

play02:45

الحجاج قمت انا كنت قاعد بالكافتيريا قمت

play02:49

قلت لهم للشباب جاي بس انتظروني دقيقتين

play02:52

وراجع يه رحت طلعت مشيت هشام

play02:57

بالشارع وصرت على البيت

play03:00

بيت نسيت انه معي سياره تركها قدام المحل

play03:04

شرك والله قد

play03:07

معو قد معو الدور ايه الحجاج كان هو ال

play03:13

نقطه التحول يعني هو القفزه الكبيره

play03:17

لمسيره وليه فكروا فيك بوقتها مع انك ما

play03:20

اه مع اني مع انك ما كنت بوقتها انه اه لا

play03:23

كنت عامل جساس فيزير او جساس من مره بس

play03:27

ليه فكروا فيك بوقتها للحجاج بن يوس من

play03:29

ورا جساس

play03:30

الجسا طيب اذا قلتلك المقدم رؤوف في

play03:33

الولاده من

play03:36

الخاصره

play03:38

رؤوف

play03:42

رؤوف رؤوف شو عم بتشيله من قلبك تحطه على

play03:45

وجهك رؤوف

play03:49

هشام هشام انا ما باخذ هيبتي من

play03:55

حدا والله لا خليهم يبوسوا صباطي

play04:00

ل خليهم يقولوا اسمي قبل الصلاه

play04:04

وبعده شويه صراصير او باش بدهم يطولوا على

play04:10

اسيادهم نحن الاشراف ما

play04:13

بكذب بدي

play04:15

اتزز بدي اتزز ه ركين قدام مني عم بوسوا

play04:19

صباطي قدش الساعه قدش ساعه

play04:30

ليك قد ما بدك يعني قد ما بدك شو بدك بنضل

play04:34

نتفق على شيء يعني بضل نتفق على شيء شو

play04:36

بدك انت س اعطيني هالساعه لشوف هذا بس هذا

play04:40

هذا

play04:41

كاركتير هو رؤوف هذا رؤوف بيعرفوه

play04:45

رف انت انت

play04:50

بتقبض

play04:52

انا انت تنقبض جد اكثر بالادوار القاسيه

play04:57

يعني مش بالادوار المظلومه يعني انت بلوك

play05:02

كنت الزوج المخدوع بلو كنت الزوج المخدوع

play05:06

يعني انت المظلوم بنقبل ظلوم ولا بتقبل

play05:08

كالم

play05:10

اكثر بعتقد

play05:13

كالمال تعبير وجهك قاسيه بتلعب بتساعد

play05:18

يعني لكل مقام مقام

play05:22

[موسيقى]

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DramaCharacterTransformationActingPersonal GrowthArabic ScriptTV ShowMonologueCultural ImpactPerformance ArtEmotional Depth