Steve Harvey Finds the Hole in Jackie Chan’s Head
Summary
TLDRIn this candid conversation, the speaker reflects on their extensive career in stunts, revealing how they've endured countless injuries over the years. They humorously recount breaking almost every bone in their body, illustrating the physical toll of their work. The discussion shifts to a memorable meeting with Steven Spielberg, where they inquire about the filmmaking techniques used in iconic scenes, like bringing dinosaurs to life without modern CGI. The speaker contrasts the ease of Spielberg's methods with the more physically demanding stunts they perform, sharing anecdotes that highlight the difference in their approaches to action and film production.
Takeaways
- 😀 The speaker has endured many physical injuries over the years, breaking almost every bone in their body.
- 😀 Despite numerous injuries, the speaker emphasizes their resilience and survival.
- 😀 The speaker reflects on a time when they were involved in dangerous stunts with little special effects or computer graphics to aid them.
- 😀 The speaker recalls meeting Steven Spielberg and feeling awe towards him as a major figure in the film industry.
- 😀 A memorable part of the meeting with Spielberg involved asking him about creating realistic dinosaurs in films without camera movement or computers.
- 😀 Spielberg shared his approach to filming dinosaurs, emphasizing practical effects over computer-generated imagery (CGI).
- 😀 The speaker humorously contrasts the simplicity of Spielberg’s movie-making techniques with the challenges they face performing stunts.
- 😀 The speaker reflects on the difficulty of performing physical stunts and compares it to using a machine with an unknown button for more complex tasks.
- 😀 The speaker hints at their own struggles with advanced technology in film production compared to Spielberg’s simpler methods.
- 😀 The script highlights the speaker's respect for practical filmmaking techniques and the physicality involved in their own career.
Q & A
What is the speaker's experience with physical injuries?
-The speaker mentions having broken almost every bone in their body over the years, including their fingers, jaw, and other parts. They describe their body as having gone through a lot physically.
Has the speaker ever had a significant injury in their head?
-Yes, the speaker notes that they have a 'hole in their head,' which suggests a serious injury, although they clarify that it is not a result of a break or fracture.
Does the speaker regret their physical injuries?
-The speaker does not express regret but seems to imply that these injuries were part of their work, especially in the context of stunt work and action scenes. They mention the difficulty of performing stunts in earlier days due to limited resources.
What is the speaker's opinion on the ease of doing stunts compared to special effects?
-The speaker mentions that performing stunts, like jumping from buildings or cars, was easier than using special effects or computer-generated imagery (CGI), especially during the earlier years when such technology wasn't available.
How does the speaker describe their first meeting with Steven Spielberg?
-The speaker recalls being starstruck when meeting Steven Spielberg, calling him a 'god' because of the incredible movies Spielberg made. They felt nervous about how to start the conversation with him.
What question did the speaker ask Steven Spielberg?
-The speaker asked Steven Spielberg how he managed to create a dinosaur with a moving camera in his movies, which led to a discussion about the technical challenges of filmmaking.
What was Spielberg's response to the speaker's question about dinosaurs and camera movement?
-Spielberg explained that creating moving dinosaurs without computers was done by using techniques such as stop-motion and careful camera movement, which was a manual process.
How does the speaker contrast their own stunt work to Spielberg's filmmaking techniques?
-The speaker humorously contrasts their own work with Spielberg's, mentioning that for them, jumping from one place to another was easy, while filming scenes like the ones Spielberg described was much more complicated and involved technical tools that the speaker wasn't familiar with.
What does the speaker mean by 'jumping from here to there'?
-The speaker refers to performing stunts, like jumping between buildings or cars, which they claim is easier than the complex processes involved in filming intricate scenes like those involving dinosaurs, which require special effects and careful camera work.
What challenges did the speaker face in the past when doing stunts?
-The speaker mentions that in the past, there wasn't enough money or resources for special effects or computer graphics, so they had to rely on performing physical stunts, such as jumping from high places, without the aid of modern technology.
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